front cover of Wake Up, This Is Joburg
Wake Up, This Is Joburg
Words by Tanya Zack, Photographs by Mark Lewis
Duke University Press, 2022
A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history—from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.
[more]

logo for University of Iowa Press
Was This Heaven?
A Self-Portrait of Iowa on Early Postcards
Lyell D. Jr. Henry
University of Iowa Press, 1995

In the early decades of the twentieth century, Iowans all across the Hawkeye State succumbed to the nationwide craze for exchanging photographic postcards, mailing each other thousands of images—serious and whimsical—of Uncle Bob and Baby Dora, the Sunday school outing, train wrecks, the Fourth of July celebration, the merchants' carnival, the record-setting blizzard following the bin-busting harvest, the new courthouse, Ackley's Sauer-Kraut Band. Now, thanks to the generosity of David A. Wilson, whose ample collection of photographic cards would be the envy of those early Iowans, Lyell Henry has organized more than two hundred postcards into eight reflective chapters that create a beguiling collective portrait of Iowa life and culture from 1905 to 1919.

[more]

logo for Duke University Press
The Weather and a Place to Live
Photographs of the Suburban West
Steven B. Smith
Duke University Press, 2005
In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us into the contemporary reality of sprawling suburbs reconfiguring what was once vast, unpopulated territory. With arresting concision and an unblinking eye, Smith shows how a new frontier is being won, and suggests too how it may be lost in its very emergence. Since the early 1990s Smith has been making large-format photographs in California, Utah, Nevada, and Colorado. Based on this body of work, he was chosen as winner of the biennial Center for Documentary Studies/Honickman First Book Prize in Photography.

The power of these photographs lies in part in Smith’s unusual knowledge of the places he portrays. Raised in Utah, Smith has worked on construction crews, and he was a contractor in California after living on the East Coast for a few years. When he moved to Los Angeles in 1991, he writes, “I was so astounded by what I saw happening to the landscape as it was being developed that I started photographing it immediately. The landscapes I saw were scraped bare, re-sculpted, sealed, and then covered so as not to erode away before the building process could be completed.”

Smith’s photographs offer a disturbing vision of the future of our planet, where the desire for home ownership is pitted against the costs of development in epic proportions. These altered landscapes force us to consider the consequences of human design battling natural forces across great expanses, a fragile balancing act and a contorted equation in which nature becomes both inspiration and invisible adversary. Smith’s elegant photographs of this constructed universe confront us with the beauty of images as images, yet push us to reflect on the devastation possible in the simple act of choosing a place to live.

[more]

front cover of Whiskey Tango Foxtrot
Whiskey Tango Foxtrot
A Photographer's Chronicle of the Iraq War
Ashley Gilbertson
University of Chicago Press, 2007
Arriving in Iraq on the eve of the U.S. invasion, unaffiliated with any newspaper and hoping to pick up assignments along the way, Ashley Gilbertson was one of the first photojournalists to cover the disintegration of America’s military triumph as looting and score settling convulsed Iraqi cities. Just twenty-five years old at the time, Gilbertson soon landed a contract with the New York Times, and his extraordinary images of life in occupied Iraq and of American troops in action began appearing in the paper regularly. Throughout his work, Gilbertson took great risks to document the risks taken by others, whether dodging sniper fire with American infantry, photographing an Iraqi bomb squad as they diffused IEDs, or following marines into the cauldron of urban combat.

Whiskey Tango Foxtrot gathers the best of Gilbertson’s photographs, chronicling America’s early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country’s first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson’s experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson’s own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq—despite the sacrifice in Iraqi and American lives—has descended into a civil war with no end in sight.

A searing account of the American experience in Iraq, Whiskey Tango Foxtrot is sure to become one of the classic war photography books of our time.
[more]

front cover of Wild Orchids of Texas
Wild Orchids of Texas
By Joe Liggio and Ann Orto Liggio
University of Texas Press, 1999

Best of Show Award, Society for Technical Communication International

From the East Texas swamps and forests to the Edwards Plateau canyons and the Trans-Pecos mountains, Texas hosts a surprising number of native orchids. Their exquisite beauty endears them to everyone from wildflower lovers to professional botanists and conservationists.

This beautifully illustrated book presents all 54 wild orchids of Texas. The species descriptions that accompany Joe Liggio's lovely color photos discuss the plant's flowers, blooming season, pollinators, typical habitats, and range (also shown by map), including its distribution within and beyond Texas. The species are grouped by genus and also listed by color, county, and habitat for easy reference.

In addition to the species accounts, the authors offer a general natural history of Texas orchids that discusses such topics as pollination and reproduction, special growing requirements, and threats to orchids from loss of habitats and careless collecting. They also describe the many orchid habitats in Texas and the species that grow in each. This wide variety of information, which has never before been collected in one volume for a general readership, makes this book the essential guide to Texas' wild orchids.

