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Gabriel's Fire
A Memoir
Luis Gabriel Aguilera
University of Chicago Press, 2000
Like many boys, Luis Gabriel Aguilera grew up with cartoons, music, friends, and first loves. As he entered his teenage years, he faced the typical questions of adolescence—what kind of person did he want to be? how should he live his life? But for Aguilera, now in his twenties, these questions had a particular urgency. A Mexican immigrant, he came of age in a Polish neighborhood on the South Side of Chicago that was encroached upon by threats of gangs and drugs. He attended Catholic school and, at age thirteen, began an affair with one of the teachers at the local elementary school. All the while he documented his teenage years in a series of journals, which have now grown into Gabriel's Fire.

Aguilera's memoir is not just an account of race relations and street life in the inner city, nor of the plight of the immigrant and the dilemma of class identity for a "minority" family. Gabriel's Fire also movingly recounts the peculiarly daunting and inspiring moments of a particular age, riddled with confusion, desires, and duties and recorded by an exceptionally observant and articulate young man. Aguilera writes that he "grew into" the English language when he was eleven or twelve, and his recollections reflect his newfound delight with words—the conversations, arguments, taunts, song lyrics, and casual interchanges of his youth are rendered here with an immediacy and directness rare in contemporary memoirs.

Both a picture of American culture of the 1980s and 1990s and a coming-of-age story, Gabriel's Fire counters mainstream and mass-mediated images of the inner city, Hispanic culture, and troubled youth. In its honesty and energy, it is a poignant and compelling story of one man's formative years.
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George Q. Cannon
Politician, Publisher, Apostle of Polygamy
Kenneth L. Cannon II
Signature Books, 2023
George Q. Cannon is generally acknowledged as second only to Brigham Young as the most visible leader of Mormonism in the mid- to late-nineteenth century. He became Young’s protégé and was an influential first counselor in the First Presidency of the Church of Jesus Christ of Latter-day Saints for almost twenty-five years, serving with presidents Brigham Young, John Taylor, Wilford Woodruff, and Lorenzo Snow. Known as the “spokesman for the kingdom,” Cannon was the central political figure of the church, not only serving as Utah territory’s delegate to Congress for ten years but also as chief political advisor and long-term editor of the Deseret News. Cannon helped shape doctrine, church governance, and administration during a period of significant change, defending and promulgating plural marriage both before and after the 1890 Manifesto. He was at the center of business life in Salt Lake City, serving as president of the largest publishing house, banks, a railroad, mining companies, electric companies, and other businesses. Though Cannon was loved and revered by his people, controversy sometimes touched his life and family. 
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Gershom Scholem
An Intellectual Biography
Amir Engel
University of Chicago Press, 2017
Gershom Scholem (1897–1982) was ostensibly a scholar of Jewish mysticism, yet he occupies a powerful role in today’s intellectual imagination, having influential contact with an extraordinary cast of thinkers, including Hans Jonas, Martin Buber, Walter Benjamin, Hannah Arendt, and Theodor Adorno. In this first biography of Scholem, Amir Engel shows how Scholem grew from a scholar of an esoteric discipline to a thinker wrestling with problems that reach to the very foundations of the modern human experience.
           
As Engel shows, in his search for the truth of Jewish mysticism Scholem molded the vast literature of Jewish mystical lore into a rich assortment of stories that unveiled new truths about the modern condition. Positioning Scholem’s work and life within early twentieth-century Germany, Palestine, and later the state of Israel, Engel intertwines Scholem’s biography with his historiographical work, which stretches back to the Spanish expulsion of Jews in 1492, through the lives of Rabbi Isaac Luria and Sabbatai Zevi, and up to Hasidism and the dawn of the Zionist movement. Through parallel narratives, Engel touches on a wide array of important topics including immigration, exile, Zionism, World War One, and the creation of the state of Israel, ultimately telling the story of the realizations—and failures—of a dream for a modern Jewish existence.
 
