front cover of An Archive of Feelings
An Archive of Feelings
Trauma, Sexuality, and Lesbian Public Cultures
Ann Cvetkovich
Duke University Press, 2003
In this bold new work of cultural criticism, Ann Cvetkovich develops a queer approach to trauma. She argues for the importance of recognizing—and archiving—accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. An Archive of Feelings contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, Cvetkovich develops instead a sex-positive approach missing even from most feminist work on trauma. She challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and aids activism and caretaking. 

An Archive of Feelings brings together oral histories from lesbian activists involved in act up/New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherríe Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how activism, performance, and literature give rise to public cultures that work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma—one in which trauma catalyzes the creation of cultural archives and political communities.

[more]

front cover of Betrayal Trauma
Betrayal Trauma
The Logic of Forgetting Childhood Abuse
Jennifer J. Freyd
Harvard University Press, 1996
This book lays bare the logic of forgotten abuse. Psychologist Jennifer Freyd's breakthrough theory explaining this phenomenon shows how psychogenic amnesia not only happens but, if the abuse occurred at the hands of a parent or caregiver, is often necessary for survival. Freyd's book will give embattled professionals, beleaguered abuse survivors, and the confused public a new, clear understanding of the lifelong effects and treatment of child abuse.
[more]

front cover of Bible through the Lens of Trauma
Bible through the Lens of Trauma
Elizabeth Boase
SBL Press, 2016

Explore emerging trends in trauma studies and biblical interpretation

In recent years there has been a surge of interest in trauma, trauma theory, and its application to the biblical text. This collection of essays explores the usefulness of using trauma theory as a lens through which to read the biblical texts. Each of the essays explores the concept of how trauma might be defined and applied in biblical studies. Using a range of different but intersection theories of trauma, the essays reflect on the value of trauma studies for offering new insights into the biblical text. Including contributions from biblical scholars, as well as systematic and pastoral theologians, this book provides a timely critical reflection on this emerging discussion.

Features:

  • Implications for how reading the biblical text through the lens of trauma can be fruitful for contemporary appropriation of the biblical text in pastoral and theological pursuits
  • Articles that integrate hermeneutics of trauma with classical historical-critical methods
  • Essays that address the relationship between individual and collective trauma
  • [more]

    front cover of Chronicling Trauma
    Chronicling Trauma
    Journalists and Writers on Violence and Loss
    Doug Underwood
    University of Illinois Press, 2011

    To attract readers, journalists have long trafficked in the causes of trauma--crime, violence, warfare--as well as psychological profiling of deviance and aberrational personalities. Novelists, in turn, have explored these same subjects in developing their characters and by borrowing from their own traumatic life stories to shape the themes and psychological terrain of their fiction. In this book, Doug Underwood offers a conceptual and historical framework for comprehending the impact of trauma and violence in the careers and the writings of important journalist-literary figures in the United States and British Isles from the early 1700s to today.

    Grounded in the latest research in the fields of trauma studies, literary biography, and the history of journalism, this study draws upon the lively and sometimes breathtaking accounts of popular writers such as Charles Dickens, Ernest Hemingway, Dorothy Parker, Graham Greene, and Truman Capote, exploring the role that trauma has played in shaping their literary works. Underwood notes that the influence of traumatic experience upon journalistic literature is being reshaped by a number of factors, including news media trends, the advance of the Internet, the changing nature of the journalism profession, the proliferation of psychoactive drugs, and journalists' greater self-awareness of the impact of trauma in their work.

    The most extensive scholarly examination of the role that trauma has played in the shaping of our journalistic and literary heritage, Chronicling Trauma: Journalists and Writers on Violence and Loss discusses more than a hundred writers whose works have won them fame, even at the price of their health, their families, and their lives.

    [more]

    front cover of Contesting Childhood
    Contesting Childhood
    Autobiography, Trauma, and Memory
    Douglas, Kate
    Rutgers University Press, 2010
    The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsùfrom first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others.

    Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.

    [more]

    front cover of Embodying American Slavery in Contemporary Culture
    Embodying American Slavery in Contemporary Culture
    Lisa Woolfork
    University of Illinois Press, 2008
    This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the prevailing view of traumatic knowledge that claims that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Further, live performances and reenactments of slavery also rely on the time-travel motif (and the requisite suspension of disbelief) as a strategy to confront contemporary audiences with such spectacles as slave ship captivity, slave auctions, or a slave's decision to escape to freedom.

