A SCHOLARLY BOOK REPOSITORY
Panama’s Darién is a name many conservationists know. Renowned for its lowland tropical forests, its fame is more pronounced because a road that should be there is not: environmentalists have repeatedly, and remarkably, blocked all attempts to connect the Americas via the Pan American Highway. That lacuna, that absence of a road, also serves to occlude history in the region as its old-growth forests give the erroneous impression of a peopleless nature.
In Crafting Wounaan Landscapes, Julie Velásquez Runk upends long-standing assumptions about the people that call Darién home, and she demonstrates the agency of the Wounaan people to make their living and preserve and transform their way of life in the face of continuous and tremendous change. Velásquez Runk focuses on Wounaan crafting—how their ability to subtly effect change has granted them resilience in a dynamic and globalized era. She theorizes that unpredictable landscapes, political decisions, and cultural beliefs are responsible for environmental conservation problems, and she unpacks environmental governance efforts that illustrate what happens when conservation is confronted with people in a purportedly peopleless place.
The everyday dangers of environmental governance without local crafting include logging, land grabbing, and loss of carbon in a new era of carbon governance in the face of climate change. Crafting Wounaan Landscapes provides recognition of local ways of knowing and being in the world that may be key to the future of conservation practice.
Analyzing new evidence gathered through interviews, archival research, and Freedom of Information Act requests, Lindsay-Poland discloses the hidden history of U.S.–Panama relations, including the human and environmental toll of the massive canal building project from 1904 to 1914. In stunning detail he describes secret chemical weapons tests—of toxins including nerve agent and Agent Orange—as well as plans developed in the 1960s to use nuclear blasts to create a second canal in Panama.
He chronicles sustained efforts by Panamanians and international environmental groups to hold the United States responsible for the disposal of the tens of thousands of explosives it left undetonated on the land it turned over to Panama in 1999. In the context of a relationship increasingly driven by the U.S. antidrug campaigns, Lindsay-Poland reports on the myriad issues that surrounded Panama’s takeover of the canal in accordance with the 1977 Panama Canal Treaty, and he assesses the future prospects for the Panamanian people, land, and canal area. Bringing to light historical legacies unknown to most U.S. citizens or even to many Panamanians, Emperors in the Jungle is a major contribution toward a new, more open relationship between Panama and the United States.
Based on long-term ethnographic and archival research, From Temporary Migrants to Permanent Attractions: Tourism, Cultural Heritage, and Afro-Antillean Identities in Panama considers the intersection of tourism, multiculturalism, and nation building. Carla Guerrón Montero analyzes the ways in which tourism becomes a vehicle for the development of specific kinds of institutional multiculturalism and nation-building projects in a country that prides itself on being multiethnic and racially democratic.
The narrative centers on Panamanian Afro-Antilleans who arrived in Panama in the nineteenth century from the Greater and Leeward Antilles as a labor force for infrastructural projects and settled in Panama City, Colón, and the Bocas del Toro Archipelago. The volume discusses how Afro-Antilleans, particularly in Bocas del Toro, have struggled since their arrival to become part of Panama’s narrative of nationhood and traces their evolution from plantation workers for the United Fruit Company to tourism workers. Guerrón Montero notes that in the current climate of official tolerance, they have seized the moment to improve their status within Panamanian society, while also continuing to identify with their Caribbean heritage in ways that conflict with their national identity.
With a comparative, empirical approach, Horton also analyzes dominant practices linked to sustainable development - neoliberal reforms, project interventions, and environmental protection. She reveals how these practices support or undermine economic, cultural, and political opportunities for the rural and indigenous poor and impact these communities' advancement of their own visions of sustainability. Finally, the author explores processes of empowerment that enable communities to articulate and put into practice local visions of sustainability, which contribute toward broader social and structural transformations.
Grassroots Struggles for Sustainability in Central America will interest sociologists, anthropologists, and others who study the theory and practice of sustainable development.
A memoir of service, culture and transformation in a rural Panamanian village by a young American woman trained as a community forester for the Peace Corp.
