front cover of Eleni, or Nobody
Eleni, or Nobody
Rhea Galanaki
Northwestern University Press, 2003
Winner of the 1999 Greek State Prize for Best Novel

Rather than consent to spinsterhood at age twenty-seven, Eleni Altamura sets sail with her seafaring father to Italy, where she is to study painting at the famed School of the Nazarenes. Once in Naples, Eleni flees her female identity and, disguised as a young man, walks with her father to Rome. Along the way she falls in love with her would-be husband while learning to navigate life in a man's world--as a man. But when love reveals her femininity, Eleni marries the father of her children, the first of the many tragedies she will have to endure. She continues to question her identity as her life choices spark rumors she may be a powerful, mad magician, or just another crazy old woman.
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front cover of Nothing, Nobody
Nothing, Nobody
The Voices of the Mexico City Earthquake
Elena Poniatowska, translated by Aurora Camacho de Schmidt, foreword by Arthur Schmidt
Temple University Press, 1995

September 19, 1985: A powerful earthquake hits Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist Elena Poniatowska chronicles the disintegration of the city's physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of mexican society, the earthquake is as much a component of the country's current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.

In masterfully weaving together a multiplicity of voices, Poniatowska has reasserted the inherent value and latent power of people working together. Punctuated by Poniatowska's own experiences and observations, these post disaster testimonies speak of the disruption of families and neighborhoods, of the destruction of homes and hospitals, of mutilation and death—the collective loss of a city. Drawing the reader dramatically into the scene of national horror through dozens of personal stories, Poniatowska demonstrates the importance of courage and self-reliance in redeeming life from chaos.

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