Drawing on Terry’s long friendships and professional associations, Dizzy, Duke, Brother Ray, and Friends offers readers a rare opportunity to hear intimate conversations with some of the world’s greatest musical figures. Dizzy Gillespie offers his thoughts on playing with “sanctified” rhythm and the all-important personal touch in performance. Duke Ellington discourses on jazz history and concludes an interview to sing a self-written ditty in Italian. Ray Charles gives candid thoughts on race and politics while taking charge of Terry’s tape recorder. Abbey Lincoln, Max Roach, Horace Silver, Bill Evans—all provide Terry and her readers with unforgettable encounters. The result is a collection of profiles, some stretching over a decade or more, that reveal these performers in ways that illuminate their humanity and expand our appreciation of their art.
The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.
Gathered for the first time, Truman's private papers--diaries, letters, and memoranda--cover the period from his occupancy of the White House in 1945 to shortly before his death in 1972. Students and scholars will find valuable material on major events of the Truman years, from the Potsdam Conference to the Korean War.
David L. Morton examines the process of invention, innovation, and diffusion of communications technology, using the history of sound recording as the focus. Off the Record demonstrates how the history of both the hardware and the ways people used it is essential for understanding why any particular technology became a fixture in everyday life or faded into obscurity. Morton’s approach to the topic differs from most previous works, which have examined the technology’s social impact, but not the reasons for its existence. Recording culture in America emerged, Morton writes, not through the dictates of the technology itself but in complex ways that were contingent upon the actions of users.
Each of the case studies in the book emphasizes one of five aspects of the culture of recording and its relationship to new technology, at the same time telling the story of sound recording history. One of the misconceptions that Morton hopes to dispel is that the only important category of sound recording involves music. Unique in his broad-based approach to sound technology, the five case studies that Morton investigates are : Large numbers of Civil War veterans remembered and reminisced about their war experiences, but only a relative few dedicated the rest of their lives to the task of commemorating their long-ago deeds. John S. Kountz was one of this latter group. Kountz joined the Thirty-seventh Ohio Infantry in September 1861 as a fifteen-year-old drummer boy and later, under General William T. Sherman, endured the long siege at Vicksburg before helping to win control of the city in July 1863. In 1899 the War Department appointed Kountz as the official historian at the newly designated Vicksburg National Military Park. As part of his duties, he produced two major works, an organizational chronicle of the armies that fought at Vicksburg and an unpublished narrative of the campaign and siege. This welcome volume presents both of these extremely rare documents together for the first time, providing a valuable resource for a new generation of scholars and enthusiasts.
Record of the Organizations Engaged in the Campaign, Siege, and Defense of Vicksburg was published in a limited edition by the Government Printing Office in 1901 and offered visitors and historians a detailed examination of the various commands that fought at Vicksburg. The record has long been an essential but hard-to-find source for historians. Kountz’s impressive 116-page campaign overview is rarer still. Because of turnover at the park and Kountz’s death in 1909, the manuscript never saw publication and has, until now, lain buried in the archives at Vicksburg. Offering an unbiased account of both sides of the battle, it delves into the minds of the commanders, examines their decision-making processes, and articulates several opinions that have sparked debate ever since.
With a new introduction by noted historian Timothy B. Smith, this significant work makes widely available an important history by a participant in the action and opens a fascinating window into the history of Civil War scholarship.
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