front cover of Fort Dearborn
Fort Dearborn
A Novel
Jerry Crimmins
Northwestern University Press, 2008

In a story that brings to life the founding of one of the world's great cities, Fort Dearborn takes us back to Chicago's early struggle of fire and blood. Through the eyes of two young boys and their fathers—one father a sergeant with the United States First Infantry, the other a Potawatomi warrior—we see the events that lead up to the Fort Dearborn Massacre. Using scores of letters, historical documents and maps, and long-forgotten Native American speeches, Jerry Crimmins breathes life into the little known drama that took place in the vicinity of the fort that once occupied what is now downtown Chicago. A suspenseful narrative, Fort Dearborn is also a remarkable historical account, minutely observed and meticulously documented, preserving a key moment in American history.

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front cover of Imprints
Imprints
The Pokagon Band of Potawatomi Indians and the City of Chicago
John N. Low
Michigan State University Press, 2016
The Pokagon Band of Potawatomi Indians has been a part of Chicago since its founding. In very public expressions of indigeneity, they have refused to hide in plain sight or assimilate. Instead, throughout the city’s history, the Pokagon Potawatomi Indians have openly and aggressively expressed their refusal to be marginalized or forgotten—and in doing so, they have contributed to the fabric and history of the city.
Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago examines the ways some Pokagon Potawatomi tribal members have maintained a distinct Native identity, their rejection of assimilation into the mainstream, and their desire for inclusion in the larger contemporary society without forfeiting their “Indianness.” Mindful that contact is never a one-way street, Low also examines the ways in which experiences in Chicago have influenced the Pokagon Potawatomi. Imprints continues the recent scholarship on the urban Indian experience before as well as after World War II.
 
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front cover of Ogimawkwe Mitigwaki (Queen of the Woods)
Ogimawkwe Mitigwaki (Queen of the Woods)
Simon Pokagon
Michigan State University Press, 2010

Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter.
     In 1899, shorty after his death, Pokagon's novel Ogimawkwe Mitigwaki (Queen of the Woods)—only the second ever published by an American Indian—appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author's desire to mark the cultural, political, and social landscapes with a memorial to the past and a monument to a future that included the Pokagon Potawatomi as distinct and honored people.
     This new edition offers a reprint of the original 1899 novel with the author's introduction to the language and culture of his people. In addition, new accompanying materials add context through a cultural biography, literary historical analysis, and linguistic considerations of the unusual text.

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front cover of The Prairie People
The Prairie People
Continuity and Change in Potawatomi Indian Culture, 1665-1965
James A. Clifton
University of Iowa Press, 1998

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Skunk Hill
A Native Ceremonial Community in Wisconsin
Robert A. Birmingham
Wisconsin Historical Society Press, 2015
Rising above the countryside of Wood County, Wisconsin, Powers Bluff is a large outcrop of quartzite rock that resisted the glaciers that flattened the surrounding countryside. It is an appropriate symbol for the Native people who once lived on its slopes, quietly resisting social forces that would have crushed and eroded their culture. A large band of Potawatomi, many returnees from the Kansas Prairie Band Potawatomi reservation, established the village of Tah-qua-kik or Skunk Hill in 1905 on the 300-foot-high bluff, up against the oddly shaped rocks that topped the hill and protected the community from the cold winter winds.
 
In Skunk Hill, archeologist Robert A. Birmingham traces the largely unknown story of this community, detailing the role it played in preserving Native culture through a harsh period of US Indian policy from the 1880s to 1930s. The story’s central focus is the Drum Dance, also known as the Dream Dance or Big Drum, a pan-tribal cultural revitalization movement that swept the Upper Midwest during the Great Suppression, emphasizing Native values and rejecting the vices of the white world. Though the community disbanded by the 1930s, the site, now on the National Register of Historic
Places with two dance circles still visible on the grounds, stands as testimony to the efforts of its members to resist cultural assimilation. 
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front cover of Two-Moon Journey
Two-Moon Journey
The Potawatomi Trail of Death
Peggy King Anderson
Indiana Historical Society Press, 2018
Two Moon Journey tells the story of a young Potawatomi Indian named Simu-quah and her family and friends who were forced from their village at Twin Lakes, near Rochester, Indiana, where they had lived for generations, to beyond the Mississippi River in Kansas. Historically the journey is known as the Potawatomi Trail of Death. Like the real Potawatomi, Simu-quah would live forever with the vision of her home and the rest of the Twin Lakes village being burnt to the ground by the soldiers as she took her first steps to a distant and frightening westward land. She experiences the heat and exhaustion of endless days of walking; helps nurse sick children and the elderly in a covered wagon that was ill-smelling, hot, and airless; sleeps beside strange streams and caves—and turns from hating the soldiers to seeing them as people. In Kansas, as she planted corn seeds she had saved from her Indiana home, she turns away from the bitterness of removal and finds forgiveness, the first step in the journey of her new life in Kansas.
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