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Glimmering Girls
A Novel of the Fifties
Merrill Joan Gerber
University of Wisconsin Press, 2005
Glimmering Girls tells the story of three extraordinary American women during a time of sexual and cultural repression. Francie and her friends Liz and Amanda are college students, coming of age intellectually, emotionally, and physically in a setting where men were forbidden entry to women's dorm rooms, and women were locked into those rooms after curfew. College life for women was governed by one simple, cardinal rule: Marry Before Graduation or Be Lost Forever. Any thirst for adventure was supposed to be satisfied by the occasional panty raid. Francie and friends, however, find all this hard to swallow, and they resist their appointed futures as elementary school teachers and holders of the precious "MRS" degree. Doing the unthinkable, the three move off campus to live in a house with three men-Liz's boyfriend and two handsome, mysterious Southern twins who fix foreign cars in a shop off campus. There the young women's rebellion against expectations deepens, and they begin the real-world education of pursuing their dreams. Francie yearns to be a writer, and is encouraged by her Russian literature professor. Then she meets Joshua, a talented and dedicated piano student, who presents the ultimate challenge: does she maintain her "virtue," or give in to her sexual desires, finally breaking fully free of repressive "respectability"? Glimmering Girls follows Francie, Liz, and Amanda through this and other discoveries and adventures. Ultimately, each finds a way to live fully at a time when their entire culture seemed arrayed against them.
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Happy Days and Wonder Years
The Fifties and the Sixties in Contemporary Cultural Politics
Marcus, Daniel
Rutgers University Press, 2004
In the twenty-first century, why do we keep talking about the Fifties and the Sixties? The stark contrast between these decades, their concurrence with the childhood and youth of the baby boomers, and the emergence of television and rock and roll help to explain their symbolic power. In Happy Days and Wonder Years, Daniel Marcus reveals how interpretations of these decades have figured in the cultural politics of the United States since 1970.

From Ronald Reagan's image as a Fifties Cold Warrior to Bill Clinton's fandom for Elvis Presley and John F. Kennedy, politicians have invoked the Fifties and the Sixties to connect to their public. Marcus shows how films, television, music, and memoirs have responded to the political nostalgia of today, and why our entertainment remains immersed in reruns, revivals, and references to earlier times. This book offers a new understanding of how politics and popular culture have influenced our notions of the past, and how events from long ago continue to shape our understanding of the present day.
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John Wayne’s World
Transnational Masculinity in the Fifties
By Russell Meeuf
University of Texas Press, 2013

In a film career that spanned five decades, John Wayne became a U.S. icon of heroic individualism and rugged masculinity. His widespread popularity, however, was not limited to the United States: he was beloved among moviegoers in Asia, Africa, Latin America, and Europe. In John Wayne’s World, Russell Meeuf considers the actor’s global popularity and makes the case that Wayne’s depictions of masculinity in his most popular films of the 1950s reflected the turbulent social disruptions of global capitalism and modernization taking place in that decade.

John Wayne’s World places Wayne at the center of gender- and nation-based ideologies, opening a dialogue between film history, gender studies, political and economic history, and popular culture. Moving chronologically, Meeuf provides new readings of Fort Apache, Red River, Hondo, The Searchers, Rio Bravo, and The Alamo and connects Wayne’s characters with a modern, transnational masculinity being reimagined after World War II. Considering Wayne’s international productions, such as Legend of the Lost and The Barbarian and the Geisha, Meeuf shows how they resonated with U.S. ideological positions about Africa and Asia. Meeuf concludes that, in his later films, Wayne’s star text shifted to one of grandfatherly nostalgia for the past, as his earlier brand of heroic masculinity became incompatible with the changing world of the 1960s and 1970s. The first academic book-length study of John Wayne in more than twenty years, John Wayne’s World reveals a frequently overlooked history behind one of Hollywood’s most iconic stars.

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A Kinder, Gentler America
Melancholia and the Mythical 1950s
Mary Caputi
University of Minnesota Press, 2005
“In the Norman Rockwell paintings of the 1940s and 1950s,” wrote Newt Gingrich, “there was a clear sense of what it meant to be an American.” Gingrich’s words underline what Mary Caputi sees as a desire of the neoconservative movement to set a foundation for modern America that ennobles the past. 

