BiblioVault - Books about Politics

Vampires, Mummies and Liberals

Bram Stoker and the Politics of Popular Fiction

David Glover

Duke University Press, 1996

Nearly a hundred years after its debut in 1897, Dracula is still one of the most popular of all Gothic narratives, always in print and continually adapted for stage and screen. Paradoxically, David Glover suggests, this very success has obscured the historical conditions and authorial circumstances of the novel’s production. By way of a long overdue return to the novels, short stories, essays, journalism, and correspondence of Bram Stoker, Vampires, Mummies, and Liberals reconstructs the cultural and political world that gave birth to Dracula. To bring Stoker’s life into productive relationship with his writing, Glover offers a reading that locates the author within the changing commercial contours of the late-Victorian public sphere and in which the methods of critical biography are displaced by those of cultural studies.
Glover’s efforts reveal a writer who was more wide-ranging and politically engaged than his current reputation suggests. An Irish Protestant and nationalist, Stoker nonetheless drew his political inspiration from English liberalism at a time of impending crisis, and the tradition’s contradictions and uncertainties haunt his work. At the heart of Stoker’s writing Glover exposes a preoccupation with those sciences and pseudo-sciences—from physiognomy and phrenology to eugenics and sexology—that seemed to cast doubt on the liberal faith in progress. He argues that Dracula should be read as a text torn between the stances of the colonizer and the colonized, unable to accept or reject the racialized images of backwardness that dogged debates about Irish nationhood. As it tracks the phantasmatic form given to questions of character and individuality, race and production, sexuality and gender, across the body of Stoker’s writing, Vampires, Mummies, and Liberals draws a fascinating portrait of an extraordinary transitional figure.
Combining psychoanalysis and cultural theory with detailed historical research, this book will be of interest to scholars of Victorian and Irish fiction and to those concerned with cultural studies and popular culture.

[more]

Vanishing Bees

Science, Politics, and Honeybee Health

Suryanarayanan, Sainath

Rutgers University Press, 2016

In 2005, beekeepers in the United States began observing a mysterious and disturbing phenomenon: once-healthy colonies of bees were suddenly collapsing, leaving behind empty hives full of honey and pollen. Over the following decade, widespread honeybee deaths—some of which have come to be called Colony Collapse Disorder (CCD)—have continued to bedevil beekeepers and threaten the agricultural industries that rely on bees for pollination. Scientists continue to debate the causes of CCD, yet there is no clear consensus on how to best solve the problem.

Vanishing Bees takes us inside the debates over widespread honeybee deaths, introducing the various groups with a stake in solving the mystery of CCD, including beekeepers, entomologists, growers, agrichemical companies, and government regulators. Drawing from extensive interviews and first-hand observations, Sainath Suryanarayanan and Daniel Lee Kleinman examine how members of each group have acquired, disseminated, and evaluated knowledge about CCD. In addition, they explore the often-contentious interactions among different groups, detailing how they assert authority, gain trust, and build alliances.

As it explores the contours of the CCD crisis, Vanishing Bees considers an equally urgent question: what happens when farmers, scientists, beekeepers, corporations, and federal agencies approach the problem from different vantage points and cannot see eye-to-eye? The answer may have profound consequences for every person who wants to keep fresh food on the table.

[more]

Vaquita

Science, Politics, and Crime in the Sea of Cortez

Brooke Bessesen

Island Press, 2018

"Intrepid conservation detective story." —Nature

"A lucid, informed, and gripping account...a must-read." —Science

"Passionate...a heartfelt and alarming tale." —Publishers Weekly

"Gripping...a well-told and moving tale of environmentalism and conservation." —Kirkus

"Compelling." —Library Journal

In 2006, vaquita, a diminutive porpoise making its home in the Upper Gulf of California, inherited the dubious title of world’s most endangered marine mammal. Nicknamed “panda of the sea” for their small size and beguiling facial markings, vaquitas have been in decline for decades, dying by the hundreds in gillnets intended for commercially valuable fish, as well as for an endangered fish called totoaba. When international crime cartels discovered a lucrative trade in the swim bladders of totoaba, illegal gillnetting went rampant, and now the lives of the few remaining vaquitas hang in the balance.

