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Earth and Mars
A Reflection
Stephen E. Strom and Bradford A. Smith
University of Arizona Press, 2015
Nearly five billion years ago, Earth and Mars were born together as planetary siblings orbiting a young, emerging Sun. Yet today, one planet is water rich and life bearing, while the other is seemingly cold, dry, and forbidding.

Earth and Mars is a fusion of art and science, a blend of images and essays celebrating the successful creation of our life-sustaining planet and the beauty and mystery of Mars. Through images of terrestrial landscapes and photographs selected from recent NASA and European Space Agency missions to Mars, Earth and Mars reveals the profound beauty resulting from the action of volcanism, wind, and water. The accompanying text provides a context for appreciating the role of these elemental forces in shaping the surfaces of each planet, as well as the divergent evolutionary paths that led to an Earth that is teeming with life, and Mars that is seemingly lifeless.

Earth and Mars inspires reflection on the extraordinarily delicate balance of forces that has resulted in our good fortune: to be alive and sentient on a bountiful blue world.
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The Echo of Things
The Lives of Photographs in the Solomon Islands
Christopher Wright
Duke University Press, 2013
The Echo of Things is a compelling ethnographic study of what photography means to the people of Roviana Lagoon in the western Solomon Islands. Christopher Wright examines the contemporary uses of photography and expectations of the medium in Roviana, as well as people's reactions to photographs made by colonial powers in the late nineteenth and early twentieth centuries. For Roviana people, photographs are unique objects; they are not reproducible, as they are in Euro-American understandings of the medium. Their status as singular objects contributes to their ability to channel ancestral power, and that ability is a key to understanding the links between photography, memory, and history in Roviana. Filled with the voices of Roviana people, The Echo of Things is both a nuanced study of the lives of photographs in a particular cultural setting and a provocative inquiry into our own understandings of photography.
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Egg & Nest
Rosamond Purcell, Linnea S. Hall, and René Corado
Harvard University Press, 2008

The beauty of the robin’s egg is not lost on the child who discovers the nest, nor on the collector of nature’s marvels. Such instances of wonder find fitting expression in the photographs of Rosamond Purcell, whose work captures the intricacy of nests and the aesthetic perfection of bird eggs. Mining the ornithological treasures of the Western Foundation of Vertebrate Zoology, Purcell produces pictures as lovely and various as the artifacts she photographs. The dusky blue egg of an emu becomes a planet. A woodpecker’s nest bears an uncanny resemblance to a wooden shoe. A resourceful rock dove weaves together scrap metal and spent fireworks. A dreamscape of dancing monkeys emerges from the calligraphic markings of a murre egg.

Alongside Purcell’s photographs, Linnea Hall and René Corado offer an engaging history of egg collecting, the provenance of the specimens in the photographs, and the biology, conservation, and ecology of the birds that produced them. They highlight the scientific value that eggs and nest hold for understanding and conserving birds in the wild, as well as the aesthetic charge they carry for us.

How has evolution shaped the egg or directed the design of the nest? How do the photographs convey such infinitesimal and yet momentous happenstance? The objects in Egg & Nest are specimens of natural history, and in Purcell’s renderings, they are also the most natural art.

