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Diagramming Devotion
Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross
Jeffrey F. Hamburger
University of Chicago Press, 2020
During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.
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Economies of Praise
Value, Labor, and Form in Seventeenth-Century English Poetry
Ryan Netzley
Northwestern University Press, 2024

Reevaluates early modern poems of praise as, paradoxically, challenging an artistic economy that values exchange and productivity
 
Early modern poems of praise typically insist that they do not have a purpose or enact real labor beyond their effortless listing of laudable qualities. And yet the poets discussed in this study, including Ben Jonson, Andrew Marvell, Anne Bradstreet, Lucy Hutchinson, and John Milton, hint at an alternative aesthetic economy at work in their verse. Poetic praise, it turns out, might show us a social world outside the organizing principle of exchange.
 
In Economies of Praise: Value, Labor, and Form in Seventeenth‑Century English Poetry, Ryan Netzley explores how poems of praise imagine alternatives to market and gift economies and point instead to a self-contained aesthetic economy that works against a more expansive and productivist understanding of literary art. By depicting exchange as inconsequential, unproductive, and redundant rather than a necessary constituent of social order, these poems model for modern readers a world without the imperative to create, appraise, and repeatedly demonstrate one’s own value.

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The Effect of Praise and Competition on the Persisting Behavior of Kindergarten Children
Theta Wolf
University of Minnesota Press, 1939
The Effect of Praise and Competition on the Persisting Behavior of Kindergarten Children was first published in 1939. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.No. 15, Institute of Child Welfare Monograph SeriesIn this study of five-year-olds, an experimenting psychologist has gone beyond previous investigators and attempted to show what factors in the presentation of a task and also in a child’s permanent social field seem to be related to persisting behavior and motivation.Important for psychologists, school principals and teachers, and all who would understand the effect of incentives, is her finding that the nature of the task and – in at least some instances – the order of its presentation in a series have a marked effect on persisting performance.
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The Eucharistic Vision of Laudato Si
Praise, Conversion, and Integral Ecology
Lucas Briola
Catholic University of America Press, 2022
No other encyclical has generated as much conversation—both Catholic and non-Catholic—as Laudato si’. Often forgotten in these conversations is the theological heart and eucharistic vision of the encyclical and its integral ecology. Even the title of Laudato si’—“Praised be!”—signals the centrality of right praise in caring for our common home. Using Bernard Lonergan’s theology of history, this book unearths the doxological, eucharistic vision that shapes the encyclical’s integral presentation of social and ecological conversion. It offers the first book-length study that recovers the eucharistic nature of Laudato si’. In drawing out the eucharistic vision of Laudato si’, the book accomplishes several feats for the reader. It roots the eucharistic dimensions of the encyclical in the writings of Popes John Paul II and Benedict XVI, showing how Pope Francis develops their thought in notable ways. It introduces Bernard Lonergan’s theology of history, showing how his framework can capture the eucharistic contours of caring for our common home; so too, in light of Laudato si’, does the book expand his theology of history to incorporate both ecological concern and the doxological, eucharistic essence of the church. The book assembles a liturgically shaped, systematic account of the church’s social mission. It joins poles otherwise sundered in a polarized church and world: between worship and justice, between concerns for human life and concerns for the natural world. Realizing the eucharistic vision of Laudato si’ promises much for our contemporary moment. Pope Francis recently observed that the integral ecology of Laudato si’ holds the key for the world’s recovery from the COVID-19 pandemic. The U.S. Catholic Bishops recently launched a Eucharistic Revival that aims to rekindle eucharistic devotion and praxis. The Eucharistic Vision of Laudato Si’: Praise, Conversion, and Integral Ecology supplies a timely study that helps fulfill these intertwined calls.
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Graceful Errors
Pindar and the Performance of Praise
Hilary Mackie
University of Michigan Press, 2003
Returning home, a victor in the great Greek games of the fifth century B.C. could expect an exquisite choral performance in praise of his achievement?that is, if he had the foresight to hire Pindar. Self-conscious and tactful, yet proudly assertive, Pindar's odes delicately balanced praise against the risk of overstepping; evoked past heroes without overshadowing the present; and prayed for a future harmonizing human aspiration with divine aims.
Reading Pindar's poems with their public performance in mind, Hilary Mackie suggests that the poet was forced to tread a precarious path: weighing the interests of various groups of audience members against one another, balancing praise of the victorious athlete with praise of the deeds of mythic heroes, and catering at the same time to an uncertain future. Mackie's new approach illuminates apparent contradictions in the poet's pronouncements by bringing to the fore the variety of messages conveyed in his wishes and prayers. Her innovative examination of the moment-to-moment dynamic between Pindar and his audience shows that the poet's performance often contained one message for the victor and his family, and quite another for the gods.
Graceful Errors significantly changes our perspective on Pindar's work, providing a lucid appreciation of Pindaric poetry that takes into account the oral context of these poems' performance. It will be of interest not only to classicists but also to scholars and students interested in oral performance, the social function of poetry, and the role and status of poets in traditional cultures, whether ancient or modern.
Hilary Mackie is Associate Professor of Classics at Rice University.
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Here on Lake Hallie
In Praise of Barflies, Fix-It Guys, and Other Folks in Our Hometown
Patti See
Wisconsin Historical Society Press, 2022
In these humorous and heartfelt essays, Patti See celebrates small-town life in Wisconsin’s Chippewa Valley. Featuring childhood memories of supper clubs, thrift sales, and cribbage games, as well as the midlife concerns that accompany having a son in the military, a parent with Alzheimer’s, and a private onsite septic system, See’s writing praises the quirky charm of her hometown and its people.