[more]

front cover of Wildflowers and Other Plants of Texas Beaches and Islands
Wildflowers and Other Plants of Texas Beaches and Islands
By Alfred Richardson
University of Texas Press, 2002

Winner, Carroll Abbott Memorial Award, Native Plant Society of Texas, 2002

Many visitors to Texas beaches see only the sands between the surf and the first low dunes. Because few plants grow there, it's easy to get the impression that Texas beaches consist mostly of barren sand—while just the opposite is true. Beyond the dunes grow an amazing variety and abundance of native plants. Many of them, like Indian Blanket, Goldenrod, and Seaside Gerardia, produce great splashes of flowering color. Others display more modest flowers or are interesting for their growing habits. In all, over seven hundred species of flowering plants grow on Texas beaches and islands.

This handy field guide will aid you in identifying some 275 common and/or noteworthy flowering plants of the Texas beaches and islands from the Rio Grande to the Louisiana border. Each plant is illustrated by a color photograph, accompanied by a description of its appearance, habitat, and blooming time. The plants are grouped by families, which in turn are arranged according to relationships and similarities for easy reference. An introduction to beach habitats and plant life, references for further reading, and a glossary of terms make this book fully useful for everyone who wants a good, general understanding of beach plant life and wildflowers.

[more]

front cover of Wildflowers of the Mountain West
Wildflowers of the Mountain West
Richard M. Anderson, Jay Dee Gunnell, Jerry L. Goodspeed
Utah State University Press, 2012

Many recreational hikers have stopped along the trail to admire a wildflower only to wonder what, exactly, they are looking at. Wildflowers of the Mountain West is a useful field guide that makes flower identification easy for the general outdoor enthusiast.

Many available plant guides are too technical or cumbersome for non-specialists to embrace. Covering New Mexico, Colorado, Wyoming, Idaho, Utah, Nevada and Oregon, this book is perfect for the enthusiasts who has little botanical knowledge but would like to know more about the wildflowers they are seeing. Organized by flower color for easy reference, plant records include the common and scientific names, a description of typical characteristics, habitat information and distribution maps, look-alike species, color photographs, and informative commentary. In addition, the book provides a useful introduction to the Mountain West region, along with line drawings to illustrate basic flower parts, shapes, and arrangements; a glossary of common botanical terms; a quick search key; and an index.

The book is spiral-bound, making it easy to bring along while hiking, backpacking, or biking, and stunning full color photographs make visual confirmation of flower type simple and straightforward.
 

[more]

front cover of Wildflowers of Unalaska Island
Wildflowers of Unalaska Island
A Guide to the Flowering Plants of an Aleutian Island, Second Edition
Suzi Golodoff
University of Alaska Press, 2013
In the Aleutian Islands, wildflowers are king. Persistent low temperatures mean trees are unable to thrive, and so swaths of open tundra serve as the dramatic stage for a stunning variety of flowers. Wildflowers of Unalaska Island is the only guide to this flora, covering more than 160 species of flowering plants in a backpack-friendly book.

Each species is introduced and clearly defined and is accompanied by a photograph and line drawings. Many of these plants occur across a wide range of coastal Alaska; others are unique to the Aleutians. The introduction includes background on the unique geologic history, climate, and habitats of the archipelago to fully round out the user’s appreciation of the dramatic environment in which these hardy plants thrive.
[more]

front cover of Wisconsin’s Own
Wisconsin’s Own
Twenty Remarkable Homes
M. Caren Connolly
Wisconsin Historical Society Press, 2010

Take an intimate journey through the family, history, and architecture of 20 residential treasures in Wisconsin’s Own by M. Caren Connolly and Louis Wasserman. Richly illustrated with the photography of Zane Williams and complemented by historical images and watercolors and line drawings, Wisconsin’s Own profiles the architectural history of state’s most remarkable residences built between 1854 and 1939. The houses are a mix of public and private homes that are representative of varied architectural styles, from an Italianate along the Mississippi River and an interpretation of a sixteenth-century northern Italian villa overlooking Lake Michigan to an Adirondack-style camp in the North Woods and a fourteen-bedroom Georgian Revival mansion on Lake Geneva. Frank Lloyd Wright’s Prairie School is, of course, represented as well with examples by Wright and his mentor Louis Sullivan.
 
Wisconsin’s Own tells the story of the considerable contribution that each of these historic homes have made to American residential architecture. It also answers the questions who built the house, what brought them to Wisconsin, why they selected that particular style, and how it is that this historic home still stands—and shines—today.
 

[more]

front cover of
"Wish You Were Here"
Arkansas Postcard Past, 1900–1925
HANLEY RAY & STEVE
University of Arkansas Press, 1997
The 431 examples of picture postcards offer a fascinating glimpse into the lives of Arkansans during the early part of the twentieth century.
[more]

front cover of Woody Plants of Utah
Woody Plants of Utah
A Field Guide with Identification Keys to Native and Naturalized Trees, Shrubs, Cacti, and Vines
Renée Van Buren, Janet G. Cooper, Leila M. Shultz, and Kimball T. Harper
Utah State University Press, 2011

A comprehensive guide that includes a vast range of species and plant communities and employs thorough, original keys. Based primarily on vegetative characteristics, the keys don't require that flowers or other reproductive features be present, like many plant guides. And this guide's attention to woody plants as a whole allows one to identify a much greater variety of plants. That especially suits an arid region such as Utah with less diverse native trees. Woody plants are those that have stems that persist above ground even through seasons that don't favor growth, due to low precipitation or temperatures.

