front cover of Abracadabra
Abracadabra
A Novel
David Kranes
University of Nevada Press, 2017
Abracadabra is a fantastical and inventive addition to the tradition of noir writing, which not only delights and surprises at every turn but also raises important questions about identity, the human condition, the nature of evil, and the state of the union. The novel begins with a mystery, when Mark Goodson, a seemingly well-adjusted married man, disappears during a magic act, precipitating a series of events, encounters, and seemingly inexplicable occurrences, which it falls to a former professional football player, Elko Wells, to weave together into a story that is at once compelling and true. The concussion that ended Wells’ playing career left him open to hearing voices and discerning patterns of meaning helpful to his work as the owner of a missing-persons agency. He also owns a celebrity look-alike agency, which complicates matters in humorous ways, and his reliance on a string of cocktail waitresses called the Bloody Marys who are on the lookout for various people adds another level of intrigue.
 
Magicians and misdirection, gambling, down-on-one’s-luck, the crazed sense of possibility and impossibility, mistaken identity, impersonators and body doubles, people acting bizarrely with all sorts of chaos, collisions, and overlaps thrown in for good measure. Again and again the reader is swept into treacherous waters, always confident that the writer is in control of his material. Because the many twists and turns the plot takes are all but impossible to anticipate, the experience of reading Abracadabra is deliciously magical.
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front cover of Drowning in the Desert
Drowning in the Desert
A Nevada Noir Novel
Bernard Schopen
University of Nevada Press, 2023
Desert stillness meets the cacophony of Las Vegas.

Norman “Fats” Rangle, an ex–deputy sheriff, operates a horse stabling and excursion business with his brother and sister-in-law on their family ranch in the small rural community of Blue Lake, a few hours outside of Las Vegas. By chance, high on a southern Nevada mountain range, Fats discovers the wreckage of a plane that crashed two years earlier. Although he reports his find to the sheriff, he does not disclose that someone had already been to the crash site—evidence that Fats deliberately destroyed.

Soon, Fats is tracking back and forth between Las Vegas and Blue Lake in a search for a missing cousin, a briefcase full of cash, and, finally, for a killer. Along the way, Fats also begins to understand that he’s searching for himself and his place in a rapidly changing West.

Angry and alienated, Fats distrusts everyone he meets, from sleaze-merchants and political power brokers to two women: one he wants to believe in, a retired judge; and the other, a police sergeant, he can’t quite believe isn’t deceiving him. After all, in this Nevada, corruption is a given. Everybody lies. Much is uncertain—motives, loyalties, affections. But in Drowning in the Desert, one thing is certain: water is a precious resource that can both kill and be killed for.
 
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front cover of Nice and Noir
Nice and Noir
Contemporary American Crime Fiction
Richard B. Schwartz
University of Missouri Press, 2002
Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover. Richard B. Schwartz belongs in the last group, with his own list of approximately seventy favorite writers.
Nice and Noir: Contemporary American Crime Fiction explores the work of these writers, building upon a reading of almost seven hundred novels from the 1980s and 1990s. By looking at recurring themes in these mysteries, Schwartz offers readers new ways to approach the works in relation to contemporary cultural concerns.
            With sensitivity to a culture consisting of frontiers and borders, Schwartz examines the position of the vigilante in art and society, racial bridges and divides, the absence of divine presence and compensating narrative strategies, the unresolved nature of the crime plot and its roots in chivalric romance. The special importance of setting and the growing importance of grotesque humor in the fiction studied here are addressed by the author, as is the journalistic/instructional dimension of the field and the importance of crossover narratives.
            This book is not only a study and appreciation of an important subgenre and its contemporary practitioners; it also utilizes both literary history and theoretical material. Information has been drawn from fanzines, from discussions with writers, booksellers, agents, and editors, and from the author’s own extensive knowledge of literature and American culture.
            Nice and Noir is wide-ranging but neither ponderous nor lugubrious. Its language is accessible but not simplistic. The book will have a broad appeal—both to academics and to general readers with some interest in American studies and popular culture.
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front cover of Winning the Game and Other Stories
Winning the Game and Other Stories
Rubem Fonseca
Tagus Press, 2013
In these seventeen stories by one of Brazil's foremost living authors, Fonseca introduces readers—with unsurpassed candor and keenness of observation—to a kaleidoscopic, often disturbing world. A hunchback sets his lascivious sights on seducing a beautiful woman. A wealthy businessman hires a ghost writer, with unexpected results. A family of modern-day urban cannibals celebrates a bizarre rite of passage. A man roams the nocturnal streets of Rio de Janeiro in search of meaning. A male ex-police reporter writes an advice column under a female pseudonym. A prosperous entrepreneur picks up a beautiful girl in his Mercedes only to discover his costly mistake. A loser elaborates a lethal plan to become, in his mind, a winner.
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