Author Brooke Bessesen takes us on a journey to Mexico’s Upper Gulf region to uncover the story. She interviewed townspeople, fishermen, scientists, and activists, teasing apart a complex story filled with villains and heroes, a story whose outcome is unclear. When diplomatic and political efforts to save the little porpoise failed, Bessesen followed a team of veterinary experts in a binational effort to capture the last remaining vaquitas and breed them in captivity—the best hope for their survival. In this fast-paced, soul-searing tale, she learned that there are no easy answers when extinction is profitable.

Whether the rescue attempt succeeds or fails, the world must ask itself hard questions. When vaquita and the totoaba are gone, the black market will turn to the next vulnerable species. What will we do then?

[more]

Veganism, Sex and Politics

Tales of Danger and Pleasure

C. Lou Hamilton

Intellect Books, 2019

Venezuela's Bolivarian Democracy

Participation, Politics, and Culture under Chávez

David Smilde and Daniel Hellinger, eds.

Duke University Press, 2011

Venezuela’s Bolivarian Democracy brings together a variety of perspectives on participation and democracy in Venezuela. An interdisciplinary group of contributors focuses on the everyday lives of Venezuelans, examining the forms of participation that have emerged in communal councils, cultural activities, blogs, community media, and several other forums. The essays validate many of the critiques of democracy under Chávez, as well as much of the praise. They show that while government corporatism and clientelism are constant threats, the forms of political and cultural participation discussed are creating new discourses, networks, and organizational spaces—for better and for worse. With open yet critical minds, the contributors seek to analyze Venezuela’s Bolivarian democratic experience through empirical research. In doing so, they reveal a nuanced process, a richer and more complex one than is conveyed in international journalism and scholarship exclusively focused on the words and actions of Hugo Chávez.

Contributors
Carolina Acosta-Alzuru
Julia Buxton
Luis Duno Gottberg
Sujatha Fernandes
María Pilar García-Guadilla
Kirk A. Hawkins
Daniel Hellinger
Michael E. Johnson
Luis E. Lander
Margarita López-Maya
Elizabeth Gackstetter Nichols
Coraly Pagan
Guillermo Rosas
Naomi Schiller
David Smilde
Alejandro Velasco

[more]

Victor Arnautoff and the Politics of Art

Robert W. Cherny

University of Illinois Press, 2017

Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.

[more]

The Vietnam War in American Memory

Veterans, Memorials, and the Politics of Healing

Patrick Hagopian

University of Massachusetts Press, 2011

A study of American attempts to come to terms with the legacy of the Vietnam War, this book highlights the central role played by Vietnam veterans in shaping public memory of the war.

Tracing the evolution of the image of the Vietnam veteran from alienated dissenter to traumatized victim to noble warrior, Patrick Hagopian describes how efforts to commemorate the war increasingly downplayed the political divisions it spawned in favor of a more unifying emphasis on honoring veterans and promoting national "healing."

[more]

Virgil and The Tempest

The Politics of Imitation

Donna B. Hamilton

The Ohio State University Press, 1900

The Virtual Point of Freedom

Essays on Politics, Aesthetics, and Religion

Lorenzo Chiesa

Northwestern University Press, 2016

The principal motif that runs throughout The Virtual Point of Freedom is a confrontation with the discourse of freedom, or, more specifically, the falsely transgressive ideal of a total emancipation that would know no constraints. Far from delineating a supposed “subject of freedom” that would allegedly overcome alienation once and for all, the seven chapters in Chiesa’s book seek to unfold an innovative reading of the dialectical coincidence between dis-alienation and re-alienation in politics, aesthetics, and religion, using psychoanalysis as a privileged critical tool. Topics include Pier Paolo Pasolini’s attack on the visual and biological degeneration of bodies brought about by pleasure-seeking “liberal” consumerism, Giorgio Agamben’s and Slavoj Žižek’s conflicting negotiations with the Christian tradition of “poverty” and “inappropriateness” as potential redemption, and Alain Badiou’s inability to develop a philosophical anthropology that could sustain a coherent politics of emancipation. The book concludes by sketching out the figure of the partisan, a subject who makes it possible to conceive of an intersection between provisional morality and radical politics.