    As Lisa Woolfork cogently reveals, these cultural expressions indicate a concern that the traumatic meanings and consequences of American slavery have been lost to those living in the twentieth and twenty-first centuries. Woolfork analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their re-creations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past.

    [more]

    front cover of Extremities
    Extremities
    Trauma, Testimony, and Community
    Edited by Nancy K. Miller and Jason Tougaw
    University of Illinois Press, 2002

    How do we come to terms with what can't be forgotten?

    How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture.

    Extremities combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's Beloved, Sylvia Plath's "Daddy" and "Lady Lazarus," Kathryn Harrison's The Kiss, Tatana Kellner's Holocaust art, Ruth Klüger's powerful memoir Still Alive, and Binjamin Wilkomirski's controversial narrative of concentration camp suffering Fragments. The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer.

    Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession–-they transform identities and help reimagine the boundaries of community. Extremities offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others.

    [more]

    front cover of Fourteen Stories, None of Them Are Yours
    Fourteen Stories, None of Them Are Yours
    A Novel
    Luke B. Goebel
    University of Alabama Press, 2014
    In this dazzling debut about life after loss, Luke B. Goebel's heart-hurt, ultra-adrenalized alter ego leads us on a raucous RV romp across what's left of postmodern America and beyond. Whether it's gobbling magic cacti at a native ceremony in Northern California, burning bad manuscripts in a backyard bonfire in East Texas, or travelling at top speed to an infamous editor's office in Manhattan (with a burnt-out barista and an illegal bald eagle as companions), scene by scene, story by story, Goebel plunges us into a madly original fictional realm characterized by heartbroken psychedelic cowboys on the brink—onely men who wrestle wild dogs on cheap beaches and kick horses in the face to get ahead.
     
    Fourteen Stories, None of Them Are Yours is a rare book: Goebel's ingenuity, humanity, and humor streak through every page.
    [more]

    front cover of Haunting the Korean Diaspora
    Haunting the Korean Diaspora
    Shame, Secrecy, and the Forgotten War
    Grace M. Cho
    University of Minnesota Press, 2008

    front cover of Is This America?
    Is This America?
    Katrina as Cultural Trauma
    By Ron Eyerman
    University of Texas Press, 2015

    From police on the street, to the mayor of New Orleans and FEMA administrators, government officials monumentally failed to protect the most vulnerable residents of New Orleans and the Gulf Coast during the Katrina disaster. This violation of the social contract undermined the foundational narratives and myths of the American nation and spawned a profound, often contentious public debate over the meaning of Katrina’s devastation. A wide range of voices and images attempted to clarify what happened, name those responsible, identify the victims, and decide what should be done. This debate took place in forums ranging from mass media and the political arena to the arts and popular culture, as various narratives emerged and competed to tell the story of Katrina.

    Is This America? explores how Katrina has been constructed as a cultural trauma in print media, the arts and popular culture, and television coverage. Using stories told by the New York Times, New Orleans Times-Picayune, Time, Newsweek, NBC, and CNN, as well as the works of artists, writers, musicians, filmmakers, and graphic designers, Ron Eyerman analyzes how these narratives publicly articulated collective pain and loss. He demonstrates that, by exposing a foundational racial cleavage in American society, these expressions of cultural trauma turned individual experiences of suffering during Katrina into a national debate about the failure of the white majority in the United States to care about the black minority.

    [more]

    front cover of Millennial Style
    Millennial Style
    The Politics of Experiment in Contemporary African Diasporic Culture
    Aliyyah I. Abdur-Rahman
    Duke University Press, 2024
    In Millennial Style, Aliyyah I. Abdur-Rahman looks at recent experiments in black expressive culture that begin in the place of ruin. By ruin, Abdur-Rahman means the political terror and social abjection that constitute the ongoing peril of black lives. Whereas earlier black writers and artists have employed realist modes of expression to represent racial harm and to imaginatively remediate it, the black avant-garde of today displays more experimental methods. Abdur-Rahman outlines four widely employed modes in contemporary African diasporic cultural production: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Mobilizing black feminist and black radical thought, she considers work by such cultural practitioners as Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill. Writerly and experimental, Millennial Style theorizes contemporary black art as the holding (or hoarding) of black mortal and material resources against the injuries of social death, as the fashioning of relational ethics, and as exuberant black world-building in ruinous times.
    [more]

