Amos Badertscher Duke University Press, 1999 Library of Congress TR680.B24 1999 | Dewey Decimal 779.2092
Baltimore Portraits is a unique presentation of photographs by Amos Badertscher. These portraits—many accompanied by poignantly revealing, hand-written narratives about their subjects—represent a sector of Baltimore that has gone largely unnoticed and rarely has been documented. In this volume, the assemblage of images of bar and street people—transvestites, strippers, drug addicts, drag queens, and hustlers—spans a twenty-year period from the mid-1970s to the mid-1990s. Badertscher’s arresting and melancholy photographs document a culture that has virtually disappeared due to substance abuse, AIDS, and, often, societal or family neglect.
The photographer’s focus on content rather than on elaborate technique reveals the intensely personal—and, indeed, autobiographical—nature of his portraits. Their simplicity along with the text’s intimacy affects the viewer in ways not easily forgotten. An introduction by Tyler Curtain contextualizes the photographs both within the history of Baltimore and its queer subculture and in relationship to contemporaneous work by photographers Nan Goldin, Robert Mapplethorpe, Cindy Sherman, Duane Michaels, and others. Curtain also positions the underlying concerns of Bardertscher’s art in relation to gay and lesbian cultural politics.
This striking collection of portraits, along with the photographer’s moving text, will impact not only a general audience of photographers and enthusiasts of the art but also those engaged with gay and lesbian studies, queer theory, and cultural studies in general. It is published in association with the Duke University Museum of Art.
Elizabeth Lawrence (1904–85) is recognized as one of America’s most important gardeners and garden writers. In 1957, Lawrence began a weekly column for the Charlotte Observer, blending gardening lore and horticultural expertise gained from her own gardens in Raleigh and Charlotte, North Carolina, and from her many gardener friends. This book presents 132 of her beloved columns. Never before published in book form, they were chosen from the more than 700 pieces that she wrote for the Observer over fourteen years.
Lawrence exchanged plants and gardening tips with everyone from southern “farm ladies” trading bulbs in garden bulletins to prominent regional gardeners. She corresponded with nursery owners, everyday backyard gardeners, and literary luminaries such as Katharine White and Eudora Welty. Her books, including A Southern Garden, The Little Bulbs, and Gardens in Winter, inspired several generations of gardeners in the South and beyond.
The columns in this volume cover specific plants, such as sweet peas, hellebores, peonies, and the bamboo growing outside her living-room window, as well as broader topics including the usefulness of vines, the importance of daily pruning, and organic gardening. Like all of Lawrence’s writing, these columns are peppered with references to conversations with neighbors and quotations from poetry, mythology, and correspondence. They brim with knowledge gained from a lifetime of experimenting in her gardens, from her visits to other gardens, and from her extensive reading.
Lawrence once wrote, “Dirty fingernails are not the only requirement for growing plants. One must be as willing to study as to dig, for a knowledge of plants is acquired as much from books as from experience.” As inspiring today as when they first appeared in the Charlotte Observer, the columns collected in Beautiful at All Seasons showcase not only Lawrence’s vast knowledge but also her intimate, conversational writing style and her lifelong celebration of gardens and gardening.
Nature writer Candice Andrews weaves together contemporary observations and historical reminisces in Beyond the Trees: Stories of Wisconsin Forests. Readers will journey to some of the most pristine and notable places in the Upper Midwest—Wisconsin’s state and national forests.
The diversity of landscapes evoked in Beyond the Trees is matched only by the characters who inhabit them. Traverse the footsteps of Ojibwe hunters and early explorers in the remote woods of Brule River State Forest. Trek past the remains of bygone logging and CCC camps in the Chequamegon-Nicolet National Forest. Glimpse into the world of Great Lakes shipping in Point Beach State Forest. Walk on trails named after John Muir and Increase Lapham in the Kettle Moraine State Forest, and experience urban green space at Milwaukee’s Havenwoods State Forest. From orchids to oak savanna, beaver to brook trout, and white-tailed deer to timber wolves, discover Wisconsin’s wildlife and flora and fauna. Archival images, informative sidebars, locator maps, and contact information for Wisconsin state and national forests round out this unique book.
