front cover of A Case for Irony
A Case for Irony
Jonathan Lear
Harvard University Press, 2014

In 2001, Vanity Fair declared that the Age of Irony was over. Joan Didion has lamented that the United States in the era of Barack Obama has become an "irony-free zone." Jonathan Lear in his 2006 book Radical Hope looked into America’s heart to ask how might we dispose ourselves if we came to feel our way of life was coming to an end. Here, he mobilizes a squad of philosophers and a psychoanalyst to once again forge a radical way forward, by arguing that no genuinely human life is possible without irony.

Becoming human should not be taken for granted, Lear writes. It is something we accomplish, something we get the hang of, and like Kierkegaard and Plato, Lear claims that irony is one of the essential tools we use to do this. For Lear and the participants in his Socratic dialogue, irony is not about being cool and detached like a player in a Woody Allen film. That, as Johannes Climacus, one of Kierkegaard’s pseudonymous authors, puts it, “is something only assistant professors assume.” Instead, it is a renewed commitment to living seriously, to experiencing every disruption that shakes us out of our habitual ways of tuning out of life, with all its vicissitudes. While many over the centuries have argued differently, Lear claims that our feelings and desires tend toward order, a structure that irony shakes us into seeing. Lear’s exchanges with his interlocutors strengthen his claims, while his experiences as a practicing psychoanalyst bring an emotionally gripping dimension to what is at stake—the psychic costs and benefits of living with irony.

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Cinema of Confinement
Thomas J. Connelly
Northwestern University Press, 2019

In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. 

Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.

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The Clinical Diary of Sándor Ferenczi
Sándor Ferenczi
Harvard University Press, 1988
In the half-century since his death, the Hungarian analyst Sándor Ferenczi has amassed an influential following within the psychoanalytic community. During his lifetime Ferenczi, a respected associate and intimate of Freud, unleashed widely disputed ideas that influenced greatly the evolution of modern psychoanalytic technique and practice. In a sequence of short, condensed entries, Sándor Ferenczi’s Diary records self-critical reflections on conventional theory—as well as criticisms of Ferenczi’s own experiments with technique—and his obstinate struggle to divest himself and psychoanalysis of professional hypocrisy. From these pages emerges a hitherto unheard voice, speaking to his heirs with startling candor and forceful originality—a voice that still resonates in the continuing debates over the nature of the relationship in psychoanalytic practice.
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A Clinical Introduction to Lacanian Psychoanalysis
Theory and Technique
Bruce Fink
Harvard University Press, 1997

"The goal of my teaching has always been, and remains, to train analysts."
--Jacques Lacan, Seminar XI, 209

Arguably the most profound psychoanalytic thinker since Freud, and deeply influential in many fields, Jacques Lacan often seems opaque to those he most wanted to reach. These are the readers Bruce Fink addresses in this clear and practical account of Lacan's highly original approach to therapy. Written by a clinician for clinicians, Fink's Introduction is an invaluable guide to Lacanian psychoanalysis, how it's done, and how it differs from other forms of therapy. While elucidating many of Lacan's theoretical notions, the book does so from the perspective of the practitioner faced with the pressing questions of diagnosis, what therapeutic stance to adopt, how to involve the patient, and how to bring about change.

Fink provides a comprehensive overview of Lacanian analysis, explaining the analyst's aims and interventions at each point in the treatment. He uses four case studies to elucidate Lacan's unique structural approach to diagnosis. These cases, taking up both theoretical and clinical issues in Lacan's views of psychosis, perversion, and neurosis, highlight the very different approaches to treatment that different situations demand.

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Cogito and the Unconscious
sic 2
Slavoj Žižek, ed.
Duke University Press, 1998
The Cartesian cogito—the principle articulated by Descartes that "I think, therefore I am"—is often hailed as the precursor of modern science. At the same time, the cogito's agent, the ego, is sometimes feared as the agency of manipulative domination responsible for all present woes, from patriarchal oppression to ecological catastrophes. Without psychoanalyzing philosophy, Cogito and the Unconscious explores the vicissitudes of the cogito and shows that psychoanalyses can render visible a constitutive madness within modern philosophy, the point at which "I think, therefore I am" becomes obsessional neurosis characterized by "If I stop thinking, I will cease to exist."

Noting that for Lacan the Cartesian construct is the same as the Freudian "subject of the unconscious," the contributors follow Lacan's plea for a psychoanalytic return to the cogito. Along the path of this return, they examine the ethical attitude that befits modern subjectivity, the inherent sexualization of modern subjectivity, the impasse in which the Cartesian project becomes involved given the enigmatic status of the human body, and the Cartesian subject's confrontation with its modern critics, including Althusser, Bataille, and Dennett. In a style that has become familiar to Žižek's readers, these essays bring together a strict conceptual analysis and an approach to a wide range of cultural and ideological phenomena—from the sadist paradoxes of Kant's moral philosophy to the universe of Ayn Rand's novels, from the question "Which, if any, is the sex of the cogito?" to the defense of the cogito against the onslaught of cognitive sciences.