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Gershom Scholem
From Berlin to Jerusalem and Back
Noam Zadoff
Brandeis University Press, 2017
German-born Gerhard (Gershom) Scholem (1897–1982), the preeminent scholar of Jewish mysticism, delved into the historical analysis of kabbalistic literature from late antiquity to the twentieth century. His writings traverse Jewish historiography, Zionism, the phenomenology of mystical religion, and the spiritual and political condition of contemporary Judaism and Jewish civilization. Scholem famously recounted rejecting his parents’ assimilationist liberalism in favor of Zionism and immigrating to Palestine in 1923, where he became a central figure in the German Jewish immigrant community that dominated the nation’s intellectual landscape in Mandatory Palestine. Despite Scholem’s public renunciation of Germany for Israel, Zadoff explores how the life and work of Scholem reflect ambivalence toward Zionism and his German origins.
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A Gift of Angels
The Art of Mission San Xavier del Bac
Bernard L. Fontana; photographs by Edward McCain
University of Arizona Press, 2010
It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless.

Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the mission’s graceful baroque art and architecture have drawn visitors from all over the world.

Now Bernard Fontana—the leading expert on San Xavier—and award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as we’ve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier.

From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.
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Giotto and His Publics
Three Paradigms of Patronage
Julian Gardner
Harvard University Press, 2011

This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.

Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.

These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.

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The Glass Church
Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry
Mark T. Mulder
Rutgers University Press, 2020

Robert H. Schuller’s ministry—including the architectural wonder of the Crystal Cathedral and the polished television broadcast of Hour of Power—cast a broad shadow over American Christianity. Pastors flocked to Southern California to learn Schuller’s techniques. The President of United States invited him sit prominently next to the First Lady at the State of the Union Address. Muhammad Ali asked for the pastor’s autograph. It seemed as if Schuller may have started a second Reformation. And then it all went away. As Schuller’s ministry wrestled with internal turmoil and bankruptcy, his emulators—including Rick Warren, Bill Hybels, and Joel Osteen— nurtured megachurches that seemed to sweep away the Crystal Cathedral as a relic of the twentieth century. How did it come to this?

Certainly, all churches depend on a mix of constituents, charisma, and capital, yet the size and ambition of large churches like Schuller’s Crystal Cathedral exert enormous organizational pressures to continue the flow of people committed to the congregation, to reinforce the spark of charismatic excitement generated by high-profile pastors, and to develop fresh flows of capital funding for maintenance of old projects and launching new initiatives. The constant attention to expand constituencies, boost charisma, and stimulate capital among megachurches produces an especially burdensome strain on their leaders. By orienting an approach to the collapse of the Crystal Cathedral on these three core elements—constituency, charisma, and capital—The Glass Church demonstrates how congregational fragility is greatly accentuated in larger churches, a notion we label megachurch strain, such that the threat of implosion is significantly accentuated by any failures to properly calibrate the inter-relationship among these elements.

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Glorious in Persecution
Joseph Smith, American Prophet, 1839-1844
Martha S. Bradley-Evans
Signature Books, 2016

Escaping imprisonment in Missouri in 1839, the Mormon prophet Joseph Smith quickly settled with family and followers on the Illinois banks of the Mississippi River. Under Smith’s direction, the small village of Commerce soon mushroomed into the boomtown of Nauvoo, home to 12,000 and more members of the Church of Jesus Christ of Latter-day Saints.

For Smith, Nauvoo was the new epicenter of the Mormon universe: the gathering place for Latter-day Saints worldwide; the location of a modern-day Zion; the stage upon which his esoteric teachings, including plural marriage and secret temple ceremonies, played out; and the locus of a theocracy whose legal underpinnings would be condemned by outsiders as an attack on American pluralism.

In Nauvoo, Smith created a proto-utopian society built upon continuing revelation; established a civil government that blurred the lines among executive, legislative, and legal branches; introduced doctrines that promised glimpses of heaven on earth; centralized secular and spiritual authority in fiercely loyal groups of men and women; insulated himself against legal harassment through creative interpretations of Nauvoo’s founding charter; embarked upon a daring run at the U.S. presidency; and pursued a vendetta against dissidents that lead eventually to his violent death in 1844.

The common thread running through the final years of Smith’s tumultuous life, according to prize-winning historian and biographer, Martha Bradley-Evans, is his story of prophethood and persecution. Smith’s repeated battles with the forces of evil–past controversies transformed into mythic narratives of triumphant as well as present skirmishes with courts, politicians, and apostates–informed Smith’s construction of self and chronicle of innocent suffering.

“Joseph found religious and apocalyptic significance in every offense and persecution–actual or imagined,” writes Bradley-Evans, “and wove these slights into his prophet-narrative. Insults became badges of honor, confirmation that his life was playing out on a mythic stage of opposition. By the time Joseph led his people to Illinois, he had lived with the adulation of followers and the vilification of enemies for more than a decade. Joseph’s worst challenges often proved to be his greatest triumphs. He forged devotion through disaster, faith through depression. Joseph interpreted each new event as God’s will set against manifestations of evil opposed to the restoration of all things.”

