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Naked in the Woods
My Unexpected Years in a Hippie Commune
Margaret Grundstein
Oregon State University Press, 2015
In 1970, Margaret Grundstein abandoned her graduate degree at Yale and followed her husband, an Indonesian prince and community activist, to a commune in the backwoods of Oregon. Together with ten friends and an ever-changing mix of strangers, they began to build their vision of utopia.

Naked in the Woods chronicles Grundstein’s shift from reluctant hippie to committed utopian—sacrificing phones, electricity, and running water to live on 160 acres of remote forest with nothing but a drafty cabin and each other.  Grundstein, (whose husband left, seduced by “freer love”) faced tough choices. Could she make it as a single woman in man’s country? Did she still want to? How committed was she to her new life? Although she reveled in the shared transcendence of communal life deep in the natural world, disillusionment slowly eroded the dream. Brotherhood frayed when food became scarce. Rifts formed over land ownership. Dogma and reality clashed.

Many people, baby boomers and millennials alike, have romantic notions about the 1960s and 70s. Grundstein’s vivid account offers an unflinching, authentic portrait of this iconic and often misreported time in American history. Accompanied by a collection of distinctive photographs she took at the time, Naked in the Woods draws readers into a period of convulsive social change and raises timeless questions: how far must we venture to find the meaning we seek, and is it ever far out enough to escape our ingrained human nature?
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National Abjection
The Asian American Body Onstage
Karen Shimakawa
Duke University Press, 2002
National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness” through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection—a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an “honorary” whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.

Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays—Wakako Yamauchi’s 12-1-A, Frank Chin’s Chickencoop Chinaman, and The Year of the Dragon—have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection—such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet.

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National Deconstruction
Violence, Identity, and Justice in Bosnia
David Campbell
University of Minnesota Press, 1998
Book of the Year--Foundation Bosnian-Herzegovinian Book and the Journal Human Rights Review How did Bosnia, once a polity of intersecting and overlapping identities, come to be understood as an intractable ethnic problem? David Campbell pursues this question--and its implications for the politics of community, democracy, justice, and multiculturalism--through readings of media and academic representations of the conflict in Bosnia. National Deconstruction is a rethinking of the meaning of "ethnic/nationalist" violence and a critique of the impoverished discourse of identity politics that crippled the international response to the Bosnian crisis. Rather than assuming the preexistence of an entity called Bosnia, Campbell considers the complex array of historical, statistical, cartographic, and other practices through which the definitions of Bosnia have come to be. These practices traverse a continuum of political spaces, from the bodies of individuals and the corporate body of the former Yugoslavia to the international bodies of the world community. Among the book's many original disclosures, arrived at through a critical reading of international diplomacy, is the shared identity politics of the peacemakers and paramilitaries. Equally significant is Campbell's conclusion that the international response to the Bosnian war was hamstrung by the poverty of Western thought on the politics of heterogeneous communities. Indeed, he contends that Europe and the United States intervened in Bosnia not to save the ideal of multiculturalism abroad but rather to shore up the nationalist imaginary so as to contain the ideal of multiculturalism at home. By bringing to the fore the concern with ethics, politics, and responsibility contained in more traditional accounts of the Bosnian war, this book is a major statement on the inherently ethical and political assumptions of deconstructive thought-and the reworkings of the politics of community it enables. "David Campbell has provided not only the first book-length poststructuralist study of the Bosnian war and the international policy toward it, but also the formulation of a deconstructivist ethics of international relations. National Deconstruction is not only a well-argued formulation of a deconstructivist international ethics, it is also a wide-ranging and relentless critique that will leave few unprovoked." --Ethics & International Affairs David Campbell is professor of international politics at the University of Newcastle, UK, and the author of Writing Security.
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The Nature of Home
Taking Root in a Place
Greta Gaard
University of Arizona Press, 2007
“As long as humans have been around, we’ve had to move in order to survive.” So arises that most universal and elemental human longing for home, and so begins Greta Gaard’s exploration of just precisely what it means to be at home in the world.

