front cover of Oh, Say, Can You See
Oh, Say, Can You See
The Semiotics of the Military in Hawai’i
Kathy E. Ferguson
University of Minnesota Press, 1998

front cover of Oh, Serafina!
Oh, Serafina!
A Fable of Ecology, Lunacy, and Love
Giuseppe Berto
Rutgers University Press, 2023
Heir to the FIBA button factory in Lombardy, Augustus is profiting from Italy’s postwar industrial boom. Yet the dreamy young man is far from your stereotypical industrialist. He is less interested in making money than in talking to the birds in the surrounding garden and in making love to a beautiful factory worker named Palmira. But when the money-hungry Palmira schemes to have him institutionalized, Augustus finds a new love among his fellow mental patients: flute-playing flower child Serafina. Can Augustus and Serafina find a way to break free and express their love of each other and of nature in this crazy world? 
 
Newly translated into English, Giuseppe Berto’s charming 1973 novel Oh, Serafina! was one of the first works of Italian literature to deal with ecological themes while also questioning the destructive effects of industrial capitalism, the many forms spirituality might take, and the ways our society defines madness. This translation includes a foreword from literary scholar Matteo Gilebbi that provides biographical, historical, and philosophical context for appreciating this whimsical fable of ecology, lunacy, and love. 
 
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front cover of Oh, Touch Me There
Oh, Touch Me There
Love Sonnets
Roger Armbrust
Parkhurst Brothers, Inc., 2013


Witty, humorous and wise reflections on loving 


There is a mythic quality to the poetry of Roger Armbrust.  Whether his subject is surgery or angels, his language and vision—while expressed in an earthly lexicon—are focused on the life of the spirit.

We constantly heal each other, love, true
to our senses, sharing our secret vaults
of fear and longing, faith and confusion,
doubt and delight.

Armbrust’s love poems are not ethereal, however, but rooted in real bodies…

My poetry honors your architecture’s mystery.

Fanciful, yet rooted in real experience, Armbrust’s  one hundred-plus sonnets incite passion and introspection, so that the collection makes an inspired lover’s gift.

 


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front cover of Oh, What a Loansome Time I Had
Oh, What a Loansome Time I Had
The Civil War Letters of Major William Morel Moxley, Eighteenth Alabama Infantry, and Emily Beck Moxley
Emily Beck Moxley
University of Alabama Press, 2002
This rare correspondence between a soldier and his wife relates in poignant detail the struggle for survival on the battlefield as well as on the home front and gives voice to the underrepresented class of small farmers

Most surviving correspondence of the Civil War period was written by members of a literate, elite class; few collections exist in which the woman's letters to her soldier husband have been preserved. Here, in the exchange between William and Emily Moxley, a working-class farm couple from Coffee County, Alabama, we see vividly an often-neglected aspect of the Civil War experience: the hardships of civilian life on the home front.

Emily's moving letters to her husband, startling in their immediacy and detail, chronicle such difficulties as a desperate lack of food and clothing for her family, the frustration of depending on others in the community, and her growing terror at facing childbirth without her husband, at the mercy of a doctor with questionable skills. Major Moxley's letters to his wife reveal a decidedly unromantic side of the war, describing his frequent encounters with starvation, disease, and bloody slaughter.

To supplement this revealing correspondence, the editor has provided ample documentation and research; a genealogical chart of the Moxley family; detailed maps of Alabama and Florida that allow the reader to trace the progress of Major Moxley's division; and thorough footnotes to document and elucidate events and people mentioned in the letters. Readers interested in the Civil War and Alabama history will find these letters immensely appealing while scholars of 19th-century domestic life will find much of value in Emily Moxley's rare descriptions of her homefront experiences.
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