front cover of Race, Republicans, and the Return of the Party of Lincoln
Race, Republicans, and the Return of the Party of Lincoln
Tasha S. Philpot
University of Michigan Press, 2007

Whether their slogan is “compassionate conservatism” or “hawkish liberalism,” political parties have always sought to expand their electoral coalitions by making minor adjustments to their public image. How do voters respond to these, often short-term, campaign appeals? Race, Republicans, and the Return of the Party of Lincoln is Tasha Philpot’s insightful study of how parties use racial images to shape and reshape the way citizens perceive them.

“Philpot has produced a timely, provocative, and nuanced analysis of political party image change, using the Republican Party’s attempts to recast itself as a party sensitive to issues of race with its 2000, and later 2004, national conventions as case examples. Using a mixture of experiments, focus groups, national surveys, and analyses of major national and black newspaper articles, Philpot finds that if race-related issues are important to individuals, such as blacks, the ability of the party to change its image without changing its political positions is far more difficult than it is among individuals who do not consider race-related issues important, e.g., whites. This book makes a major contribution

to our understanding of party image in general, and political parties’ use of race in particular. Bravo!”

—Paula D. McClain, Duke University

“This book does an excellent job of illuminating the linkages between racial images and partisan support. By highlighting Republican efforts to ‘play against type’ Philpot emphasizes the limits of successfully altering partisan images. That she accomplishes this in the controversial, yet salient, domain of race is no small feat. In short, by focusing on a topical issue, and by adopting a novel theoretical approach, Philpot is poised to make a significant contribution to the literatures on race and party images.”

—Vincent Hutchings, University of Michigan

Tasha S. Philpot is Assistant Professor of Government and African and African American Studies at the University of Texas at Austin.

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front cover of Sesqui!
Sesqui!
Greed, Graft, and the Forgotten World's Fair of 1926
Thomas H. Keels
Temple University Press, 2017

In 1916, Philadelphia department-store magnate John Wanamaker launched plans for a Sesqui-Centennial International Exposition in 1926. It would be a magnificent world's fair to celebrate the 150th anniversary of the Declaration of Independence. The “Sesqui” would also transform sooty, industrial Philadelphia into a beautiful Beaux Arts city.

However, when the Sesqui opened on May 31, 1926, in the remote, muddy swamps of South Philadelphia, the fair was unfinished, with a few shabbily built and mostly empty structures. Crowds stayed away in droves: fewer than five million paying customers attended, costing the city millions of dollars. Philadelphia became a national scandal—a city so corrupt that one political boss could kidnap an entire world’s fair. 

In his fascinating history Sesqui!, noted historian Thomas Keels situates this ill-fated celebration—a personal boondoggle by the all-powerful Congressman William S. Vare—against the transformations taking place in America during the 1920s. Keels provides a comprehensive account of the Sesqui as a meeting ground for cultural changes sweeping the country: women’s and African-American rights, anti-Semitism, eugenics, Prohibition, and technological advances.

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