In premodern Moroccan Sufism, sainthood involved not only a closeness to the Divine presence (walaya) but also the exercise of worldly authority (wilaya). The Moroccan Jazuliyya Sufi order used the doctrine that the saint was a "substitute of the prophets" and personification of a universal "Muhammadan Reality" to justify nearly one hundred years of Sufi involvement in Moroccan political life, which led to the creation of the sharifian state.

This book presents a systematic history of Moroccan Sufism through the fifteenth and sixteenth centuries C.E. and a comprehensive study of Moroccan Sufi doctrine, focusing on the concept of sainthood. Vincent J. Cornell engages in a sociohistorical analysis of Sufi institutions, a critical examination of hagiography as a source for history, a study of the Sufi model of sainthood in relation to social and political life, and a sociological analysis of more than three hundred biographies of saints. He concludes by identifying eight indigenous ideal types of saint that are linked to specific forms of authority. Taken together, they define sainthood as a socioreligious institution in Morocco.

In July 1999, a mere seven years after the founding of the religious movement known as the Falun Gong, the Chinese government banned it. Falun Gong is still active in other countries, and its suppression has become a primary concern of human rights activists and is regularly discussed in dealings between the Chinese government and its Western counterparts. But while much has been written on Falun Gong’s relation to political issues, no one has analyzed in depth what its practitioners actually believe and do.

This study in religious anthropology explores the social history of popular belief. The book begins with an evocation of the river towns, open fields, and vineyards of Champagne. In addition to the historical geography and quantitative material that are hallmarks of the French tradition, the author studies the rich artistic evidence that still graces the provincial churches.

Galpern interprets religious behavior at the beginning of the century as a lingering response to difficulties of the late Middle Ages. The nascent Protestant movement highlights the ways in which many Catholics modified their practices, yet remained orthodox. The book charts the paths of antipathy that converged in civil war, and concludes with a discussion of the late-sixteenth-century atmosphere of revivalism, which mimicked the earlier spiritualclimate.

Each year in the Highland Guatemala town of Santiago Momostenango, Maya religious societies, dance teams, and cofradías perform the annual cycle of rituals and festivals prescribed by Costumbre (syncretized Maya Christian religion), which serves to renew the cosmic order. In this richly detailed ethnography, Garrett Cook explores how these festivals of Jesucristo and the saints derive from and reenact three major ancient Maya creation myths, thus revealing patterns of continuity between contemporary expressive culture and the myths, rituals, and iconography of the Classic and Postclassic Maya.

Drawing on fieldwork conducted in the 1970s and renewed in the 1990s, Cook describes the expressive culture tradition performed in and by the cofradías and their dance teams. He listens as dancers and cofrades explain the meaning of service and of the major ritual symbols in the cults of the saints and Jesucristo. Comparing these symbols to iconographic evidence from Palenque and myths from the Popol Vuh, Cook persuasively argues that the expressive culture of Momostenango enacts major Maya creation myths—the transformative sunrise, the representation of the year as the life cycle of anthropomorphized nature, and the erection of an axis mundi.

This research documents specific patterns of continuity and discontinuity in the communal expression of Maya religious and cosmogonic themes. Along with other recent research, it demonstrates the survival of a basic Maya pattern—the world-creating vegetative renewal cycle—in the highland Maya cults of the saints and Jesucristo.