BiblioVault - Books about Political

Ugly Freedoms

Elisabeth R. Anker

Duke University Press, 2022

In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These “ugly freedoms” legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker’s sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism’s violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.

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Ukraine, War, Love

A Donetsk Diary

Olena Stiazhkina

Harvard University Press, 2024

In Ukraine, War, Love, Olena Stiazhkina depicts day-to-day developments in and around her beloved hometown Donetsk during Russia’s 2014 invasion and occupation of the Ukrainian city. An award-winning fiction writer, Stiazhkina chronicles an increasingly harrowing series of events with sarcasm, anger, humor, and love.

The diary opens on March 2, 2014, as the first wave of pro-Russian protest washes over eastern Ukraine in the wake of Euromaidan, the Revolution of Dignity, and it closes on August 18, 2014, the day a convoy of civilian Ukrainian refugees is deliberately slaughtered by Russian forces. Early on, Stiazhkina is captured by pro-Russian forces while she browses for books but is freed when one of her captors turns out to be a former student. Vignettes from her personal life intermingle with current events, and she examines ordinary people in extraordinary circumstances. We walk with local dogs and their owners; we meet a formidable apartment building manager who shames occupiers and dismantles their artillery from the roof of her building; we follow a family evacuated to Kyiv whose young son builds checkpoints out of Legos. Olena Stiazhkina’s Ukraine, War, Love: A Donetsk Diary is a fierce love letter to her country, her city, and her people.

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Unburied Bodies

Subversive Corpses and the Authority of the Dead

James R. Martel

Amherst College Press, 2018

The human body is the locus of meaning, personhood, and our sense of the possibility of sanctity. The desecration of the human corpse is a matter of universal revulsion, taboo in virtually all human cultures. Not least for this reason, the unburied corpse quickly becomes a focal point of political salience, on the one hand seeming to express the contempt of state power toward the basic claims of human dignity—while on the other hand simultaneously bringing into question the very legitimacy of that power. In Unburied Bodies: Subversive Corpses and the Authority of the Dead, James Martel surveys the power of the body left unburied to motivate resistance, to bring forth a radically new form of agency, and to undercut the authority claims made by state power. Ranging across time and space from the battlefields of ancient Thebes to the streets of Ferguson, Missouri, and taking in perspectives from such writers as Sophocles, Machiavelli, Walter Benjamin, Hannah Arendt, James Baldwin, Judith Butler, Thomas Lacqueur, and Bonnie Honig, Martel asks why the presence of the abandoned corpse can be seen by both authorities and protesters as a source of power, and how those who have been abandoned or marginalized by structures of authority can find in a lifeless body fellow accomplices in their aspirations for dignity and humanity.

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An Uncertain Tradition

U.S. Senators From Illinois 1818-2003

David Kenney and Robert E. Hartley

Southern Illinois University Press, 2003

This sweeping survey constitutes the first comprehensive treatment of the forty-seven individuals—forty-six white males and one African American female—who have been chosen to represent Illinois in the United States Senate from 1818 to 2003. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s heritage.

An Uncertain Tradition: U. S. Senators from Illinois, 1818–2003 is a fresh and careful study of the shifting set of political issues occurring over time and illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley plot the course of the state’s varied senatorial leadership, from the state’s founding and the appearance of political parties, through the Civil War and its aftermath, and into the diverse political climate of the twenty-first century. From the notorious to the heroic, the popular to the pioneering, the senatorial roster includes such luminaries as “The Little Giant” Stephen A. Douglas; Lyman Trumbull, who served three terms in the Civil War era; “Uncle Dick” and “Black Jack,” also known as Richard Oglesby and John A. Logan; the “Wizard of Ooze” Everett Dirksen; and modern leaders such as Adlai Stevenson III, Paul Simon, and Carol Moseley-Braun.

Kenney and Hartley offer incisive commentary on the quality of senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.

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Uncovering the Constitution's Moral Design

Paul R. DeHart

University of Missouri Press, 2007

The U.S. Constitution provides a framework for our laws, but what does it have to say about morality? Paul DeHart ferrets out that document’s implicit moral assumptions, demonstrating that the Constitution presupposes a natural law to which human law must conform. His argument works toward resolving current debates over the Constitution’s normative framework while remaining detached from the social issues that divide today’s political arena.

In critiquing previous attempts at describing and evaluating the Constitution’s normative framework, DeHart demonstrates that the Constitution’s moral framework corresponds largely to classical moral theory. Using the method of Inference to the Best Explanation to ascertain our Constitution’s moral meaning, he challenges the logical coherency of modern moral philosophy, normative positivism, and other theories that the Constitution has been argued to embody, offering instead an innovative methodology that can be applied to uncovering the normative framework of other constitutions as well.

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United States of Banana

A Graphic Novel

Giannina Braschi and Joakim Lindengren Edited and with an introduction by Amanda M. Smith and Amy Sheeran

The Ohio State University Press, 2021

“I was a monument to immigration—now I’m a border control cop.” So admits the Statue of Liberty in Giannina Braschi’s United States of Banana, a rollicking and nakedly political allegory of US imperialism and Puerto Rican independence. Illustrated by Swedish comic book artist Joakim Lindengren and based on Braschi’s epic manifesto by the same title, the story takes us along on the madcap adventures of Zarathustra, Hamlet, and Giannina herself as they rescue the Puerto Rican prisoner Segismundo from under the skirt of the Statue of Liberty. Throughout their quest, the characters debate far-ranging political and philosophical subjects, spanning terrorism, global warming, mass incarceration, revolution, and love. The Marx Brothers, Pablo Neruda, Barack Obama, Disney characters and more make appearances in this stirring call to overthrow empire, liberate the imprisoned masses, and build a new country rooted in friendship, art, poetry, and laughter.