Gaard journeys through the deserts of southern California, through the High Sierras, the Wind River Mountains, and the Northern Cascades, through the wildlands and waterways of Washington and Minnesota, through snow season, rain season, mud season, and lilac season, yet her essays transcend mere description of natural beauty to investigate the interplay between place and identity. Gaard examines the earliest environments of childhood and the relocations of adulthood, expanding the feminist insight that identity is formed through relationships to include relationships to place. “Home” becomes not a static noun, but an active verb: the process of cultivating the connections with place and people that shape who we become.

Striving to create a sense of home, Gaard involves herself socially, culturally, and ecologically within her communities, discovering that as she works to change her environment, her environment changes her. As Gaard investigates environmental concerns such as water quality, oil spills, or logging, she touches on their parallels to community issues such as racism, classism, and sexism, uncovering the dynamic interaction by which “humans, like other life on earth, both shape and are shaped by our environments.”

While maintaining an understanding of the complex systems and structures that govern communities and environments, Gaard’s writing delves deeper to reveal the experiences and realities we displace through euphemisms or stereotypes, presenting issues such as homelessness or hunger with compelling honesty and sensitivity. Gaard’s essays form a quest narrative, expressing the process of letting go that is an inherent part of an impermanent life. And when a person is broken, in the aftermath of that letting go, it is a place that holds the pieces together.

As long as we are forced to move—by economics, by war, by colonialism—the strategies we possess to make and redefine home are imperative to our survival, and vital in the shaping of our very identities.
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The Nazi Conscience
Claudia Koonz
Harvard University Press, 2003

The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders.

Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk.

From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust.

The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.

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The Nazi Perpetrator
Postwar German Art and the Politics of the Right
Paul B. Jaskot
University of Minnesota Press, 2012

Who was responsible for the crimes of the Nazis? Party leaders and members? Rank-and-file soldiers and bureaucrats? Ordinary Germans? This question looms over German disputes about the past like few others. It also looms over the art and architecture of postwar Germany in ways that have been surprisingly neglected. In The Nazi Perpetrator, Paul B. Jaskot fundamentally reevaluates pivotal developments in postwar German art and architecture against the backdrop of contentious contemporary debates over the Nazi past and the difficulty of determining who was or was not a Nazi perpetrator.

Like their fellow Germans, postwar artists and architects grappled with the Nazi past and the problem of defining the Nazi perpetrator—a problem that was thoroughly entangled with contemporary conservative politics and the explosive issue of former Nazis living in postwar Germany. Beginning with the formative connection between Nazi politics and art during the 1930s, The Nazi Perpetrator traces the dilemma of identifying the perpetrator across the entire postwar period. Jaskot examines key works and episodes from West Germany and, after 1989, reunified Germany, showing how the changing perception of the perpetrator deeply impacted art and architecture, even in cases where artworks and buildings seem to have no obvious relation to the Nazi past. The book also reinterprets important periods in the careers of such major figures as Gerhard Richter, Anselm Kiefer, and Daniel Libeskind.

Combining political history with a close analysis of specific works, The Nazi Perpetrator powerfully demonstrates that the ongoing influence of Nazi Germany after 1945 is much more central to understanding a wide range of modern German art and architecture than cultural historians have previously recognized.