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The Elemental Prairie
Sixty Tallgrass Plants
Olson, George
University of Iowa Press, 2005
“Elemental” is the perfect word to describe George Olson’s watercolor drawings of the plants of the tallgrass prairie. Delicately precise yet filled with vigor and color, they present the prairie in its individual elements and—taken as a group that celebrates the hues and textures of tallgrass wildflowers and grasses—in its seasonal abundance. InThe Elemental Prairie, the combination of George Olson’s luminous drawings and John Madson’s eloquent essay “The Running Country” encourages us to look at the prairie world with newly appreciative eyes.
For some years Olson has focused almost exclusively on the grasses and wildflowers of the North American prairie, meticulously reproducing their elemental structures and colors while—proving once again that art can both imitate and enhance nature—emphasizing their magical loveliness. By painting certain species in their winter and summer “plumages,” he reveals the plants’ stark wintry frame-work as well as their more glorious warm-weather beauty.
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The Dianshizhai Pictorial
Shanghai Urban Life, 1884–1898
Ye Xiaoqing
University of Michigan Press, 2003
While twentieth-century Shanghai has received extensive scholarly treatment, the nineteenth century has remained understudied, even though it encompasses the first half-century of Shanghai's growth as a treaty port and the early years of Chinese-foreign contact. Published in the last quarter of the nineteenth century, the Dianshizhai Pictorial provides a record of the new urban popular culture that emerged in Shanghai's foreign settlements during this period.
In this study, Ye Xiaoqing provides a comprehensive view into the Dianshizhai's detailed illustrations of everyday life at home, in commercial establishments, and in Shanghai's public areas. Her introduction to more than one hundred drawings points to the social background, lifestyle, and intellectual outlook of the Dianshizhai's literati writers and artists, the weakness of gentry control in the foreign settlements, and the commercialization and “modern” material culture that made Shanghai distinctive. The drawings and commentaries of the Dianshizhai contrast the settlements with “traditional” culture and urban life in the adjacent Chinese city and vividly convey items of interest—from the quotidian to the bizarre—highlighting local fascination with and anxiety at the rapid changes in Shanghai's increasingly cosmopolitan society.
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Enchanted by Prairie
Bill Witt
University of Iowa Press, 2009
June grass at sunset, Indian grass at sunrise, hawk moths and monarch butterflies nectaring on purple fringed orchids and rough blazing star, little bluestem and saw-tooth sunflowers and butterfly milkweed in hill prairies and sand prairies, and blue skies and one bright rainbow arching over them all. Bill Witt has been photographing Iowa’s wild places for more than thirty years, and the result is this collection of splendid images that reveal the glorious beauty and diversity of the state’s prairie remnants.

Witt gives us close-ups of pasque flower shoots covered with ice in spring, coneflowers dancing in a summer breeze, and prairie dropseed in its autumn colors as well as such prairie companions as sandhill cranes, northern harriers, and bison. His panoramic visions of prairie landscapes in all seasons focus on the personal pleasure and spiritual sustenance that connecting with prairies, even small and neglected ones, can bring us. Osha Davidson’s essay compares today’s prairie remnants with yesterday’s expanses and calls for us to restore balance to this damaged landscape. Altogether, Enchanted by Prairie celebrates today’s prairie landscape and encourages us, in Davidson’s words, to restore its “beauty and scents and textures and sounds.”
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Enchanted Rock
A Natural and Human History
By Lance Allred
University of Texas Press, 2009

With intriguing domes of pinkish granite surrounded by a sea of Hill Country limestone, Enchanted Rock State Natural Area attracts over 300,000 visitors every year who come to the park to hike, rock climb, spelunk, camp, picnic, and observe birds and wildflowers. Geologists from around the world come to Enchanted Rock to examine landforms that were shaped by forces on ancient continents of Earth more than one billion years ago! All of these visitors, however, are only the latest comers in a line of human history that stretches back 13,000 years to early Native Americans and includes Spanish explorers, Mexican and German settlers, and thirteen private and public owners up to the current owner, the state of Texas.

Surprisingly, given the area's wealth of unusual geology, native plants and animals, and human history, no comprehensive guide to Enchanted Rock has been published before now. In Enchanted Rock, you'll find everything you need to fully appreciate this unique place. Lance Allred draws on the work of specialists in many fields to offer a popular account of the park's history, geology, weather, flora, and fauna. Whether you want to know more about how Enchanted Rock was formed, identify a wildflower or butterfly, or learn more about plant communities along the hiking trails, you'll find accurate information here, presented in an inviting style. Over a thousand color photographs illustrate the enjoyable text.

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Envisioning Emancipation
Black Americans and the End of Slavery
Deborah Willis
Temple University Press, 2017

The Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.

Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

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Envisioning New Jersey
An Illustrated History of the Garden State
Lurie, Maxine N
Rutgers University Press, 2016
Winner of the 2018 Award of Merit and the 2018 Leadership in History Award from the American Association for State and Local History
Winner of the 2017 New Jersey Studies Academic Alliance Author Award

See New Jersey history as you read about it! Envisioning New Jersey brings together 650 spectacular images that illuminate the course of the state’s history, from prehistoric times to the present. Readers may think they know New Jersey’s history—the state’s increasing diversity, industrialization, and suburbanization—but the visual record presented here dramatically deepens and enriches that knowledge.
 
Maxine N. Lurie and Richard F. Veit, two leading authorities on New Jersey history, present a smorgasbord of informative pictures, ranging from paintings and photographs to documents and maps. Portraits of George Washington and Molly Pitcher from the Revolution, battle flags from the War of 1812 and the Civil War, women air raid wardens patrolling the streets of Newark during World War II, the Vietnam War Memorial—all show New Jerseyans fighting for liberty. There are also pictures of Thomas Mundy Peterson, the first African American to vote after passage of the Fifteenth Amendment; Paul Robeson marching for civil rights; university students protesting in the 1960s; and Martin Luther King speaking at Monmouth University. The authors highlight the ethnic and religious variety of New Jersey inhabitants with images that range from Native American arrowheads and fishing implements, to Dutch and German buildings, early African American churches and leaders, and modern Catholic and Hindu houses of worship. Here, too, are the great New Jersey innovators from Thomas Edison to the Bell Labs scientists who worked on transistors. 
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Escalante
The Best Kind of Nothing
Text by Brooke Williams; Photographs by Chris Noble
University of Arizona Press, 2006
“There is nothing out there.” Such is the claim, at least, of politicians and oil company executives, amazed that anyone would fight to protect the miles of plateaus and canyon bottoms that stretch across southern Utah. Even tourists see this region as an empty spot on the map—an excuse to drive directly from Capitol Reef to Arches National Park. But it is precisely this—nothing—that writer Brooke Williams and photographer Chris Noble find captivating about Escalante. In this thoughtful and exquisitely illustrated rumination, the authors tour the network of chasms and gorges that began forming millions of years ago on the Colorado Plateau and today constitute a desert paradise of mesas, buttes, and boundless solitude. At the center of this landscape is the region known as Escalante, 1.7 million mostly roadless acres, where silence, darkness, and emptiness have no intrusions. With refreshing originality and a haunting rhythm to his prose, Williams reflects on the notion of space and seclusion both internally and externally. Williams also celebrates the landscape: its geology, flora and fauna, its people from the ancient Fremont to its Mormon pioneers, hiking aficionados and recluses such as Everett Ruess, and the controversial politics involved with the creation of Grand Staircase-Escalante National Monument. Chris Noble’s photographs break down the distinction often felt even in very fine photos, that between the observer and the place. These images pull the reader into the landscape, seamlessly merging the experience and the setting. Part narrative, part poetry, and part meditation, this book charts the quiet places where the human spirit delights in solitude. It reminds us of our intimate connection with the wild and of the landscape’s powerful pulse especially when there is nothing to be found.
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The Escape
From a Seventeenth-Century Drawing Manual of the Face and Its Expressions
David Schutter
University of Chicago Press, 2021
Charles Le Brun’s drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter’s work, Le Brun’s manual is set to a different direction—a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter’s drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun’s renderings were made.

Collected here, Schutter’s work recreates not the subject matter but the very values of Lebrun’s drawings—light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter’s hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure—unlike their academic source material—and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.
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Explore Harvard
The Yard and Beyond
Harvard University
Harvard University Press, 2011

As part of its 375th celebrations, the University has created a new photo book, Explore Harvard: The Yard and Beyond. This collection of photographs brings to life the myriad intellectual exchanges that make Harvard one of the world’s leading institutions of higher education.

Presenting contemporary images never before published as well as archival prints, this large-format portrait of the University captures an early spirit of exploration that continues to thrive around the Yard, in the historic lecture halls, in cutting-edge science facilities, and in research outposts around the world. From “move-in” day to Commencement, seasonal shifts across the iconic New England landscape form a contemplative backdrop to learning and growth for each new class that enters here.