    front cover of The Mind's Eye
    The Mind's Eye
    Image and Memory in Writing about Trauma
    Marian Mesrobian MacCurdy
    University of Massachusetts Press, 2007
    In the post-September 11 world, therapeutic writing has become a topic of heightened interest in both academic circles and the popular press, reflecting a growing awareness that writing can have a beneficial effect on the emotional and cognitive lives of survivors of traumatic experiences. Yet teachers and others who encounter such writing often are unsure how to deal with it. In The Mind's Eye: Image and Memory in Writing about Trauma, Marian Mesrobian MacCurdy investigates the relationship between writing and trauma, examines how we process difficult experiences and how writing can help us to integrate them, and provides a pedagogy to deal with the difficult life stories that often surface in the classroom.

    MacCurdy begins by discussing what trauma is, how traumatic memories are stored and accessed, and how writing affects them. She then focuses on the processes involved in translating traumatic images into narrative form, showing how the same patterns and problems emerge whether the writers are students or professionals. Using examples drawn from the classroom, MacCurdy investigates the beneficial effects of the study of trauma on communities as well as individuals, witnesses as well as writers, and explores the implications of these relationships for the world at large, particularly as they pertain to issues of justice, retribution, and forgiveness.

    Throughout the volume the author draws on her own experience as teacher, writer, survivor, and descendant of survivors to explain how one can engage student work on difficult subjects without appropriating the texts or getting lost in the emotions generated by them. She further shows how appropriate safeguards can be put in place to protect both teacher and student writer. The end result of such a pedagogy, MacCurdy demonstrates, is not simply better writers but more integrated people, capable of converting their own losses and griefs into compassion for others.
    [more]

    front cover of Phoenix Zones
    Phoenix Zones
    Where Strength Is Born and Resilience Lives
    Hope Ferdowsian, MD
    University of Chicago Press, 2018
    Few things get our compassion flowing like the sight of suffering. But our response is often shaped by our ability to empathize with others. Some people respond to the suffering of only humans or to one person’s plight more than another’s. Others react more strongly to the suffering of an animal. These divergent realities can be troubling—but they are also a reminder that trauma and suffering are endured by all beings, and we can learn lessons about their aftermath, even across species.
     
    With Phoenix Zones, Dr. Hope Ferdowsian shows us how. Ferdowsian has spent years traveling the world to work with people and animals who have endured trauma—war, abuse, displacement. Here, she combines compelling stories of survivors with the latest science on resilience to help us understand the link between violence against people and animals and the biological foundations of recovery, peace, and hope. Taking us to the sanctuaries that give the book its title, she reveals how the injured can heal and thrive if we attend to key principles: respect for liberty and sovereignty, a commitment to love and tolerance, the promotion of justice, and a fundamental belief that each individual possesses dignity. Courageous tales show us how: stories of combat veterans and wolves recovering together at a California refuge, Congolese women thriving in one of the most dangerous places on earth, abused chimpanzees finding peace in a Washington sanctuary, and refugees seeking care at Ferdowsian’s own medical clinic.
     
    These are not easy stories. Suffering is real, and recovery is hard. But resilience is real, too, and Phoenix Zones shows how we can foster it. It reveals how both people and animals deserve a chance to live up to their full potential—and how such a view could inspire solutions to some of the greatest challenges of our time.
    [more]

    front cover of Radioactive Ghosts
    Radioactive Ghosts
    Gabriele Schwab
    University of Minnesota Press, 2020

    A pioneering examination of nuclear trauma, the continuing and new nuclear peril, and the subjectivities they generate

    Amid resurgent calls for widespread nuclear energy and “limited nuclear war,” the populations that must live with the consequences of these decisions are increasingly insecure. The nuclear peril combined with the looming threat of climate change means that we are seeing the formation of a new kind of subjectivity: humans who are in a position of perpetual ontological insecurity. In Radioactive Ghosts, Gabriele Schwab articulates a vision of these “nuclear subjectivities” that we all live with.

    Focusing on the legacies of the Manhattan Project, Hiroshima, and nuclear energy politics, Radioactive Ghosts takes us on a tour of the little-seen sides of our nuclear world. Examining devastating uranium mining on Native lands, nuclear sacrifice zones, the catastrophic accidents at Chernobyl and Fukushima, and the formation of a new transspecies ethics, Schwab shows how individuals threatened with extinction are creating new adaptations, defenses, and communal spaces. Ranging from personal accounts of experiences with radiation to in-depth readings of literature, film, art, and scholarly works, Schwab gives us a complex, idiosyncratic, and personal analysis of one of the most overlooked issues of our time.