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Nazi Soundscapes
Sound, Technology and Urban Space in Germany, 1933-1945
Carolyn Birdsall
Amsterdam University Press, 2012
Many images of Nazi propaganda are universally recognizable, and symbolize the ways that the National Socialist party manipulated German citizens. What might an examination of the party’s various uses of sound reveal? In Nazi Soundscapes, Carolyn Birdsall offers an in-depth analysis of the cultural significance of sound and new technologies like radio and loudspeaker systems during the rise of the National Socialist party in the 1920s to the end of World War II. Focusing specifically on the urban soundscape of Düsseldorf, this study examines both the production and reception of sound-based propaganda in the public and private spheres. Birdsall provides a vivid account of sound as a key instrument of social control, exclusion, and violence during Nazi Germany, and she makes a persuasive case for the power of sound within modern urban history.
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Neatness Counts
Essays on the Writer’s Desk
Kevin Kopelson Kopelson
University of Minnesota Press, 2006
In Neatness Counts, Kevin Kopelson reflects on the poetics of the desk—rolltop or bureau-plat, cluttered or bare, the nestlike desk, the schematic desk, the dramatic desk, the dramatic lack of any such furniture. Exploring the topography of literary creation by way of the topography of work space, Kopelson, one of today’s most important critics, offers a series of meditations on how orderliness, chaos, and other physical states correspond with both the exhilaration of production and the desperation of writer's block.Focusing on the poet Elizabeth Bishop, the novelist Marcel Proust, the critic Roland Barthes, the playwright Tom Stoppard, and the travel writer Bruce Chatwin, Neatness Counts is at once critical and creative, examining how various writers' work habits relate to their published work. Kopelson also considers desks of his own—one that had belonged to an older brother, one he borrowed from a messy friend, one now shared with a partner. And by pursuing these two lines of inquiry to their unlikely but enlightening conclusions, Kopelson both fabricates a virtual library of literary insight and commemorates an era in which the term “desktop” didn’t denote one’s computer screen.Kevin Kopelson is professor of English at the University of Iowa. His books include, most recently, The Queer Afterlife of Vaslav Nijinsky.
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The News at the Ends of the Earth
The Print Culture of Polar Exploration
Hester Blum
Duke University Press, 2019
From Sir John Franklin's doomed 1845 search for the Northwest Passage to early twentieth-century sprints to the South Pole, polar expeditions produced an extravagant archive of documents that are as varied as they are engaging. As the polar ice sheets melt, fragments of this archive are newly emergent. In The News at the Ends of the Earth Hester Blum examines the rich, offbeat collection of printed ephemera created by polar explorers. Ranging from ship newspapers and messages left in bottles to menus and playbills, polar writing reveals the seamen wrestling with questions of time, space, community, and the environment. Whether chronicling weather patterns or satirically reporting on penguin mischief, this writing provided expedition members with a set of practices to help them survive the perpetual darkness and harshness of polar winters. The extreme climates these explorers experienced is continuous with climate change today. Polar exploration writing, Blum contends, offers strategies for confronting and reckoning with the extreme environment of the present.
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News That Matters
Television and American Opinion
Shanto Iyengar and Donald R. Kinder
University of Chicago Press, 1987
"News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here."—Aaron Wildavsky, The Public Interest

"Because of its methodological integrity and richness, News That Matters is likely to be regarded as an impressive, possibliy grounbreaking work."—Neil Postman, New York Times Book Review
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News That Matters
Television and American Opinion, Updated Edition
Shanto Iyengar and Donald R. Kinder
University of Chicago Press, 2010

Almost twenty-five years ago, Shanto Iyengar and Donald R. Kinder first documented a series of sophisticated and innovative experiments that unobtrusively altered the order and emphasis of news stories in selected television broadcasts.  Their resulting book News That Matters, now hailed as a classic by scholars of political science and public opinion alike, is here updated for the twenty-first century, with a new preface and epilogue by the authors. Backed by careful analysis of public opinion surveys, the authors show how, despite changing American politics, those issues that receive extended coverage in the national news become more important to viewers, while those that are ignored lose credibility. Moreover, those issues that are prominent in the news stream continue to loom more heavily as criteria for evaluating the president and for choosing between political candidates.

News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here.”—The Public Interest

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The Ninth Decade
An Octogenarian’s Chronicle
Klaus, Carl H.
University of Iowa Press, 2021
The Ninth Decade is a path-breaking and timely book on aging: the first to focus explicitly and at length on eighty-somethings, the fastest-growing demographic in the industrialized world. Covering eight years in lively six-month installments, Klaus tells a vivid story not only of his own ninth decade and survival routines, but also of his loving companion, Jackie, who is strikingly different from him in her physical well-being, practical outlook, sociable temperament, and vigorous workouts. Cameos of their octogenarian friends and relatives near and far add to a wide-ranging and revelatory portrayal of advanced aging, as do bios of notable octogenarians.

The multi-year scope of his chronicle reveals the numerous physical and mental problems that arise during octogenarian life and how eighty-year-olds have dealt with those challenges. The Ninth Decade is a unique, first-hand source of information for anyone in their sixties, seventies, or eighties, as well as for persons devoted to care of the aged. Though the challenges of octogenarian life often require specialized care, The Ninth Decade also shows the pleasures of it to be so special as to have inspired Lillian Hellman’s paradoxical description of “longer life” as “the happy problem of our time.”
 