In the storied fifty-year history of the US Peace Corps, Heart of Palms is the first Peace Corps memoir set in Panama, the slender isthmus that connects two continents and two oceans. In her memoir, Meredith Cornett transports readers to the remote village of Tranquilla, where dugout canoes are the mainstay of daily transportation, life and nature are permeated by witchcraft, and a restful night’s sleep may be disturbed by a raiding phalanx of army ants.
Cornett is sent to help counter the rapid deforestation that is destroying the ecosystem and livelihoods of the Panama Canal watershed region. Her first chapters chronicle her arrival and struggles not only with the social issues of language, loneliness, and insecurity, but also with the tragicomic basics of mastering open-fire cookery and intrusions by insects and poisonous snakes. As she grows to understand the region and its people, her keen eye discerns the overwhelming scope of her task. Unable to plant trees faster than they are lost, she writes with moving clarity about her sense of powerlessness.
Combating deforestation leads Cornett into an equally fierce battle against her own feelings of fear and isolation. Her journey to Panama becomes a parallel journey into herself. In this way, Heart of Palms is much more than a record of her Peace Corps service; it is also a moving environmental coming-of-age story and nuanced meditation on one village’s relationship to nature. When she returns home two years later, Cornett brings with her both skills and experience and a remarkable, newfound sense of confidence and mission.
Writing with rueful, self-deprecating humor, Cornett lets us ride along with her on a wave of naïve optimism, a wave that breaks not only on fear and intimidation, but also on tedium and isolation. Heart of Palms offers a bracing alternative to the romantic idealism common to Peace Corps memoirs and will be valued as a welcome addition to writing about the Peace Corps and environmental service.
Drawing on more than a decade of community-based research and six collaborative book workshops, the authors weave together first-person narratives, ecological analysis, historical context, and Indigenous knowledge. The result is a richly textured account that challenges dominant narratives of environmental degradation by centering Wounaan experiences of joy, resistance, and conviviality. The book’s structure reflects its method: interwoven chapters authored or spoken by Wounaan colleagues, grounded in consent protocols and shaped by ancestral storytelling traditions.
Accessibly written, Interweaving Rosewood is ideal for courses in environmental conservation, Indigenous studies, anthropology, Latin American studies, and political ecology. With its interdisciplinary reach and classroom-ready discussion questions, the book invites readers to reflect on the global forces behind environmental catastrophe—and the enduring power of Indigenous ways of knowing, being, and becoming.
Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana—wooden anthropomorphic carvings—which play vital roles in curing and other Kuna rituals. Drawing on long-term fieldwork, Paolo Fortis at last brings to light this crucial cultural facet, illuminating not only Kuna aesthetics and art production but also their relation to wider social and cosmological concerns.
Exploring an art form that informs birth and death, personhood, the dream world, the natural world, religion, gender roles, and ecology, Kuna Art and Shamanism provides a rich understanding of this society’s visual system, and the ways in which these groundbreaking ethnographic findings can enhance Amerindian scholarship overall. Fortis also explores the fact that to ask what it means for the Kuna people to carve the figure of a person is to pose a riddle about the culture’s complete concept of knowing.
Also incorporating notions of landscape (islands, gardens, and ancient trees) as well as cycles of life, including the influence of illness, Fortis places the statues at the center of a network of social relationships that entangle people with nonhuman entities. As an activity carried out by skilled elderly men, who possess embodied knowledge of lifelong transformations, the carving process is one that mediates mortal worlds with those of immortal primordial spirits. Kuna Art and Shamanism immerses readers in this sense of unity and opposition between soul and body, internal forms and external appearances, and image and design.
John Eisenberg, a leading researcher of Neotropical fauna, begins the volume with a discussion of historical biogeography and contemporary habitats of the northern Neotropics. Each of the chapters that follow presents a mammalian order, with data for all indigenous species. Eisenberg has provided physical descriptions and summaries of range and habitat for nearly 450 species. For those species that have been studied in the field or in captivity, additional notes on natural history are included. For the larger taxa, field keys to help to identify the specimens. Range maps, line drawings, and color plates supplement the text, further aiding identification.