Challenging us to reconsider fundamental notions of human consciousness and modern subjectivity, this is a book whose very Lacanian orthodoxy makes it irreverently transgressive of predominant theoretical paradigms. Cogito and the Unconscious will appeal to readers interested in philosophy, psychoanalysis, cultural studies, and theories of ideology.

Contributors. Miran Bozovic, Mladen Dolar, Alain Grosrichard, Marc de Kessel, Robert Pfaller, Renata Salecl, Slavoj Žižek, Alenka Zupancic

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Coming to Life
Reflections on the Art of Psychotherapy
Leston Havens
Harvard University Press, 1993

To penetrate the opaque, to lift the weight and let the self escape its frozen image—this is the essence of psychotherapy, a process described with extraordinary grace and warmth in this book. In remarkably candid portraits of patients at odds with themselves, Leston Havens takes us through the wonders and rigors of psychological healing and shows us what it really means, in immediate, human terms, to come to life.

We are all captives of the images we carry with us—and those we inspire—and therapy seeks to expose the relation of these images to a deeper psychological life, to free the captive from labels and crippling assumptions. Havens views this process through the multiple lenses of literature, art, and psychiatry. In rich clinical portraits, short on jargon and rigid techniques and long on empathy and wisdom, we encounter ordinary people struggling with the trials of their own existence: marriage and divorce, sexual identity and fulfillment, illness and death. We meet a woman imprisoned by eager responses to her beauty and helpfulness, a proud lawyer in thrall to conventional expectations, a dying man becoming more and more alive as he approaches death.

Through these very personal stories, Havens explores the meaning of psychological health—how it can be recognized through the filter of images and ideas, protected from their distorting power, and encouraged to flourish. The result is a revealing and deeply moving explication of the process of self-discovery as it emerges from the life story that therapy can tell.

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The Complete Correspondence of Sigmund Freud and Ernest Jones, 1908–1939
Sigmund Freud and Ernest Jones
Harvard University Press, 1993
Soon after their first meeting in 1908, Sigmund Freud’s future biographer, Ernest Jones, initiated a correspondence with the founder of psychoanalysis that would continue until Freud’s death in London in 1939. This volume makes available from British and American archives nearly seven hundred previously unpublished letters, postcards, and telegrams from the three-decade correspondence between Freud and his admiring younger colleague.
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front cover of The Complete Letters of Sigmund Freud to Wilhelm Fliess, 1887-1904
The Complete Letters of Sigmund Freud to Wilhelm Fliess, 1887-1904
Sigmund Freud
Harvard University Press, 1985

front cover of The Correspondence of Sigmund Freud and Sándor Ferenczi
The Correspondence of Sigmund Freud and Sándor Ferenczi
Edited by Ernst Falzeder and Eva Brabant, with the collaboration of Patrizia Giampieri-Deutsch Translated by Peter T. Hoffer, with an Introduction by Judith Dupont
Harvard University Press, 2000

This third and final volume of the correspondence between the founder of psychoanalysis and one of his most colorful disciples brings to a close Sándor Ferenczi's life and the story of one of the most important friendships in the history of psychoanalysis.

This volume spans a turbulent period, beginning with the controversy over Otto Rank's The Trauma of Birth and continuing through Ferenczi's lectures in New York and his involvement in a bitter controversy with American analysts over the practice of lay analysis. On his return from America, Ferenczi's relationship with Freud deteriorated, as Freud became increasingly critical of his theoretical and clinical innovations. Their troubled friendship was further complicated by ill health--Freud's cancer of the jaw and the pernicious anemia that finally killed Ferenczi in 1933.The controversies between Freud and Ferenczi continue to this day, as psychoanalysts reassess Ferenczi's innovations, and increasingly challenge the allegations of mental illness leveled against him after his death by Freud and Ernest Jones. The correspondence, now published in its entirety, will deepen understanding of these issues and of the history of psychoanalysis as a whole.

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front cover of The Correspondence of Sigmund Freud and Sándor Ferenczi
The Correspondence of Sigmund Freud and Sándor Ferenczi
Sigmund Freud and Sándor Ferenczi
Harvard University Press, 1993

