Lynn Chancer advances the provocative thesis that sadomasochism is far more prevalent in contemporary societies like the United States than we realize. According to Chancer, sexual sadomasochism is only the best-known manifestation of what is actually a much more broadly based social phenomenon. Moving from personal relationships to school, the workplace, and other interactions, Chancer uses a variety of examples that are linked by a recurrent pattern of behavior. She goes beyond the predominantly individualistic and psychological explanations generally associated with sadomasochism (including those popularized in the "how to" literature of the recent Women Who Love Too Much genre) toward a more sociological interpretation. Chancer suggests that the structure of societies organized along male-dominated and capitalistic lines reflects and perpetuates a sadomasochistic social psychology, creating a culture steeped in everyday experiences of dominance and subordination.
In the first part of the book, Chancer discusses the prevalence of sadomasochistic cultural imagery in contemporary America and examines sadomasochism through several perspectives. She develops a set of definitional traits both through existential analysis of an instance of S/M sex and by incorporating a number of Hegelian and psychoanalytic concepts. In the second part of the book, she places sadomasochism in a broader context by exploring whether and how it appears in the workplace and how it relates to gender and race.
Should we draw an analogy between Shakespeare’s tyrants—Richard III, Julius Caesar, Macbeth, and King Lear—and Donald Trump? In Shakespeare and Trump, Jeffrey Wilson applies literary criticism to real life, examining plot, character, villainy, soliloquy, tragedy, myth, and metaphor to identify the formal features of the Trump phenomenon, and its hidden causes, structure, and meanings.
Wilsonapproaches his comparison prismatically. He first considers two high-concept (read: far-fetched) Shakespeare adaptations penned by Trump’s former chief political strategist Steve Bannon. He looks at University of Pennsylvania students protesting Trump by taking down a monument to Shakespeare. He reads Trump’s first 100 days in office against Netflix’s House of Cards. Wilson also addresses the summer 2017 Shakespeare in the Park production of Julius Caesar wherein an assassination of a Trump-ian leader caused corporations to withdraw sponsorship.
These stories reveal a surprising—and bizarre—relationship between the provincial English playwright and the billionaire President of the United States, ostensibly a medieval king living in a modern world. The comparison reveals a politics that blends villainy and comedy en route to tragedy.
Rebellions broke out in many areas of South Africa shortly after the institution of white rule in the late nineteenth century and continued into the next century. However, distrust of the colonial regime reached a new peak in the mid-twentieth century, when revolts erupted across a wide area of rural South Africa. All these uprisings were rooted in grievances over taxes. Rebels frequently invoked supernatural powers for assistance and accused government officials of using witchcraft to enrich themselves and to harm ordinary people.
As Sean Redding observes in Sorcery and Sovereignty, beliefs in witchcraft and supernatural powers were part of the political rhetoric; the system of taxation—with all its prescribed interactions between ruler and ruled—was intimately connected to these supernatural beliefs.
In this fascinating study, Redding examines how black South Africans’ beliefs in supernatural powers, along with both economic and social change in the rural areas, resulted in specific rebellions and how gender relations in black South African rural families changed. Sorcery and Sovereignty explores the intersection of taxation, political attitudes, and supernatural beliefs among black South Africans, shedding light on some of the most significant issues in the history of colonized Africa.
A political philosopher dissects the duties and dilemmas of the unelected spokesperson, from Martin Luther King, Jr., to Greta Thunberg.
Political representation is typically assumed to be the purview of formal institutions and elected officials. But many of the people who represent us are not senators or city councilors—think of Martin Luther King, Jr., or Malala Yousafzai or even a neighbor who speaks up at a school board meeting. Informal political representatives are in fact ubiquitous, often powerful, and some bear enormous responsibility. In Speaking for Others, political philosopher Wendy Salkin develops the first systematic conceptual and moral analysis of informal political representation.
Salkin argues that informal representation can be a political lifeline, particularly for oppressed and marginalized groups that are denied representation in formal political institutions. Yet informal political representatives exert outsized influence over the ways these groups’ interests are understood by the public, without the represented having much recourse to hold them accountable. And many informal political representatives are selected not by the groups they represent but by outsiders, sticking these groups with representatives they would not choose but cannot shake. The role of informal political representatives is therefore fraught with moral questions. What exactly are their duties and to whom are they owed? Should they be members of the groups they represent? When is informal representation permissible and when is it best avoided?
Informal political representation is taking place all around us. In fact, you yourself may be an informal political representative without knowing it. Speaking for Others explores the tensions central to this pervasive yet underexamined practice, bringing light to both its perils and its promise.
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