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Hagar Poems
Mohja Kahf
University of Arkansas Press, 2016

“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.”

—Alicia Ostriker, author of For the Love of God: The Bible as an Open Book

“Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.”

—Marilyn Hacker, author of A Stranger’s Mirror

“‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.”

—Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America

“This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.”

—From the foreword by Amina Wadud


The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.

These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.

Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.

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Hagia Sophia, 1850-1950
Holy Wisdom Modern Monument
Robert S. Nelson
University of Chicago Press, 2004
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives.

Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today.

While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
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Hajj
Journey to the Heart of Islam
Venetia Porter
Harvard University Press, 2012

The Hajj, one of the five pillars of Islam, is the largest pilgrimage in the world today and a sacred duty for all Muslims. Each year, millions of the faithful from around the world make the pilgrimage to Makkah, the birthplace of Islam where the Prophet Muhammad received his revelation.

With contributions from renowned experts Muhammad Abdel Haleem, Hugh Kennedy, Robert Irwin, and Ziauddin Sardar, this fascinating book pulls together many strands of Hajj, its rituals, history, and modern manifestations. Travel was once a hazardous gamble, yet devoted Muslims undertook the journey to Makkah, documenting their experiences in manuscripts, wall paintings, and early photographs, many of which are presented here. Through a wealth of illustrations including pilgrims' personal objects, souvenirs, and maps, Hajj provides a glimpse into this important holy rite for Muslim readers already grounded in the tradition and non-Muslims who cannot otherwise participate.

Hajj does not, however, merely trace pilgrimages of the past. The Hajj is a living tradition, influenced by new conveniences and obstacles. Graffiti, consumerism, and state lotteries all now play a role in this time-honored practice. This book opens out onto the full sweep of the Hajj: a sacred path walked by early Islamic devotees and pre-Islamic Arabians; a sumptuous site of worship under the care of sultans; and an expression of faith in the modern world.

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Harmonic Function in Chromatic Music
A Renewed Dualist Theory and an Account of Its Precedents
Daniel Harrison
University of Chicago Press, 1994
The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music.

One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music.

Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history.
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Harold B. Lee
Life and Thought
Newell G. Bringhurst
Signature Books, 2021
While Harold B. Lee served as president of the Church of Jesus Christ of Latter-day Saints for a mere one and half-years—among the shortest tenure of any church leader—his impact on the modern LDS Church remains among the most profound. Lee implemented the Church Welfare Program, which provided relief to suffering church members during the 1930s Great Depression and continues to impact the lives of church members today. As a high-ranking general authority from 1941 to 1973, he championed other innovations, the most important being Correlation. Lee acted in response to the church’s record growth and increased diversity to consolidate and streamline churchwide instruction and administration. As a teacher/mentor, he promoted conservative church doctrine and practice, which influenced a generation of church leaders, including future presidents Spencer W. Kimball, Ezra Taft Benson, Howard W. Hunter, Gordon B. Hinckley, and Thomas S. Monson. Noted historian Newell G. Bringhurst succinctly narrates the major, defining events in Lee’s remarkable life, while highlighting Lee’s important, lasting contributions. This is the first volume in Signature’s new Brief Mormon Lives series.
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The Harvard University Hymn Book
Harvard University
Harvard University Press

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The Harvard University Hymn Book
Fourth Edition
Harvard University
Harvard University Press, 2007

Since 1892, Harvard University, like many distinguished academic institutions, has compiled a hymnal for use in its own worship services. The fourth edition of The Harvard University Hymn Book represents the culmination of a ten-year process of revision and re-creation based on the 1964 third edition. Containing over 370 hymns, over 100 more than its predecessor, the book includes many that have become a regular part of worship at The Memorial Church in the years since the publication of the previous edition.

In addition to many familiar hymns old and new, the fourth edition includes selections that were unique to the previous editions, hymns previously unpublished, and other noteworthy “discoveries” that have not appeared in print for many years.

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Hawksmoor's London Churches
Architecture and Theology
Pierre de la Ruffinière du Prey
University of Chicago Press, 2000
Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffinière du Prey examines these designs as a coherent whole—a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."
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Hazzan Mordecai Gustav Heiser
An Artist, His Art, and the Cantor Tradition in America
Gilya Gerda Schmidt
University of Tennessee Press, 2024
When Gilya Gerda Schmidt met him in 1986, Cantor Heiser had spent forty-six of his eighty-one years as a US citizen and was well-acquainted with mourning. Heiser had assumed the cantorate at Congregation B’nai Israel in the East End of Pittsburgh, Pennsylvania, in 1942. A master of the cantor’s art, he was renowned for his style, elegant choir and service arrangements, and rich, dolesome voice, which seemed to pass effortlessly into hearers’ hearts.

But this book is more than a memorial to Heiser. Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire meant that young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife, Elly, and two-and-a-half-year-old daughter, Judith, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, after narrowly surviving a brief incarceration at Sachsenhausen.

