front cover of Loft Living
Loft Living
Culture and Capital in Urban Change
Zukin, Sharon
Rutgers University Press, 2014
Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of “creative city” policies around the world.  This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists’ districts—trailing the success of SoHo in New York—have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home.

Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular “scene,” how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city’s factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market.  Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market.

From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.
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front cover of Sounding Salsa
Sounding Salsa
Performing Latin Music in New York City
Christopher Washburne
Temple University Press, 2008
Written from the perspective of salsa musicians,this ethnographic journey into New York salsa of the 1990s, this pioneering study examines how musicians navigated their everyday lives, grappling with the intercultural tensions and commercial pressures that were so pronounced on the salsa scene. Author Chris Washburne examines the organizational structures, recording processes, rehearsing, and gigging of salsa bands, paying particular attention to how bands created a sense of community, privileged "the people" over artistic and commercial concerns, and incited cultural pride during performance events.  He considers how violence, the illicit drug trade, and issues of gender informed sound structure, salsa aesthetics, and performance practice.   He concludes the book with a discussion of salsa style in the 1990s, emphasizing how certain structural principles involved in music making (e.g., clave) and the intercultural dynamics of Puerto Rico and New York informed performance practice.
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