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Karaoke
The Global Phenomenon
Zhou Xun and Francesca Tarocco
Reaktion Books, 2007

Dancing Queen. Respect. Brandy (You’re a Fine Girl). There are some songs so infectious that you can’t help but belt out the lyrics along with the singer. Karaoke—meaning “empty orchestra” in Japanese—gets rid of the singer and leaves you in the spotlight alone. It is the social manifestation of our desire to sing, in tune or out, and in three short decades, it has exploded into a worldwide craze. In this unprecedented study, Zhou Xun and Francesca Tarocco engagingly examine karaoke and all its associated kitsch, crime, and weirdness.

Usually thought of as the pastime of desperately bad singers and slurring drunks, karaoke has never enjoyed a particularly stellar image. Xun and Tarocco, however, reveal its surprisingly complex history and significant cultural impact around the world. Originating in postwar Japan, karaoke soon spread to Southeast Asia and the West. Karaoke traces how it became a wildly successful social phenomenon that constantly evolved to keep pace with changes in technology and culture. Drawing on extensive research and international travels, the authors chart the varied manifestations of karaoke, from karaoke taxis in Bangkok to nude karaoke in Toronto to the role of karaoke in prostitution. Extensive personal anecdotes reveal the dramatic range of social experiences made possible by karaoke and how the obsession with performance and song has touched politics, history, and pop culture throughout global society.

Karaoke bars are at the heart of rich escapist fantasies and the authors—in readable fashion and using vibrant full-color illustrations—document this unpredictable fantasy world and the people who inhabit it. Karaoke,therefore, will delight anyone who has had the courage to take the mike and front the “empty orchestra.”

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Katherine Mansfield's Fiction
Patrick D. Morrow
University of Wisconsin Press, 1993

This book attempts to analyze a major part of Mansfield's fiction, concentrating on an analysis of the various textures, themes, and issues, plus the point of view virtuosity that she accomplished in her short lifetime (34 years). Many of her most famous works, such as "Prelude" and "Bliss," are explicated, along with many of her less famous and unfinished stories.

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Ken Follett
The Transformation of a Writer
Carlos Ramet
University of Wisconsin Press, 1999
Carlos Ramet focuses on the artistic development and cultural implications of the best-selling author of works such as Eye of the Needle (1978), The Pillars of the Earth (1989), and The Hammer of Eden (1998). Beginning with his earliest published novel, The Big Needle (1974), Ramet explores the tension between the popular and the serious that has underlain much of Follett’s work. Ramet examines this writer’s blending of genres, film adaptations of his novels, and his keen ability to extend his readership through a “hybridization” process. Ramet linguistically analyzes Follett’s flexibility with literary forms; explores archetypal patterns; and demonstrates that Follett’s involvement in British politics is reflected not only in his latest works but has been implied by his novels from the start.
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Kid on the Sandlot
Congress and Professional Sports, 1910–1992
Stephen R. Lowe
University of Wisconsin Press, 1995
As the role and influence of professional sports has increased in American life, so has the relationship between the U.S. Congress and the professional sports world. Since WW II, Congress has held dozens of investigations and debated hundreds of bills on subjects such as organized baseball’s antitrust exemption, the NFL’s television blackout policy, the role of organized crime in professional boxing, the league mergers in professional football and basketball, and franchise relocations.
    Lowe provides concise, interpretive narrative of Congress’s involvement in professional sports. Testimony is included from such colorful figures as Jackie Robinson, Casey Stengel, Pete Rozelle, Muhammad Ali, Sonny Liston, and Don King. Leading congressmen and senators are also included.
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Killer Instinct
The Popular Science of Human Nature in Twentieth-Century America
Nadine Weidman
Harvard University Press, 2021

A historian of science examines key public debates about the fundamental nature of humans to ask why a polarized discourse about nature versus nurture became so entrenched in the popular sciences of animal and human behavior.