Growing up in the 1970s and 1980s as the youngest of eight children, Patti never imagined she’d stay in Chippewa Falls as an adult. Now, living on rural Lake Hallie just five miles from her childhood home, she has a new appreciation for all that comes with country living, from ice fishing and eagle sightings to pontoon rides and tavern dice. These brief essays—many of which were originally published in the Sawdust Stories column of the Eau Claire Leader-Telegram—establish that, above all else, it’s friends, family, and other folks in our hometown who provide us with a sense of belonging.
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In Praise of Ambiguity
Erasmus, Huizinga and the Seriousness of Play
Willem Otterspeer
Leiden University Press, 2018

In Praise of Ambiguity presents a discourse about the seriousness of play. Erasmus and Huizinga are its main subjects, their books In Praise of Folly (1511) and Homo Ludens (1938) its main texts. Though published more than four hundred years apart, Otterspeer treats those books as contemporaries and asks what they still have to say to us. The main theme of both books is the contrast between two attitudes of life: the conviction that each subject has two or more sides as opposed to the certainty that there is always only one side to the subject. It is relativism versus essentialism, play versus seriousness.

In these times of populism and fundamentalism, the relationship between play and seriousness is more significant than ever. Erasmus and Huizinga conceive a compromise as brilliant as it is paradoxical: turn seriousness into play, play into seriousness. Their solution is the life blood of literature. Literature is always paradoxical, always "true" and "not true' at the same time, both reality and fiction. Ambiguity is its home territory. Literature is the best answer to the purity and peremptoriness of prophets.

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In Praise of Annada
Bharatchandra Ray
Harvard University Press, 2017

The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.

In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, the consort of Shiva and the divinity who, as her name proclaims, “bestows the bounty of rice.”

A poet well-versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than those of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit.

The second volume recounts the clandestine love affair of Princess Vidya and Prince Sundar, and how Bhavananda, ancestor of the poet’s patron, stopped a rebellion and became a king.

This translation, the first in English, features the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and is now counted one of the treasures of Bengali literature.

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In Praise of Annada
Bharatchandra Ray
Harvard University Press, 2017

The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.

In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, Shiva’s consort and the divinity who, as her name proclaims, “bestows the bounty of rice.”

A poet well versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit. The first volume narrates Annada’s origins, including the building of her city and temple under Shiva’s direction and the spread of her worship, and incorporates praise of the poet’s patron, the Nadia royal family.

This translation, the first into English, accompanies the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and remains a treasure of Bengali literature.

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In Praise of Antiheroes
Figures and Themes in Modern European Literature, 1830-1980
Victor Brombert
University of Chicago Press, 1999
In an age of upheaval and challenged faith, traditional heroes are hard to come by, and harder still to love, with their bloodstained hands and backs unbowed by the consequences of their actions. Through penetrating readings of key works of modern European literature, Victor Brombert shows how a new kind of hero—the antihero—has arisen to replace the toppled heroic model.

