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A Belief in Providence
A Life of Saint Theodora Guerin
Julie Young
Indiana Historical Society Press, 2007

front cover of The Creative Underclass
The Creative Underclass
Youth, Race, and the Gentrifying City
Tyler Denmead
Duke University Press, 2019
As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence's urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence's leaders viewed arts, culture, and creativity as a means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kick-start the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass, which, along with redistributive economic policies, can be deployed as an effective means with which to both oppose gentrification and better serve the youth who have become emblematic of urban creativity.
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Does the Earth Care?
Indifference, Providence, and Provisional Ecology
Mick Smith
University of Minnesota Press, 2022

Rethinking our relationship with Earth in a time of environmental emergency

The world is changing. Progress no longer has a future but any earlier sense of Earth as “providential” seems of merely historical interest. The apparent absence of Earthly solicitude is a symptom and consequence of these successive Western modes of engagement with the Earth, now exemplified in global capitalism. Within these constructs, Earth can only appear as constitutively indifferent to the fate of all its inhabitants. The “provisional ecology” outlined in Does the Earth Care?—drawing on a variety of literary and philosophical sources from Richard Jefferies and Robert Macfarlane to Martin Heidegger and Gaia theory—fundamentally challenges that assumption, while offering an Earthly alternative to either cold realism or alienated despair in the face of impending ecological disaster.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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Encountering American Faultlines
Race, Class, and the Dominican Experience in Providence
Jose Itzigsohn
Russell Sage Foundation, 2009
The descendents of twentieth-century southern and central European immigrants successfully assimilated into mainstream American culture and generally achieved economic parity with other Americans within several generations. So far, that is not the case with recent immigrants from Latin America and the Caribbean. A compelling case study of first- and second-generation Dominicans in Providence, Rhode Island, Encountering American Faultlines suggests that even as immigrants and their children increasingly participate in American life and culture, racialization and social polarization remain key obstacles to further progress. Encountering American Faultlines uses occupational and socioeconomic data and in-depth interviews to address key questions about the challenges Dominicans encounter in American society. What is their position in the American socioeconomic structure? What occupations do first- and second-generation Dominicans hold as they enter the workforce? How do Dominican families fare economically? How do Dominicans identify themselves in the American racial and ethnic landscape? The first generation works largely in what is left of Providence's declining manufacturing industry. Second-generation Dominicans do better than their parents economically, but even as some are able to enter middle-class occupations, the majority remains in the service-sector working class. José Itzigsohn suggests that the third generation will likely continue this pattern of stratification, and he worries that the chances for further economic advancement in the next generation may be seriously in doubt. While transnational involvement is important to first-generation Dominicans, the second generation concentrates more on life in the United States and empowering their local communities. Itzigsohn ties this to the second generation's tendency to embrace panethnic identities. Panethnic identity provides Dominicans with choices that defy strict American racial categories and enables them to build political coalitions across multiple ethnicities. This intimate study of the Dominican immigrant experience proposes an innovative theoretical approach to look at the contemporary forms and meanings of becoming American. José Itzigsohn acknowledges the social exclusion and racialization encountered by the Dominican population, but he observes that, by developing their own group identities and engaging in collective action and institution building at the local level, Dominicans can distinguish themselves and make inroads into American society. But Encountering American Faultlines also finds that hard work and hope have less to do with their social mobility than the existing economic and racial structures of U.S. society.
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Memoirs of Elleanor Eldridge
Frances H. Whipple
West Virginia University Press, 2013
Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as alternately defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge’s story, expressing a proto-feminist outrage at the male “extortioners” who caused Eldridge’s loss and distress.
 
With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.
With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.
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front cover of Science and Providence
Science and Providence
God's Interaction with the World
John C. Polkinghorne
Templeton Press, 2005

Internationally renowned priest-scientist Dr. John C. Polkinghorne examines whether a personal, interacting God is a credible concept in today's scientific age. Encouraging the belief that there is a compatibility between the insights of science and the insights of religion, this book, previously published in the United Kingdom, focuses on the viewpoint that the world is one in which both human beings and God have the freedom to act.

A modern understanding of the physical world is applied to questions of prayer and providence, such as: Do miracles happen? Can prayer change anything? Why does evil exist? Why does God allow suffering? Why does God need us to ask him?

God's involvement in time is considered, from both a temporal and an eternal perspective. The roles of incarnation and sacrament are discussed in terms of whether or not they have a credible place in today's worldview. And the Final Anthropic Principle (FAP) is presented, with its attempt at a physical eschatology, showing it to be an inadequate basis for hope. Real hope can reside only with God, Polkinghorne concludes.

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front cover of The Virtuous and Violent Women of Seventeenth-Century Massachusetts
The Virtuous and Violent Women of Seventeenth-Century Massachusetts
Emily C.K. Romeo
University of Massachusetts Press, 2020
Dismantling the image of the peaceful and serene colonial goodwife and countering the assumption that New England was inherently less violent than other regions of colonial America, Emily C. K. Romeo offers a revealing look at acts of violence by Anglo-American women in colonial Massachusetts, from the everyday to the extraordinary. Using Essex County as a case study, Romeo deftly utilizes seventeenth- and eighteenth-century sources to demonstrate that Puritan women, both "virtuous" and otherwise, learned to negotiate the shifting boundaries between acceptable and unacceptable violence in their daily lives and communities.

The Virtuous and Violent Women of Seventeenth-Century Massachusetts shows that more dramatic violence by women—including infanticide, the scalping of captors during the Indian Wars, and even witchcraft accusations—was not necessarily intended to challenge the structures of authority but often sprung from women's desire to protect property, safety, and standing for themselves and their families. The situations in which women chose to flout powerful social conventions and resort to overt violence expose the underlying, often unspoken, priorities and gendered expectations that shaped this society.
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