Go beyond bird feeders! Learn how to create outstanding bird habitats in your own yard with native plants that offer food, cover, and nesting sites for birds. This guide is packed with color photographs, sage advice, detailed instructions, and garden plans. It features nine different habitat gardens for hummingbirds, bluebirds, wintering birds, migrant birds, and birds that frequent prairies, wetlands, lakes, shrublands, and woodlands, along with advice about maintaining your plantings and augmenting them with nest boxes, birdbaths, misters, and perches. The information on recommended plant species includes their native ranges in Illinois, Indiana, Iowa, Ohio, Michigan, Minnesota, Missouri, and Wisconsin; the birds they attract; their visual characteristics; and their cultivation. Mariette Nowak also describes how gardeners featured in this book have gone beyond their own garden gates to work for the protection and restoration of bird habitat in their neighborhoods and communities. Birdscaping in the Midwest provides many sources of further information, including publications, websites, organizations, and native plant nurseries.
Birdwatching in New Hampshire
Eric A. Masterson University Press of New England, 2013 Library of Congress QL684.N4M37 2013 | Dewey Decimal 598.07234742
Designed to appeal to expert and backyard birdwatchers alike, this comprehensive guide reveals where, when, and how to watch and enjoy birds in New Hampshire. It not only offers the latest information about the seasonal status and distribution of birds in New Hampshire but also features a thorough introduction to the art and practice of birdwatching, including equipment, ethics, migration, conservation, and most of all, finding that “good bird.” The heart of the book is the detailed descriptions and maps that outline more than 120 birding sites across the state, from the Connecticut River Valley to Jeffreys Ledge and Cashes Ledge far off the coast. Drawing upon his extensive knowledge of the habits and habitats of New Hampshire birds, the author has divided the state into six regions, each with a rich diversity of birdwatching destinations. The guide also features informative accounts of the more than 300 bird species regularly seen in the Granite State, including their preferred habitats and graphs illustrating when each is most likely to be encountered. In addition, Masterson also provides a useful guide to rare and accidental bird sightings. The essential guide to birdwatching in New Hampshire for beginners and accomplished regional birders.
BLUE HIGHWAYS Revisited
Edgar I. Ailor III, Photography by Edgar I. Ailor III and Edgar I. Ailor IV, Foreword by William Least Heat-Moon University of Missouri Press, 2012 Library of Congress E169.Z83A356 2012 | Dewey Decimal 917.300222
In 1978, William Least Heat-Moon made a 14,000-mile journey on the back roads of America, visiting 38 states along the way. In 1982, the popular Blue Highways, which chronicled his adventures, was published. Three decades later, Edgar Ailor III and his son, Edgar IV, retraced and photographed Heat-Moon’s route, culminating in Blue Highways Revisited, released for publication on the thirtieth anniversary of Blue Highways. A foreword by Heat-Moon notes, "The photographs, often with amazing accuracy, capture my verbal images and the spirit of the book. Taking the journey again through these pictures, I have been intrigued and even somewhat reassured that America is changing not quite so fast as we often believe. The photographs, happily, reveal a recognizable continuity – but for how much longer who can say – and I'm glad the Ailors have recorded so many places and people from Blue Highways while they are yet with us."
Through illustrative photography and text, Ailor and his son capture once more the local color and beauty of the back roads, cafes, taverns, and people of Heat-Moon’s original trek. Almost every photograph in Blue Highways Revisited is referenced to a page in the original work. With side-by-side photographic comparisons of eleven of Heat-Moon’s characters, this new volume reflects upon and develops the memoir of Heat-Moon’s cross-country study of American culture and spirit. Photographs of Heat-Moon’s logbook entries, original manuscript pages, Olympia typewriter, Ford van, and other artifacts also give readers insight into Heat-Moon’s approach to his trip. Discussions with Heat-Moon about these archival images provide the reader insight into the travels and the writing of Blue Highways that only the perspective of the author could provide.
