In Fields of Power, Forests of Discontent, Nora Haenn questions the rise and fall of this conservation program to examine conservation at the intersection of national-international agendas and local political-economic interests. While other assessments of such programs have typically focused on why they do or do not succeed, Haenn instead considers conservation’s encounter with people’s everyday lives—and how those experiences affect environmental management.
Haenn explores conservation and development from two perspectives: first regionally, to look at how people used conservation to create a new governing entity on a tropical frontier once weakly under national rule; then locally, focusing on personal histories and aspects of community life that shape people's daily lives, farming practices, and immersion in development programs—even though those programs ultimately fail to resolve economic frustrations. She identifies how key political actors, social movements, and identity politics contributed to the instability of the Calakmul alliance. Drawing on extensive interviews with Reserve staff, including its director, she connects regional trends to village life through accounts of disputes at ejido meetings and the failure of ejido development projects.
In the face of continued difficulty in creating a popular conservation in Calakmul, Haenn uses lessons from people's lives—history, livelihood, village organization, expectations—to argue for a "sustaining conservation," one that integrates social justice and local political norms with a new, more robust definition of conservation. In this way, Fields of Power, Forests of Discontent goes beyond local ethnography to encourage creative discussion of conservation's impact on both land and people.
Movies, stars, auteurs, critics, and the sheer excitement of cinema come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we actually understand the forces and meanings that these events embody?
Film Festivals offers the first comprehensive overview of the history, people, films, and multiple functions of the festival world. From Sundance to Hong Kong, from the glitter of Cannes to edgier festivals that challenge boundaries or foster LGBTQ cultural production, film festivals celebrate art, promote business, bring cinema to diverse audiences, and raise key issues about how we see our world. Cindy Hing-Yuk Wong situates festivals within changing global practices of film, including their important ties to both Hollywood and independent cinema. She explores how these events have become central in the construction of cinema knowledge as well as the behind-the-scene mechanics of finance, distribution, and evaluation. By linking general structures and connections to specific films and auteurs, Wong addresses the components and creation of film festivals that continue to reshape filmmaking as art and business.
Who speaks for America in world affairs? In this insightful new book, Tony Smith finds that, often, the answer is interest groups, including ethnic ones. This seems natural in a country defined by ethnic and cultural diversity and a democratic political system. And yet, should not the nation's foreign policy be based on more general interests? On American national interests?
In exploring this question, Smith ranges over the history of ethnic group involvement in foreign affairs; he notes the openness of our political system to interest groups; and he investigates the relationship between multiculturalism and U.S. foreign policy. The book has three major propositions. First, ethnic groups play a larger role in the formulation of American foreign policy than is widely recognized. Second, the negative consequences of ethnic group involvement today outweigh the benefits this activism at times confers on America in world affairs. And third, the tensions of a pluralist democracy are particularly apparent in the making of foreign policy, where the self-interested demands of a host of domestic actors raise an enduring problem of democratic citizenship--the need to reconcile general and particular interests.
In 1894, on the eve of the French conquest of Morocco, a young Muslim mystic named Muḥammad al-Kattānī decided to abandon his life of asceticism to preach Islamic revival and jihad against the French. Ten years later, al-Kattānī mobilized a socially diverse coalition of Moroccans who called for resistance against French colonization.
In 1909, he met a violent death at the hands of the same Moroccan anti-colonialists he had empowered through his activism. Today, the government of Morocco regards al-Kattānī’s story as subversive, and he has virtually disappeared from the narratives of the early Moroccan anti-colonialism and nationalism. Despite this silencing, al-Kattānī’s remarkable personal transformation and sacrifice is at the heart of the events that, although ultimately failing to prevent French rule, gave birth to Moroccan nationalism and to modern concepts of Moroccan political power and authority.
Forgotten Saints draws on a diverse collection of previously unknown primary sources to narrate the vivid story of al-Kattānī and his virtual disappearance from accounts of modern Moroccan history.
By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment.
Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephen Fredman and Steve McCaffery, the essays in this collection have been gathered into three parts. Those in “Form” consider a variety of characteristic formal qualities that differentiate Creeley from his contemporaries. In “Power,” writers reflect on the pressure exerted by emotions, gender issues, and politics in Creeley’s life and work. In “Person,” Creeley’s unique artistic and psychological project of constructing a person—reflected in his correspondence, teaching, interviews, collaborations, and meditations on the concept of experience—is excavated. While engaging these three major topics, the authors remain, as Creeley does, intent upon the ways such issues appear in language, for Creeley’s nakedness is most conspicuously displayed in his intimate relationship with words.
Contributors
Charles Altieri
Rachel Blau DuPlessis
Stephen Fredman
Benjamin Friedlander
Alan Golding
Michael Davidson
Steve McCaffery
Peter Middleton
Marjorie Perloff
Peter Quartermain
Libbie Rifkin
In Fragile Dreams, John A. Gould examines Central European communism, why it failed, and what has come since. Moving loosely chronologically from 1989 to the present, each chapter focuses on topics of importance to the fields of comparative politics, sociology, and feminist and gender studies. He draws heavily from his own research and experience as well as case studies of the former Czechoslovakia, Western Balkans, and Hungary—but much of the analysis has general applicability to the broader postcommunist region.
Broad in its coverage, this academically rigorous book is ideal for students, travelers, and general readers. Gould writes in the first person and seamlessly blends theory with stories both from the existing literature and from 30 years of regional personal experience with family and friends. Throughout, Gould introduces key concepts, players, and events with precise definitions. Wherever possible, he emphasizes marginalized narratives, centering theory and stories that are often overlooked in standard comparative political science literature.
The rich and complex texture of working-class neighborhoods in eighteenth-century Paris comes vibrantly alive in this collage of the experiences of ordinary people—men and women, rich and poor, masters and servants, neighbors and colleagues. Exploring three arenas of conflict and solidarity—the home, the workplace, and the street—Arlette Farge offers the reader an intimate social history, bringing long-dead citizens and vanished social groups back to life with sensitivity and perception.
Fragile Lives reconstructs the rhythms of this population's daily existence, the way they met, formed relationships and broke them off, conducted their affairs in the community, and raised their young. Farge follows them into the factory and describes the ways they organized to improve their working conditions, and how they were controlled by the authorities. She shows how these Parisians behaved in the context of collective events, from festive street spectacles to repressive displays of power by the police. As the author examines interwoven lives as revealed in judicial records, we come to know and understand the criminals and the underworld of the time; the situation of women as lovers, wives, or prostitutes; anxieties about food and drink, and the rules of conduct in a “fragile” society. Elegantly written and skillfully translated, Fragile Lives is a book for the curious general reader and for those interested in social and cultural history.
In 1986 the Peabody Museum of Archaeology and Ethnology at Harvard mounted From Site to Sight, a groundbreaking traveling exhibition on the historic and contemporary uses of photography in anthropology. Using visual materials from the vast photographic archives of the Peabody Museum and the work of members of Harvard’s anthropology department, the accompanying catalog investigates how anthropologists have employed the camera as a recording and analytic tool and as an aesthetic medium. Photographs ranging from daguerreotypes to satellite images are presented in an examination of the possibilities and limitations of using the camera as a fact-gathering and interpretive tool. The authors also explore the broader implications of the uses—and misuses—of visual imagery within the human sciences.
From Site to Sight has been a foundational text for scholars and students in the developing field of visual anthropology, illustrating the role of photographic imagery in anthropology and archaeology from the disciplines’ formative years to the 1980s. Long out of print, this classic publication is now available in an enhanced thirtieth anniversary edition with a new introductory essay by Ira Jacknis.
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