Volume I of the three-volume Freud-Ferenczi correspondence closes with Freud's letter from Vienna, dated June 28, 1914, to his younger colleague in Budapest: "I am writing under the impression of the surprising murder in Sarajevo, the consequences of which cannot be foreseen!' "Now," he continues in a more familiar vein, "to our affairs!" The nation-shattering events of World War I form a somber canvas for "our affairs" and the exchanges of the two correspondents in volume 2 (July 1914 through December 1919). Uncertainty pervades these letters: Will Ferenczi be called up? Will food and fuel-and cigar-shortages continue? Will Freud's three enlisted sons and son-in-law come through the war intact? And will Freud's "problem-child," psychoanalysis, survive?At the same time, a more intimate drama is unfolding: Freud's three-part analysis of Ferenczi in 1914 and 1916 ("finished but not terminated"); Ferenczi's concomitant turmoil over whether to marry his mistress, Gizella Pálos, or her daughter, Elma; and the refraction of all these relationships in constantly shifting triads and dyads. In these, as in other matters, both men display characteristic contradictions and inconsistencies, Freud restrained, Ferenczi more effusive and revealing. Freud, for example, unswervingly favors Ferenczi's marriage to Gizella and views his indecision as "resistance"; yet several years later, commenting on Otto Rank's wife, Freud remarks, "One certainly can't judge in these matters...on behalf of another." Ferenczi, for his part, reacts to the paternal authority of the "father of psychoanalysis" as an alternately obedient and rebellious son.

The letters vividly record the use--and misuse--of analysis and self-analysis and the close interweaving of personal and professional matters in the early history of psychoanalysis. Ferenczi's eventual disagreement with Freud about "head and heart," objective detachment versus subjective involvement and engagement in the analytic relationship--an issue that would emerge more clearly in the ensuing years--is hinted at here. As the decade and the volume end, the correspondents continue their literary conversation, unaware of the painful and heartrending events ahead.

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The Correspondence of Sigmund Freud and Sándor Ferenczi
Sigmund Freud and Sándor Ferenczi
Harvard University Press, 1993

The young psychiatrist from Budapest had studied medicine in Vienna, he had read The Interpretation of Dreams, and now he was about to meet its author. Seventeen years Sigmund Freud's junior, Sándor Ferenczi (1873-1933) sent off a note anticipating the pleasure of the older man's acquaintance--thus beginning a correspondence that would flourish over the next twenty-five years, and that today provides a living record of some of the most important insights and developments of psychoanalysis, worked out through the course of a deep and profoundly complicated friendship.

This volume opens in January of 1908 and closes on the eve of World War I. Letter by letter, a "fellowship of life, thoughts, and interests" as Freud came to describe it, unfolds here as a passionate exchange of ideas and theories. Ferenczi's contribution to psychoanalysis was, Freud said, "pure gold," and many of the younger man's notions and concepts, proposed in these letters, later made their way into Freud's works on homosexuality, paranoia, trauma, transference, and other topics. To the two men's mutual scientific interests others were soon added, and their correspondence expanded in richness and complexity as Ferenczi attempted to work out his personal and professional conflicts under the direction of his devoted and sometimes critical elder colleague.

Here is Ferenczi's love for Elma, his analysand and the daughter of his mistress, his anguish over his matrimonial intentions, his soliciting of Freud's help in sorting out this emotional tangle--a situation that would eventually lead to Ferenczi's own analysis with Freud. Here is Freud's unraveling relationship with Jung, documented through a heated discussion of the events leading up to the final break. Amid these weighty matters of heart and mind, among the psychoanalytic theorizing and playful speculation, we also find the lighter stuff of life, the talk of travel plans and antiquities, gossip about friends and family. Unparalleled in their wealth of personal and scientific detail, these letters give us an intimate picture of psychoanalytic theory being made in the midst of an extraordinary friendship.

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Cultures of the Death Drive
Melanie Klein and Modernist Melancholia
Esther Sánchez-Pardo
Duke University Press, 2003
Cultures of the Death Drive is a comprehensive guide to the work of pioneering psychoanalyst Melanie Klein (1882–1960) and to developments in Kleinian theory to date. It is also an analysis and a demonstration of the distinctive usefulness of Klein’s thought for understanding modernist literature and visual art. Esther Sánchez-Pardo examines the issues that the seminal discourses of psychoanalysis and artistic modernism brought to the fore in the early twentieth century and points toward the uses of Kleinian thinking for reconceptualizing the complexities of identity and social relations today.

Sánchez-Pardo argues that the troubled political atmosphere leading to both world wars created a melancholia fueled by “cultures of the death drive” and the related specters of object loss—loss of coherent and autonomous selves, of social orders where stability reigned, of metaphysical guarantees, and, in some cases, loss and fragmentation of empire. This melancholia permeated, and even propelled, modernist artistic discourses. Sánchez-Pardo shows how the work of Melanie Klein, the theorist of melancholia par excellence, uniquely illuminates modernist texts, particularly their representations of gender and sexualities. She offers a number of readings—of works by Virginia Woolf, René Magritte, Lytton Strachey, Djuna Barnes, and Countee Cullen—that reveal the problems melancholia posed for verbal and visual communication and the narrative and rhetorical strategies modernist artists derived to either express or overcome them. In her afterword, Sánchez-Pardo explicates the connections between modernist and contemporary melancholia.

A valuable contribution to psychoanalytic theory, gender and sexuality studies, and the study of representation in literature and the visual arts, Cultures of the Death Drive is a necessary resource for those interested in the work of Melanie Klein.

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