A SCHOLARLY BOOK REPOSITORY
455 books about Novel and 14
start with O
455 books about Novel and 14
455 books about Novel
14 start with O start with O
14 start with O start with O
O, How the Wheel Becomes It!
A Novel
Anthony Powell
University of Chicago Press, 2015
The first novel Anthony Powell published following the completion of his epic A Dance to the Music of Time, O, How the Wheel Becomes It! fulfills perhaps every author’s fantasy as it skewers a conceited, lazy, and dishonest critic. A writer who avoids serving in World War II and veers in and out of marriage, G. F. H. Shadbold ultimately falls victim to the title’s spinning—and righteous—emblem of chance. Sophisticated and a bit cruel, Wheel’s tale of posthumous vengeance is, nonetheless, irresistible.
Written at the peak of the late British master’s extraordinary literary career, this novel offers profound insight into the mind of a great artist whose unequaled style, ear for dialogue, and eye for irony will delight devotees and new readers alike.
Written at the peak of the late British master’s extraordinary literary career, this novel offers profound insight into the mind of a great artist whose unequaled style, ear for dialogue, and eye for irony will delight devotees and new readers alike.
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Object Lessons
The Novel as a Theory of Reference
Jami Bartlett
University of Chicago Press, 2016
Object Lessons explores a fundamental question about literary realism: How can language evoke that which is not language and render objects as real entities? Drawing on theories of reference in the philosophy of language, Jami Bartlett examines novels by George Meredith, William Makepeace Thackeray, Elizabeth Gaskell, and Iris Murdoch that provide allegories of language use in their descriptions, characters, and plots. Bartlett shows how these authors depict the philosophical complexities of reference by writing through and about referring terms, the names and descriptions that allow us to “see” objects. At the same time, she explores what it is for words to have meaning and delves into the conditions under which a reference can be understood. Ultimately, Object Lessons reveals not only how novels make references, but also how they are about referring.
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Oil and Water
A Novel
Mei Mei Evans
University of Alaska Press, 2013
What happens when the American dream collides head-on with a nation’s dependence on fossil fuels? Oil and Water, a novel by Mei Mei Evans, focuses on precisely this question. Starting with a star-crossed supertanker, a wayward fishing boat, and a well-known hazard in the Gulf of Alaska, the story presents a region plunged into an oil-slicked crisis. As thousands of miles of shoreline and sea are obliterated, the spill threatens the lives and livelihoods of the coastal community of Selby.
At the center of the disaster are Gregg, a down-on-his-luck skipper, and Lee, his lone deckhand. As they cross paths with the tanker and later the residents of Selby, they are faced with decisions that will have a lasting impact on the entire community. And when the residents are presented with a controversial deal—accept handouts in the form of work from the very company responsible for the disaster—they must learn just how important it is to find strength in the connections that bind humans to each other and the natural world.
Evans’s compelling story, influenced by her own experiences during the Exxon Valdez oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.
Evans’s compelling story, influenced by her own experiences during the Exxon Valdez oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.
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The Old American
A Novel
Ernest Hebert
Dartmouth College Press, 2001
In 1746, Nathan Blake, the first frame house builder in Keene, New Hampshire, was abducted by Algonkians and held in Canada as a slave. Inspired by this dramatic slice of history, novelist Ernest Hebert has written a masterful new novel recreating those years of captivity. Set in New England and Canada during the French and Indian Wars, The Old American is driven by its complex, vividly imagined title character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled "king" of the remnants of the first native tribes that encountered the English. Displaced and ravaged by disease, these refugees have been forced to bargain for land in Canada on which to live. Having hired himself out as interpreter to a raiding party of French and Iroquois, Caucus-Meteor returns from New Hampshire the unexpected possessor of a captive, Nathan Blake. He decides to bring the Englishman to his own village rather than sell him to the French. Ambivalent about his former life, Blake gradually fits into the routine of Conissadawaga. Meanwhile, Caucus-Meteor struggles to protect his people from the rapacious French governor. Constantly plotting and maneuvering, burdened by responsibility, the Old American exhibits cunning and courage. A gifted linguist who was forbidden to learn to read or write; a former slave who is now a king; a native leader who has seen more of London and Paris than his English captive, who knows more of European politics than the French colonial administrators, Caucus-Meteor is a brilliant, cantankerous, visionary figure whom readers will long remember.