    [more]

    front cover of Remembering Trauma
    Remembering Trauma
    Richard J. McNally
    Harvard University Press, 2005

    Are horrific experiences indelibly fixed in a victim’s memory? Or does the mind protect itself by banishing traumatic memories from consciousness? How victims remember trauma is the most controversial issue in psychology today, spilling out of consulting rooms and laboratories to capture headlines, rupture families, provoke legislative change, and influence criminal trials and civil suits. This book, by a clinician who is also a laboratory researcher, is the first comprehensive, balanced analysis of the clinical and scientific evidence bearing on this issue—and the first to provide definitive answers to the urgent questions at the heart of the controversy.

    Synthesizing clinical case reports and the vast research literature on the effects of stress, suggestion, and trauma on memory, Richard McNally arrives at significant conclusions, first and foremost that traumatic experiences are indeed unforgettable. Though people sometimes do not think about disturbing experiences for long periods of time, traumatic events rarely slip from awareness for very long; furthermore, McNally reminds us, failure to think about traumas—such as early sexual abuse—must not be confused with amnesia or an inability to remember them. In fact, the evidence for repressed memories of trauma—or even for repression at all—is surprisingly weak.

    A magisterial work of scholarship, panoramic in scope and nonpartisan throughout, this unfailingly lucid work will prove indispensable to anyone seeking to understand how people remember trauma.

    [more]

    front cover of Resilience and the Localisation of Trauma in Aceh, Indonesia
    Resilience and the Localisation of Trauma in Aceh, Indonesia
    Catherine Smith
    National University of Singapore Press, 2017
    Aceh is a region that is no stranger to violent conflict and tragedy. This special territory of Indonesia has faced occupation, fallen into civil war, and was brutalized by the deadly 2004 tsunami. While these forces have altered the lives of the Aceh people, their very experiences of suffering and recovery have changed thanks to the globalization of psychiatry.

    In this book, Catherine Smith examines the global reach of the contested, yet compelling, concept of trauma. She explores how what is considered “trauma” has expanded well beyond the bounds of therapeutic practice to become a powerful cultural idiom shaping the ways people understand the effects of violence and imagine possible responses to suffering. In Aceh, conflict survivors have incorporated the ideas of trauma into their local languages, healing practices, and political imaginaries. The appearance of this idiom of distress into the Acehnese medical-moral landscape provides an ethnographic perspective on suffering and recovery, and contributes to our contemporary debates about the international reach of psychiatry and the cultural consequences as it spreads beyond the domain of medicine.
    [more]

    front cover of Riddle Field
    Riddle Field
    Poems
    Derek Thomas Dew
    University of Nevada Press, 2020
    Winner of the 2019 Interim Test Site Poetry Series Prize

    "Dew is an exciting and complex new voice in contemporary poetry."
    Publisher's Weekly
     
    The beautifully crafted poems in Riddle Field explore two parallel themes, the impact of the impending destruction of a dam on a small town and the trauma of sexual abuse and eventual recovery from it. This work focuses on the environment, human and physical, in which the loss of nature and innocence is born and calls attention to the many ways we create both intimacy and distance when trauma is hidden or denied. Derek Thomas Dew’s language is harsh, honest, and sometimes heartbreaking. His poems capture the confusion and fatigue that must be navigated for a victim of abuse to piece himself back together and the internal strife that comes with carry-ing a traumatic secret that can no longer be ignored. 

    Rich with unforgettable images and the quiet strength of hard-won survival, Riddle Field tackles the complex process of achieving self-awareness and recovery in the wake of profound trauma.
     