Though they fail, by design, to live up to conventional expectations of mythic heroes, antiheroes are not necessarily "failures." They display different kinds of courage more in tune with our time and our needs: deficiency translated into strength, failure experienced as honesty, dignity achieved through humiliation. Brombert explores these paradoxes in the works of Büchner, Gogol, Dostoevsky, Flaubert, Svevo, Hašek, Frisch, Camus, and Levi. Coming from diverse cultural and linguistic traditions, these writers all use the figure of the antihero to question handed-down assumptions, to reexamine moral categories, and to raise issues of survival and renewal embodying the spirit of an uneasy age.

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In Praise of Athletic Beauty
Hans Ulrich Gumbrecht
Harvard University Press, 2006

By the hundreds of millions we show up, stand in line, turn on, and tune in to watch, mesmerized, as athletes perform. And yet this experience, so widely craved and intensely felt, we commonly dismiss as “only a game.&rduqo; A book that looks beyond the usual explanations of why sports fascinates, In Praise of Athletic Beauty also strives for a language that can frame—even enhance—the pleasure we take in watching athletic events.

The vicarious thrill, anxiety release, competitive spirit: in place of these traditional answers to the mystery of sports’ allure, Hans Ulrich Gumbrecht proposes a more powerful and provocative alternative. The fascination with watching sports, he argues, is probably the most popular and potent contemporary form of aesthetic experience—in the classic, very literal sense of this concept. In exploring this idea, Gumbrecht develops a lucid reflection on the pleasures of sports spectatorship and the nature of athletic beauty. Where we might readily pronounce certain athletic moves and plays “beautiful,” this book gives us the means to explore, understand, and enjoy even more acutely the aesthetic experience that our words-in-passing barely suggest.

With a new perspective on the appreciation of—and, indeed, a new tone of praising—sports, Gumbrecht also offers a new way of narrating the history of athletics and a fresh vocabulary for analyzing various sports. Exploring athletic beauty, this book makes us understand the widespread passion sport inspires as an untamed form of aesthetic fascination.

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In Praise of Black Women, Volume 1
Ancient African Queens
Simone Schwarz-Bart with Andre Schwarz-Bart
University of Wisconsin Press, 2001
    In Praise of Black Women is a magnificent tribute to women in Africa and the African diaspora from the ancient past to the present. Lavishly illustrated, with text written and selected by the celebrated Guadeloupian novelist Simone Schwarz-Bart, this four-volume series celebrates remarkable women who distinguished themselves in their time and shaped the course of culture and history.
    Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.
    These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.
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In Praise of Commercial Culture
Tyler Cowen
Harvard University Press, 2000

Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of coexisting artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema.

Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven’s later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week’s Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other.

Cowen’s philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neoconservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.

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In Praise of Copying
Marcus Boon
Harvard University Press, 2013

This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in.

In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.

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In Praise of Disobedience
Clare of Assisi, A Novel
Dacia Maraini
Rutgers University Press, 2023
An author receives a mysterious e-mail begging her to tell the story of Clare of Assisi, the thirteenth-century Italian saint. At first annoyed by the request, the author begins to research Saint Clare and becomes captivated by her life. We too are transported into the strange and beautiful world of medieval Italy, witnessing the daily rituals of convent life. At the center of that life is Saint Clare, a subversive and compelling figure full of contradictions: a physically disabled woman who travels widely in her imagination, someone unforgivingly harsh to herself yet infinitely generous to the women she supervises, a practitioner of self-abnegation who nevertheless knows her own worth. A visionary who liberated herself from the chains of materialism and patriarchy, Saint Clare here becomes an inspirational figure for a new generation of readers. 

 
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In Praise of Failure
Four Lessons in Humility
Costica Bradatan
Harvard University Press, 2023

A New York Times Book Review Editors’ Choice

“Charming and brilliant.” —Times Literary Supplement

“Provocative, stimulating, wise―the book that our success-obsessed age needs to read.”―Tom Holland

“Bradatan, a philosopher, writes with elegance and wit, his every thought and sentence slipping smoothly into the next…I was absorbed by Bradatan’s book even—or especially—when I felt uncomfortable with its implications.” —Jennifer Szalai, New York Times

“Bradatan wears his erudition lightly. He is a pleasure to read, and his prose conveys a happy resilience in the face of life’s inevitable contradictions. His lessons in humility remind us that the pursuit of success is often motivated by the dread of failure—and that our attempts to create things are often driven by an avoidance of our mortality.” —Michael S. Roth, Washington Post

“Bradatan writes with the same daring, the same interpretive anger that made his subjects notorious in their own day for choosing failure over what their respective worlds counted as success. A gripping read, start to finish.” ―Jack Miles, author of God: A Biography

Our obsession with success is hard to overlook. Everywhere we compete, rank, and measure. Yet this relentless drive to be the best blinds us to something vitally important: the need to be humble in the face of life’s challenges.

