Roy Herron graduated with highest honors from the University of Tennessee at Martin, then studied New Testament and Ethics in Scotland before earning Divinity and Law degrees from Vanderbilt University. But he came home to West Tennessee and served the Volunteer State in both the Tennessee House and Senate. For four decades, Herron served as a legislator, attorney, teacher, and Methodist minister. In that work, he published op-ed essays and articles in Tennessee’s leading newspapers and publications from The Japan Times to The Wall Street Journal on various topics including constitutional liberties, economic justice, health care, politics, and more.
This informative volume collects the most powerful of these writings, adding helpful updates and contemporary insights. With an engaging, conversational style, Herron addresses voter ID laws, drunk-driving statutes, women’s rights and many recurring, contemporary issues. Whether describing the challenges facing his elderly mother as she attempted to exercise her right to vote, or the struggles of working women and men facing illnesses without health insurance, Herron demonstrates an earnestness and thoughtfulness all too rare in politics.
These nearly fifty essays and articles provide evidence that Herron’s Democratic Party and Christianity are not mutually exclusive. Indeed, Herron describes how faith brought him to politics and to fighting for justice, jobs, and constitutional freedoms for all citizens. Faith at Work is a veritable guidebook on how faith and spirituality should affect decision making and advocacy in public life.
ROY HERRON was a Tennessee State Representative from 1987 to 1997 and State Senator from 1997 to 2013. He wrote Things Held Dear: Soul Stories for My Sons and God and Politics: How Can a Christian Be in Politics? He coauthored, with Cotton Ivy, Tennessee Political Humor: Some of These Jokes You Voted For. He lawyers and writes in West Tennessee and Nashville.
The wetlands of the San Juan Basin in Central Veracruz, Mexico, have been a favored place since the fifth century A.D., when Prehispanic people built an extensive network of canals and raised fields that allowed for almost year-round agriculture. Alfred Siemens' discovery of the remains of this network in the 1970s led him to uncover fifteen centuries of land-use history in the region. This book contains a full record of his findings.
Siemens organizes his history of the San Juan Basin around the question: What relationships exist between Prehispanic agriculture and the production systems of the tropical lowlands in our own time? This focus allows him to chart the changes in human perceptions and uses of the landscape, from the Prehispanic wetland agricultural system to the drained pastures of today's cattle ranches.
Amplified with air oblique photography, maps, and tables, and enriched with data from archaeology and colonial archives, this is an authoritative historical geography of a wetland landscape. Or, in the author's more modest words, "It seems to me that what I have here is a biography of a swamp."
The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways in which all warfare is imagined.
The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. The contributors to the volume monitor popular perceptions of the war, the reshaping of the war's legacy, and the evolution of cinematic clichés that are perpetuated in filmmaking through the century. Some of the films they discuss are All Quiet on the Western Front, Gallipoli, The Grand Illusion, The Big Parade, Battle of the Somme, J'Accuse, Regeneration, and many more. The First World War and Popular Cinema is a vital addition to film studies and history, two fields only recently united in a productive way.
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insights into the culture in which each woman was active.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union.
Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
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