The unique model of apartheid, colonisation and military occupation that Israel imposes on the Palestinians, along with myriad violations of international law, have made Palestine the moral cause of a generation. Yet many people continue to ask, ‘what can we do?’
Generation Palestine helps to answer this question by bringing together Palestinian and international activists in the Boycott, Divestment and Sanctions (BDS) movement. The movement aims to pressure Israel until it complies with International Law, mirroring the model that was successfully utilised against South African apartheid.
With essays written by a wide selection of contributors, Generation Palestine follows the BDS movement’s model of inclusivity and collaboration. Contributors include Archbishop Desmond Tutu, Ken Loach, Iain Banks, Ronnie Kasrils, Professor Richard Falk, Ilan Pappe, Omar Barghouti, Ramzy Baroud and Archbishop Attallah Hannah, alongside other internationally acclaimed artists, writers, academics and grassroots activists.
“In my dream I was young and in Haiti with my friends, laughing, joking, and having a wonderful time. I was walking down the main street of my hometown of Aux Cayes. The sun was shining, the streets were clean, and the port was bustling with ships. At first I was laughing because of the feeling of happiness that stayed with me, even after I woke up. I tried to explain my wonderful dream to my wife, Rolande. Then I laughed again but this time not from joy. I had been dreaming of a Haiti that never was.”—from Georges Woke Up Laughing
A comprehensive collection provides guidance and deep insight from a variety of experts in this emerging field
The rapidly developing field of interreligious studies fosters scholarship engaging two or more religious traditions at a time. Inherently multidisciplinary, the field brings the academic consideration of religions into conversation with the humanities and social sciences, employing relational, intersectional, experiential, and dialogical methodologies as it examines the interrelationship of individuals and groups with differing alignments toward religion.
Edited by Lucinda Mosher, The Georgetown Companion to Interreligious Studies features an international roster of practitioners of or experts on Judaism, Christianity, Islam, Hinduism, Jainism, Sikhism, Buddhism, Ruism, Humanism, and African, North American, and South American Indigenous lifeways. Each author offers a unique perspective on the nature of this emerging discipline.
This companion provides fifty thought-provoking chapters on the history, priorities, challenges, distinguishing pedagogies, and practical applications of interreligious studies. Anyone who seeks a deeper appreciation of this relatively new academic field will find it useful as a textbook or research resource.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers.
Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
Documents counterimperialism in Chilean music since the 1960s
Gringos Get Rich: Anti-Americanism in Chilean Music examines anti-Americanism in Latin America as manifested in Chilean music in recent history. From a folk-based movement in the 1960s and early 1970s to underground punk rock groups during the Pinochet regime, to socially conscious hip-hop artists of postdictatorship Chile, Chilean music has followed several left-leaning transnational musical trends to grapple with Chile’s fluctuating relationship with the United States. Eunice Rojas’s innovative analysis introduces US readers to a wide swath of Chilean musicians and their powerful protest songs and provides a representative and long view of the negative influences of the United States in Latin America.
Much of the criticism of the United States in Chile’s music centers on the perception of the United States as a heavy-handed source of capitalist imperialism that is exploitative of and threatening to Chile’s poor and working-class public and to Chilean cultural independence and integrity. Rojas incorporates Antonio Gramsci’s theories about the difficulties of struggles for cultural power within elitist capitalist systems to explore anti-Americanism and anti-capitalist music. Ultimately, Rojas shows how the music from various genres, time periods, and political systems attempts to act as a counterhegemonic alternative to Chile’s political, cultural, and economic status quo.
Rojas’s insight is timely with recent political trends toward the right in the Americas. There is also increased interest in and acceptance of popular song lyrics as literary texts. The book will appeal to Latin Americanists, ethnomusicologists, scholars of popular culture and international relations, students, and general readers.
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