[more]

Virtuous Citizens

Counterpublics and Sociopolitical Agency in Transatlantic Literature

Kendall McClellan

University of Alabama Press, 2021

Demonstrates how contemporary manifestations of civic publics trace directly to the early days of nationhood

The rise of the bourgeois public sphere and the contemporaneous appearance of counterpublics in the eighteenth century deeply influenced not only how politicians and philosophers understood the relationships among citizens, disenfranchised subjects, and the state but also how members of the polity understood themselves. In Virtuous Citizens: Counterpublics and Sociopolitical Agency in Transatlantic Literature, Kendall McClellan uncovers a fundamental and still redolent transformation in conceptions of civic identity that occurred over the course of the eighteenth and nineteenth centuries. Literature of this period exposes an emotional investment in questions of civic selfhood born out of concern for national stability and power, which were considered products of both economic strength and a nation’s moral fiber. McClellan shows how these debates traversed the Atlantic to become a prominent component of early American literature, evident in works by James Fenimore Cooper, Catharine Maria Sedgwick, Sarah Josepha Hale, and Harriet Beecher Stowe, among others.

Underlying popular opinion about who could participate in the political public, McClellan argues, was an impassioned rhetorical wrestling match over the right and wrong ways to demonstrate civic virtue. Relying on long-established tropes of republican virtue that lauded self-sacrifice and disregard for personal safety, abolitionist writers represented loyalty to an ideals-based community as the surest safeguard of both private and public virtue. This evolution in civic virtue sanctioned acts of protest against the state, offered disenfranchised citizens a role in politics, and helped usher in the modern transnational public sphere.

Virtuous Citizens shows that the modern public sphere has always constituted a vital and powerful space for those invested in addressing injustice and expanding democracy. To illuminate some of the fundamental issues underlying today’s sociopolitical unrest, McClellan traces the transatlantic origins of questions still central to the representation of movements like Black Lives Matter, the Women’s March, and the Alt-Right: What is the primary loyalty of a virtuous citizen? Are patriots those who defend the current government against attacks, external and internal, or those who challenge the government to fulfill sociopolitical ideals?

[more]

Visibility Interrupted

Rural Queer Life and the Politics of Unbecoming

Carly Thomsen

University of Minnesota Press, 2021

A questioning of the belief in the power of LGBTQ visibility through the lives of queer women in the rural Midwest

Today most LGBTQ rights supporters take for granted the virtue of being “out, loud, and proud.” Most also assume that it would be terrible to be LGBTQ in a rural place. By considering moments in which queerness and rurality come into contact, Visibility Interrupted argues that both positions are wrong. In the first monograph on LGBTQ women in the rural Midwest, Carly Thomsen deconstructs the image of the rural as a flat, homogenous, and anachronistic place where LGBTQ people necessarily suffer. And she suggests that visibility is not liberation and will not lead to liberation.

Far from being an unambiguous good, argues Thomsen, visibility politics can, in fact, preclude collective action. They also advance metronormativity, postraciality, and capitalism. To make these interventions, Thomsen develops the theory of unbecoming: interrogating the relationship between that which we celebrate and that which we find disdainful—the past, the rural, politics—is crucial for developing alternative subjectivities and politics. Unbecoming precedes becoming. Drawing from critical race studies, disability studies, and queer Marxism, in addition to feminist and queer studies, the insights of this book will be useful to scholars theorizing issues far beyond sexuality and place and to social justice activists who want to move beyond visibility.

[more]

Visible Ruins

The Politics of Perception and the Legacies of Mexico's Revolution

Mónica M. Salas Landa

University of Texas Press, 2024

An examination of the failures of the Mexican Revolution through the visual and material records.

The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings. Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility.

