front cover of The Last Tortilla
The Last Tortilla
and Other Stories
Sergio Troncoso
University of Arizona Press, 1999
"She asked me if I liked them. And what could I say? They were wonderful." From the very beginning of Sergio Troncoso's celebrated story "Angie Luna," we know we are in the hands of a gifted storyteller. Born of Mexican immigrants, raised in El Paso, and now living in New York City, Troncoso has a rare knack for celebrating life.

Writing in a straightforward, light-handed style reminiscent of Grace Paley and Raymond Carver, he spins charming tales that reflect his experiences in two worlds. Troncoso's El Paso is a normal town where common people who happen to be Mexican eat, sleep, fall in love, and undergo epiphanies just like everyone else. His tales are coming-of-age stories from the Mexican-American border, stories of the working class, stories of those coping with the trials of growing old in a rapidly changing society. He also explores New York with vignettes of life in the big city, capturing its loneliness and danger.

Beginning with Troncoso's widely acclaimed story "Angie Luna," the tale of a feverish love affair in which a young man rediscovers his Mexican heritage and learns how much love can hurt, these stories delve into the many dimensions of the human condition. We watch boys playing a game that begins innocently but takes a dangerous turn. We see an old Anglo woman befriending her Mexican gardener because both are lonely. We witness a man terrorized in his New York apartment, taking solace in memories of lost love. Two new stories will be welcomed by Troncoso's readers. "My Life in the City" relates a transplanted Texan's yearning for companionship in New York, while "The Last Tortilla" returns to the Southwest to explore family strains after a mother's death—and the secret behind that death. Each reflects an insight about the human heart that has already established the author's work in literary circles.

Troncoso sets aside the polemics about social discomfort sometimes found in contemporary Chicano writing and focuses instead on the moral and intellectual lives of his characters. The twelve stories gathered here form a richly textured tapestry that adds to our understanding of what it is to be human.
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front cover of The Law of Miracles
The Law of Miracles
And Other Stories
Gregory Blake Smith
University of Massachusetts Press, 2011
These stories take place in the space where the rational and irrational intersect—the space governed by The Law of Miracles. Writing with a remarkable range of invention, Gregory Blake Smith has created a world in which his characters navigate between the everyday and the extraordinary: an aged Russian woman who lives simultaneously in the St. Petersburg of iPods and BMWs and in the starving Leningrad of the Siege; a Venetian art conservator who loves the women of the Renaissance paintings he restores but cannot bear the touch of the woman at his side; a down-and-out slot-machine technician who calculates the probability of his wife's dying. Yet for all their variety of setting and subject, there runs through each of these stories a thread of the miraculous, a suspicion that the transcendent lies just at the edge of perception. We watch the characters of The Law of Miracles struggle toward that transcendence, whether it be through love or art or violence, until we as readers feel—like the main character of the Pushcart Prize–winning "Presently in Ruins"—that if we could only parse the seemingly random details of our existence some new pattern of meaning would emerge, some new magic that would transform our lives.
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front cover of A Lean Year and Other Stories
A Lean Year and Other Stories
Robert Laxalt
University of Nevada Press, 1994
In this collection of sixteen short stories, Robert Laxalt illuminates the Nevada of the 1950s. Written when Laxalt was in his twenties, the stories are as fresh as if they were penned yesterday. Humanity good and bad, humor and cruelty, satire and adventure are found in these early stories of a Nevada poised on the brink of change.

In the lead story, Cowboy Clint Hamilton laments that the town is “getting more like a big city every day” as the traditional gambling joints of earlier times give way to the gaudy casinos that will soon become modern glitz.

Sobering experiences from his days as a reporter give Laxalt an insight into murderers and prison life and lethal gas chambers. In a chilling short story, “The Snake Pen,” we find the seed of Robert Laxalt’s celebrated novel, A Man In the Wheatfield.

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front cover of Listen & Other Stories
Listen & Other Stories
Liam Callanan
Four Way Books, 2015
Listen is a book where characters ask readers to do just that: listen to their stories, especially because many aren’t the type of people who often get listened to—even though they should. These characters’ trials, missed connections, and sundry challenges are full of surprises—some good, some bad, some funny, some wise, and some all this at once. Perhaps most surprising of all, there’s tenderness here and a lot of heart—which often gets the collection’s characters into a lot of trouble.
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front cover of Little Reef and Other Stories
Little Reef and Other Stories
Michael Carroll
University of Wisconsin Press, 2014
Little Reef and Other Stories announces the arrival of an original voice in literature. From Key West to Maine, Michael Carroll’s debut collection of stories depicts the lives of characters who are no longer provincial but are not yet cosmopolitan. These women and their gay male friends are “B-listers” of a new, ironic, media-soaked culture. They live in a rich but increasingly divided America, a weirdly paradoxical country increasingly accepting of gay marriage but still marked by prejudice, religious strictures, and swaths of poverty and hopelessness. Carroll shows us people stunned by the shock of the now, who have forgotten their pasts and can’t envision a future.

Winner, Sue Kaufman Prize for First Fiction, American Academy of Arts and Letters

Finalist, Gay Fiction, Lambda Literary Award

Finalist, Edmund White Award for Debut Fiction, Publishing Triangle
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