    [more]

    front cover of A Short Treatise on the Metaphysics of Tsunamis
    A Short Treatise on the Metaphysics of Tsunamis
    Jean-Pierre Dupuy
    Michigan State University Press, 2015
    In 1755 the city of Lisbon was destroyed by a terrible earthquake. Almost 250 years later, an earthquake beneath the Indian Ocean unleashed a tsunami whose devastating effects were felt over a vast area. In each case, a natural catastrophe came to be interpreted as a consequence of human evil. Between these two events, two indisputably moral catastrophes occurred: Auschwitz and the bombing of Hiroshima and Nagasaki. And yet the nuclear holocaust survivors likened the horror they had suffered to a natural disaster—a tsunami.
    Jean-Pierre Dupuy asks whether, from Lisbon to Sumatra, mankind has really learned nothing about evil. When moral crimes are unbearably great, he argues, our ability to judge evil is gravely impaired, and the temptation to regard human atrocity as an attack on the natural order of the world becomes irresistible. This impulse also suggests a kind of metaphysical ruse that makes it possible to convert evil into fate, only a fate that human beings may choose to avoid. Postponing an apocalyptic future will depend on embracing this paradox and regarding the future itself in a radically new way.
    The American edition of Dupuy’s classic essay, first published in 2005, also includes a postscript on the 2011 nuclear accident that occurred in Japan, again as the result of a tsunami.
    [more]

    logo for University of Minnesota Press
    Signs Of Danger
    Waste, Trauma, and Nuclear Threat
    Peter C. Van Wyck
    University of Minnesota Press, 2004

    Questions the literal burying of the nuclear threat and how it relates to expectations for our future
     

    A rising ocean. A falling building. A toxic river. Species extinguished. A nuclear landscape. In a world so configured, the state of contemporary ecological thought and practice is woefully—and perilously—inadequate. Focusing on the government’s nuclear waste burial program in Carlsbad, New Mexico, Signs of Danger begins the urgent work of finding a new way of thinking about ecological threat in our time.

    The Waste Isolation Pilot Plant in Carlsbad began receiving shipments in 1999. With a proposed closing date of 2030, this repository for nuclear waste must be secured with a sign, the purpose of which will be to keep people away for three hundred generations. In the official documents uncovered by Peter van Wyck, we encounter a government bureaucracy approaching the issue of nuclear waste as a technical problem only to find itself confronting a host of intractable philosophical issues concerning language, culture, and history. Signs of Danger plumbs these depths as it shows us how the problem raised in the desert of New Mexico is actually the problem of a culture grappling with ecological threats and with questions of the limits of meaning and representation in the deep future.

    The reflections at the center of this book—on memory, trauma, disaster, representation, and the virtual—are aimed at defining the uniquely modern status of environmental and nuclear threats. They offer invaluable insights into the interface of where culture ends and nature begins, and how such a juncture is closely linked with questions of risk, concepts of history, and the cultural experience of time.

    Winner of the 2005 Gertrude J. Robinson Book Prize of the Canadian Communication Association

    [more]

    front cover of Tourists of History
    Tourists of History
    Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero
    Marita Sturken
    Duke University Press, 2007
    In Tourists of History, the cultural critic Marita Sturken argues that over the past two decades, Americans have responded to national trauma through consumerism, kitsch sentiment, and tourist practices in ways that reveal a tenacious investment in the idea of America’s innocence. Sturken investigates the consumerism that followed from the September 11th attacks; the contentious, ongoing debates about memorials and celebrity-architect designed buildings at Ground Zero; and two outcomes of the bombing of the Alfred P. Murrah Federal Building in Oklahoma City: the Oklahoma City National Memorial and the execution of Timothy McVeigh.

    Sturken contends that a consumer culture of comfort objects such as World Trade Center snow globes, FDNY teddy bears, and Oklahoma City Memorial t-shirts and branded water, as well as reenactments of traumatic events in memorial and architectural designs, enables a national tendency to see U.S. culture as distant from both history and world politics. A kitsch comfort culture contributes to a “tourist” relationship to history: Americans can feel good about visiting and buying souvenirs at sites of national mourning without having to engage with the economic, social, and political causes of the violent events. While arguing for the importance of remembering tragic losses of life, Sturken is urging attention to a dangerous confluence—of memory, tourism, consumerism, paranoia, security, and kitsch—that promulgates fear to sell safety, offers prepackaged emotion at the expense of critical thought, contains alternative politics, and facilitates public acquiescence in the federal government’s repressive measures at home and its aggressive political and military policies abroad.

    [more]

    front cover of Tragedy Plus Time
    Tragedy Plus Time
    National Trauma and Television Comedy
    By Philip Scepanski
    University of Texas Press, 2021

    Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events.

    Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves.