Analyzing these competing uses of the past, A Kinder, Gentler America reveals how longing for the era of “the greatest generation” actually exposes a disillusionment with the present. Caputi draws on the theoretical frameworks of Julia Kristeva and Walter Benjamin to look at how the decade has been portrayed in movies such as Pleasantville and Far from Heaven and delves further to investigate our disenchantment’s lost origins in early modernity through a reading of the poetry of Baudelaire. What emerges is a stark contrast between the depictions of a melancholic present and a cheerful, shiny past. In the right’s invocation of the mythical 1950s and the left’s criticism of the same, Caputi recognizes a common unfulfilled desire, and proposes that by understanding this loss both sides can begin to accept that American identity, despite chaos and confusion, lies in the here and now. 

Mary Caputi is professor of political science at California State University, Long Beach, and is author of Voluptuous Yearnings: A Feminist Theory of the Obscene.
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The OTHER FIFTIES
INTERROGATING MIDCENTURY AMERICAN ICONS
Joel Foreman
University of Illinois Press, 1997
From the Edsel to Eisenhower, from Mau Mau to Doris Day, and from Ayn Rand to Elvis, contributors to The Other Fifties topple the decade's already weakened image as a time of unprecedented peace, prosperity, and conformity. Representing the fifties as a period of cultural transformation, contributors reveal the gradual "unmaking" of traditions and value systems that took place as American culture prepared itself for the more easily observed cultural turbulence of the 1960s. Well known contributors demonstrate how television, the novel, the Hollywood movie, the Broadway musical, and rock and roll assaulted midcentury American attitudes toward sexuality, race, gender, and class, so altering public sensibilities that what was novel or shocking in the fifties seems tame or even downright difficult to grasp today. They also rebut the widely held view that 1950s consumerism led to cultural homogeneity, replacing this view with a picture of robust popular markets that defied conservative controls and actively subverted
conventional norms and values. Brushing away the haze of an era, The Other Fifties will help readers understand the decade not as placid or repressed, but as a time when emancipatory desires struggled to articulate themselves.
 
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To Have and to Hold
Marriage, the Baby Boom, and Social Change
Jessica Weiss
University of Chicago Press, 2000
Middle-class family life in the 1950s brings to mind images of either smugly satisfied or miserably repressed nuclear families with breadwinning husbands, children, and housewives, much like the families depicted in Ozzie and Harriet and Father Knows Best.

Jessica Weiss delves beneath these mythic images and paints a far more complex picture that reveals strong continuities between the baby boomers and their parents. Drawing on interviews with American couples from the 1950s to the 1980s, Weiss creates a dynamic portrait of family and social change in the postwar era. She pairs these firsthand accounts with a deft analysis of movies, television shows, magazines, and advice books from each decade, providing an unprecedented and intimate look at ordinary marriages in a time of sweeping cultural change.

Weiss shows how young couples in the 1950s attempted to combine egalitarian hopes with traditional gender roles. Middle-class women encouraged their husbands to become involved fathers. Midlife wives and mothers reshaped the labor force and the home by returning to work in the 1960s. And couples strove for fulfilling marriages as they dealt with the pressures of childrearing in the midst of the sexual and divorce revolutions of the 1960s and 1970s. By the 1980s, they were far more welcoming to the ideas of the women's movement than has often been assumed. More than simply changing with the times, the parents of the baby boom contributed to changing times themselves.

Weiss's excellent use of family interviews that span three decades, her imaginative examination of popular culture, and her incisive conclusions make her book an invaluable contribution not only to our understanding of the past but also to our understanding of men's and women's roles in today's family.

"Weiss has written an enlightening book that examines the dynamics of American families past and present. . . . Since Weiss is a historian, she provides analyses of her arguments that are factual rather than emotive, and her use of family interviews further contributes to a strong presentation. Overall, this is a unique works because its multidisciplinary approach informs but never preaches on the emotionally charged topic of the American family.—Sheila Devaney, Library Journal
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