front cover of Pluto and Charon
Pluto and Charon
Edited by S. A. Stern and D. J. Tholen
University of Arizona Press, 1997
For five decades after its discovery in 1930, the planet Pluto remained an enigma. However, several events during the last two decades have helped to lift the veil of mystery surrounding the ninth planet. The discovery of its satellite, Charon, in 1978 permitted occultation observations that allowed scientists to determine the size of both bodies. Astronomers also detected the presence of an atmosphere, and the Hubble Space Telescope provided views in unprecedented detail. In addition to these two fortuitous events, advances in telescopic instrumentation and computational methods led to exciting observational and theoretical discoveries. This new Space Sciences Series volume focuses on the scientific issues associated with Pluto and Charon. Fifty collaborating authors here review the latest research on the Pluto-Charon binary, from bulk properties, surfaces and interiors to atmospheric structure, composition, and dynamics. They also provide historical perspectives on Pluto-Charon research and discuss the population of the trans-Neptunian region and the origin of the Pluto-Charon binary. Also included are prefatory remarks by Pluto's and Charon's discoverers, Clyde Tombaugh and James Christy. This volume offers the most comprehensive available compendium of research work for understanding these far off members of our solar system, just at a time following dramatic developments in our knowledge but before that knowledge can be advanced by spacecraft missions.
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front cover of St. Christopher on Pluto
St. Christopher on Pluto
Nancy McKinley
West Virginia University Press, 2020

*2021 Colorado Book Awards Finalist, Literary Fiction*

MK and Colleen get reacquainted while working at different stores in a bankrupt mall. Way back, the women went to Catholic school together and collaborated on racy letters to a soldier in Vietnam who thought they were much older than seventh graders—a ruse that typifies later shenanigans, usually brought on by red-headed Colleen, a self-proclaimed “Celtic warrior.”

After ditching Colleen’s car to collect the insurance, they drive from one unexpected event to the next in Big Blue, MK’s Buick clunker with a St. Christopher statue glued to the dash. The glow-in-the-dark icon guides them past the farm debris, mine ruins, and fracking waste of the northern brow of Appalachia. Yet their world is not a dystopia. Rather, MK and Colleen show why, amid all the desperation, there is still a community of hope, filled with people looking out for their neighbors and with survivors who offer joy, laughter, and good will.

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