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Archilochos Heros
The Cult of Poets in the Greek Polis
Diskin Clay
Harvard University Press, 2004
The discovery of the Mnesiepes inscription on Paros revealed the third century B.C. belief that the young Archilochos was transformed into a poet by an encounter with the Muses. It also revealed that the poet had become the object of a cult by his fellow islanders as he was transformed in death to a local hero. This is the first attempt to trace the history of this cult from the late sixth century B.C. to the third century A.D.. The author also integrates the iconography of the poet into the history of this cult, and addresses for the first time the larger phenomenon of the cult of poets in the Greek states. This study provides appendices giving sources of information for these cults, including the text of the Mnesiepes inscription. It is illustrated by in-text figures and plates.
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front cover of Fictions of Sappho, 1546-1937
Fictions of Sappho, 1546-1937
Joan DeJean
University of Chicago Press, 1989
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French tradition, where the Sapphic presence is especially pervasive. Tracing re-creations of Sappho through translation and fiction from the mid-sixteenth century to the period just prior to World War II, DeJean shows how these renderings reflect the fantasies and anxieties of each writer as well as the mentalité of his or her day.
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front cover of Homeric Hymns. Homeric Apocrypha. Lives of Homer
Homeric Hymns. Homeric Apocrypha. Lives of Homer
Martin L. West
Harvard University Press, 2003

Invocations, curiosities, and biographies connected with the famous Greek bard.

Performances of Greek epics customarily began with a hymn to a god or goddess—as Hesiod's Theogony and Works and Days do. A collection of thirty-three such poems has come down to us from antiquity under the title “Hymns of Homer.” This Loeb Classical Library volume contains, in addition to the Hymns, fragments of five comic poems that were connected with Homer’s name in or just after the Classical period (but are not today believed to be by the author of the Iliad and the Odyssey). Here too is a collection of ancient accounts of the poet’s life.

The Hymns range widely in length: two are over 500 lines long; several run only a half dozen lines. Among the longest are the hymn to Demeter, which tells the foundational story of the Eleusinian Mysteries; and to Hermes, distinctive in being amusing. The comic poems gathered as Homeric Apocrypha include Margites, the Battle of Frogs and Mice, and, for the first time in English, a fragment of a perhaps earlier poem of the same type called Battle of the Weasel and the Mice. The edition of Lives of Homer contains The Contest of Homer and Hesiod and nine other biographical accounts, translated into English for the first time.

Martin West’s faithful and pleasing translations are fully annotated; his freshly edited texts offer new solutions to a number of textual puzzles.

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Victim of the Muses
Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History
Todd Merlin Compton
Harvard University Press, 2006

This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos—the wretched human scapegoat who is expelled from the city or killed in response to a crisis—after satirizing the Delphians.

In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.

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