A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age.

"This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World

"The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review

"In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review

"Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist

"Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator

"A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist

"[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review

"Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader

Winner of the Don D. and Catherine S. Fowler Prize.

Eastern North America is one of only a handful of places in the world where people first discovered how to domesticate plants. In this book, anthropologist Shane Miller uses two common, although unconventional, sources of archaeological data—stone tools and the distribution of archaeological sites—to trace subsistence decisions from the initial colonization of the American Southeast at the end of the last Ice Age to the appearance of indigenous domesticated plants roughly 5,000 years ago.

Miller argues that the origins of plant domestication lie within the context of a boom/bust cycle that culminated in the mid-Holocene, when hunter-gatherers were able to intensively exploit shellfish, deer, oak, and hickory. After this resource “boom” ended, some groups shifted to other plants in place of oak and hickory, which included the suite of plants that were later domesticated. Accompanying these subsistence trends is evidence for increasing population pressure and declining returns from hunting. Miller contends, however, that the appearance of domesticated plants in eastern North America, rather than simply being an example of necessity as the mother of invention, is the result of individuals adjusting to periods of both abundance and shortfall driven by climate change.