    [more]

    front cover of Trauma
    Trauma
    A Genealogy
    Ruth Leys
    University of Chicago Press, 2000
    Psychic trauma is one of the most frequently invoked ideas in the behavioral sciences and the humanities today. Yet bitter disputes have marked the discussion of trauma ever since it first became an issue in the 1870s, growing even more heated in recent years following official recognition of post-traumatic stress disorder (PTSD).

    In a book that is bound to ignite controversy, Ruth Leys investigates the history of the concept of trauma. She explores the emergence of multiple personality disorder, Freud's approaches to trauma, medical responses to shellshock and combat fatigue, Sándor Ferenczi's revisions of psychoanalysis, and the mutually reinforcing, often problematic work of certain contemporary neurobiological and postmodernist theorists. Leys argues that the concept of trauma has always been fundamentally unstable, oscillating uncontrollably between two competing models, each of which tends at its limit to collapse into the other.

    A powerfully argued work of intellectual history, Trauma will rewrite the terms of future discussion of its subject.
    [more]

    front cover of Trauma and Dreams
    Trauma and Dreams
    Deirdre Barrett
    Harvard University Press, 1996

    According to the poet Elias Canetti, “All the things one has forgotten / scream for help in dreams.” To the ancient Egyptians they were prophecies, and in world folklore they have often marked visitations from the dead. For Freud they were expressions of “wish fulfillment,” and for Jung, symbolic representations of mythical archetypes. Although there is still much disagreement about the significance and function of dreams, they seem to serve as a barometer of current mind and body states.

    In this volume, Deirdre Barrett brings together the study of dreams and the psychology of trauma. She has called on a distinguished group of psychiatrists, psychologists, and social workers—among them Rosalind Cartwright, Robert J. Lifton, and Oliver Sacks—to consider how trauma shapes dreaming and what the dreaming mind might reveal about trauma. The book focuses on catastrophic events, such as combat, political torture, natural disasters, and rape. The lasting effects of childhood trauma, such as sexual abuse or severe burns, on personality formation, the nature of memories of early trauma, and the development of defenses related to amnesia and dissociation are all considered. The book also takes up trauma and adult dreams, including Vietnam veterans and Post-Traumatic Stress Disorder, Holocaust survivors and perpetrators, rape victims, and firestorm survivors. Finally, this volume concludes with a look at the potential “traumas of normal life,” such as divorce, bereavement, and life-threatening illness, and the role of dreams in working through normal grief and loss.

    Taken together, these diverse perspectives illuminate the universal and the particular effects of traumatic experience. For physicians and clinicians, determining the etiology of nightmares offers valuable diagnostic and therapeutic insights for individual treatment. This book provides a way of juxtaposing the research in the separate fields of trauma and dreams, and learning from their discoveries.

    [more]

    front cover of Trauma and the Failure of History
    Trauma and the Failure of History
    Kings, Lamentations, and the Destruction of Jerusalem
    David Janzen
    SBL Press, 2019

    A theoretical and exegetical exploration of trauma in the Hebrew Bible

    David Janzen discusses the concepts of history and trauma and contrasts the ways historians and trauma survivors grapple with traumatic events, a contrast embodied in the very different ways the books of Kings and Lamentations react to the destruction of Jerusalem. Janzen’s study warns that explanations in histories will tend to silence the voices of trauma survivors, and it challenges traditional approaches that sometimes portray the explanations of traumatic events in biblical literature as therapeutic for victims.

    Features:

    • Exploration of history as a narrative explanation that creates a past readers can recognize to be true
    • Examination of how trauma results in a failure of victims to fully experience or remember traumatic events.
    • A case for why the past is a construction of cultures and historians
    [more]

    front cover of The Trauma Mantras
    The Trauma Mantras
    A Memoir in Prose Poems
    Adrie Kusserow
    Duke University Press, 2024
    The Trauma Mantras is a memoir by medical anthropologist, teacher, and writer Adrie Kusserow, who has worked with refugees and humanitarian projects in Bhutan, Nepal, India, Uganda, South Sudan, and the United States. It is a memoir of witness and humility and, ultimately, a way to critique and gain a fresh perspective on Western approaches to the self, suffering, and healing. Kusserow interrogates the way American culture prizes a psychologized individualism, the supposed fragility of the self. In relentlessly questioning the Western tribe of individualism with a hunger to bust out of such narrow confines, she hints at the importance of widening the American self. As she delves into humanity’s numerous social and political ills, she does not let herself off the hook, reflecting rigorously on her own position and commitments. Kusserow travels the world in these poetic meditations, exploring the desperate fictions that “East” and “West” still cling to about each other, the stories we tell about ourselves and obsessively weave from the dominant cultural meanings that surround us.
    [more]

