A SCHOLARLY BOOK REPOSITORY19 start with D start with D
Dean Worcester’s Fantasy Islands brings to life one of the most significant (but under examined) figures in the history of U.S. colonialism in the Philippines. Upon the outbreak of the Spanish-American War, Worcester, a scientist who had traveled twice to the Philippines on zoological expeditions, established himself as one of America’s leading experts on the Philippines. Over a fourteen-year career as a member of the U.S. colonial regime, Worcester devoted much of his time and energy to traveling among and photographing non-Christian minority groups in the Philippines. He amassed an archive of several thousand photographs taken by him or by government photographers. Worcester deployed those photographs in books, magazine articles, and lectures to promote his belief that the United States should maintain control of the Philippines for decades to come. While many historians have examined American colonial photography in the Philippines, this book is the first lengthy treatment of Worcester’s role in shaping American perceptions of the Philippines in the early twentieth century.
Death, Resurrection, and Human Destiny: Christian and Muslim Perspectives is a record of the 2012 Building Bridges seminar for leading Christian and Muslim scholars, convened by Rowan Williams, then Archbishop of Canterbury. The essays in this volume explore what the Bible and Qurān—and the Christian and Islamic theological traditions—have to say about death, resurrection, and human destiny. Special attention is given to the writings of al-Ghazali and Dante. Other essays explore the notion of the good death. Funeral practices of each tradition are explained. Relevant texts are included with commentary, as are personal reflections on death by several of the seminar participants. An account of the informal conversations at the seminar conveys a vivid sense of the lively, penetrating, but respectful dialogue which took place. Three short pieces by Rowan Williams provide his opening comments at the seminar and his reflections on its proceedings. The volume also contains an analysis of the Building Bridges Seminar after a decade of his leadership.
After 9/11, many Americans took the view that the attacks on the World Trade Center and the Pentagon were the leading edge of a new war: Islam versus the West. Yet the attacks were also part of the current struggle within Islam between fundamentalist and moderate approaches and were staged for maximum effect in the Muslim world.
This book is based on a special-topic issue of the American Journal of Islamic Social Sciences (Fall 2005), and brings together prominent Muslim voices from the policy and academic communities to debate the nature of moderate Islam and what moderation means in both a theological and a geopolitical sense. Participants reflect on the future of political Islam, its role in Muslim politics, western policies in the Muslim world, and the future of American-Muslim relations. This book and the debate it presents are vital to understanding these complex issues.
A Rwandan proverb says “Defeat is the only bad news.” For Rwandans living under colonial rule, winning called not only for armed confrontation, but also for a battle of wits—and not only with foreigners, but also with each other. In Defeat Is the Only Bad News Alison Des Forges recounts the ambitions, strategies, and intrigues of an African royal court under Yuhi Musinga, the Rwandan ruler from 1896 to 1931. These were turbulent years for Rwanda, when first Germany and then Belgium pursued an aggressive plan of colonization there. At the time of the Europeans’ arrival, Rwanda was also engaged in a succession dispute after the death of one of its most famous kings. Against this backdrop, the Rwandan court became the stage for a drama of Shakespearean proportions, filled with deceit, shrewd calculation, ruthless betrayal, and sometimes murder.
Those who exit a religion—particularly one they were born and raised in—often find themselves at sea in their efforts to transition to life beyond their community. In Degrees of Separation, Schneur Zalman Newfield, who went through this process himself, interviews seventy-four Lubavitch and Satmar ultra-Orthodox Hasidic Jews who left their communities.He presents their motivations for leaving as well as how they make sense of their experiences and their processes of exiting, detailing their attitudes and opinions regarding their religious upbringing. Newfield also examines how these exiters forge new ways of being that their upbringing had not prepared them for, while also considering what these particular individuals lose and retain in the exit process.
Degrees of Separation presents a comprehensive portrait of the prolonged state of being “in-between” that characterizes transition out of a totalizing worldview. What Newfield discovers is that exiters experience both a sense of independence and a persistent connection; they are not completely dislocated from their roots once they “arrive” at their new destination. Moreover, Degrees of Separation shows that this process of transitioning identity has implications beyond religion.
The Bible presents the Queen of Sheba's encounter with King Solomon as a diplomatic mission: the queen comes "to test him with hard questions," all of which he answers to her satisfaction; she then praises him and, after an exchange of gifts, returns to her own land. By the Middle Ages, Lassner demonstrates, the focus of the queen's visit had shifted from international to sexual politics. The queen was now portrayed as acting in open defiance of nature's equilibrium and God's design. In these retellings, the authors humbled the queen and thereby restored the world to its proper condition.
Lassner also examines the Islamization of Jewish themes, using the dramatic accounts of Solomon and his female antagonist as a test case of how Jewish lore penetrated the literary imagination of Muslims. Demonizing the Queen of Sheba thus addresses not only specialists in Jewish and Islamic studies, but also those concerned with issues of cultural transmission and the role of gender in history.
Coinciding with the centennial of the Pan American Union (now the Organization of American States), González explores how nineteenth- and twentieth-century U.S. architects and their clients built a visionary Pan-America to promote commerce and cultural exchange between United States and Latin America.
Late in the nineteenth century, U.S. commercial and political interests began eyeing the countries of Latin America as plantations, farms, and mines to be accessed by new shipping lines and railroads. As their desire to dominate commerce and trade in the Western Hemisphere grew, these U.S. interests promoted the concept of "Pan-Americanism" to link the United States and Latin America and called on U.S. architects to help set the stage for Pan-Americanism's development. Through international expositions, monuments, and institution building, U.S. architects translated the concept of a united Pan-American sensibility into architectural or built form. In the process, they also constructed an artificial ideological identity—a fictional Pan-America peopled with imaginary Pan-American citizens, the hemispheric loyalists who would support these projects and who were the presumed benefactors of this presumed architecture of unification.
