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Cruel and Unusual
Punishment and U.S. Culture
Brian Jarvis
Pluto Press, 2004
From the excesses of Puritan patriarchs to the barbarism of slavery and on into the prison-industrial complex, punishment in the US has a long and gruesome history.

In the post-Vietnam era, the prison population has increased tenfold and the death penalty has enjoyed a renaissance. Few subjects in contemporary US society provoke as much controversy as punishment. In this context, Cruel and Unusual aims to offer the first comprehensive exploration of the history of punishment as it has been mediated in American culture.

Grounding his analysis in Marxist theory, psychoanalysis and Foucault’s influential work on discipline, Brian Jarvis examines a range of cultural texts, from seventeenth century execution sermons to twenty-first century prison films, to uncover the politics, economics and erotics of punishment.

This wide-ranging and interdisciplinary survey constructs a genealogy of cruelty through close reading of novels by Hawthorne and Melville, fictional accounts of the Rosenberg execution by Coover and Doctorow, slave narratives and prison writings by African Americans and the critically neglected genre of American prison films.

In the process, Cruel and Unusual unmasks a fundamental conflict between legends of liberty in the Land of the Free and the secret, silenced histories of sadomasochistic desire, punishment for profit and social control.
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front cover of Wages of Evil
Wages of Evil
Dostoevsky and Punishment
Anna Schur
Northwestern University Press, 2012
Dostoevsky’s views on punishment are usually examined through the prism of his Christian commitments. For some, this means an orientation toward mercy; for others, an affirmation of suffering as a path to redemption. Anna Schur incorporates sources from philosophy, criminology, psychology, and history to argue that Dostoevsky’s thinking about punishment was shaped not only by his Christian ethics but also by the debates on penal theory and practice unfolding during his lifetime.
 
As Dostoevsky attempts to balance the various ethical and cultural imperatives, he displays ambivalence both about punishment and about mercy. This ambivalence, Schur argues, is further complicated by what Dostoevsky sees as the unfathomable quality of the self, which hinders every attempt to match crimes with punishments. The one certainty he holds is that a proper response to wrongdoing must include a concern for the wrongdoer’s moral improvement.
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