Blue Highways Revisited reaffirms that the "blue highway" serves as a romantic symbol of the free and restless American spirit, as the Ailors lose themselves to the open road as Heat-Moon did thirty years previously. This book reminds readers of the insatiable attraction of the “blue highway”—“But in those brevities just before dawn and a little after dusk—times neither day or night—the old roads return to the sky some of its color. Then, in truth, they carry a mysterious cast of blue, and it's that time when the pull of the blue highway is strongest, when the open road is a beckoning, a strangeness, a place where a man can lose himself” (Introduction to Blue Highways).
Robert Thorson gives readers a Thoreau for the Anthropocene. The boatman and backyard naturalist was keenly aware of the way humans had altered the waterways and meadows of his beloved Concord River Valley. Yet he sought out for solace and pleasure those river sites most dramatically altered by human invention and intervention—for better and worse.
In atmospheric science, a boundary layer is the band of air nearest the ground. In the Pacific Northwest, the boundary layer teems with lichens, mosses, ferns, fungi, and diminutive plants. It’s an alternate, overlooked universe whose denizens author Kem Luther calls the stegnon, the terrestrial equivalent of oceanic plankton.
In Boundary Layer, Luther takes a voyage of discovery through the stegnon, exploring the life forms that thrive there and introducing readers to the scientists who study them. With a keen ear for conversation and an eye for salient detail, the author brings a host of characters to life, people as unique and intriguing as the species inhabiting the stegnon.
A pair of park employees on a windswept beach shows how the violent clash of sea and land creates a sandy home for some of the world’s most endangered plants, including the almost-extinct pink sand-verbena. An expert on mosses, as ingenuous as the plants he loves, leads the author up a mountain and into a sphagnum bog. A husband and wife team, exiled by brutal repression in the wake of the Prague Spring, introduce European plant sociology to North America. A scientist, while revolutionizing the study of lichens, hides himself, hermitlike, inside one of the largest park reserves in the American West.
An exhilarating mix of natural history, botanical exploration, and philosophical speculation, Boundary Layer guides readers, in the end, into the author’s own landscape of metaphor. It will be welcomed by naturalists, botanists, outdoor adventurers, and anyone who savors good storytelling. Luther translates into luminous prose what boundary regions have to say, not only about the in-between places of nature, but also about the conceptual borderlands that lie between species and ecosystems, culture and nature, science and the humanities.
In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region’s support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller’s agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far more rich—a stunning collection of over a thousand photographs that document a rarely seen period in Brazilian history. Accompanied by analysis from Robert M. Levine, this selection of Naylor’s photographs offers a unique view of everyday life during one of modern Brazil’s least-examined decades. Working under the constraints of the Vargas dictatorship, the instructions of her employers, and a chronic shortage of film and photographic equipment, Naylor took advantage of the freedom granted her as an employee of the U.S. government. Traveling beyond the fashionable neighborhoods of Rio de Janeiro, she conveys in her work the excitement of an outside observer for whom all is fresh and new—along with a sensibility schooled in depression-era documentary photography of Dorothea Lange and Walker Evans, as well as the work of Cartier-Bresson and filmmaker Serge Eisenstein. Her subjects include the very rich and the very poor, black Carnival dancers, fishermen, rural peasants from the interior, workers crammed into trolleys—ordinary Brazilians in their own setting—rather than simply Brazilian symbols of progress as required by the dictatorship or a population viewed as exotic Latins for the consumption of North American travelers. With Levine’s text providing details of Naylor’s life, perspectives on her photographs as social documents, and background on Brazil’s wartime relationship with the United States, this volume, illustrated with more than one hundred of Naylor’s Brazilian photographs will interest scholars of Brazilian culture and history, photojournalists and students of photography, and all readers seeking a broader perspective on Latin American culture during World War II.
Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.