In Praise of Failure explores several arenas of failure, from the social and political to the spiritual and biological. Gleefully breaching the boundaries between argument and storytelling, scholarship and spiritual quest, Costica Bradatan mounts his case for failure through the stories of four historical figures who led lives of impact and meaning and assiduously courted failure. Their struggles show that engaging with our limitations can be not just therapeutic but positively transformative.

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In Praise of Falling
Cheryl Dumesnil
University of Pittsburgh Press, 2009
The poems in this collection are the proverbial spring bulbs abandoned in the basement, growing toward a slim crack of sunlight. They are both aware of the limitations of social structures and forcefully committed to breaking out of those traps, urging toward a better way of living. The characters in these poems resist the twenty-first century’s prescription for a life of emotional-spiritual bankruptcy, reaching toward an ever-elusive glimmer on the horizon.
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In Praise of Krishna
Songs from the Bengali
Edward C. Dimock Jr. and Denise Levertov
University of Chicago Press, 1981
Arising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.
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In Praise of Nature
Edited by Stephanie Mills; Foreword by Tom Brokaw
Island Press, 1990

Five thought-provoking essays by Stephanie Mills are followed by reviews and excerpts of the ten most important pieces of related literature written by experts in the various fields. Reviewers include Peter Borrelli, David Brower, Ernest Callenbach, J. Baird Callicott, Lois Gibbs, and others. Following the essays is an annotated bibliography listing over 100 important environmental works.

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In Praise of Older Women
The Amorous Recollections of A. V
Stephen Vizinczey
University of Chicago Press, 1990
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch

"A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post

"Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times

"The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune

"A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph

"The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue


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In Praise of Philosophy and Other Essays
Maurice Merleau-Ponty
Northwestern University Press, 1988
In Praise of Philosophy and Other Essays explores Lavelle, Bergson, and Socrates and provides themes from Merleau-Ponty lectures at the Collége de France including “The Problem of Speech” and “Nature and Logos: The Human Body.”  
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In Praise of the Bicycle
Marc Augé
Reaktion Books, 2019
Witness the French anthropologist as we have never seen him before. Marc Augé coined the term “non-place” to describe the ubiquitous airports, hotels, and motorways filled with anonymous individuals. In this new book, he casts his anthropologist’s eye on a subject close to his heart: cycling.  With In Praise of the Bicycle, Augé takes us on a two-wheeled ride around our cities and on a personal journey into ourselves. We all remember the thrill of riding a bike for the first time and the joys of cycling. Here he reminds us that these memories are not just personal, but rooted in a time and a place, in a history that is shared with millions of others.

Part memoir, part manifesto, Augé’s book celebrates cycling as a way of reconnecting with the places in which we live, and, ultimately, as a necessary alternative to our disconnected world.
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In Praise of the Impure
Poetry and the Ethical Imagination: Essays, 1980-1991
Alan Shapiro
Northwestern University Press, 1993
Alan Shapiro is not only a much-lauded poet but also one of America's most intelligent and clearheaded thinkers about poetry. In Praise of the Impure collects his passionate, rigorously argued essays on the situation of poetry in American culture today.
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Many Subtle Channels
In Praise of Potential Literature
Daniel Levin Becker
Harvard University Press, 2012

What sort of society could bind together Jacques Roubaud, Italo Calvino, Marcel Duchamp, and Raymond Queneau—and Daniel Levin Becker, a young American obsessed with language play? Only the Oulipo, the Paris-based experimental collective founded in 1960 and fated to become one of literature’s quirkiest movements.

An international organization of writers, artists, and scientists who embrace formal and procedural constraints to achieve literature’s possibilities, the Oulipo (the French acronym stands for “workshop for potential literature”) is perhaps best known as the cradle of Georges Perec’s novel A Void, which does not contain the letter e. Drawn to the Oulipo’s mystique, Levin Becker secured a Fulbright grant to study the organization and traveled to Paris. He was eventually offered membership, becoming only the second American to be admitted to the group. From the perspective of a young initiate, the Oulipians and their projects are at once bizarre and utterly compelling. Levin Becker’s love for games, puzzles, and language play is infectious, calling to mind Elif Batuman’s delight in Russian literature in The Possessed.