For alumni who remember life in the houses along the Charles, or thrilled to the achievements of athletes and artists, Explore Harvard will not disappoint. Prospective students who have seen the University only from a distance will get an inside view of one of the most beautiful campuses in the world, while those intimately familiar with the school will discover a side of Harvard they never knew.

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Extracting Appalachia
Images of the Consolidation Coal Company, 1910–1945
Geoffrey L. Buckley
Ohio University Press, 2004

As a function of its corporate duties, the Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations. Whether for publicity images, safety procedures, or archival information, these photographs create a record that goes far beyond the purpose the company intended.

In Extracting Appalachia, geographer Geoffrey L. Buckley examines the company’s photograph collection housed at the Smithsonian Institution’s National Museum of American History. Included in the collection are images of mine openings, mining equipment, and mine accidents, as well as scenes of the company towns, including schools, churches, recreational facilities, holiday celebrations, and company stores.

Although the photographs in the collection provide us with valuable insights, they tell only part of the story. Using company records, state and federal government documents, contemporary newspaper accounts, and other archival materials, Professor Buckley shows that these photographs reveal much more than meets the eye.

Extracting Appalachia places these historic mining images in their social, cultural, and historical context, uncovering the true value and meaning of this rare documentary record.

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The Extraordinary Story of the Apple
David Mabberley and Barry Juniper
Royal Botanic Gardens, Kew, 2018
The story of apples begins in an unexpected place: with bears. While popular culture likes to link honey with these creatures, DNA evidence shows that it might be more accurate for Winnie the Pooh to be munching on an ancestor of Red Delicious. And while apples are modern America’s second favorite fruit (after “berries”), their origins lie in ancient China. These are just some of the remarkable details that arise from Barrie E. Juniper and David J. Mabberley’s The Extraordinary Story of the Apple. Written by two leading botanical experts, it’s a complete natural and cultural history of the apple.

Using DNA evidence, Juniper and Mabberley trace the fruit’s geographical journey through time and across countries. They show how the apple has long been one of the most important fruits in the temperate regions of the world, and that it has been beloved since the times of the Persians, Greeks, and Romans. Its reach grew thanks to its reputation as a highly nutritional food source as well as one that is remarkably convenient, as the apple can be stored throughout a harsh winter or easily transported over long distances. The authors also examine the apple’s global influence on human culture. After all, it’s the fruit that played a key role in the fall of Adam and Eve, the inspiration for Newton’s Law of Gravity, and the rise of a tech behemoth.

With a nod to this book’s roots with the Royal Botanic Gardens, Kew, chapters also cover types of apple and apple crops, grafting techniques over time, archaeological discoveries, use as a food and in cider making, as well as the latest research in apple biology. This fascinating book is illustrated throughout with color illustrations, paintings, photographs, and line drawings, and will make the ideal read for gardeners, growers, botanists, historians, archaeologists and zoologists alike. The next time you pluck an apple from a supermarket bushel, you’ll understand the millennia of human—and Ursidae—influences on that humble fruit.
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Eye Contact
Photographing Indigenous Australians
Jane Lydon
Duke University Press, 2005
An indigenous reservation in the colony of Victoria, Australia, the Coranderrk Aboriginal Station was a major site of cross-cultural contact the mid-nineteenth century and early twentieth. Coranderrk was located just outside Melbourne, and from its opening in the 1860s the colonial government commissioned many photographs of its Aboriginal residents. The photographs taken at Coranderrk Station circulated across the western world; they were mounted in exhibition displays and classified among other ethnographic “data” within museum collections. The immense Coranderrk photographic archive is the subject of this detailed, richly illustrated examination of the role of visual imagery in the colonial project. Offering close readings of the photographs in the context of Australian history and nineteenth- and early-twentieth-century photographic practice, Jane Lydon reveals how western society came to understand Aboriginal people through these images. At the same time, she demonstrates that the photos were not solely a tool of colonial exploitation. The residents of Coranderrk had a sophisticated understanding of how they were portrayed, and they became adept at manipulating their representations.

Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission—from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.

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