front cover of Edna O'Brien and the Art of Fiction
Edna O'Brien and the Art of Fiction
Maureen O'Connor
Bucknell University Press, 2022
Since the appearance of her first novel, The Country Girls, in 1960—a book that undermined the nation’s ideal of innocent and pious Irish girlhood­—Edna O’Brien has provoked controversy in her native Ireland and abroad. Indeed, several of her early novels were condemned by church authorities and banned by the Irish government for their frank portrayals of sexual matters and the inner lives of women. Now an internationally acclaimed writer, O’Brien must be critically reassessed for a twenty-first century audience. Edna O’Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world’s best-selling and most prolific contemporary authors. Drawing on O’Brien’s fiction as well as archival material, and applying new theoretical approaches—including ecocritical and feminist new materialist readings—this study considers the pioneering and enduring ways O’Brien represents women’s experience, family relationships, the natural world, sex, creativity, and death, and her work’s long anticipation of contemporary movements such as #metoo.
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front cover of Wild Colonial Girl
Wild Colonial Girl
Essays on Edna O'Brien
Edited by Lisa Colletta and Maureen O'Connor
University of Wisconsin Press, 2006
    Since the 1960 publication of her first novel, The Country Girls, award-winning Irish writer Edna O'Brien has been both celebrated and maligned. Praised for her lyrical prose and vivid female characters and attacked for her frank treatment of sexuality and alleged sensationalism, O'Brien and her work seem always to spawn controversy, including the past banning in Ireland of several of her works. O'Brien's attention to "women's" concerns such as sex, romance, marriage, and childbirth has often relegated her to critical neglect at best and, at worst, outright contempt. This essay collection promises to be a long overdue critical reevaluation and exciting rediscovery of her oeuvre.
    Wild Colonial Girl situates O'Brien in Irish contexts that allow for an appraisal of her significant contribution to a specifically Irish women's literary tradition while attesting to the potency of writing against patriarchal conventions. Each chapter's clear and detailed readings of O'Brien's fiction build a convincing case for her literary, political, and cultural importance, providing an invaluable critical guide for an enriched appreciation of O'Brien and her work.
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