In recent years, the Oulipo has inspired the creation of numerous other collectives: the OuMuPo (a collective of DJs), the OuMaPo (marionette players), the OuBaPo (comic strip artists), the OuFlarfPo (poets who generate poetry with the aid of search engines), and a menagerie of other Ou-X-Pos (workshops for potential something). Levin Becker discusses these and other intriguing developments in this history and personal appreciation of an iconic—and iconoclastic—group.

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Museums Matter
In Praise of the Encyclopedic Museum
James Cuno
University of Chicago Press, 2011

The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society’s growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. But in recent years, museums have been under attack, with critics arguing that they are little more than relics and promoters of imperialism. Could it be that the encyclopedic museum has outlived its usefulness?

With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, replies with a resounding “No!” He takes us on a brief tour of the modern museum, from the creation of the British Museum—the archetypal encyclopedic collection—to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Along the way, Cuno acknowledges the legitimate questions about the role of museums in nation-building and imperialism, but he argues strenuously that even a truly national museum like the Louvre can’t help but open visitors’ eyes and minds to the wide diversity of world cultures and the stunning art that is our common heritage. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history—values that are essential in our ever more globalized age.

Powerful, passionate, and to the point, Museums Matter is the product of a lifetime of working in and thinking about museums; no museumgoer should miss it.

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The Praise of Folly
Desiderius Erasmus
University of Michigan Press, 1958
A satire on the pretensions of Erasmus's contemporaries in the Church and philosophy
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The Praise of 'Sons of Bitches'
On the Worship of God by Fallen Men
James V. Schall
St. Augustine's Press, 2014

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Praising Girls
The Rhetoric of Young Women, 1895-1930
Henrietta Rix Wood
Southern Illinois University Press, 2016
In Praising Girls, Henrietta Rix Wood explores how ordinary schoolgirls engaged in extraordinary rhetorical activities during the late nineteenth and early twentieth centuries in the United States. Focusing on high school girls’ public writing, Wood analyzes newspaper editorials and articles, creative writing projects, yearbook entries, and literary magazines, revealing how young women employed epideictic rhetoric—traditionally used to praise and blame in ceremonial situations—to define their individual and collective identities. Many girls, Wood argues, intervened rhetorically in national and international discourses on class, race, education, immigration, racism, and imperialism, confronting the gender politics that denigrated young women and often deprived them of positions of authority.
 
The site of the study—Kansas City, Missouri—reflects the diverse rhetorical experiences of girls in cities across the United States at the beginning of the last century. Four case studies examine the writing of privileged white girls at a college preparatory school, Native American girls at an off-reservation boarding school, African American girls at a segregated high school, and working- and middle-class girls at a large whites-only public high school. Wood’s analysis reveals a contemporary concept of epideictic rhetoric that accounts for issues of gender, race, class, and age.
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A Symposion of Praise
Horace Returns to Lyric in Odes IV
Timothy Johnson
University of Wisconsin Press, 2007
    Ten years after publishing his first collection of lyric poetry, Odes I-III, Horace (65 B.C.-8 B.C.) returned to lyric and published another book of fifteen odes, Odes IV. These later lyrics, which praise Augustus, the imperial family, and other political insiders, have often been treated more as propaganda than art. But in A Symposion of Praise, Timothy Johnson examines the richly textured ambiguities of Odes IV that engage the audience in the communal or "sympotic" formulation of Horace's praise. Surpassing propaganda, Odes IV reflects the finely nuanced and imaginative poetry of Callimachus rather than the traditions of Aristotelian and Ciceronian rhetoric, which advise that praise should present commonly admitted virtues and vices.  In this way, Johnson demonstrates that Horace's application of competing perspectives establishes him as Pindar's rival.
    Johnson shows the Horatian panegyrist is more than a dependent poet representing only the desires of his patrons. The poet forges the panegyric agenda, setting out the character of the praise (its mode, lyric, and content both positive and negative), and calls together a community to join in the creation and adaptation of Roman identities and civic ideologies. With this insightful reading, A Symposion of Praise will be of interest to historians of the Augustan period and its literature, and to scholars interested in the dynamics between personal expression and political power.
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front cover of The Trinity; The Spectacle; Jewish Foods; In Praise of Purity; Letters
The Trinity; The Spectacle; Jewish Foods; In Praise of Purity; Letters
Novatian
Catholic University of America Press, 1974
No description available
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