On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066, authorizing the U.S. military to ban anyone from certain areas of the country, with primary focus on the West Coast. Eventually the order was used to imprison 120,000 people of Japanese descent in incarceration camps such as the Rohwer Relocation Center in remote Desha County, Arkansas. This time of fear and prejudice (the U.S. government formally apologized for the relocations in 1982) and the Arkansas Delta are the setting for Camp Nine. The novel's narrator, Chess Morton, lives in tiny Rook Arkansas. Her days are quiet and secluded until the appearance of a "relocation" center built for what was, in effect, the imprisonment of thousands of Japanese Americans. Chess's life becomes intertwined with those of two young internees and an American soldier mysteriously connected to her mother's past. As Chess watches the struggles and triumphs of these strangers and sees her mother seek justice for the people who briefly and involuntarily came to call the Arkansas Delta their home, she discovers surprising and disturbing truths about her family's painful past.

Leyla is a headstrong Brooklyn-born art historian at a prestigious upstate New York college. When she meets feckless young computer technician Pablo at a party, she quickly becomes pregnant with his child. There’s only one problem: she can’t stand him. And one more problem: her student Michael wants Pablo for himself.

Amid this love triangle, the objects of Leyla and Michael’s study take on a life of their own. Trying to learn more about Caravaggio’s masterpiece The Seven Works of Mercy, they pore over the journal and prison writings of maverick 17th-century utopian philosopher Tommaso Campanella, which, as if by enchantment, transport them back four centuries to Naples. And while the past and present miraculously converge, Leyla, Michael, and Tommaso embark on a voyage of self-discovery in search of a new life.
 
In this fusion of historical, queer, and speculative fiction, Alessandro Giardino combines the intellectual playfulness of Umberto Eco with the psychological finesse of Michael Cunningham.
 

Winner of the 2021 Found in Translation Award

First published in Polish in 1932, The Career of Nicodemus Dyzma was Tadeusz Dołęga-Mostowicz’s breakout novel. Dyzma is an unemployed clerk who crashes a swanky party, where he makes an offhand crass remark that sets him on a new course. Soon high society—from government ministers to drug-fueled aristocrats—wants a piece of him. As Dyzma’s status grows, his vulgarity is interpreted as authenticity and strength. He is unable to comprehend complicated political matters, but his cryptic responses are celebrated as wise introspection. His willingness to do anything to hold on to power—flip-flopping on political positions, inventing xenophobic plots, even having enemies assaulted—only leads to greater success. 

Dołęga-Mostowicz wrote his novel in a newly independent Poland rampant with political corruption and populist pandering. Jerzy Kosinski borrowed heavily from the novel when he wrote Being There, and readers of both books will recognize similarities between their plots. This biting political satire—by turns hilarious and disturbing, contemptuous and sympathetic—is an indictment of a system in which money and connections matter above all else, bluster and ignorance are valorized, and a deeply incompetent man rises to the highest spheres of government.

A fictional return to the unsettling world of Franz Kafka’s iconic unfinished novel, The Castle

Catina’s Haircut: A Novel in Stories spans four generations of a peasant family in the brutal poverty of post-Unification southern Italy and in an immigrant’s United States. The women in these tales dare to cross boundaries by discovering magical leaps inherent in the landscape, in themselves, and in the stories they tell and retell of family tragedy at a time of political unrest. Through an oral tradition embedded in the stone of memory and the flow of its reinvention, their passionate tale of resistance and transformation courses forward into new generations in a new world.
    A woman threatens to join the land reform struggle in her Calabrian hill town, against her husband’s will, during a call for revolution in 1919. A brother and sister turn to the village sorceress in Fascist Italy to bring rain to their father’s drought-stricken farm. In Pittsburgh, new immigrants witness a miraculous rescue during the Great Flood of 1936. A young girl courageously dives into the Allegheny River to save her grandfather’s only memento of the old country. With only broken English to guide her, a widow hops a bus in search of live chickens to cook for Easter dinner in her husband’s memory. An aging woman in the title story is on a quest to cut the ankle-length hair as hard as the rocky soil of Calabria in a drought. A lonely woman who survived World War II bombings in her close-knit village, struggles to find community as a recent immigrant. A daughter visits her mother’s hill town to try and fulfill a wish for her to see the Fata Morgana. These haunting images permeate Corso’s linked stories of loss, hope, struggle, and freedom.

An official selection of The Sons of Italy® Book Club

Best Books for General Audiences, selected by the Public Library Association

This edition includes a new foreword by Diane Johnson, author of the best-selling novels Le Divorce and L’Affaire.

