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AIDS in Industrialized Democracies
Passions, Politics, and Policies
Bayer, Ronald
Rutgers University Press, 1992

In the ten years since the first cases of AIDS were reported, the disease has spread around the world. Every country has had to come up with policies suited to its own conditions, economy, culture, and institutions. The differences among their approaches are striking. This volume, the first international comprehensive comparison of responses to AIDS, is a unique guide to the world's most urgent public health crisis.

Sixteen leading experts in public health, social science, government, and public policy from USA, Canada, Germany, Australia, Spain, Britain, France, the Netherlands, Denmark, Sweden, and Japan candidly recount and analyze the responses of their own nations and comment on the lessons that can be drawn from each country's experience. For each country, they look critically at the tragic statistics of AIDS incidence; the circumstances of AIDS's first appearance; public health traditions of mandatory screening, contact tracing, and quarantine; attitudes toward drug abuse, homosexuality, sex education; publicity about AIDS; legal and customary protections of civil rights, minority groups, medical confidentiality; access to health care and insurance; and the interplay of formal and informal interest groups in shaping policy. The spectrum of AIDS policy ranges from severe "contain-and-control" programs to much more liberal plans based on education, cooperation, and inclusion.

No matter what policy a nation has constructed to deal with AIDS, the coming decade will test how well that policy conforms to democratic ideals. By scrutinizing the responses to AIDS so far, this book aims to give countries around the world a chance to learn from each others' mistakes and triumphs. It will be essential reading for all students and professionals in public health and public policy.

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The Birth of Whiteness
Race and the Emergence of United States Cinema
Edited by Daniel Leonard Bernardi
Rutgers University Press, 1996

As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social.  In this first anthology on race in early cinema, fourteen scholars examine the origins,  dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant?  Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white.

The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume.

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Bodies of the Text
Dance as Theory, Literature as Dance
Edited by Ellen W Goellner
Rutgers University Press, 1995
Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual. Bodies of the Text is the first book-length study of the interconnections between the two arts and the body of writing about them. The essays, by scholar-critics of dance and literature, explore dances actual and fictional to offer powerful new insights into issues of gender, race, ethnicity, popular culture, feminist aesthetics, historical "embodiment," identity politics, and narrativity. The general introduction traces the genealogy of dance studies in the academy to suggest why critical and theoretical attention to dance--and dance's challenges to writing--is both compelling and overdue. A milestone in interdisciplinary studies, Bodies of the Text opens both its fields to new inquiry, new theoretical precision, and to new readers and writers. 
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Celebrities and Publics in the Internet Era
Sharon Marcus, special issue editor
Duke University Press
The contributors to "Celebrities and Publics in the Internet Era" ask how new digital media platforms such as search engines, Twitter, Facebook, Instagram, and YouTube have qualitatively changed celebrity culture. Drawing on a wide range of examples, from the luxury selfies of micro-celebrities like Kane Lim to performance artist Marina Abramovic’s collaborations with Jay-Z and Lady Gaga, from the karaoke standard in shows like American Idol to Syrian singer Assala’s media battle with the Assad regime, from the "emotion economy" of reality TV to the influence of network entrepreneurs like Tim O’Reilly, the essays in this special issue identify core structural features that contribute to the development of a new theory of celebrity.
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East Lynne
Mitchell, Sally
Rutgers University Press, 1984
Part of the "Everyman" series which has been re-set with wide margins for notes and easy-to-read type. Each title includes a themed introduction by leading authorities on the subject, life-and-times chronology of the author, text summaries, annotated reading lists and selected criticism and notes.
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Imagining Ethiopia
Struggles for History and Identity in the Horn of Africa
Sorenson, John
Rutgers University Press, 1993
In Imagining Ethiopia, Sorenson examines Western mass media images of Ethiopia, placing them in the context of a larger discourse on the Third World. Sorenson shows how our image of Ethiopia has been developed by reporters and photographers who blamed the famine on African backwardness and ignored its historical and political causes, which include a colonial history, militarization, and the circumstances of Africa's integration into the world market.
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Phila Magazine'S Ultimate Restaurant Gde
Restaurant Guide
April White
Temple University Press, 2004
When renowned national food critic John Mariani ranked Philadelphia's food scene among the top ten in the country, placing it alongside longtime culinary destinations New York and San Francisco, nobody at PhiladelphiaMagazine was surprised. That's what the magazine's food critics—always in search of the best of Philly—have known for years. Now, the PhiladelphiaMagazine's Ultimate Restaurant Guide condenses their comprehensive knowledge—and thousands of meals—into one informative, easy-to-digest handbook, essential for both the Philadelphia foodie and the hungry tourist.

What's on the menu:
 * Profiles of Philadelphia's most influential chefs and restaurant owners, including Le Bec-Fin's Georges Perrier, and restaurant mogul Stephen Starr.
* A behind-the-scenes look at the Philadelphia food purveyors, who are responsible for some of the nation's hottest food trends—from La Colombe coffee to Metropolitan Bakery's artisanal breads to Jubilee Chocolates.
* Reviews of more than 230 of the best restaurants in the Philadelphia region, from Center City mainstays Susanna Foo and Morimoto to suburban destinations Alison at Blue Bell and Carmine's Café.
* Easy-to-use index of restaurants by cuisine and neighborhood.
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The Wild Midwest
A Coloring Book
Mark Muller
University of Iowa Press, 2016
While most coloring books offer fanciful recreations of the wonders of nature, Mark Müller’s realistic drawings allow you to embellish real-world birds, plants, and animals with all the colors you can imagine. Layer your creative whimsy on his meticulous accuracy. Go ahead, ink in a hot pink bison or a turquoise sandhill crane or a buttery yellow tree frog, pouring magic into reality. Turn the tallgrass prairie’s pale purple coneflowers ruby red, the black swallowtail butterfly into a green-dotted swallowtail, or white-tailed deer into fuschia-tailed. Why shouldn’t red-winged blackbirds flaunt salmon epaulets, or American goldfinches turn coppery, or rose-breasted grosbeaks celadon-breasted? Amid the creatures teeming in the midwestern grasses and wetlands on these pages, you’ll even find the most common invasive species—see if you can find the garlic mustard and the emerald ash borer! Here is the wild Midwest as it really is, for your coloring pleasure.
 
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