BiblioVault - Books about Photography

Kilgore Rangerettes

By O. Rufus Lovett

University of Texas Press, 2008

Whether she knows it or not, every girl who has ever dreamed of taking her place in a line of high-kicking dancers on a football field at halftime has been inspired by the Kilgore College Rangerettes, the world's first precision dance drill team. Founded in Kilgore, Texas, in 1939-1940 by the incomparable Gussie Nell Davis, the Rangerettes have performed for national and international audiences, appearing frequently at events such as the Macy's Thanksgiving Day Parade and major football bowl games across the nation, including the New Year's Cotton Bowl Classic in Dallas each year since 1951.

An icon of Americana, the red-white-and-blue clad Rangerettes have drawn the attention of numerous photographers and writers seeking to understand the enduring appeal of a group that some might view as anachronistic. O. Rufus Lovett, a fine art photographer who has taught at Kilgore College for more than thirty years, began photographing the 'Rettes in 1989. His interpretive photo essay in this book expresses his fascination with "the glamour of the Rangerettes' performances juxtaposed with the small-town atmosphere, football turf, metal bleachers, chain-link fences, and asphalt and concrete environment." In Lovett's masterfully composed photographs, the Rangerette performances captivate with their multiplicity of "shapes, patterns, and designs."

While Lovett treats the 'Rettes as an artistic subject, he also captures the esprit de corps that keeps the girls smiling even when they have to march on icy pavement and prompts their mothers to wear T-shirts that proudly proclaim "Rette Mom." An affectionate, yet unsentimental and occasionally irreverent portrait, Kilgore Rangerettes beautifully conveys the timeless quality of this unique subculture of young American womanhood.

[more]

Kiska

The Japanese Occupation of an Alaska Island

Brendan Coyle

University of Alaska Press, 2014

Alaska’s windswept Aleutian Island chain arcs for over a thousand miles toward Asia from the Alaska Peninsula. In this remote and hostile archipelago is Kiska Island, an uninhabited sub-arctic speck in the tempestuous Bering Sea. Few have the opportunity even to visit this island, but in June of 1942 Japanese troops seized Kiska and neighboring Attu in the only occupation of North American territory since the War of 1812.

The bastion of Japan’s possessions in Alaska, Kiska was soon fortified with 7,500 enemy troops, their equipment, and a labyrinth of tunnels. For thirteen months Japanese troops withstood constant bombardment from American forces while retaining a tenuous hold on the island. Finally forced to abandon their position, the Japanese occupiers evacuated without their equipment and personal effects, leaving behind a trail of artifacts.

Brendan Coyle spent fifty-one days on the island searching out the tunnels, the equipment, and the objects, all frozen in time. Kiska brings together the images Coyle amassed during his exploration and his archival research. Accompanying explanations put the images in historical perspective, opening a window on a little-known battlefield and shining a rare light on a shadowy occupation.

[more]

Kracauer. Photographic Archive

Edited by Maria Zinfert

Diaphanes, 2014

Siegfried Kracauer was a leading figure on the Weimar arts scene and one of the foremost representatives of the Frankfurt School of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including the critic Theodor W. Adorno, who once claimed he owed more to Kracauer than any other intellectual.

Kracauer.Photographic Archive, a companion volume to The Past’s Threshold: Essays on Photography, collects previously unpublished photographs by Siegfried and Elisabeth, “Lili,” Kracauer. With its remarkably rich material, the book tells the story of the Kracauer’s close working relationship, from their marriage in Germany to their escape to Paris and the war and postwar years in the United States. While neither Kracauer nor his wife trained in photography, their portraits, city views, and landscapes evince impressive aesthetic and technical skill, while simultaneously shedding light on their lives marked by exile and flight.

[more]

Kurdistan

In the Shadow of History, Second Edition

Susan Meiselas

University of Chicago Press, 2008

Kurdistan was erased from world maps after World War I, when the victorious powers carved up the Middle East, leaving the Kurds without a homeland. Today the Kurds, who live on land that straddles the borders of Turkey, Iran, Iraq, and Syria, are by far the largest ethnic group in the world without a state.
Renowned photographer Susan Meiselas entered northern Iraq after the 1991 Gulf War to record the effects of Saddam Hussein’s campaigns against Iraq’s Kurdish population. She joined Human Rights Watch in documenting the destruction of Kurdish villages (some of which Hussein had attacked with chemical weapons in 1988) and the uncovering of mass graves. Moved by her experiences there, Meiselas began work on a visual history of the Kurds. The result, Kurdistan: In the Shadow of History, gives form to the collective memory of the Kurds and creates from scattered fragments a vital national archive.

In addition to Meiselas’s own photographs, Kurdistan presents images and accounts by colonial administrators, anthropologists, missionaries, soldiers, journalists, and others who have traveled to Kurdistan over the last century, and, not to forget, by Kurds themselves. The book’s pictures, personal memoirs, government reports, letters, advertisements, and mapsprovide multiple layers of representation, juxtaposing different orders of historiographical evidence and memories, thus allowing the reader to discover voices of the Kurds that contest Western notions of them. In its layering of narratives—both textual and photographic—Kurdistan breaks new ground, expanding our understanding of how images can be used as a medium for historical and cultural representation.

A crucial repository of memory for the Kurdish community both in exile and at home, this new edition appears at a time when the world’s attention has once again been drawn to the lands of this little-understood but historically consequential people.

[more]