 

“The second book is now out, and so is the verdict. Sagan’s novel Un Certain Sourire, written in two months, is the new literary sensation of Paris.”—Time

 

“Miss Sagan is a technician of the highest order, working with exceptional economy and elegance in the tradition of Colette and Benjamin Constant.”—Atlantic

 

 

“The reader is given the feeling of having opened a young girl’s intimate diary by mistake. But whoever put such a diary down?—especially when the author is as sensitive, experienced, gifted and freshly talented as Mlle. Sagan!”—San Francisco Examiner

 

“[Sagan’s] style is honest, direct, and her dialogue true. But for her sake let’s hold back those invidious comparisons. Colette indeed! She might turn out to be Sagan.”—Saturday Review

Paul Scott is most famous for his much-beloved tetralogy The Raj Quartet, an epic that chronicles the end of the British rule in India with a cast of vividly and memorably drawn characters. Inspired by Scott’s own time spent in India and Malaya during World War II, this two powerful novel provides valuable insight into how foreign lands changed the British who worked and fought in them, hated and loved them.

The Chinese Love Pavilion follows a young British clerk, Tom Brent, who must track down a former friend—now suspected of murder—in Malaya. Tom faces great danger, both from the mysterious Malayan jungles and the political tensions between British officers, but the novel is perhaps most memorable for the strange, beautiful romance between Tom and a protean Eurasian beauty whom he meets in the eponymous Chinese Love Pavilion.

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic.
            Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán. Miguel is a principled young doctor, only recently returned from Europe but wracked by guilt for a crime he committed as a medical student ten years earlier. Alicia is the spinster daughter of an aristocratic family. Disfigured by smallpox, she has devoted herself to working with the city’s destitute. This unlikely pair—he a scientist and atheist and she a committed Christian—will marry. Through their eyes and the eyes of their young son, José, readers follow the collapse of the old order and its bloody aftermath.
            The City of Palaces is a sweeping novel of interwoven lives: Miguel and Alicia; José, a boy as beautiful and lonely as a child in a fairy tale; the idealistic Francisco Madero, who overthrows Díaz but is nevertheless destroyed by the tyrant’s political system; and Miguel’s cousin Luis, shunned as a “sodomite.” A glittering mosaic of the colonial past and the wealth of the modern age, The City of Palaces is a story of faith and reason, cathedrals and hovels, barefoot street vendors and frock-coated businessmen, grand opera and silent film, presidents and peasants, the living and the dead.

Winner, International Latino Book Award for Latino Fiction, Latino Literacy Now

Second place, International Latino Book Award for Historical Fiction, Latino Literacy Now

Finalist, Gay Fiction, Lambda Literary Awards

Honorable Mention in Drama, Latino Books into Movies Award, International Latino Book Awards

Best Books for General Audiences, selected by the American Association of School Librarians

Outstanding Book, selected by the Public Library Reviewers

During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people—including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude.

"A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."—Doris Grumbach, Los Angeles Times Book Review

"What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."—Anne Tyler, The New Republic

"Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."—Cynthia King, Houston Post

"Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."—Publisher's Weekly

Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.

Jude is a Las Vegas casino dealer who barely survived the deadly MGM fire in 1980. More than two decades later, he’s still dealing, a tired, middle-aged man, divorced, struggling with debt, and trying to be a good father to his children. Then he loses his job and his car is totaled in an accident. When an attractive woman friend offers to help him get another job, Jude is happy to go along. Gradually, he realizes that his new job is part of an elaborate scheme to cheat a casino and that his own fate and that of his children depend on his finding the courage and ingenuity to extricate himself.

Cold Deck is the exciting story of an ordinary man who finds himself in extraordinary circumstances. Moving from Las Vegas’s mean streets to the insider’s world of casino workers, this is a story of survival set against the greed, fears, and glitz of Sin City.  

A young physician, Dr. Abby Wilmore, attempts to escape her past by starting over at the Grand Canyon Clinic. Silently battling her own health issues, Abby struggles with adjusting to the demands of this unique rural location. She encounters everything from squirrel bites to suicides to an office plagued by strong personalities. While tending to unprepared tourists, underserved locals, and her own mental trials, Abby finds herself entangled in an unexpected romance and trapped amidst a danger even more treacherous than the foreboding desert landscape.

Sandra Cavallo Miller’s debut novel transports readers to the beautiful depths of Arizona and weaves an adventurous and heartwarming tale of the courage and strength it takes to overcome personal demons and to find love.

