front cover of Boogaloo
Boogaloo
The Quintessence of American Popular Music
Arthur Kempton
University of Michigan Press, 2005
The much-anticipated paperback edition of Arthur Kempton's story on the art, influence, and commerce of Black American popular music

Praise for Boogaloo:

"From Thomas A. Dorsey and gospel to Sam Cooke and the classic age of boogaloo ('soul') to George Clinton and hip hop, this comprehensive analysis of African-American popular music is a deep and gorgeous meditation on its aesthetics and business."
---Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard

"Surpassingly sympathetic and probing. . . . a panoramic critical survey of black popular music over seventy-five years. . . .There is no book quite like it."
---New York Review of Books

". . . moving, dense, and fascinating. . . ."
---New Yorker

". . . a grand and sweeping survey of the history of soul music in America. . . . one of the best books of music journalism. . . ."
---Publisher's Weekly

". . . a fascinating and often original addition to the extensive literature. . . . an astute and witty account. . . . there is plenty in Boogaloo to set the mind and heart alight, as well as some flashes of brilliance and originality rare in music writing today."
---Times Literary Supplement
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front cover of Quintessence
Quintessence
Basic Readings from the Philosophy of W. V. Quine
W. V. Quine
Harvard University Press, 2008

Through the first half of the twentieth century, analytic philosophy was dominated by Russell, Wittgenstein, and Carnap. Influenced by Russell and especially by Carnap, another towering figure, Willard Van Orman Quine (1908–2000) emerged as the most important proponent of analytic philosophy during the second half of the century. Yet with twenty-three books and countless articles to his credit—including, most famously, Word and Object and "Two Dogmas of Empiricism"—Quine remained a philosopher's philosopher, largely unknown to the general public.

Quintessence for the first time collects Quine's classic essays (such as "Two Dogmas" and "On What There Is") in one volume—and thus offers readers a much-needed introduction to his general philosophy. Divided into six parts, the thirty-five selections take up analyticity and reductionism; the indeterminacy of translation of theoretical sentences and the inscrutability of reference; ontology; naturalized epistemology; philosophy of mind; and extensionalism. Representative of Quine at his best, these readings are fundamental not only to an appreciation of the philosopher and his work, but also to an understanding of the philosophical tradition that he so materially advanced.

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