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Nixon at the Movies
A Book about Belief
Mark Feeney
University of Chicago Press, 2004
Was it an omen? Richard Nixon and the film industry arrived in Southern California in the same year, 1913. As Mark Feeney relates in this unusual and unusually absorbing book, Nixon and the movies have shared a long and complex history. Some of that history—the president's multiple screenings of Patton before and during the invasion of Cambodia, or Oliver Stone's Nixon—is well known. Yet much more is not. How many are aware, for example, that Nixon was an enthusiastic filmgoer who watched more than five hundred movies during his presidency?

Nixon at the Movies takes a new and often revelatory approach to looking at Nixon's career—and Hollywood's. From the obvious (All the President's Men) to the less so (Elvis Presley movies and Nixon's relationship to '60s youth culture) to several onscreen "alternate" Nixons (Fred MacMurray in Double Indemnity, Tony Curtis in The Sweet Smell of Success, Gene Hackman in The Conversation), Feeney sees aspects of Nixon's character, and the nation's, refracted and reimagined in film. Conversely, Feeney argues that Nixon can help us see the movies in a new light, making a strong case for Nixon as the movies' tutelary deity during the early '70s, playing a role in Hollywood's Silver Age comparable to FDR's during its Golden Age.

Stylishly written and bracingly eclectic, Nixon at the Movies draws on biography, politics, cultural history, and film criticism to show just how deeply in the twentieth-century American grain lies the pair of seemingly incongruous nouns in its title. As Nixon once remarked to Garry Wills: "Isn't that a hell of a thing, that the fate of a great country can depend on camera angles?"
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Noise
Living and Trading in Electronic Finance
Alex Preda
University of Chicago Press, 2017
We often think of finance as a glamorous world, a place where investment bankers amass huge profits in gleaming downtown skyscrapers. There’s another side to finance, though—the millions of amateurs who log on to their computers every day to make their own trades. The shocking truth, however, is that less than 2% of these amateur traders make a consistent profit. Why, then, do they do it?

In Noise, Alex Preda explores the world of the people who trade even when by all measures they would be better off not trading. Based on firsthand observations, interviews with traders and brokers, and on international direct trading experience, Preda’s fascinating ethnography investigates how ordinary people take up financial trading, how they form communities of their own behind their computer screens, and how electronic finance encourages them to trade more and more frequently. Along the way, Preda finds the answer to the paradox of amateur trading—the traders aren’t so much seeking monetary rewards in the financial markets, rather the trading itself helps them to fulfill their own personal goals and aspirations.
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Normal Aging III
Reports from the Duke Longitudinal Studies, 1975–1984
Erdman Palmore, Ewald Busse, George Maddox, John Nowlin, and Ilene Siegler, eds.
Duke University Press, 1985
Since they began in 1955, the Duke Longitudinal Studies have aging have been regarded as landmark investigations, amassing invaluable data on the typical physical changes that accompany aging, typical patterns of mental health and mental illness, psychological aging, and the normal social roles, self-concepts, satisfactions, and adjustments to retirement of the aged. Comprising information on more than 750 aged and middle-aged persons, these studies have contributed enormously to our ability to distinguish normal and inevitable processes of aging from those that may accompany aging because of accident, stress, maladjustment, or disuse.
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Not from Here
A Memoir
Allan Johnson
Temple University Press, 2015
When Allan Johnson asked his dying father where he wanted his ashes to be placed, his father replied—without hesitation—that it made no difference to him at all. In his poignant, powerful memoir, Not from Here, Johnson embarks on an extraordinary, 2,000-mile journey across the Upper Midwest and Northern Plains to find the place where his father’s ashes belonged.
 
As a white man with Norwegian and English lineage, Johnson explores both America and the question of belonging to a place whose history holds the continuing legacy of the displacement, dispossession, and genocide of Native peoples.
 