This is a book about understanding old buildings. In an era in which much of the US landscape has been littered by unimaginative, prefabricated structures, James L. Garvin tells owners and would-be owners of old buildings in Maine, New Hampshire, and Vermont what they need to know before they begin the restoration process. In wonderfully lucid prose, Garvin describes the production of the materials from which the buildings of northern New England were built, outlines the stylistic evolution of the region's structures from the early 1700s to World War II, and offers guidelines for dating old buildings. Focusing on domestic architecture, but including examples of public, commercial, religious, and industrial buildings, he offers custodians of buildings an understanding of the technologies embodied in these structures, answers questions about stylistic changes, and allows the architecture of northern New England to be understood for the first time with a technical depth that is already available for buildings in better-studied parts of the US. Written for both homeowners and those responsible for public and museum structures, this volume provides an understanding of the region's building history even as it specifically answers questions that most often perplex architects and preservationists. By offering all custodians of northern New England buildings a richer understanding of architectural style and structure, the book encourages the use of appropriate methods and materials in building conservation and rehabilitation. Generously illustrated throughout, the book is also an essential resource for anyone who is interested in American and New England architecture and the building trades, and for anyone who has ever wondered about the secrets and stories of old buildings.
Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university—its stately buildings and beautiful grounds—forms an important part of its character.
Building Ideas: An Architectural Guide to the University of Chicago explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university’s founding in 1890 to its plans for the twenty-first century.
When William Rainey Harper, the university’s first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand—or explode—traditional ideals while redefining the contemporary campus.
Full of panoramic photographs and exquisite details, Building Ideas features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Viñoly, César Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.
Through letters, memoirs, contemporary documents, and a stunning assemblage of photographs - many of which have never before been published - author Ron McCrea tells the fascinating story of the building of Frank Lloyd Wright's Taliesin, which would be the architect's principal residence for the rest of his life. Photos taken by Wright's associates show rare views of Taliesin under construction and illustrate Wright's own recollections of the first summer there and the craftsmen who worked on the site.
The book also brings to life Wright’s "kindred spirit," "she for whom Taliesin had first taken form," Mamah Borthwick. Wright and Borthwick had each abandoned their families to be together, causing a scandal that reverberated far beyond Wright's beloved Wisconsin valley. The shocking murder and fire that took place at Taliesin in August 1914 brought this first phase of life at Taliesin to a tragic end.
Butterflies of Alabama is a full-color, richly illustrated guide to the 84 known species of “true” butterflies (Papilionoidea) found within the state’s borders. For more than 14 years, the authors have made a close study of these showy, winged stars of the insect world, pursuing them in a great variety of habitats, rearing them, and photographing their remarkable life cycle stages—egg, larva (caterpillar), pupa (chrysalid or “cocoon”), and adult.
Each species account is accompanied by color photographs of live subjects in their natural habitats. Close-ups reveal fascinating details of camouflage, mimicry, coloration, and warning devices. The engaging text explains the highly evolved relationships between butterflies and the plants upon which they depend as well as the specialized adaptations that enable their survival within specific environmental niches. Included are range maps, flight times, caterpillar host plants, adult nectar sources, and identification tips—abundant information to tantalize budding as well as experienced butterfly watchers. In addition, pertinent conservation issues are addressed and appendices provide an annotated checklist of the state’s butterflies, a list of accidentals and strays, information on butterfly organizations, and recommended further reading.
With its non-technical language, simple format, and beautiful images, Butterflies of Alabama is accessible and appealing to anyone who appreciates Alabama’s amazing natural wealth.
Publication is supported in part by the Citizens of the City of Selma, Alabama's Butterfly Capital.
Prairie spaces and abundant wildflowers make Illinois an amateur lepidopterist's delight. Butterflies of Illinois offers a portable, easy-to-use guide rich with descriptions, field photography, and life-sized specimen photos of all the state's native species. It also includes:• identification quick guides depicting the tops and undersides of all butterfly species• scientific information and photos that explain life cycles, habitats, and ecology• range maps• flight period charts• key characteristics relevant to field identification• descriptions of rarely seen butterflies and irregular visitors from nearby states• supplemental information on various species, including collection records and unusual sightings Geared toward enthusiasts and experts alike, Butterflies of Illinois is a must-have companion for any nature hike or garden walk.