The year 1816 in Delaware and surrounding states was known as “the year without a summer” due to debris from the eruption of Mt. Tambora that tainted most of the Northern hemisphere with chill and darkness. This time of chill and darkness provides the setting for this ambitious tale of people divided by the institution of slavery, ignorance, greed and social isolation and the triumph of a few people of character over impossible odds. Historians H.A. Maxson and Claudia H. Young bring alive this little known time and place in America. Their collaboration results in a memorable tale of loyalty and betrayal, compassion and cruelty, and of dauntless courage and creativity. Comfort is a talented young seamstress who has worked to buy her freedom from slavery from her benevolent owner, an Irish immigrant and former indentured servant. Her husband Cuff is an unwise, irresponsible and weak man who sells his wife to pay his gambling debt. When Comfort falls into the hands of the reprehensible dealer of human flesh Joe Johnson, she is sold south to Virginia, to a cruel master and poor manager. Comfort’s stalwart friend Esther, is a slave whose skin is pale enough for her to pass as white. Esther possesses an extensive knowledge of “Roots”, the native art of using plants for therapeutic and not-so-therapeutic purposes. Esther pairs with Pompey, a mute freed slave who is clever and resourceful, to escape her sadistic owner, travel south to find Comfort and help her find her way back to freedom and her baby girl. Comfort tells the story of how shared morality and character can lead to unlikely partnerships in intrepid heroism. This extraordinary work by veteran authors sets a new standard for interpretation of the reverse underground railroad.
 
 

Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature. The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans. The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

The fourth novel in Jerry Apps’s Ames County series, Cranberry Red brings the story into the present, portraying the challenges of agriculture in the twenty-first century.    
    As the novel opens, Ben Wesley has lost his job as agricultural agent for Ames County. He is soon hired as a research application specialist for Osborne University, a for-profit institution that has developed “Cranberry Red,” a new chemical that promises not only to improve cranberry crop yields but also to endow the fruits with the power to prevent heart disease, reduce brain damage from strokes, and ward off Alzheimer’s disease. Ben must promote the new product to cranberry growers in Ames County and beyond, but he worries whether the promised results are credible. Was Cranberry Red rushed to market?
    When the chemical does all that the university claims it will do, Ben is relieved . . . until disturbing side effects emerge. Can he criticize Cranberry Red and safeguard farmers and consumers without losing his job, or will Ben’s honesty get him fired while his community continues to get sicker?

Finalist, General Fiction, Midwest Book Awards

Rubem Fonseca's Crimes of August offers the first serious literary treatment of the cataclysmic events of August 1954, arguably the most turbulent month in Brazilian history. A rich novel, both culturally and historically, Crimes of August tells two stories simultaneously. The first is private, involving the well-delineated character of Alberto Mattos, a police officer. The other is public, focusing on events that begin with the attempted assassination of Carlos Lacerda, a demagogic journalist and political enemy of President Getúlio Vargas, and culminate in Vargas's suicide on August 24,1954. Throughout this suspenseful novel, deceptively couched as a thriller, Fonseca interweaves fact and fiction in a complex, provocative plot. At the same time, he re-creates the atmosphere of the 1950s, when Rio de Janeiro was Brazil's capital and the nexus of political intrigue and corruption. Mattos is assigned to solve the brutal murder of a wealthy entrepreneur in the aftermath of what appears to be a homosexual liaison. An educated and introspective man, and one of the few in his precinct not on the take from the bankers" of the illegal lottery, Mattos suffers from alienation and a bleeding ulcer. His investigation puts him on a dangerous collision course with the conspiracy to depose Vargas, the novel's other narrative thread. The two overlap at several points, coming to their tragic end with the aged politician's suicide and Mattos's downfall.

The story of the development of the novel—its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites—is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform—from what novels are, to what they do.
The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized—defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of “the” novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.

Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner

Violence haunts 1915 Atlanta and so does the golem a group of girls creates

A dark, lyrical blend of historical fiction and magical realism, The Curators examines a critically underexplored event in American history through unlikely eyes. All of Atlanta is obsessed with the two-year-long trial and subsequent lynching of Jewish factory superintendent Leo Frank in 1915. None more so than thirteen-year-old Ana Wulff and her friends, who take history into their own hands—quite literally—when they use dirt from Ana’s garden to build and animate a golem in Frank’s image. They’ll do anything to keep his story alive, but when their scheme gets out of hand, they must decide what responsibility requires of them. The Curators tells the story of five zealous girls and the cyclonic power of their friendship as they come of age in a country riven by white supremacy.