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On Black Sisters Street
A Novel
Chika Unigwe
Ohio University Press, 2012
On Black Sisters Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives. Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. They offer their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home, or to save up for her own future. Drawn together by Sisi’s murder, the women must choose between their secrets and their safety. This first paperback edition of On Black Sisters Street celebrates the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors.
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On the Way to the End of the World
A Novel
Adrianne Harun
Acre Books, 2023
In 1963, an eclectic group of characters embark on President Kennedy’s ambitious walking challenge.
As the Cuban Missile Crisis eases, President Kennedy is casting around for a demonstration of American prowess when one of his Cabinet unearths an old mandate that US Marines be fit enough to walk fifty miles in twenty hours. Perfect! Kennedy decides to throw down the gauntlet to “today’s Marines,” but before he knows it, he’s sparked a wild fad. The entire country has answered the call, it seems, and for a few crazed winter weeks, masses of Americans will embark on their own arduous Big Walks—the “JFK 50-Milers.”
Yet in tiny Humtown—an isolated mill town in the Pacific Northwest—not everyone who shows up for a hastily organized Big Walk is motivated by patriotism. Not Helen Hubka, an inveterate gossip; not the suicidal Caroline, who months earlier lost her beloved husband during the Storm of the Century. Not ex-soldier/fisherman Jaspar Goode, nor the unknown man in their midst, a collared priest who seems to shift identities at will. Certainly not Avis, a battered teenager running from her terrifying brother . . . with a stolen town treasure. And when the walkers stumble upon the abandoned car of a missing young mother, they rekindle a mystery that soon reverberates among them, exposing hidden truths, talents, and alliances.
Splendidly imagined, with prose that sings on the page, On the Way to the End of the World is an adventure story riven with secrets, a national fairy tale twisted into a whodunit.
As the Cuban Missile Crisis eases, President Kennedy is casting around for a demonstration of American prowess when one of his Cabinet unearths an old mandate that US Marines be fit enough to walk fifty miles in twenty hours. Perfect! Kennedy decides to throw down the gauntlet to “today’s Marines,” but before he knows it, he’s sparked a wild fad. The entire country has answered the call, it seems, and for a few crazed winter weeks, masses of Americans will embark on their own arduous Big Walks—the “JFK 50-Milers.”
Yet in tiny Humtown—an isolated mill town in the Pacific Northwest—not everyone who shows up for a hastily organized Big Walk is motivated by patriotism. Not Helen Hubka, an inveterate gossip; not the suicidal Caroline, who months earlier lost her beloved husband during the Storm of the Century. Not ex-soldier/fisherman Jaspar Goode, nor the unknown man in their midst, a collared priest who seems to shift identities at will. Certainly not Avis, a battered teenager running from her terrifying brother . . . with a stolen town treasure. And when the walkers stumble upon the abandoned car of a missing young mother, they rekindle a mystery that soon reverberates among them, exposing hidden truths, talents, and alliances.
Splendidly imagined, with prose that sings on the page, On the Way to the End of the World is an adventure story riven with secrets, a national fairy tale twisted into a whodunit.
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One Mile Past Dangerous Curve
A Novel
Darrell Spencer
University of Michigan Press, 2005
Praise for One Mile Past Dangerous Curve:
"This book aims to be about the best of us as it shows us at our least. Thank goodness for Darrell Spencer, the only writer in America to be trusted on the subjects of faith, love, weal and woe."
---Lee K. Abbott
" . . . absolutely dire and dear, his best book, a novel about American life right now. . . . this book is accurate, acerbic, and heartfelt at once."
---Ron Carlson
Praise for Darrell Spencer:
"Mr. Spencer's writing crackles with freshness and lucidity, featuring characters who slide into one another in random encounters and relationships."
---New York Times Book Review
"[Spencer] possesses a remarkable ear for the cadence of everyday speech."
---Michael Chabon
From the acclaimed author of Caution: Men in Trees and A Woman Packing a Pistol comes a tale of kinship, love, and lawlessness.
One Mile Past Dangerous Curve is the story of the Dancers---a family on the verge of collapse. Glen Dancer has come to Ohio to set up another in a series of Snapper franchises. But in the midst of construction, Glen finds himself fighting a painful and futile battle with cancer.
