front cover of Autobiographies of Orhan Pamuk
Autobiographies of Orhan Pamuk
The Writer in His Novels
Michael McGaha
University of Utah Press, 2008

"Pamuk is a writer who shares my reverence for the great art of the novel. He takes the novel seriously in a way that is perhaps no longer possible for Western writers, boldly describing it as European civilization’s greatest invention."—Michael McGaha

Turkish novelist Orhan Pamuk is a prominent voice in Turkish literature, speaking to the country’s history, culture, and politics. In 2006, he became the first Turkish writer to receive the Nobel Prize for Literature.

Autobiographies of Orhan Pamuk is the first book-length study of the life and writings of Pamuk. It provides both a historical and cultural context that will help readers better understand and appreciate both the man and his work. It begins with a brief biography, outlines Pamuk’s contributions to Turkish literature and history, examines how his art has evolved over the past thirty years, and discusses some of the writers who provided inspiration. Though his books deal with specifically Turkish issues, like all great literature the themes they explore are universal. In addition to a thorough analysis of his seven published novels, including Snow and My Name is Red, an entire chapter is devoted to his first two novels, Cevdet Bey and Sons and The Silent House, which have yet to be translated into English.

This is a comprehensive examination of the Nobel laureate’s work, free of jargon and of interest to anyone who enjoys good literature.

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front cover of The Naive and the Sentimental Novelist
The Naive and the Sentimental Novelist
Orhan Pamuk
Harvard University Press, 2010

What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections.

Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world.

Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.

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