front cover of Tempest
Tempest
Geometries of Play
Judd Ethan Ruggill and Ken S. McAllister
University of Michigan Press, 2015
Atari’s 1981 arcade hit Tempest was a “tube shooter” built around glowing, vector-based geometric shapes. Among its many important contributions to both game and cultural history, Tempest was one of the first commercial titles to allow players to choose the game’s initial play difficulty (a system Atari dubbed “SkillStep”), a feature that has since became standard for games of all types. Tempest was also one of the most aesthetically impactful games of the twentieth century, lending its crisp, vector aesthetic to many subsequent movies, television shows, and video games. In this book, Ruggill and McAllister enumerate and analyze Tempest’s landmark qualities, exploring the game’s aesthetics, development context, and connections to and impact on video game history and culture. By describing the game in technical, historical, and ludic detail, they unpack the game’s latent and manifest audio-visual iconography and the ideological meanings this iconography evokes.
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front cover of They Came to Play
They Came to Play
A Photographic History of Colorado Baseball
Duane A. Smith
University Press of Colorado, 2012
Over one hundred and thirty years ago, pioneers arriving in Colorado during the Civil War era brought the game of baseball to the high and dry Rocky Mountains frontier. From the days of games in pastures with no gloves to the high drama of Coors Field and the Colorado Rockies, baseball and Coloradans have had a love affair that has continued to flourish over the decades.

In They Came To Play: A Photographic History of Colorado Baseball, historians and avid baseball fans Duane Smith and Mark Foster have collected the finest historic baseball photographs of teams, players, and games from around the state. They are all here, the town teams, company teams, early professional clubs, and the ethnic teams that made baseball an integral part of the life and times in Colorado's mountain towns, prairie hamlets, and bustling frontier cities. Combined with the wonderful photographs and captions is an essay that brings baseball's rich heritage in Colorado to life for the reader.

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front cover of Tosca's Rome
Tosca's Rome
The Play and the Opera in Historical Perspective
Susan Vandiver Nicassio
University of Chicago Press, 1999
A timeless tale of love, lust, and politics, Tosca is one of the most popular operas ever written. In Tosca's Rome, Susan Vandiver Nicassio explores the surprising historical realities that lie behind Giacomo Puccini's opera and the play by Victorien Sardou on which it is based.

By far the most "historical" opera in the active repertoire, Tosca is set in a very specific time and place: Rome, from June 17 to 18, 1800. But as Nicassio demonstrates, history in Tosca is distorted by nationalism and by the vehement anticlerical perceptions of papal Rome shared by Sardou, Puccini, and the librettists. To provide the historical background necessary for understanding Tosca, Nicassio takes a detailed look at Rome in 1800 as each of Tosca's main characters would have seen it—the painter Cavaradossi, the singer Tosca, and the policeman Scarpia. Finally, she provides a scene-by-scene musical and dramatic analysis of the opera.

"[Nicassio] must be the only living historian who can boast that she once sang the role of Tosca. Her deep knowledge of Puccini's score is only to be expected, but her understanding of daily and political life in Rome at the close of the 18th century is an unanticipated pleasure. She has steeped herself in the period and its prevailing culture-literary, artistic, and musical-and has come up with an unusual, and unusually entertaining, history."—Paul Bailey, Daily Telegraph

"In Tosca's Rome, Susan Vandiver Nicassio . . . orchestrates a wealth of detail without losing view of the opera and its pleasures. . . . Nicassio aims for opera fans and for historians: she may well enthrall both."—Publishers Weekly

"This is the book that ranks highest in my estimation as the most in-depth, and yet highly entertaining, journey into the story of the making of Tosca."—Catherine Malfitano

"Nicassio's prose . . . is lively and approachable. There is plenty here to intrigue everyone-seasoned opera lovers, musical novices, history buffs, and Italophiles."—Library Journal

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front cover of Treasure Island
Treasure Island
A Play
Mary Zimmerman
Northwestern University Press, 2019
“Zimmerman has powerfully captured the joy, danger, and fantasy of Stevenson’s novel. . . Pure fun, a potent coming-of-age story, and a rollicking swashbuckler.”—San Francisco Chronicle

In Treasure Island, Tony Award winner and inventive adapter-director Mary Zimmerman has penned a spirited, energetic adaptation of Robert Louis Stevenson’s most beloved novel, proving again that “a strong story full of larger-than-life characters and the quest for filthy lucre has no age barrier” (Chicago Sun-Times).

Enlivened by rum, mutiny, and buried treasure, Treasure Island is the classic pirates’ tale, widely regarded as the forerunner of this genre. After discovering a treasure map, young Jim Hawkins sets off to sea as cabin boy aboard the Hispaniola, where he encounters one of the most unforgettable characters in literary history—peg-legged buccaneer Long John Silver, a malicious mutineer and charismatic father figure.
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