More than a personal narrative, Not from Here illuminates the national silence around unresolved questions of accountability, race, and identity politics, and the dilemma of how to take responsibility for “a past we did not create.” Johnson’s story—about the past living in the present; of redemption, fate, family, tribe, and nation; of love and grief—raises profound questions about belonging, identity, and place.
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Not Yet Pregnant
Infertile Couples in Contemporary America
Greil, Arthur L
Rutgers University Press, 1991

Although voluntary childlessness has come to be accepted as permissible, the "normal" plans of most American couples include parenthood. Having a child is still seen as a rite of passage to adulthood. When a couple finds out that they are infertile and that life is not going to go according to plan, they  ask, "why me?"  Greil explores not only "why me?"  and the difficulty of finding a satisfying answer, but other questions as well. Why do women and men respond differently to infertility?  Do gender differences play a role in the experience of infertility?  How has medical technology affected the experience of infertility?  Why are infertile couples so committed to the goal of having biological children?

Greil argues that the complexity of infertility comes from its changing statusÐÐit is no longer considered a provate problem but a medical problem that can be solved. The human body is thought of as a finely-tuned machine and infertility is just a mechanical problem.  In America, the author claims, those who suffer from medical problems become subject to cultural beliefs about the nature of illness and the role of the sick. This includes the belief that the sufferer should do everything in his or her power to get better; in the cae of infertility the infertile couple should do everything possible to have a baby. What results is often painful, humiliating, and never-ending treatment programs. But infertile couples are reluctant to stop treatment because new techniques are being developed, and there is always next month. Couples do not consider themselves infertile forever, they consider themselves "not yet pregnant."

Greil explores the effect that infertility has on men and women, and why men seem to accept infertility more easily than women. Women see infertility as failure, they see themselves as incomplete. Men, seeing infertility more frequently as something they cannot change, ask why worry about it?  Greil also explores what effect these attitudes have on the couple's marriage, on relationships with their relatives, and with their fertile friends.  Infertility is not just a medical problem, it is a personal and emotional problem that affects all other aspects of the couple's life. This is a thorough investigation of what fertility means to contemporary American couples.

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Not Your Average Zombie
Rehumanizing the Undead from Voodoo to Zombie Walks
By Chera Kee
University of Texas Press, 2017

The zombie apocalypse hasn’t happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don’t conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts.

Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how “extra-ordinary” zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, “extra-ordinary” zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.

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Notes on the Heart
Affective Issues in the Writing Classroom
Susan H. McLeod
Southern Illinois University Press, 1997

It has long been recognized that affect (that is, the noncognitive aspect of mental activity) plays a large role in writing and in learning to write. According to Susan H. McLeod, however, the model that has been most used for empirical research on the writing process is based on cognitive psychology and does not take into account affective phenomena. Nor does the social constructionist view of the writing process acknowledge the affective realm except in a very general way. To understand the complete picture, McLeod insists, we need to explore how cognitive, affective, and social elements interact as people write.

In this book, McLeod follows a group of students through a semester of writing assignments, tracking the students’ progress and examining the affective elements relevant to their writing. To facilitate future discussion of these phenomena, McLeod also provides suggested definitions for terms in the affective domain.

In a very real sense, this book is the result of a collaboration of three Susans: Susan McLeod, who researched and wrote the book; Sue Hallett, an instructor in Washington State University’s composition program whose classes McLeod observed and who helped provide much of the data; and Susan Parker, a graduate student who observed Hallett’s class and who ran a tutorial connected to that class. To provide a narrative structure, McLeod and her two collaborators have constructed a simulated semester, conflating the year and a half of the study into one semester and creating a class that is a composite drawn from seven classrooms over three semesters.

Although philosophers have had much to say about the affective domain, Notes on the Heart is based for the most part on research from the social sciences. Discussions of pedagogy, while meant to have practical value, are suggestive rather than prescriptive. The goal is to help teachers see their practice in new way.

Teachers will be particularly interested in McLeod’s discussion of teacher affect/effect. This section examines both the issue of the "Pygmalion effect" (students becoming better because the teacher believes they are) and perhaps the more common opposite, the "golem effect" (students becoming less capable because their teachers view them that way).

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Nuclear Minds
Cold War Psychological Science and the Bombings of Hiroshima and Nagasaki
Ran Zwigenberg
University of Chicago Press, 2023
How researchers understood the atomic bomb’s effects on the human psyche before the recognition of Post-Traumatic Stress Disorder.
 