Throughout the book, Eisenberg provides a larger context for the species descriptions. He comments on the diversity of forms within each order, places the Neotropical species in a worldwide geographical perspective, and reviews taxonomic questions and controversies. At the end of each chapter, an extensive bibliography directs readers to related articles on systematics, behavior, ecology, and evolution. Eisenberg concludes with chapters on speciation events and mammalian community ecology.
No comparable account of South and Central American mammals has ever been published in any language. This volume of Mammals of the Neotropics and the forthcoming companion volumes will be an invaluable reference for students and professionals and will help further the research that is so vital to conservation efforts.
This second of a projected three volumes covers southern South America. The authors discuss the historical biogeography and contemporary habitats of the region and then
provide individual accounts for nearly 360 indigenous species, including information on size, appearance, ecology, behavior, and life history. Range maps, line drawings, and color plates supplement the text. To place the species accounts in a broader context, the authors consider the diversity of animals within each taxonomic group, examine the Neotropical species from a worldwide geographical perspective, and review taxonomic questions and
controversies. Two final chapters deal with the community ecology of mammals and the effects humans have had on the mammalian fauna of the southern cone.
Third in a series that reviewers have described as "state of the art" (Journal of Biogeography) and "invaluable to anyone interested in the mammalian fauna of the Neotropics" (Quarterly Review of Biology), this volume follows the format of its acclaimed predecessors. Chapters present not only up-to-date taxonomic information but also ecological and behavioral characteristics, conservation status, and distribution maps for most species. Numerous illustrations are provided to assist in field and laboratory identification, including exquisite color and black-and-white plates by Fiona Reid. New to this volume are chapters contributed by experts on the mammalian fossil record of this region and on its current biodiversity and biogeography. An appendix summarizes changes to the nomenclature that have altered the scientific names used in the first two volumes.
Volumes 1 and 2 of Mammals of the Neotropics, which are also available, describe the mammals of Panama, Colombia, Venezuela, Guyana, Suriname, and French Guiana (volume 1) and Chile, Argentina, Uruguay, and Paraguay (volume 2). The fourth and final volume of this series will cover the mammals of Mexico and Central America.
In this study, Robert D. Aguirre provides bold new interpretations of Anthony Trollope, John Lloyd Stephens, and Eadweard Muybridge and also recovers information about literary communities previously lost to history. Mobility and Modernity shows how Panama became defined as a site of incipient globalization and a crucial link of empire. Across this narrow strip of land people and things traveled, technology developed, and political forces erupted. The isthmus became a site of mobility that paradoxically produced varieties of immobility. Parting ways with histories that celebrate the canal as a mighty engineering feat, Mobility and Modernity reveals a more complex story of cultural conflict that began with the first gold rush news in the late 1840s and continued throughout the century.
The Panama Canal Treaties of 1977 were the most significant foreign policy achievement of the Carter administration. Most Latin American nations had regarded the 1903 treaty and its later minor modifications as vestiges of "American colonialism" and obstacles to any long-term, stable relationship with the United States. Hence, at a time when conflicts were mushrooming in Central America, the significance of the new Panama treaties cannot be overestimated.
Former Ambassador to Panama William J. Jorden has provided the definitive account of the long and often contentious negotiations that produced those treaties. It is a vividly written reconstruction of the complicated process that began in 1964 and ended with ratification of the new pacts in 1978. Based on his personal involvement behind the scenes in the White House (1972–1974) and in the United States Embassy in Panama (1974–1978), Jorden has produced a unique living history. Access to documents and the personalities of both governments and, equally important, Jorden's personal recollections of participants on both sides make this historical study an incomparable document of U. S. foreign relations.