Bradley-Evan’s ground-breaking portrait of Smith goes farther than any previous biography in explaining the Mormon prophet and the mystery of his appeal.

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The Glory Road
A Gospel Gypsy Life
Anita Faye Garner
University of Alabama Press, 2021

Stories and songs from a childhood spent in a vanished world of revivals and road shows

 Anita Faye Garner grew up in the South—just about every corner of it. She and her musical family lived in Texarkana, Bossier City, Hot Springs, Jackson, Vicksburg, Hattiesburg, Pascagoula, Bogalusa, Biloxi, Gulfport, New Orleans, and points between, picking up sticks every time her father, a Pentecostal preacher known as “Brother Ray,” took over a new congregation.

In between jump-starting churches, Brother Ray took his wife and kids out on the gospel revival circuit as the Jones Family Singers. Ray could sing and play, and “Sister Fern” (Mama) was a celebrated singer and songwriter, possessed of both talent and beauty. Rounding out the band were the young Garner (known as Nita Faye then) and her big brother Leslie Ray. At all-day singings and tent revivals across the South, the Joneses made a joyful noise for the faithful and loaded into the car for the next stage of their tour.

But growing up gospel wasn’t always joyous. The kids practically raised and fended for themselves, bonding over a shared dislike of their rootless life and strict religious upbringing. Sister Fern dreamed of crossing over from gospel to popular music and recording a hit record. An unlikely combination of preacher’s wife and glamorous performer, she had the talent and presence to make a splash, and her remarkable voice brought Saturday night rock and roll to Sunday morning music. Always singing, performing, and recording at the margins of commercial success, Sister Fern shared a backing band with Elvis Presley and wrote songs recorded by Johnny Cash and many other artists.

In her touching memoir The Glory Road, Anita Faye Garner re-creates her remarkable upbringing. The story begins with Ray’s attempts to settle down and the family’s inevitable return to the gospel circuit and concludes with Sister Fern’s brushes with stardom and the family’s journey west to California where they finally landed—with some unexpected detours along the way. The Glory Road carries readers back to the 1950s South and the intersections of faith and family at the very roots of American popular music.

For more information about the book and Anita Garner, visit
www.thegloryroad.com or www.anitagarner.com

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God at Play
Mhaimbhat
Harvard University Press, 2024

The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.

God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.

The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.

This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.

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God Being Nothing
Toward a Theogony
Ray L. Hart
University of Chicago Press, 2016
In this long-awaited work, Ray L. Hart offers a radical speculative theology that profoundly challenges classical understandings of the divine. God Being Nothing contests the conclusions of numerous orthodoxies through a probing question: How can thinking of God reach closure when the subjects of creation are themselves unfinished, when God’s self-revelation in history is ongoing, when the active manifestation of God is still occurring?

Drawing on a lifetime of reading in philosophy and religious thought, Hart unfolds a vision of God perpetually in process: an unfinished God being self-created from nothingness. Breaking away from the traditional focus on divine persons, Hart reimagines the Trinity in terms of theogony, cosmogony, and anthropogony in order to reveal an ever-emerging Godhead who encompasses all of temporal creation and, within it, human existence. The book’s ultimate implication is that Being and Nonbeing mutually participate in an ongoing process of divine coming-to-birth and dying that implicates all things, existent and nonexistent, temporal and eternal. God’s continual generation from nothing manifests the full actualization of freedom: the freedom to create ex nihilo.
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A God in the House
Poets Talk About Faith
Edited by Ilya Kaminsky and Katherine Towler
Tupelo Press, 2012
Editors Ilya Kaminsky and Katherine Towler have gathered conversations with nineteen of America’s leading poets, reflecting upon their diverse experiences with spirituality and the craft of writing. Bringing together poets who are Christian, Buddhist, Jewish, Muslim, Pagan, Native American, Wiccan, agnostic, and otherwise, this book offers frank and thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forché, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, and others, all wrestling with difficult questions of human existence and the sources of art.
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God in the Machine
Video Games as Spiritual Pursuit
Liel Leibovitz
Templeton Press, 2014
What might Heidegger say about Halo, the popular video game franchise, if he were alive today? What would Augustine think about Assassin’s Creed? What could Maimonides teach us about Nintendo’s eponymous hero, Mario? While some critics might dismiss such inquiries outright, protesting that these great thinkers would never concern themselves with a medium so crude and mindless as video games, it is impor­tant to recognize that games like these are becoming the defining medium of our time. We spend more time and money on video games than on books, television, or film, and any serious thinker of our age should be concerned with these games, what they are saying about us, and what we are learning from them.