His son Eddie, recently divorced, moves from Las Vegas to help. A sign painter by trade, Eddie finds only intermittent work in town until the day a mysterious and wealthy businessman commissions a series of twenty road signs, each different, all featuring odd, cryptic messages. It is on a back-country road, where Eddie has gone to assemble one of the signs, that some previously vague threats become concrete.
Though Eddie doesn't know it, the neighboring woods hide a secret, a secret that a gun-toting rural gang wants to keep at any cost.
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Original Subjects
The Child, the Novel, and the Nation
Ala A. Alryyes
Harvard University Press, 2001
Original Subjects explores the interweaving of the child-hero and the fortunes of a nation as these are portrayed in a wide selection of novels and national narratives in the French and English traditions. Ala Alryyes examines how these works deploy similar metaphors and signifying narratives in which a homeless child is central.
Taking up such disparate writers and novelists as Locke, Rousseau, Wollstonecraft, Defoe, Richardson, Diderot, Scott, Stendhal, Balzac, and Disraeli, as well as Homer, St. Augustine, and Hannah Arendt, this book argues that the generational parent–child dynamic is key to understanding the structure of novels, the theory of the state, and the events of history.
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Otilia's Body
A Novel
By Sergio Galindo
University of Texas Press, 1994
From reviews of the Spanish edition:
"...among the best works that Mexican fiction has produced."
—Héctor Gally, Sábado
"With homely features, but with a body so shapely and exciting that it sets men (priests included) aflame throughout the novel, with an incandescent voluptuousness and delightful amorality (surely explosive in the conservative Mexican society of her time and place) ...Otilia Rauda could be the protagonist of a Greek tragedy or of a soap opera made of improbable happenings and as many turns of fate as there are chapters used to tell the story of her life."
—Jorge Ruffinelli, Punto y Aparte
Winner of Mexico's prestigious Xavier Villaurrutia prize in 1986, Otilia Rauda is here translated into English for the first time as Otilia's Body. Widely considered Sergio Galindo's best work, the novel dramatizes a sexually liberated woman's obsession with an outlaw lover, played against the backdrop of Mexican history from 1910 to 1940. A fine example of "intimist" fiction, Otilia's Body is noteworthy for its penetratingly described characters who transcend time and place to become universally recognizable.
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Out of Patients
A Novel
Sandra Cavallo Miller
University of Nevada Press, 2022
After practicing medicine for more than thirty years in the sweltering suburbs of Phoenix, Dr. Norah Waters is weighing her options, and early retirement is looking better and better. At age fifty-eight, she questions whether she still needs to deal with midnight calls, cranky patients, and the financial headaches that come with running a small clinic. Fighting burnout and workplace melodrama, Norah gives herself one final year to find the fulfillment and satisfaction she remembers from the early years of her once-cherished career.
As she embarks on her year’s journey, Norah grapples with a medical practice that is experiencing a concerning loss of income. She is supervising two medical students, one whose shyness hampers his development and another whose arrogance and contempt for family medicine creates major friction at the clinic. Norah’s life is further complicated by her elderly mother, a feisty 86-year-old living in Sun City, who once rejoiced at Woodstock and recently partied at Burning Man. Troubled by a shadow in their past, both women find themselves on a quest for self-worth in their shifting worlds. Norah also must cope with the end of an unhappy, long-term relationship with an aspiring, but deadbeat, novelist.
Supported by her steadfast dog, a misfit veterinarian, and a thoughtful radiologist, Norah wrestles through a surprising assortment of obstacles, sometimes amusing and sometimes dreadful, on her way to making a decision about her future.
As she embarks on her year’s journey, Norah grapples with a medical practice that is experiencing a concerning loss of income. She is supervising two medical students, one whose shyness hampers his development and another whose arrogance and contempt for family medicine creates major friction at the clinic. Norah’s life is further complicated by her elderly mother, a feisty 86-year-old living in Sun City, who once rejoiced at Woodstock and recently partied at Burning Man. Troubled by a shadow in their past, both women find themselves on a quest for self-worth in their shifting worlds. Norah also must cope with the end of an unhappy, long-term relationship with an aspiring, but deadbeat, novelist.