Beyond the singular story of the treaties themselves—and how diplomats negotiate in the modern world—is the rare description of how the United States deals with a major foreign policy problem. How does a superpower cope with a tiny nation that happens to occupy a strategically critical position? And how does the U. S. Senate face up to its constitutionally assigned power to "advise and consent"? Once treaties are approved, does the House of Representatives help or hinder? Panama Odyssey also deals with another crucial element in the shaping of policy—public opinion: how is it informed or led astray?
In sum, this is a history, a handbook on diplomacy, a course in government, and a revelation of foreign policy in action, all based on a fascinating and controversial episode in the U. S. experience.
Focusing on the causes that generated nineteenth-century predatory militarism, including political illegitimacy and US support, Guevara Mann analyzes the so-called professionalization of the armed forces — institutionalized militarism — and the polices developed by the 1968-89 military regime.
The author cautions that although Panamanian Defense Forces were abolished after the US invasion of December 1989, and although the state’s security apparatus has been placed under civilian direction, Panama’s stability remains threatened. Lack of legitimacy — the characteristic which informs military involvement in politics — still persists, and militarism could well reappear if the Panamanian polity fails to achieve legitimacy.
"The earth is the mother of all things"; thus begins this original and accessible book on how the Kuna of Panama relate to the natural world. An integrative project involving Kuna traditional leaders and trained scholars, and fully illustrated by a Kuna artist, this translation of Plantas y animales en la vida del pueblo Kuna focuses on Kuna plant and animal life, social life, and social change as a means of saving traditional ecological knowledge and "returning" it to the community.
The authors hope to preserve the Kuna environment not only by reviving traditional technologies but also by educating the Kuna as to what needs protection. While the Kuna have a tradition of living in harmony with the land, the intrusion of the market economy is eroding the very basis of their sustainable way of life.
As a response to this crisis, this book seeks to develop native self-awareness and provide a model for collaboration. It will appeal to Latin Americanists, anthropologists, and ethnobotanists, as well as to a general readership in environmental issues.
Best Books for Regional Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association
“Provide[s] a useful vantage on the world bequeathed to us by the forces that set out to put America astride the globe nearly a century ago.”—Chris Rasmussen, Bookforum
Winner of the 2017 Annual Book Prize from the Canadian Association of Latin American and Caribbean Studies (CALACS)
Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic pageants, opera concerts and national theatre, white U.S. citizens, West Indian laborers, and Panamanian artists and activists used performance as a way to assert their right to the Canal Zone and challenge the Zone’s sovereignty, laying claim to the Zone’s physical space and imagined terrain.
By demonstrating the place of performance in the U.S. Empire’s legal landscape, Katherine A. Zien transforms our understanding of U.S. imperialism and its aftermath in the Panama Canal Zone and the larger U.S.-Caribbean world.
The Kuna Indians of Panama, probably best known for molas, their colorful appliqué blouses, also have a rich literary tradition of oral stories and performances. One of the largest indigenous groups in the South American tropics, the majority of them (about 70,000) reside in Kuna Yala, a string of island and mainland villages stretching along the Caribbean coast. It is here that Joel Sherzer lived among them, photographing and recording their verbal performances, which he feels are representative of the beauty, complexity, and diversity of the oral literary traditions of the indigenous peoples of Latin America.
This book is organized into three types of texts: humorous and moralistic stories; myths and magical chants; and women's songs. While quite different from one another, they share features characteristic of Kuna literature as a whole, including appreciation of their environment and a remarkable knowledge of their plants and animals; a belief in spirits as an important component of their world in curing, magic, and aesthetics; and, especially, great humor and a sense of play.
Vividly illustrated by a Kuna artist and accompanied by photographs that lend a sense of being present at the performances, the texts provide readers with a unique aesthetic perspective on this rich culture while preserving an endangered and valuable indigenous oral tradition.
Tropical Lung shows how apocalypses can give us the keys to new futures and how aloneness and silence can lead us to live multidimensionally, beyond the boundaries of time and space. The screen makes itself known and offers a means of kinship, but it is also removed by song and born in the red of encounter and the dark of seven pupils. These wild visions coalesce into a fantastic vision of a future both technological and communal.
When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines “Congo” within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2026
The University of Chicago Press