Yet video games remain relatively unexplored by both scholars and pundits alike. Few have advanced beyond out­moded and futile attempts to tie gameplay to violent behavior. With this rumor now thoroughly and repeatedly disproven, it is time to delve deeper. Just as the Museum of Modern Art in Manhattan recently acquired fourteen games as part of its permanent collection, so too must we seek to add a serious consideration of virtual worlds to the pantheon of philosophical inquiry.

In God in the Machine, author Liel Leibovitz leads a fas­cinating tour of the emerging virtual landscape and its many dazzling vistas from which we are offered new vantage points on age-old theological and philosophical questions. Free will vs. determinism, the importance of ritual, transcendence through mastery, notions of the self, justice and sin, life, death, and resurrection all come into play in the video games that some critics so quickly write off as mind-numbing wastes of time. When one looks closely at how these games are designed, their inherent logic, and their cognitive effects on players, it becomes clear that playing these games creates a state of awareness vastly different from when we watch television or read a book. Indeed, the gameplay is a far more dynamic process that draws on various faculties of mind and body to evoke sensa­tions that might more commonly be associated with religious experience. Getting swept away in an engaging game can be a profoundly spiritual activity. It is not to think, but rather to be, a logic that sustained our ancestors for millennia as they looked heavenward for answers.

As more and more of us look “screenward,” it is crucial to investigate these games for their vast potential as fine instruments of moral training. Anyone seeking a concise and well-reasoned introduction to the subject would do well to start with God in the Machine. By illuminating both where video game storytelling is now and where it currently butts up against certain inherent limitations, Liebovitz intriguingly implies how the field and, in turn, our experiences might continue to evolve and advance in the coming years.

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God of River Mud
A Novel
Vic Sizemore
West Virginia University Press, 2024

Grappling with innate desires and LGBTQ identity, a family struggles under the oppressive expectations foisted on them by fundamentalist Christianity.

Told through alternating perspectives, God of River Mud chronicles the lives of Berna Minor, her husband, their four children, and Berna’s secret lover.

To escape a life of poverty and abuse, Berna Cannaday marries Zechariah Minor, a fundamentalist Baptist preacher, and commits herself to his faith, trying to make it her own. After Zechariah takes a church beside the Elk River in rural Clay, West Virginia, Berna falls in love with someone from their congregation—Jordan, a woman who has known since childhood that he was meant to be a man. Berna keeps her secret hidden as she struggles to be the wife and mother she believes God wants her to be. Berna and Zechariah’s children struggle as well, trying to reconcile the theology they are taught at home with the fast-changing world around them. And Jordan struggles to find a community and a life that allow him both to be safely and fully himself, as Jay, and to be loved for who he is.

As the decades and stories unfold, traditional evangelical Bible culture and the values of rural Appalachia clash against innate desires, LGBTQ identity, and gender orientation. Sympathies develop—sometimes unexpectedly—as the characters begin to reconcile their faith and their love. God of River Mud delves into the quandary of those marginalized and dehumanized within a religious patriarchy and grapples with the universal issues of identity, faith, love, and belonging.

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God Owes Us Nothing
A Brief Remark on Pascal's Religion and on the Spirit of Jansenism
Leszek Kolakowski
University of Chicago Press, 1995
God Owes Us Nothing reflects on the centuries-long debate in Christianity: how do we reconcile the existence of evil in the world with the goodness of an omnipotent God, and how does God's omnipotence relate to people's responsibility for their own salvation or damnation. Leszek Kolakowski approaches this paradox as both an exercise in theology and in revisionist Christian history based on philosophical analysis. Kolakowski's unorthodox interpretation of the history of modern Christianity provokes renewed discussion about the historical, intellectual, and cultural omnipotence of neo-Augustinianism.