Woody Plants of Utah employs dichotomous identification keys that are comparable to a game of twenty questions. They work through a process of elimination by choosing sequential alternatives.

Detailed, illustrated plant descriptions complement the keys and provide additional botanical and environmental information in relation to a useful introductory categorization of Utah plant communities. Supplementary tools include photos, distribution maps, and an illustrated glossary.

[more]

front cover of The World of Dinosaurs
The World of Dinosaurs
An Illustrated Tour
Mark A. Norell
University of Chicago Press, 2019
“The ultimate dino tour.”—Library Journal, Best Reference 2019

“Perhaps the easiest way to glimpse . . . all this new knowledge is to leaf through Norell’s The World of Dinosaurs. . . . One of the principal paleontologists of our time."—New York Review of Books

“A delight.”—Open Letters Review

“Possibly the best general audience dinosaur book of 2019.”—Paleoaerie

Dinosaurs have held sway over our imaginations since the discovery of their bones first shocked the world in the nineteenth century. From the monstrous beasts stalking Jurassic Park to the curiosities of the natural history museum, dinosaurs are creatures that unite young and old in awestruck wonder. Digging ever deeper into dinosaurs’ ancient past, science continues to unearth new knowledge about them and the world they inhabited, a fantastic time when the footprints of these behemoths marked the Earth that we humans now walk.

Who better to guide us through this ancient world than paleontologist Mark A. Norell? A world-renowned expert in paleontology, with a knowledge of dinosaurs as deep as the buried fossils they left behind, Norell is in charge of what is perhaps America’s most popular collection of dinosaur bones and fossils, the beloved displays at the American Museum of Natural History in New York. In The World of Dinosaurs, he leads readers through a richly illustrated collection detailing the evolution of these ancient creatures. From the horns of the Protoceratops to the wings of the Archaeopteryx, readers are invited to explore profiles of dinosaurs along with hundreds of color photographs, sketches, maps, and other materials—all rooted in the latest scientific discoveries—sure to both capture the imagination and satisfy a prehistoric curiosity. The World of Dinosaurs presents an astonishing collection of knowledge in an immersive visual journey that will fascinate any fan of Earth’s ancient inhabitants.
[more]

front cover of The World Wars Through the Female Gaze
The World Wars Through the Female Gaze
Jean Gallagher
Southern Illinois University Press, 1998

For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.

In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.

The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.

Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.

Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.

[more]

front cover of Woven from the Center
Woven from the Center
Native Basketry in the Southwest
Diane D. Dittemore
University of Arizona Press, 2024
In the beginning was basketry. Around the world, the intertwining of fibers by hand to form a container is a most ancient of crafts. It is older than pottery and metalwork, older than loom weaving.

Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Tohono O’odham, Akimel O’odham, Hopi, Western Apache, Yavapai, Navajo, Pai, Paiute, New Mexico Pueblo, Eastern Apache, Seri, Yaqui, Mayo, and Tarahumara communities.

This richly illustrated volume stands on its own as a definitive look at basketry of the Greater Southwest, including northern Mexico. It also serves as a companion to the peerless collection of U.S. Southwest and Northwest Mexican Native American basketry curated at the Arizona State Museum in Tucson, Arizona. Comprehensive in its coverage, this work is based on decades of research on weavers, collectors, and donors. It includes ample illustrations of basket weavers, past and present, bringing to life the people behind these wonderful woven treasures.
[more]

front cover of Wyoming Revisited
Wyoming Revisited
Rephotographing the Scenes of Joseph E. Stimson
Michael A. Amundson
University Press of Colorado, 2014
In Wyoming Revisited, Michael A. Amundson uses the power of rephotography to show how landscapes across the state have endured over the last century. Three sets of photographs—the original black-and-white photographs taken by famed Wyoming photographer Joseph E. Stimson more than a century ago, repeat black-and-white images taken by Amundson in the 1980s, and a third view in color taken by the author in 2007–2008—are accompanied by captions explaining the history and importance of each site as well as information on the process of repeat photographic fieldwork.

The 117 locations feature street views of Wyoming towns and cities, as well as views from the state's famous natural landmarks like Yellowstone National Park, Grand Teton National Park, Devil's Tower National Monument, Hot Springs State Park, and Big Horn and Shoshone National Forests. In addition, Amundson provides six in-depth essays that explore the life of Joseph E. Stimson, the rephotographic process and how it has evolved, and how repeat photography can be used to understand history, landscape, historic preservation, and globalization.

Wyoming Revisited highlights the historic evolution of the American West over the past century and showcases the significant changes that have occurred over the past twenty-five years. This book will appeal to photographers, historians of the American West, and anyone interested in Wyoming's history or landscape.

The publication of this book is supported in part by the Wyoming Cultural Trust Fund.


[more]


Send via email Share on Facebook Share on Twitter