BiblioVault - Books about Postsecularism

Fiction Beyond Secularism

Justin Neuman

Northwestern University Press, 2014

Modernist thinkers once presumed a progressive secularity, with the novel replacing religious texts as society’s moral epics. Yet religion—beginning with the Iranian revolution of 1979, through the collapse of communism, and culminating in the singular rupture of September 11, 2001—has not retreated quietly out of sight.

In Fiction Beyond Secularism, Justin Neuman argues that contemporary novelists who are most commonly identified as antireligious—among them Orhan Pamuk, Salman Rushdie, Ian McEwan, Margaret Atwood, Nadine Gordimer, Haruki Murakami, and J. M. Coetzee—have defied assumptions and have instead written some of the most trenchant critiques of secular ideologies, as well as the most exciting and rigorous inquiries into the legacies of the religious imagination. As a result, many readers (or nonreaders) on either side of the religious divide neglect the insights of works like The Satanic Verses, Disgrace, and Snow. Fiction Beyond Secularism serves as a timely corrective.

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Gendered Fortunes

Divination, Precarity, and Affect in Postsecular Turkey

Zeynep K. Korkman

Duke University Press, 2023

In Gendered Fortunes, Zeynep K. Korkman examines Turkey’s commercial fortunetelling cafés where secular Muslim women and LGBTIQ individuals navigate the precarities of twenty-first-century life. Criminalized by long-standing secularist laws and disdained by contemporary Islamist government, fortunetelling cafés proliferate in part because they offer shelter from the conservative secularist, Islamist, neoliberal, and gender pressures of the public sphere. Korkman shows how fortunetelling is a form of affective labor through which its participants build intimate feminized publics in which they share and address their hopes and fears. Korkman uses feeling—which is how her interlocutors describe the divination process—as an analytic to view the shifting landscape of gendered vulnerability in Turkey. In so doing, Korkman foregrounds “feeling” as a feminist lens to explore how those who are pushed to the margins feel their way through oppressive landscapes to create new futures.

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Postsecular Benjamin

Agency and Tradition

Brian Britt

Northwestern University Press, 2016

In readings of Walter Benjamin's work, religion often marks a boundary between scholarly camps, but it rarely receives close and sustained scrutiny. Benjamin's most influential writings pertain to modern art and culture, but he frequently used religious language while rejecting both secularism and religious revival. Benjamin was, in today's terms, postsecular. Postsecular Benjamin explicates Benjamin's engagements with religious traditions as resources for contemporary debates on secularism, conflict, and identity. Brian Britt argues that what animates this work on tradition is the question of human agency, which he pursues through lively and sustained experimentation with ways of thinking, reading, and writing.

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A Theology of Sense

John Updike, Embodiment, and Late Twentieth-Century American Literature

Scott Dill

The Ohio State University Press, 2018

Scott Dill’s A Theology of Sense: John Updike, Embodiment, and Late Twentieth-Century American Literature brings together theology, aesthetics, and the body, arguing that Updike, a central figure in post-1945 American literature, deeply embeds in his work questions of the body and the senses with questions of theology. Dill offers new understandings not only of the work of Updike—which is importantly being revisited since the author’s death in 2009—but also new understandings of the relationship between aesthetics, religion, and physical experience.

Dill explores Updike’s unique literary legacy in order to argue for a genuinely postsecular theory of aesthetic experience. Each chapter takes up one of the five senses and its relation to broader theoretical concerns: affect, subjectivity, ontology, ethics, and theology. While placing Updike’s work in relation to other late twentieth-century American writers, Dill explains their notions of embodiment and uses them to render a new account of postsecular aesthetics. No other novelist has portrayed mere sense experience as carefully, as extensively, or as theologically—repeatedly turning to the doctrine of creation as his stylistic justification. Across this examination of his many stories, novels, poems, and essays, Dill proves that Updike forces us to reconsider the power of literature to revitalize sense experience as a theological question.

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