Are humans innately aggressive or innately cooperative? In the 1960s, bestselling books enthralled American readers with the startling claim that humans possessed an instinct for violence inherited from primate ancestors. Critics responded that humans were inherently loving and altruistic. The resulting debate—fiercely contested and highly public—left a lasting impression on the popular science discourse surrounding what it means to be human.

Killer Instinct traces how Konrad Lorenz, Robert Ardrey, and their followers drew on the sciences of animal behavior and paleoanthropology to argue that the aggression instinct drove human evolutionary progress. Their message, spread throughout popular media, brought pointed ripostes. Led by the anthropologist Ashley Montagu, opponents presented a rival vision of human nature, equally based in biological evidence, that humans possessed inborn drives toward love and cooperation. Over the course of the debate, however, each side accused the other of holding an extremist position: that behavior was either determined entirely by genes or shaped solely by environment. Nadine Weidman shows that what started as a dispute over the innate tendencies of animals and humans transformed into an opposition between nature and nurture.

This polarized formulation proved powerful. When E. O. Wilson introduced his sociobiology in 1975, he tried to rise above the oppositional terms of the aggression debate. But the controversy over Wilson’s work—led by critics like the feminist biologist Ruth Hubbard—was ultimately absorbed back into the nature-versus-nurture formulation. Killer Instinct explores what happens and what gets lost when polemics dominate discussions of the science of human nature.

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Killing Poetry
Blackness and the Making of Slam and Spoken Word Communities
Johnson, Javon
Rutgers University Press, 2017
Winner of the 2019 Lilla A. Heston Award
Co-winner of the 2018 Ethnography Division’s Best Book from the NCA


In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.
 
In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.
 
Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve. 
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King of Hearts
Drag Kings in the American South
Baker A. Rogers
Rutgers University Press, 2022
While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.  
 
King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. 
 
Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.
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Kitchen Literacy
How We Lost Knowledge of Where Food Comes from and Why We Need to Get It Back
Ann Vileisis
Island Press, 2008
Ask children where food comes from, and they’ll probably answer: “the supermarket.” Ask most adults, and their replies may not be much different. Where our foods are raised and what happens to them between farm and supermarket shelf have become mysteries. How did we become so disconnected from the sources of our breads, beef, cheeses, cereal, apples, and countless other foods that nourish us every day?
 
Ann Vileisis’s answer is a sensory-rich journey through the history of making dinner. Kitchen Literacy takes us from an eighteenth-century garden to today’s sleek supermarket aisles, and eventually to farmer’s markets that are now enjoying a resurgence. Vileisis chronicles profound changes in how American cooks have considered their foods over two centuries and delivers a powerful statement: what we don’t know could hurt us.
 
As the distance between farm and table grew, we went from knowing particular places and specific stories behind our foods’ origins to instead relying on advertisers’ claims. The woman who raised, plucked, and cooked her own chicken knew its entire life history while today most of us have no idea whether hormones were fed to our poultry. Industrialized eating is undeniably convenient, but it has also created health and environmental problems, including food-borne pathogens, toxic pesticides, and pollution from factory farms.
 
Though the hidden costs of modern meals can be high, Vileisis shows that greater understanding can lead consumers to healthier and more sustainable choices. Revealing how knowledge of our food has been lost and how it might now be regained, Kitchen Literacy promises to make us think differently about what we eat.
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Kitchen Literacy
How We Lost Knowledge of Where Food Comes from and Why We Need to Get It Back
Ann Vileisis
Island Press, 2008
Ask children where food comes from, and they’ll probably answer: “the supermarket.” Ask most adults, and their replies may not be much different. Where our foods are raised and what happens to them between farm and supermarket shelf have become mysteries. How did we become so disconnected from the sources of our breads, beef, cheeses, cereal, apples, and countless other foods that nourish us every day?
 
Ann Vileisis’s answer is a sensory-rich journey through the history of making dinner. Kitchen Literacy takes us from an eighteenth-century garden to today’s sleek supermarket aisles, and eventually to farmer’s markets that are now enjoying a resurgence. Vileisis chronicles profound changes in how American cooks have considered their foods over two centuries and delivers a powerful statement: what we don’t know could hurt us.
 