Designing Pan-America presents the first examination of the architectural expressions of Pan-Americanism. Concentrating on U.S. architects and their clients, Robert Alexander González demonstrates how they proposed designs reflecting U.S. presumptions and projections about the relationship between the United States and Latin America. This forgotten chapter of American architecture unfolds over the course of a number of international expositions, ranging from the North, Central, and South American Exposition of 1885–1886 in New Orleans to Miami's unrealized Interama fair and San Antonio's HemisFair '68 and encompassing the Pan American Union headquarters building in Washington, D.C. and the creation of the Columbus Memorial Lighthouse in the Dominican Republic.
In a region marked by ethnic, linguistic, and cultural diversity, the Soviet plan was to recognize these differences while subsuming them within the conglomerate of official Soviet culture. As Kassymbekova reveals, the local ruling system was built upon an intricate network of individuals, whose stated loyalty to communism was monitored through a chain of command that stretched from Moscow through Tashkent to Dushanbe/Stalinabad. The system was tenuously based on individual leaders who struggled to decipher the language of Bolshevism and maintain power through violent repression.
Using a wide variety of primary texts and historical maps to show how the idea of the Middle East came into being, Dislocating the Orient will interest historians of the Middle East, the British empire, cultural geography, and cartography.
Doubly Chosen provides the first detailed study of a unique cultural and religious phenomenon in post-Stalinist Russia—the conversion of thousands of Russian Jewish intellectuals to Orthodox Christianity, first in the 1960s and later in the 1980s. These time periods correspond to the decades before and after the great exodus of Jews from the Soviet Union. Judith Deutsch Kornblatt contends that the choice of baptism into the Church was an act of moral courage in the face of Soviet persecution, motivated by solidarity with the values espoused by Russian Christian dissidents and intellectuals. Oddly, as Kornblatt shows, these converts to Russian Orthodoxy began to experience their Jewishness in a new and positive way.
Working primarily from oral interviews conducted in Russia, Israel, and the United States, Kornblatt underscores the conditions of Soviet life that spurred these conversions: the virtual elimination of Judaism as a viable, widely practiced religion; the transformation of Jews from a religious community to an ethnic one; a longing for spiritual values; the role of the Russian Orthodox Church as a symbol of Russian national culture; and the forging of a new Jewish identity within the context of the Soviet dissident movement.
When the American reporter Henry Morton Stanley stepped out of the jungle in 1871 and doffed his pith helmet to the Scottish missionary-explorer Dr. David Livingstone, his greeting was to take on mythological proportions. But do any of us really know what his words meant at the time--and what they have come to mean since?
Far from meeting in a remote thicket in "Darkest Africa," Stanley met Livingstone in the middle of a thriving Muslim community. The news of their encounter was transmitted around the globe, and Livingstone instantly became one of the world's first international celebrities.
This book shows how urgently a handshake between a Briton and an American was needed to heal the rift between the two countries after the American Civil War. It uncovers for the first time the journeys that Livingstone's African servants made around Britain after his death, and it makes a case for Stanley's immense influence on the idea of the modern at the dawn of the twentieth century. Drawing on films, children's books, games, songs, cartoons, and TV shows, this book reveals the many ways our culture has remembered Stanley's phrase, while tracking the birth of an Anglo-American Christian imperialism that still sets the world agenda today.
Dr. Livingstone, I Presume? is a story of conflict and paradox that also takes us into the extraordinary history of British engagement with Africa. Clare Pettitt shows both the bleakest side of imperialism and the strange afterlife of a historical event in popular mythmaking and music hall jokes.
The specter of the Soviet Union lingers in Cuba, yet until now there has been no book-length work on the ways Cubans process their country’s relationship with the Soviet bloc. Dreaming in Russian at last brings into the light the reality that for nearly three decades, the Soviet Union subsidized the island economically, intervened in military matters, and exported distinct pedagogical and cultural models to Cuba. Drawing on interviews with Cuban artists and intellectuals, as well as treasures from cinematographic and bibliographic archives, Jacqueline Loss delivers the first book to show that Cuba remembers and retains many aspects of the Soviet era, far from shedding those cultural facets as relics of the Cold War.
Weaving together intriguing, seldom-seen images, Dreaming in Russian showcases the ways in which Cuba’s relationship to its Soviet benefactors lingered after the disintegration of the U.S.S.R. in 1991. Analyzing numerous literary texts and works of visual art, Loss also incorporates aspects of architecture, popular culture, the space race, and other strands to create a captivating new perspective on Cuban society. Among the luminaries featured are poet Reina María Rodríguez, writer Antonio José Ponte, visual artist Tonel, and novelist Wendy Guerra. A departure from traditional cultural history, Loss’s approach instead presents a kaleidoscopic series of facets, reflecting the hybrid nature of the self-images that emerged in the aftermath of the Soviet aegis. As speculations about Cuba’s future under Fidel Castro’s heir apparent continue, the portrait that emerges in Dreaming in Russian is both timely and mesmerizing.
"An important book, and certainly one of the most significant in the career of Jonathan Z. Smith, whom one may venture to call the greatest pathologist in the history of religions. As in many precedent cases, Smith follows a standard procedure: he carefully selects his victim, and then dissects with artistic finesse and unequaled acumen. The operation is always necessary, and a deconstructor of Smith's caliber is hard to find."—Ioan P. Coulianu, Journal of Religion
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