    front cover of A Trauma-Informed Framework for Supporting Patrons
    A Trauma-Informed Framework for Supporting Patrons
    The PLA Workbook of Best Practices
    The Public Library Association Social Worker Task Force
    American Library Association, 2022
    Whether it’s navigating a crisis or witnessing a community member struggling with tough times, coming face to face with trauma and adversity can be uncomfortable. But in striving to learn more about challenging behaviors, and how we can better interact with library patrons and our coworkers, we can come to see that people are complex and not simply “problems.” This workbook from the PLA Social Worker Task Force (SWTF) provides a collection of powerful tools to add to your customer service toolbox. It’s filled with prompts, exercises, and best practices that shed light on how trauma can affect people, helping you build confidence in your ability to support your library’s patrons. You will
     
    • delve into what trauma is and how it impacts library work;
    • be introduced to a framework for utilizing a trauma-informed lens in your interactions;
    • practice exercises to spur personal reflection on common concerns bound up with library work and the policies relating to these issues; and
    • gain hand-on tools and techniques, including strategies for de-escalation and guidance on the impacts of involving law-enforcement and banning patrons.
     
    You will also explore various scenarios which provide the opportunity to integrate what you’ve learned and practice responding through a trauma-informed lens, including
     
    • Mental Health Challenges
    • Sleeping at the Library
    • Strong Personal Odor
    • Personal Belongings
    • Suspected Intoxication/Under the Influence
    • Substance Use
    • Threatening Verbal and Nonverbal Behavior
    • Unsheltered Teens
    • Adult Self-Neglect
    • Child Abuse or Assault
    • Solicitation or Panhandling
    • Stealing
    • Child Unattended After Closing
    [more]

    front cover of The Wendys
    The Wendys
    Allison Benis White
    Four Way Books, 2020
    “Because it is easier to miss a stranger / with your mother’s name,” Allison Benis White instead writes about five women named Wendy as a way into the complex grief that still lingers after the death of a sixth Wendy, the author’s long-absent mother. A series of epistolary poems addressed to Wendy O. Williams becomes an occasion for the speaker to eulogize as well as reflect on the singer’s life and eventual suicide: “What kind of love is death, I’m asking?” In the section devoted to Wendy Torrance, the fictional wife from The Shining who was bludgeoned by her husband, the speaker muses on the inadequacy of language to resolve or even contain grief in the wake of trauma: “A book is a coffin. Hoarsely. A white sheet draped over the cage of being.” Ultimately, The Wendys is a book of silences and space in which tenderness and violence exist in exquisite tension. “If to speak is to die,” White writes in “Ignis Fatuus,” “I will whisper.”
    [more]

    front cover of Why Torture Doesn’t Work
    Why Torture Doesn’t Work
    The Neuroscience of Interrogation
    Shane O'Mara
    Harvard University Press, 2015

    Torture is banned because it is cruel and inhumane. But as Shane O’Mara writes in this account of the human brain under stress, another reason torture should never be condoned is because it does not work the way torturers assume it does.

    In countless films and TV shows such as Homeland and 24, torture is portrayed as a harsh necessity. If cruelty can extract secrets that will save lives, so be it. CIA officers and others conducted torture using precisely this justification. But does torture accomplish what its defenders say it does? For ethical reasons, there are no scientific studies of torture. But neuroscientists know a lot about how the brain reacts to fear, extreme temperatures, starvation, thirst, sleep deprivation, and immersion in freezing water, all tools of the torturer’s trade. These stressors create problems for memory, mood, and thinking, and sufferers predictably produce information that is deeply unreliable—and, for intelligence purposes, even counterproductive. As O’Mara guides us through the neuroscience of suffering, he reveals the brain to be much more complex than the brute calculations of torturers have allowed, and he points the way to a humane approach to interrogation, founded in the science of brain and behavior.

    Torture may be effective in forcing confessions, as in Stalin’s Russia. But if we want information that we can depend on to save lives, O’Mara writes, our model should be Napoleon: “It has always been recognized that this way of interrogating men, by putting them to torture, produces nothing worthwhile.”

    [more]


    Send via email Share on Facebook Share on Twitter