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Universal Abandon

The Politics of Postmodernism

Andrew Ross, Editor

University of Minnesota Press, 1989

Universal Abandon was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In recent years, the debate about postmodernism has become a full-blown, global discussion about the nature and future of society: it has challenged and redefined the cultural and sexual politics of the last two decades, and is increasingly shaping tomorrow's agenda. Postmodernist culture is a medium in which we all live, no matter how unevenly its effects are felt across the jagged spectrum of color, gender, class, sexual, orientation, region, and nationality. But it is also a culture that proclaims its abandonment of the universalist foundations of Enlightenment thought in the West. At a time when interests can no longer be universalized, the question arises: Whose interests are served by this "universal abandon"?

Universal Abandon is the first volume in a new series entitled Cultural Politics, edited by the Social Text collective. This collection tackles a wider range of cultural and political issues than are usually addressed in the debates about postmodernism—color, ethnicity, and neocolonialism; feminism and sexual difference; popular culture and the question of everyday life—as well as some political and philosophical matters that have long been central to the Western tradition. Together, the contributors provide no consensus about the politics of postmodernism; they insist, rather, that "universal abandon?" remain a question and not an answer.

The contributors: Anders Stephanson, Chantal Mouffe, Stanley Aronowitz, Ernesto Laclau, Nancy Fraser, Linda Nicholson, Meaghan Morris, Paul Smith, Laura Kipnis, Lawrence Grossberg, Abigail Solomon-Godeau, George Yudice, Jacqueline Rose, and Hal Foster.

Andrew Ross teaches English at Princeton University and is the author of The Failure of Modernism.

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An Unplanned Life

A Memoir

George McKee Elsey

University of Missouri Press, 2005

An Unplanned Life is the scintillating memoir of George Elsey, a small-town kid from western Pennsylvania who, at age twenty-four, was assigned to Franklin Roosevelt’s top-secret intelligence and communications center in the White House. As an officer in the U.S. Naval Reserve, Elsey helped brief the president and his senior associates on war events. He and his map room colleagues acted as the secretariat for Roosevelt’s cabled exchanges with Winston Churchill, Joseph Stalin, and Chiang Kai-shek; filed records of “summit conferences”; and stored in safes plans for future operations. He also traveled with the president in order to code and decode the classified messages that flowed between the presidential train or ship and the White House.

Elsey’s duties continued with Harry Truman’s succession to the presidency. He decoded the famous message from Secretary of War Henry Stimson reporting the dropping of the atomic bomb on Hiroshima and carried it to President Truman. In 1947, he shed his Naval Reserve uniform and joined the White House’s civilian staff as assistant to the special counsel to the president. In 1949, he became administrative assistant to the president, and, in 1952, he became a member of the Mutual Security Agency staff. During those years, he grew very close to Harry Truman, and thus, a major portion of An Unplanned Life relates to his experiences then.

In the first postwar winter, Elsey was frequently the only staff member who accompanied President Truman on the USS Williamsburg. In September 1946, Elsey submitted a report to Truman on U.S.-Soviet relations, which came to be well known as the “Clifford-Elsey Report.” Providing Truman with notes for some two hundred of his “back-of-the-train” informal talks, Elsey played a part in the best remembered feature of the “Whistle-Stop Campaign” that resulted in “the political upset of the century.” In addition to his years at the White House, Elsey also touches on his post–White House years—his time in private industry, his months with Clark Clifford when Clifford was trying unsuccessfully to extricate America from Vietnam, and his long association with the American Red Cross.

An Unplanned Life is a fascinating look at the life of an extraordinary individual who played an important and unprecedented part in two different presidents’ decisions and affected the course of our nation. Anyone with an interest in history will find this memoir fascinating and invaluable.

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Up the Capitol Steps

A Woman's March to the Governorship

Barbara Roberts

Oregon State University Press, 2011

Utopia, Limited

Romanticism and Adjustment

Anahid Nersessian

Harvard University Press, 2015

What is utopia if not a perfect world, impossible to achieve? Anahid Nersessian reveals a basic misunderstanding lurking behind that ideal. In Utopia, Limited she enlists William Blake, William Wordsworth, John Keats, and others to redefine utopianism as a positive investment in limitations. Linking the ecological imperative to live within our means to the aesthetic philosophy of the Romantic period, Nersessian’s theory of utopia promises not an unconditionally perfect world but a better world where we get less than we hoped, but more than we had.

For the Romantic writers, the project of utopia and the project of art were identical. Blake believed that without limits, a work of art would be no more than a set of squiggles on a page, or a string of nonsensical letters and sounds. And without boundaries, utopia is merely an extension of the world as we know it, but blighted by a hunger for having it all. Nersessian proposes that we think about utopia as the Romantics thought about aesthetics—as a way to bind and thereby emancipate human political potential within a finite space.

Grounded in an intellectual tradition that begins with Immanuel Kant and includes Theodor Adorno and Northrop Frye, Utopia, Limited lays out a program of “adjustment” that applies the lessons of art to the rigors of life on an imperiled planet. It is a sincere response to environmental devastation, offering us a road map through a restricted future.

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