As the distance between farm and table grew, we went from knowing particular places and specific stories behind our foods’ origins to instead relying on advertisers’ claims. The woman who raised, plucked, and cooked her own chicken knew its entire life history while today most of us have no idea whether hormones were fed to our poultry. Industrialized eating is undeniably convenient, but it has also created health and environmental problems, including food-borne pathogens, toxic pesticides, and pollution from factory farms.
 
Though the hidden costs of modern meals can be high, Vileisis shows that greater understanding can lead consumers to healthier and more sustainable choices. Revealing how knowledge of our food has been lost and how it might now be regained, Kitchen Literacy promises to make us think differently about what we eat.
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The Knowable and the Unknowable
Modern Science, Nonclassical Thought, and the "Two Cultures"
Arkady Plotnitsky
University of Michigan Press, 2002
This book investigates the relationships between modern mathematics and science (in particular, quantum mechanics) and the mode of theorizing that Arkady Plotnitsky defines as "nonclassical" and identifies in the work of Bohr, Heisenberg, Lacan, and Derrida. Plotinsky argues that their scientific and philosophical works radically redefined the nature and scope of our knowledge. Building upon their ideas, the book finds a new, nonclassical character in the "dream of great interconnections" Bohr described, thereby engaging with recent debates about the "two cultures" (the humanities and the sciences).
Plotnitsky highlights those points at which the known gives way to the unknown (and unknowable). These points are significant, he argues, because they push the boundaries of thought and challenge the boundaries of disciplinarity. One of the book's most interesting observations is that key figures in science, in order to push toward a framing of the unknown, actually retreated into a conservative disciplinarity. Plotnitsky's informed, interdisciplinary approach is more productive than the disparaging attacks on postmodernism or scientism that have hitherto characterized this discourse.
Arkady Plotnitsky is Professor of English and Director, Theory and Cultural Studies Program, Purdue University. Trained in both mathematics and literary theory, he is author of several books, including In the Shadow of Hegel: Complementarity, History and the Unconscious and Reconfigurations: Critical Theory and General Economy.
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Knowledge and Social Imagery
David Bloor
University of Chicago Press, 1991
The first edition of this book profoundly challenged and divided students of philosophy, sociology, and the history of science when it was published in 1976. In this second edition, Bloor responds in a substantial new Afterword to the heated debates engendered by his book.
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The Komedie Stamboel
Popular Theater in Colonial Indonesia, 1891–1903
Matthew Isaac Cohen
Ohio University Press, 2006
Winner of the 2008 Benda Prize

Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights, European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories. The actors were primarily Eurasians, the original backers were Chinese, and audiences were made up of all races and classes. The Komedie Stamboel explores how this new hybrid theater pointed toward possibilities for the transformation of self in a colonial society and sparked debates on moral behavior and mixed-race politics.

While audiences marveled at spectacles involving white-skinned actors, there were also racial frictions between actors and financiers, sexual scandals, fights among actors and patrons, bankruptcies, imprisonments, and a murder.

Matthew Isaac Cohen's evocative social history situates the Komedie Stamboel in the culture of empire and in late nineteenth-century itinerant entertainment. He shows how the theater was used as a symbol of cross-ethnic integration in postcolonial Indonesia and as an emblem of Eurasian cultural accomplishment by Indische Nederlanders. A pioneering study of nineteenth-century Southeast Asian popular culture, The Komedie Stamboel gives a new picture of the region's arts and culture and explores the interplay of currents in global culture, theatrical innovation, and movement in colonial Indonesia.ABOUT THE AUTHOR---Matthew Isaac Cohen is senior lecturer in Drama and Theatre Studies at Royal Holloway University of London. His articles on Southeast Asian performance have appeared in New Theatre Quarterly, Asian Theatre Journal, Journal of the Royal Asiatic Society, and Archipel. As a practicing shadow puppeteer, he has performed in the United States, Europe, and Asia.
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