In 1945, researchers on a mission to Hiroshima with the United States Strategic Bombing Survey canvassed survivors of the nuclear attack. This marked the beginning of global efforts—by psychiatrists, psychologists, and other social scientists—to tackle the complex ways in which human minds were affected by the advent of the nuclear age. A trans-Pacific research network emerged that produced massive amounts of data about the dropping of the bomb and subsequent nuclear tests in and around the Pacific rim.
 
Ran Zwigenberg traces these efforts and the ways they were interpreted differently across communities of researchers and victims. He explores how the bomb’s psychological impact on survivors was understood before we had the concept of post-traumatic stress disorder. In fact, psychological and psychiatric research on Hiroshima and Nagasaki rarely referred to trauma or similar categories. Instead, institutional and political constraints—most notably the psychological sciences’ entanglement with Cold War science—led researchers to concentrate on short-term damage and somatic reactions or even, in some cases, on denial of victims’ suffering. As a result, very few doctors tried to ameliorate suffering.
 
But, Zwigenberg argues, it was not only that doctors “failed” to issue the right diagnosis; the victims’ experiences also did not necessarily conform to our contemporary expectations. As he shows, the category of trauma should not be used uncritically in a non-Western context. Consequently, this book sets out, first, to understand the historical, cultural, and scientific constraints in which researchers and victims were acting and, second, to explore how suffering was understood in different cultural contexts before PTSD was a category of analysis.
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Numbers and Nerves
Information, Emotion, and Meaning in a World of Data
Scott Slovic
Oregon State University Press, 2015
We live in the age of Big Data, awash in a sea of ever-expanding information—a constant deluge of facts, statistics, models, and projections. The human mind is quickly desensitized by information presented in the form of numbers, and yet many important social and environmental phenomena, ranging from genocide to global climate change, require quantitative description.

The essays and interviews in Numbers and Nerves explore the quandary of our cognitive responses to quantitative information, while also offering compelling strategies for overcoming insensitivity to the meaning of such information. With contributions by journalists, literary critics, psychologists, naturalists, activists, and others, this book represents a unique convergence of psychological research, discourse analysis, and visual and narrative communication.

At a time of unprecedented access to information, our society is frequently stymied in its efforts to react to the world’s massive problems. Many of these problems are systemic, deeply rooted in seemingly intransigent cultural patterns and lifestyles. In order to sense the significance of these issues and begin to confront them, we must first understand the psychological tendencies that enable and restrict our processing of numerical information.

Numbers and Nerves explores a wide range of psychological phenomena and communication strategies—fast and slow thinking, psychic numbing, pseudoinefficacy, the prominence effect, the asymmetry of trust, contextualized anecdotes, multifaceted mosaics of prose, and experimental digital compositions, among others—and places these in real-world contexts. In the past two decades, cognitive science has increasingly come to understand that we, as a species, think best when we allow numbers and nerves, abstract information and experiential discourse, to work together. This book provides a roadmap to guide that collaboration. It will be invaluable to scholars, educators, professional communicators, and anyone who struggles to grasp the meaning behind the numbers.
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Nursing
The Philosophy and Science of Caring, Revised Edition
Jean Watson
University Press of Colorado, 2008
Jean Watson's first edition of Nursing, now considered a classic, introduced the science of human caring and quickly became one of the most widely used and respected sources of conceptual models for nursing. This completely new edition offers a contemporary update and the most current perspectives on the evolution of the original philosophy and science of caring from the field's founding scholar.
A core concept for nurses and the professional and non-professional people they interact with, "care" is one of the field's least understood terms, enshrouded in conflicting expectations and meanings. Although its usages vary among cultures, caring is universal and timeless at the human level, transcending societies, religions, belief systems, and geographic boundaries, moving from Self to Other to community and beyond, affecting all of life.
This new edition reflects on the universal effects of caring and connects caring with love as the primordial moral basis both for the philosophy and science of caring practices and for healing itself. It introduces Caritas Processes, offers centering and mediation exercises on an included audio CD, and provides other energetic and reflective models to assist students and practitioners in cultivating a new level of Caritas Nursing in their work and world.
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