Supported by her steadfast dog, a misfit veterinarian, and a thoughtful radiologist, Norah wrestles through a surprising assortment of obstacles, sometimes amusing and sometimes dreadful, on her way to making a decision about her future.
[more]
Out of Print
Mediating Information in the Novel and the Book
Julia Panko
University of Massachusetts Press, 2020
Through technological experiments, readers have seen the concept of the book change over the years, and the novel reflects these experiments, acting as a kind of archive for information. Out of Print reveals that the novel continues to shape popular understandings of information culture, even as it adapts to engage with new media and new practices of mediating information in the digital age.
This innovative study chronicles how the print book has fared as both novelists and the burgeoning profession of information science have grappled with unprecedented quantities of data across the twentieth and twenty-first centuries. As the novel's archival project took a critical turn from realism to an investigation of the structures, possibilities, and ideologies of information media, novelists have considered ideas about how data can best be collected and stored. Julia Panko pairs case studies from information history with close readings of modernist works such as James Joyce's Ulysses and Virginia Woolf's Orlando and contemporary novels from Jonathan Safran Foer, Stephen King, and Mark Z. Danielewski that emphasize their own informational qualities and experiment with the aesthetic potential of the print book.
This innovative study chronicles how the print book has fared as both novelists and the burgeoning profession of information science have grappled with unprecedented quantities of data across the twentieth and twenty-first centuries. As the novel's archival project took a critical turn from realism to an investigation of the structures, possibilities, and ideologies of information media, novelists have considered ideas about how data can best be collected and stored. Julia Panko pairs case studies from information history with close readings of modernist works such as James Joyce's Ulysses and Virginia Woolf's Orlando and contemporary novels from Jonathan Safran Foer, Stephen King, and Mark Z. Danielewski that emphasize their own informational qualities and experiment with the aesthetic potential of the print book.
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Out the Summerhill Road
A Novel
Jane Roberts Wood
University of North Texas Press, 2010
The Outcast
A Novel
Luigi Pirandello
Rutgers University Press, 2023
A young wife in a nineteenth-century Sicilian village, Marta is deeply in love with her husband Rocco and pregnant with his child. But when Rocco discovers a letter written to Marta by a would-be suitor, he falsely accuses her of infidelity and banishes her from their home. Soon the whole village turns against the supposed adulteress, setting in motion a series of tragic events that culminates in the loss of Marta’s family home and business, as well as the deaths of her father and newborn child. Plunged into poverty and treated as a social leper, with practically nothing else to lose, Marta is determined to claw her way back into a society bent on excluding her.
The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello that combines elements of Zolaesque naturalism with emerging modernist aesthetics. This fresh English translation, the first in nearly one hundred years, showcases Pirandello’s deft play with language and his use of irony.
This book was translated thanks to a grant awarded by the Italian Ministry of Foreign Affairs and International Cooperation.
The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello that combines elements of Zolaesque naturalism with emerging modernist aesthetics. This fresh English translation, the first in nearly one hundred years, showcases Pirandello’s deft play with language and his use of irony.
This book was translated thanks to a grant awarded by the Italian Ministry of Foreign Affairs and International Cooperation.
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Oy Pioneer!
A Novel
Marleen S. Barr
University of Wisconsin Press
What would happen if a feminist Jewish wit and scholar invaded David Lodge’s territory? Marleen S. Barr, herself a pioneer in the feminist criticism of science fiction, provides a giddily entertaining answer in this feisty novel. Oy Pioneer! follows professor Sondra Lear as she makes her inimitable way through a world of learning—at times fantastic, at times all too familiar, often hilarious, and always compulsively interesting.
As if Mel Brooks and Erica Jong had joined forces to recreate Sex and the City for the intellectual set, the story is a heady mix of Jewish humor, feminist insight, and academic satire. Lear is a tenured radical and a wildly ambitious intellectual, but is subject nonetheless to the husband-hunting imperatives of her Jewish mother. Her adventures expand narrative parameters according to Barr’s term "genre fission."
Mixing elements of science fiction, fantasy, ethnic comedy, satire, and authentic experience of academic life, Oy Pioneer! is uncommonly fun—a Jewish feminist scholar’s imaginative text boldly going where no academic satire has gone before—and bringing readers along for an exhilarating ride.
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