front cover of The Edge of the Storm
The Edge of the Storm
A Novel
By Agustín Yáñez
University of Texas Press, 1963

This tale of a repressive priest and his small Mexican village during the eighteen months preceding the Revolution of 1910 is a great novel, one that exposes the struggle between human desire and paralyzing fear—fear of humanity, fear of nature, fear of the wrath of God. Agustín Yáñez probes the actions of people caught in life’s currents, enthralling his readers with mounting dramatic tension as he shows that no power can forge saints from the human masses, that any attempt to do so, in fact, often has exactly the opposite result.

Yáñez brings to his work a deep understanding of people—his people—and he illuminates a great truth—that no one, anywhere, seems very strange when we understand the environment that has produced him or her.

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Enclosure Architect
A Novel
Douglas W. Milliken
West Virginia University Press, 2024
It seems like a sign of liberation—of adulthood’s indefinite postponement—when Partisans bomb the university and every student’s personal records, from transcripts to debts, are consumed in erasing fire. If nothing else, it lends Margaux the freedom to continue her preferred art form of list-making unfettered by the authority of academia--until she encounters the breakdowns and disappearances and deaths of the people she admires and cherishes most. A monochromatic painter. A BDSM documentary photographer. A transgendered Aphrodite. A mathematician with an invisible cat. Yet as the concrete details of her world dissolve into the abstraction of loss, they also become more rarefied, more essential. Something small enough to be contained. Small enough to be protected.

Set in a semi-fictional, post-industrial American warzone, this novel explores multiple facets related to the recent nonfictional decades of constant civil unrest, with a particular focus on the complicated nature of holding a personal creative life amidst a time of constant violence and change. Despite its heavy themes, the narrative is threaded throughout with veins of absurdist humor that invite and welcome us into the familial warmth of the narrator’s memories of friendship. 
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The End of the World Book
A Novel
Alistair McCartney
University of Wisconsin Press, 2008

This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present.
    In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined.

Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle

Finalist, PEN USA Literary Award for Fiction

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Enlightenment Orientalism
Resisting the Rise of the Novel
Srinivas Aravamudan
University of Chicago Press, 2011

Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel.

More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.
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Euphrates Dance
A Novel
Hussein Hussein
Parkhurst Brothers, Inc., 2017
Hussein’s Euphrates Dance is a masterfully imagined and brilliantly written story of the universal struggle to seek light in the shadow of dominant horror and tragedy
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Eva
A Novel
Jane Fenoulhet
University College London, 2019
“I let these years slip through my fingers like a stream of dry, glinting sand.” Eva is a coming-of-age story told in fluid, stream-of-consciousness prose that takes readers through the eponymous main character’s orthodox Jewish girlhood to marriage to, finally, independence and sexual freedom. Originally published in 1927 by Dutch writer Carry van Bruggen (1881–1932), the experimental novel expresses Eva’s dawning sense of self and expanding subjectivity. Burdened all of her life by feelings of shame, Eva overcomes this legacy of her upbringing at the end of the novel and declares that it is “bodily desire that makes love acceptable.”

For the first time, Jane Fenoulhet has made this important, modernist novel accessible to English-language readers, her deft translation capturing the rich expressiveness of van Bruggen’s original Dutch. In insightful accompanying commentary, Fenoulhet describes how, just as the novel depicts the becoming of both Eva and her creator, so too can the translation be seen as the translator’s own becoming. Fenoulhet also describes the challenges of translating van Bruggen’s dynamic, intense narrative, which necessitated deep personal engagement with the novel.
 
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Everyday Psychokillers
A History for Girls, A Novel
Lucy Corin
University of Alabama Press, 2004
Interweaving history, myth, rumor, and news, this first novel explores what it means to grow up as a girl in a culture of girl-killers

In Everyday Psychokillers spectacular violence is the idiom of everyday life, a lurid extravaganza in which all those around the narrator seem vicarious participants. And at its center are the interchangeable young girls, thrilling to know themselves the object of so much desire and terror.

The narrative interweaves history, myth, rumor, and news with the experiences of a young girl living in the flatness of South Florida. Like Grace Paley's narrators, she is pensive and eager, hungry for experience but restrained. Into the sphere of her regard come a Ted Bundy reject, the God Osiris, a Caribbean slave turned pirate, a circus performer living in a box, broken horses, a Seminole chief in a swamp, and a murderous babysitter. What these preposterously commonplace figures all know is that murder is identity: "Of course what matters really is the psychokiller, what he's done, what he threatens to do. Of course to be the lucky one you have to be abducted in the first place. Without him, you wouldn't exist."

Everyday Psychokillers reaches to the edge of the psychoanalytical and jolts the reader back to daily life. The reader becomes the killer, the watcher, the person on the verge, hiding behind an everyday face.
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The Extinction of Menai
A Novel
Chuma Nwokolo
Ohio University Press, 2017
In the early 1980s, a pharmaceutical company administers an unethical drug trial to residents of the Niger Delta village of Kreektown. When children die as a result of the trial, the dominoes of language extinction and cultural collapse begin to topple. Decades later the end looms for the Menai people. Continents-apart twin brothers separated at birth, an excommunicated daughter living an urbane life with her doctor husband, and an infamous vigilante are among the indelible characters whose lives are shaped by this collective tragedy. Not least of these is the spiritual leader Mata Nimito, who retraces his people’s ancient migration on his quest to preserve the soul of the Menai and resolve the consequences of a centuries-old betrayal. In The Extinction of Menai, Chuma Nwokolo moves across time and continents to deliver a story that speaks to urgent contemporary concerns. He confronts power relations between large corporations and small communities, corporate lobbies and governments, and big pharma and consumers, all expressed through the competing narratives that record the life and death of a civilization.In a novel of stunning scope, Chuma Nwokolo moves across time and place to deliver a story that speaks to urgent contemporary concerns. His characters’ indelible voices offer perspectives that are simultaneously global, political, and intimately human.
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