[more]

Visualizing Empire

Africa, Europe, and the Politics of Representation

Rebecca Peabody

J. Paul Getty Trust, The, 2021

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire.

By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas.

These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

[more]

Visualizing the Revolution

Politics and Pictorial Arts in Late Eighteenth-Century France

Hubertus Kohle and Rolf Reichardt

Reaktion Books, 2008

The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. Visualizing the Revolution surveys the rich and multifaceted visual culture of the French Revolution, exploring its creation and how it conveyed the new revolutionary sensibilities of the era.

Unlike most studies on art of the French Revolution, Visualizing the Revolution embraces a wide range of artistic genres—including prints, architecture, painting, and sculpture—and also draws upon archival documents to investigate the period’s aesthetic concerns. The authors break new ground in methodology and interpretative practice as they tease out the web of connections between these various historical artifacts and argue for the central place of the arts in the transmission of ideas and the political manipulation of the populace. The book translates the provocatively new visual language revealed in these artworks and writings and shows how its emphasis on metaphor, allegory, and symbolism transformed French mass visual culture. An innovative and lushly illustrated study, Visualizing the Revolution is a worthy new contribution to scholarship on the French Revolution and the history of French art.

[more]

Vital Minimum

Need, Science, and Politics in Modern France

Dana Simmons

University of Chicago Press, 2015

What constitutes a need? Who gets to decide what people do or do not need? In modern France, scientists, both amateur and professional, were engaged in defining and measuring human needs. These scientists did not trust in a providential economy to distribute the fruits of labor and uphold the social order. Rather, they believed that social organization should be actively directed according to scientific principles. They grounded their study of human needs on quantifiable foundations: agricultural and physiological experiments, demographic studies, and statistics.

The result was the concept of the "vital minimum"--the living wage, a measure of physical and social needs. In this book, Dana Simmons traces the history of this concept, revealing the intersections between technologies of measurement, such as calorimeters and social surveys, and technologies of wages and welfare, such as minimum wages, poor aid, and welfare programs. In looking at how we define and measure need, Vital Minimum raises profound questions about the authority of nature and the nature of inequality.

[more]

Vitality And Dynamism

Interstitial Dialogues of Language, Politics, and Religion in Morocco's Literary Tradition

Kirstin Bratt

Amsterdam University Press

Anti-colonial literature is not necessarily ‘combat literature’ as Fanon and Déjeux have both suggested in their own writings. While it is often combative, there is also anti-colonial literature that emphasizes the human and the humane rather than the oppositional and contentious; it cannot be fair to label all anti-colonial literature as combative, even if one were to expand the definition of “combat” to include peaceful struggles against oppression or dehumanization. This book suggests that the relationship between the West and the rest of the world has been imagined as a relationship of Self (the West) to Other (the rest of the world), ordered and bordered geographically by the whims of Europeans and creating a Center-Periphery paradigm. These invented boundaries of humanity serve to separate geographical sites, but more, they serve to enclose the Empire and exoticize other cultures. Boundaries are often spatial, but more often, they are related to relationships and colonialization.

[more]

Voices of Mental Health

Medicine, Politics, and American Culture, 1970-2000

Halliwell, Martin

Rutgers University Press, 2017

This dynamic and richly layered account of mental health in the late twentieth century interweaves three important stories: the rising political prominence of mental health in the United States since 1970; the shifting medical diagnostics of mental health at a time when health activists, advocacy groups, and public figures were all speaking out about the needs and rights of patients; and the concept of voice in literature, film, memoir, journalism, and medical case study that connects the health experiences of individuals to shared stories.

Together, these three dimensions bring into conversation a diverse cast of late-century writers, filmmakers, actors, physicians, politicians, policy-makers, and social critics. In doing so, Martin Halliwell’s Voices of Mental Health breaks new ground in deepening our understanding of the place, politics, and trajectory of mental health from the moon landing to the millennium.

[more]

Volker Schlondorff's Cinema

Adaptation, Politics, and the "Movie-Appropriate"

Hans-Bernhard Moeller and George Lellis

Southern Illinois University Press, 2002

Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.

[more]