A coming-of-age tale told from the perspective of Nigeria’s Generation X, caught amid the throes of a nascent pro-democracy movement, demoralizing corruption, and campus violence.

Ewaen is a Nigerian teenager, bored at home in Warri and eager to flee from his parents’ unhappy marriage and incessant quarreling. When Ewaen is admitted to the University of Benin, he makes new friends who, like him, are excited about their newfound independence. They hang out in parking lots, trading gibes in pidgin and English and discovering the pleasures that freedom affords them. But when university strikes begin and ruthlessly violent confraternities unleash mayhem on their campus, Ewaen and his new friends must learn to adapt—or risk becoming the confras' next unwilling recruits.

In his trademark witty, colloquial style, critically acclaimed author Eghosa Imasuen presents everyday Nigerian life against the backdrop of the pro-democracy riots of the 1980s and 1990s, the lost hopes of June 12 (Nigeria’s Democracy Day), and the terror of the Abacha years. Fine Boys is a chronicle of time, not just in Nigeria, but also for its budding post-Biafran generation.

Sacred chants are Ada Franklin’s power and her medicine. By saying them, she can remove warts, stanch bleeding, and draw the fire from burns. At age twenty, her reputation as a faith healer defines her in her rural Pennsylvania community. But on the day in 1953 that her family’s barn is consumed by flame, her identity as a healer is upended. The heat, the roar of the blaze, and the bellows of the trapped cows change Ada. For the first time, she fears death and—for the first time—she doubts God. With her belief goes her power to heal. Then Ada meets an agnostic named Will Burk and his pet raven, Cicero.

Fire Is Your Water is acclaimed memoirist Jim Minick’s first novel. Built on magical realism and social observation in equal measure, it never gives way to sentimentality and provides an insider’s glimpse into the culture of Appalachia. A jealous raven, a Greek chorus of one, punctuates the story with its judgments on the characters and their actions, until a tragic accident brings Ada and Will together in a deeper connection.

As a young, deaf Jewish woman living in a small town in Michigan in 1942, Sandra Horowitz felt deeply frustrated by her limited prospects. Even though she had just graduated from junior college, she knew that she had two strikes against her in fulfilling her dream to become a veterinarian. Better to marry Jacob Winter, her parents urged her, a deaf Jewish man who made a good living. Then, Sandra met Rudy Townsend, a hearing soldier on leave before shipping out to the war in Europe.

       In just four days, both Sandra and Rudy’s worlds were turned upside down. Sandra’s parents feared him for being hearing and a Gentile, while Rudy’s parents expressed openly their bias against her ethnic background and her deafness. Even so, Sandra and Rudy soon realized that they had fallen in love, deeply and passionately. As they shared the brief time they had together, they learned about each other’s dreams for the future — Sandra’s desire to be a vet and Rudy’s determination to serve in Congress. Then, Rudy had to leave for the war.

       Philip Zazove’s novel Four Days in Michigan captures perfectly the power of irrepressible love between two individuals from opposite backgrounds. The struggles they encounter in an era when such differences were never more sharply drawn also reveal great detail about deaf and hearing life. Despite all, their triumph comes ultimately because of their long-lasting individual respect and love.

Doyle brings together authors often separated by nation, race, and period, including Aphra Behn, Eliza Haywood, Olaudah Equiano, Nathaniel Hawthorne, Harriet Wilson, Pauline Hopkins, George Eliot, and Nella Larsen. In so doing, she reassesses the strategies of early women novelists, reinterprets the significance of rape and incest in the novel, and measures the power of race in the modern English-language imagination.

This historical and inspiring coming-of-age novel for young readers explores topics of both historical and contemporary relevance as it follows a harrowing year in the life of its intrepid teenaged narrator.

Lexington, Kentucky, 1833: Calendula “Cal” Farmer, a thirteen-year-old white girl, has been raised by her abolitionist, freethinking mother to reason for herself, consult her inner wisdom, and come to her own conclusions. But when a flash flood devastates her family’s home, Cal is unexpectedly thrust into domestic service in a wealthy family’s mansion. There, she encounters firsthand the physical, intellectual, and emotional brutalities of slavery. Later, a cholera outbreak kills a quarter of the population, including Cal’s mother, and Cal enters an orphanage, where she bravely begins another chapter in her young life.

Cal’s story is sure to captivate readers as she confronts the injustices and uncertainties of racism, class consciousness, epidemic disease, and personal loss with independent thinking, perseverance, and love.

In this lively coming-of-age novel, young Danny Meyer lays bare a landscape of illness and despair but emerges triumphant, with a new awareness of the limitations of security and the lessons of eternity. Danny’s bubble-like existence in paradisal Madison is broken when his father, a concert pianist and professor, is stricken with illness and must give up his professorship. The family is forced to move to Milwaukee to live at the brink of poverty while his father gets sicker, his artistic mother struggles as bread-winner, and his brother becomes delusional. Here, Danny finds himself in the uncertain position of having to accept the responsibilities of manhood while still struggling with adolescence.

In a world that keeps shifting, Danny befriends the son of a gangster and, through his brushes with that compelling world of crime, finds his way to a new confidence. Realistically portrayed, A Friend of Kissinger, captures an authentic sense of place that is one part arty, heartland Main Street and one part shady, small-time gangsterland.

In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships.

Friends and Relations follows the exploits of four wealthy families whose lives are changed forever by a torrid affair. The Studdart sisters each take a husband; for beautiful Laurel there is Edward Tilney, and for the introverted Janet there is Rodney Meggatt. But the marriages are complicated by changeable passions, and each character must navigate the conflict between familial piety and individual desire. With Bowen’s signature blend of tragedy and comedy,  Friends and Relations is truly an investigation into the human heart, and the book is as beautiful, mysterious, and moving as its subject.