"Several books a year wrestle with that hoary conundrum, but few so dazzlingly as the Polish philosopher's latest."—Carlin Romano, Washington Post Book World

"Kolakowski's fascinating book and its debatable thesis raise intriguing historical and theological questions well worth pursuing."—Stephen J. Duffy, Theological Studies

"Kolakowski's elegant meditation is a masterpiece of cultural and religious criticism."—Henry Carrigan, Cleveland Plain Dealer
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God Without Being
Hors-Texte, Second Edition
Jean-Luc Marion
University of Chicago Press, 2012

 Jean-Luc Marion is one of the world’s foremost philosophers of religion as well as one of the leading Catholic thinkers of modern times. In God Without Being, Marion challenges a fundamental premise of traditional philosophy, theology, and metaphysics: that God, before all else, must be. Taking a characteristically postmodern stance and engaging in passionate dialogue with Heidegger, he locates a “God without Being” in the realm of agape, or Christian charity and love. If God is love, Marion contends, then God loves before he actually is.

First translated into English in 1991, God Without Being continues to be a key book for discussions of the nature of God. This second edition contains a new preface by Marion as well as his 2003 essay on Thomas Aquinas. Offering a controversial, contemporary perspective, God Without Being will remain essential reading for scholars and students of philosophy and religion.
 
“Daring and profound. . . . In matters most central to his thesis, [Marion]’s control is admirable, and his attunement to the nuances of other major postmodern thinkers is impressive.”—Theological Studies
 
“A truly remarkable work.”—First Things
 
“Very rewarding reading.”—Religious Studies Review
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godhouse
Ruth Ellen Kocher
Omnidawn, 2023
Poems that consider the human body as a meeting place of the infinite and the mortal.
 
Starting with the idea that the human experience is the universe looking back at itself, godhouse takes the notion a few steps further by centering cosmology within a raced and gendered body. Ruth Ellen Kocher’s poems envision this body as a union of god and soul that, within our material world, encompasses love and hate, joy and despair. The body is a site of divine presence made mortal, electrified with the resonance of both the infinite and the human. In godhouse, we encounter the body as a site where the universe is made personal and celebratory, where the celestial endure the complications of flesh and friction forms between the glorious and the monstrous aspects of personhood.
 
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God's Knowledge of the World
Medieval Theories of Divine Ideas from Bonaventure to Ockham
Carl A. Vater
Catholic University of America Press, 2022
A theory of divine ideas was the standard Scholastic response to the question how does God know and produce the world? A theory was deemed to be successful only if it simultaneously upheld that God has perfect knowledge and that he is supremely simple and one. In articulating a theory of divine ideas, Carl Vater answers two sorts of questions. First, what is an idea? Does God have ideas? Are there many divine ideas? What sort of existence does an idea enjoy? Second, he answers questions about the scope of divine ideas: does God have ideas of individuals, species, genera, accidents, matter, evil, etc.? How many divine ideas are there? These questions cause the Scholastic authors to articulate clearly, among other things, their positions on the nature of knowledge, relation, exemplar causality, participation, infinity, and possibility. An author’s theory of divine ideas, then, is the locus for him to test the coherence of his metaphysical, epistemological, and logical principles. Many of the debates over divine ideas have their roots in disagreements over whether a given theory adequately articulates one of the underlying positions or the overall coherence of those positions. Peter John Olivi, for example, argues that his predecessors’ theories of knowledge and theories of relations are at odds, and this critique results in a major shift in theories of divine ideas. God's Knowledge of the World examines theories of divine ideas from approximately 1250–1325 AD (St. Bonaventure through Ockham). It will be the only work dedicated to categorizing and comparing the major theories of divine ideas in the Scholastic period.
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God's Rascal
J. Frank Norris and the Beginnings of Southern Fundamentalism
Barry Hankins
University of Tennessee Press, 2022

Loathed by mainstream Southern Baptists, J. Frank Norris (1877–1952) was in many ways the Southern Baptist Convention’s first fundamentalist. Twenty-five years after its first publication, this second edition of Barry Hankins’s field-defining work God’s Rascal: J. Frank Norris and the Beginnings of Southern Fundamentalism engages new scholar- ship on American fundamentalism to reassess one of the most controversial figures in the history of American Christianity. In this completely revised edition, Hankins pens an entirely new chapter on J. Frank Norris’s murder trial, examines newly uncovered details regarding his recurrent sexual improprieties, and reconsiders his views on race in order to place J. Frank Norris, a man both despicable and captivating, among the most significant Southern fundamentalists of the twentieth century.

