front cover of Venusberg
Venusberg
A Novel
Anthony Powell
University of Chicago Press, 1932
Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time.

Powell’s sophomore novel, Venusberg, follows journalist Lushington as he leaves behind his unrequited love in England and travels by boat to an unnamed Baltic state. Awash in a marvelously odd assortment of counts and ladies navigating a multicultural, elegant, and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy. But beyond its humor, this early installment in Powell’s literary canon will offer readers a welcome window onto the mind of a great artist learning his craft.
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front cover of The Very Air
The Very Air
A Novel
Douglas Bauer
University of Iowa Press, 2014
Luther Mathias sells “snake oil” in scrubby West Texas dirt towns. He learns that substance is never a substitute for style and eventually develops his own remedies that promise to cure any ailment a man might suffer. In time, his imagination and ambition combine to mold him into medicine’s version of Elmer Gantry: loved and hated, imponderably wealthy and famous, powerful and pursued.
 
The Very Air is a compelling exploration of human motives and hidden meanings. It is a detailed picture of America’s myth of the rugged individual in the psychological and narrative tradition of The Great Gatsby and Citizen Kane. With a resonant sense of the period and culture, Douglas Bauer evokes the freewheeling feel of the old Southwest in the charlatans of our own era. The Very Air shows, through storytelling both exhilarating and chilling, that the past is prologue and that our personal histories indeed shape the course of our individual futures.
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front cover of Village of the Ghost Bells
Village of the Ghost Bells
A Novel
By Edla Van Steen
University of Texas Press, 1991

In the village of the ghost bells, the church chimes ring—even though the church has no bells. One of the neighbors wants to buy dreams—or is she a dream that someone else is dreaming? Where and why do dreams become nightmares?

These are only some of the fascinating questions raised in Village of the Ghost Bells, Edla Van Steen’s second novel. First published in 1983 as Coraçôes mordidos, the novel tells the story of the would-be utopian community built on an old plantation of the outskirts of São Paulo, Brazil. Its atmosphere is dreamlike, often verging on the supernatural, and strange events signal the transformation of the utopian dream into a nightmare. Ultimately destroyed by greed, corruption, and exploitation, the community becomes a microcosm of the Brazilian socioeconomic system, in which it takes all of a person’s warmth, idealism, passion, and humor to survive the bleak environment.

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front cover of Vita Nuova
Vita Nuova
A Novel
Bohumil Hrabal
Northwestern University Press, 2010

Vita Nuova is the second in a trilogy of memoirs written from the perspective of Bohumil Hrabal’s wife, Elis.ka, about their life in Prague from the 1950s to the 1970s, when Communist repression of artists was at its peak.

Hrabal’s inimitable humor, which in Elis.ka’s ruminations ranges from bawdy slapstick to cutting irony, is all the more penetrating for being directed at himself. Vita Nuova showcases Hrabal’s legendary bohemian intellectual life, particularly his relationship with Vladimír Boudník. Hrabal creates a shrewd, lively portrait of Eastern European intellectual life in the mid-twentieth century.

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front cover of A Voice from the River
A Voice from the River
A Novel
Dan Gerber
Michigan State University Press, 2005

This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.

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front cover of The Voice of the River
The Voice of the River
A Novel
Melanie Rae Thon
University of Alabama Press, 2011
Missing:  seventeen-year-old Kai Dionne and his dog Talia.
 
The search for these two spans a single day, morning twilight to late evening, from the time Kai leaps in a half-frozen river to save the dog to the hour he and Talia are recovered.  Each person who comes to the river brings his or her secret needs and desires; each has known loss, and all are survivors: a homeless boy tries to find himself, his lost twin, his double; a childless mother grieves for her son and daughter; a man who shot his father recalls a tender, intimate night  “when the father was kind, and not afraid, and not angry.”  Kai and Talia belong to, and are loved by, a whole community.  As strangers work together toward a single cause, they become family—bound by love not only to the ones lost, but to all who gather. 

The perceiving consciousness is oceanic and atmospheric, embracing all living beings, swirling around a person, a bird, a bear, trillium blooming in dark woods, snow, stones, pines singing—moving closer and closer, loving, finally merging, sensing and knowing as one, before lightly whirling out again to embrace and love another. This powerful current of shared memory and experience, this ceaseless prayer, is a celebration of life,  all  life, mystery and miracle within an immense animate landscape, a song of praise, the voice of the river.

Melanie Rae Thon opens a new genre: call it Eco Avant-Garde, a confession of faith, and a love song to the world.
 
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front cover of The Vortex
The Vortex
A Novel
José Eustasio Rivera
Duke University Press, 2018
Published in 1924 and widely acknowledged as a major work of twentieth-century Latin American literature, José Eustasio Rivera's The Vortex follows the harrowing adventures of the young poet Arturo Cova and his lover Alicia as they flee Bogotá and head into the wild and woolly backcountry of Colombia. After being separated from Alicia, Arturo leaves the high plains for the jungle, where he witnesses firsthand the horrid conditions of those forced or tricked into tapping rubber trees. A story populated by con men, rubber barons, and the unrelenting landscape, The Vortex is both a denunciation of the sensational human-rights abuses that took place during the Amazonian rubber boom and one of the most famous renderings of the natural environment in Latin American literary history.
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