front cover of Make Me Do Things
Make Me Do Things
Victoria Redel
Four Way Books, 2013
In eleven original, surprising and deliciously dark stories, Victoria Redel moves effortlessly between men’s and women’s perspectives in stories that explore marriage, divorce and parenthood. A newly divorced mother stumbles her way back into single life. A young man and his girlfriend clean out his dead mother’s overstuffed home. A woman struggles to hide her affair from a doting husband and inquisitive daughter. A man descends into a drug-fueled dream as he imagines losing his pregnant wife to a historical, nineteenth century figure. Redel indelibly captures the ways we love, the ways we yearn and the ways we sabotage each. Throughout the collection, children struggle to make sense of the adult world’s uncertainties as husbands and wives, mothers and fathers, find themselves pressed up against their own limits, “the exaltations and treasons of one’s own mothy heart.” Redel has again done what Grace Paley said of Redel’s first collection, “Only a poet could have written this prose. Only a storyteller could keep a reader turning these pages so greedily.”
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front cover of Paradise
Paradise
Victoria Redel
Four Way Books, 2022

Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really? Redel navigates geopolitical perimeters while also questioning the border between the living and the dead and delineating the migrations aging women make in their bodies and lives. With stark lyricism and unflinching attention, Paradise considers how a legacy of trauma shapes imagination and asks readers to see the threads that tie contemporary catastrophes to the exigencies and flight paths that made us.

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logo for Four Way Books
Paradise
Victoria Redel
Four Way Books, 2022

Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really? Redel navigates geopolitical perimeters while also questioning the border between the living and the dead and delineating the migrations aging women make in their bodies and lives. With stark lyricism and unflinching attention, Paradise considers how a legacy of trauma shapes imagination and asks readers to see the threads that tie contemporary catastrophes to the exigencies and flight paths that made us.

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front cover of Swoon
Swoon
Victoria Redel
University of Chicago Press, 2003
What does it mean to be a woman—a lover, mother and artist? In Swoon, Redel tackles the question of Eros as it animates domestic life. These are poems unafraid to embrace the sweetness of difficulty and the difficult sweetness of intimacy. Using short and extended lyric, prose poem, circular narrative, Redel refuses formal categorization, demanding of poetry a complex and textured vision of the female experience. Swoon is a robustly sexy, intelligent, daring book of poems.

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