Norris merged a southern populist tradition with militant fundamentalism, carving out a distinctly take-no-prisoners political niche within the Baptist church that often offended his allies as much as his enemies. Indeed, Norris was about as bad as a fundamentalist could be. He resided in a world of swirling conspiracies of leftists who, he argued, intended to subvert both evangelical religion and American culture. There are times when Norris’s ego looms so large in his story that he seemed less interested in the threat these alleged conspiracies posed than in their power to keep him in the limelight. Finally, his tactics foreshadowed those employed in the fundamentalists’ tenacious takeover of the Southern Baptist Convention that would occur more than twenty years after Norris’s death.

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Goodbye, My Tribe
An Evangelical Exodus
Vic Sizemore
University of Alabama Press, 2020
Goodbye, My Tribe: An Evangelical Exodus is Vic Sizemore’s collection of personal essays chronicling two simultaneous transformations. One is the gathering of unconnected—and nonpolitical—evangelical congregations across the nation into the political juggernaut called the Religious Right; the other is the author’s own coming to terms with the emotional and spiritual trauma of his life deep inside fundamentalist Christianity, and his struggle to free himself from its grasp. Sizemore, whose father was a preacher and professor at a small West Virginia Bible college, attended Liberty University in Lynchburg, Virginia, arguably the crucible of American evangelical Christianity.
 
Sizemore began writing these essays with the aim of exploring and understanding what happened when the mythology of his “tribe” crumbled from beneath his feet. He draws heavily on his upbringing and his family history as a framework for how his “tribe” of white evangelicals have found ways to reconcile Christianity with what the author finds to be troubling stances on many social issues, among them race, gender, sexuality, materialism, anti-intellectualism, and white supremacy.
 
In a clear-eyed and eloquent voice, Sizemore grapples movingly with his own bewilderment and chagrin as he struggles to reconcile the essential philosophical and moral decay that he believes many evangelicals have come to embrace. His insights, arranged topically and thematically and told through graceful and accessible prose, toggle between memoir and literary journalism, along a spectrum that touches on history, philosophy, theology, and personal reflections.

.
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Gothic Pride
The Story of Building a Great Cathedral in Newark
Regan, Brian
Rutgers University Press, 2012
Newark’s Cathedral Basilica of the Sacred Heart is one of the United States’ greatest cathedrals and most exceptional Gothic Revival buildings. Rising from Newark’s highest ground and visible for miles, it spectacularly evokes its historic models. Gothic Pride sets Sacred Heart in the context of American cathedral building and, blending diverse fields, accounts for the complex circumstances that produced it.

 Calling upon a wealth of primary sources, Brian Regan describes in a compelling narrative the cathedral’s almost century-long history. He traces the project to its origins in the late 1850s and the great expectations held by the project’s prime movers—all passionate about Gothic architecture and immensely proud of Newark—that never wavered despite numerous setbacks and challenges. Construction did not begin until 1898 and, when completed in 1954, the cathedral became New Jersey’s largest church—and the most expensive Catholic church ever built in America. During Pope John Paul II’s visit to the United States in 1995, he celebrated evening prayer at the Cathedral. On that occasion, the Cathedral of the Sacred Heart was elevated to a basilica to become the Cathedral Basilica of the Sacred Heart.

 Meticulously researched, Gothic Pride brings to life the people who built, contributed to, and worshipped in Sacred Heart, recalling such remarkable personalities as George Hobart Doane, Jeremiah O’Rourke, Gonippo Raggi, and Archbishop Thomas Walsh. In many ways, the cathedral’s story is a lens that lets us look at the history of Newark itself—its rise as an industrial city and its urban culture in the nineteenth century; its transformation in the twentieth century; its immigrants and the profound effects of their cultures, especially their religion, on American life; and the power of architecture to serve as a symbol of community values and pride..

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The Guardian Angel Diary
GRANT SCHNARR
Swedenborg Foundation Publishers, 2011

Minister Grant Schnarr draws together the voices of young people he has met and counseled to weave a fictional tale of love, fear, and hope.

Sixteen-year-old Nicole Bealart is a typical teenager, living in a world of homework, school plays, and her own imagination—a world turned upside-down when she is diagnosed with brain cancer. Her father, who never dealt with her mother’s death from lung cancer six years before, begins drinking heavily; she is left trying to care for herself and her younger brother, Luke, while juggling school and her growing fears about her own mortality. Seeking answers, she begins writing a journal that becomes a vehicle for her to communicate with her guardian angel. As she approaches the date of an operation that may either save her life or end it, her inner and outer worlds collide and combine to give her a new understanding of family, friendship, and life.

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