While Cantor Heiser’s art was steeped in nineteenth-century tradition, Schmidt contends that Heiser’s music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society.
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The Head Beneath the Altar
Hindu Mythology and the Critique of Sacrifice
Brian Collins
Michigan State University Press, 2014
In the beginning, says the ancient Hindu text the Rg Veda, was man. And from man’s sacrifice and dismemberment came the entire world, including the hierarchical ordering of human society. The Head Beneath the Altar is the first book to present a wide-ranging study of Hindu texts read through the lens of René Girard’s mimetic theory of the sacrificial origin of religion and culture. For those interested in Girard and comparative religion, the book also performs a careful reading of Girard’s work, drawing connections between his thought and the work of theorists like Georges Dumézil and Giorgio Agamben. Brian Collins examines the idea of sacrifice from the earliest recorded rituals through the flowering of classical mythology and the ancient Indian institutions of the duel, the oath, and the secret warrior society. He also uncovers implicit and explicit critiques in the tradition, confirming Girard’s intuition that Hinduism offers an alternative anti-sacrificial worldview to the one contained in the gospels.
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The Heart
An Analysis of Human and Divine Affectation
Dietrich von Hildebrand
St. Augustine's Press, 2007

This new edition of The Heart (out of print for nearly 30 years) is the flagship volume in a series of Dietrich von Hildebrand’s works to be published by St. Augustine’s Press in collaboration with the Dietrich von Hildebrand Legacy Project. Founded in 2004, the Legacy Project exists in the first place to translate the many German writings of von Hildebrand into English.

While many revere von Hildebrand as a religious author, few realize that he was a philosopher of great stature and importance. Those who knew von Hildebrand as philosopher held him in the highest esteem. Louis Bouyer, for example, once said that “von Hildebrand was the most important Catholic philosopher in Europe between the two world wars.” Joseph Cardinal Ratzinger expressed even greater esteem when he said: “I am personally convinced that, when, at some time in the future, the intellectual history of the Catholic Church in the twentieth century is written, the name of Dietrich von Hildebrand will be most prominent among the figures of our time.”

The Heart is an accessible yet important philosophical contribution to the understanding of the human person. In this work von Hildebrand is concerned with rehabilitating the affective life of the human person. He thinks that for too long philosophers have held it in suspicion and thought of it as embedded in the body and hence as being much inferior to intellect and will. In reality, he argues, the heart, the center of affectivity, has many different levels, including an eminently personal level; at this level affectivity is just as important a form of personal life as intellect and will. Von Hildebrand develops the idea that properly personal affectivity, far than tending away from an objective relation to being, is in fact one major way in which we transcend ourselves and give being its due. Von Hildebrand also developed the important idea that the heart “in many respects is more the real self of the person than his intellect or will.”

At the same time, the author shows full realism about the possible deformities of affective life; he offers rich analyses of what he calls affective atrophy and affective hypertrophy. The second half of The Heart offers a remarkable analysis of the affectivity of the God-Man.

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The Heart of William James
William James
Harvard University Press, 2010

On the one hundredth anniversary of the death of William James, Robert Richardson, author of the magisterial William James: In the Maelstrom of American Modernism, assembles a wide-ranging selection of essays and writings that reveal the evolution of James’s thought over time, especially as it was continually being shaped by the converging influences of psychology, philosophy, and religion throughout his life.

Proceeding chronologically, the volume begins with “What Is an Emotion,” James’s early, notable, and still controversial argument that many of our emotions follow from (rather than cause) physical or physiological reactions. The book concludes with “The Moral Equivalent of War,” one of the greatest anti-war pieces ever written, perhaps even more relevant now than when it was first published. In between, in essays on “The Dilemma of Determinism,” “The Hidden Self,” “Habit,” and “The Will”; in chapters from The Principles of Psychology and The Varieties of Religious Experience; and in such pieces as “On a Certain Blindness in Human Beings,” “What Makes a Life Significant,” and “Philosophical Conceptions and Practical Results,” we witness the evolution of James’s philosophical thinking, his pragmatism, and his radical empiricism. Throughout, Richardson’s deeply informed introductions place James’s work in its proper biographical, historical, and philosophical context.

In essay after essay, James calls us to live a fuller, richer, better life, to seek out and use our best energies and sympathies. As every day is the day of creation and judgment, so every age was once the new age—and as this book makes abundantly clear, William James’s writings are still the gateway to many a new world.

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The Heavens Declare
Natural Theology and the Legacy of Karl Barth
Rodney Holder
Templeton Press, 2012

One of the central themes of inquiry for Karl Barth, the twentieth-century Protestant theologian, was the notion of revelation. Although he was suspicious of natural theology (i.e. the seeking of evidence for God’s existence in the ordered structure of the world), recent scientific advances (notably in physics and cosmology) and the flourishing modern dialogue between science and religion offer compelling reasons to revisit Barth’s thinking on the concept. We must again ask whether and how it might be possible to hold together the notion of revelation whilst employing reason and scientific evidence in the justification of belief.

In The Heavens Declare, author Rodney Holder re-examines Barth’s natural theology argument and then explores how it has been critiqued and responded to by others, starting with Dietrich Bonhoeffer and Wolfhart Pannenberg. Holder then considers the contributions of two notable British participants in the science-religion dialogue, Thomas Torrance and Alister McGrath, who, despite their repudiation of natural theology in the traditional sense, also provide many positive lessons. The book concludes by defending an overall position which takes into account the ideas of the aforementioned theologians as well as others who are currently engaged positively in natural theology, such as John Polkinghorne and Richard Swinburne.

Holder’s new study is sure to be of interest to theologians, philosophers of religion, and all scholars interested in the science-religion dialogue, especially those interested in natural theology as an enterprise in itself.

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Hegel on Hamann
G. W. F. Hegel
Northwestern University Press, 2008

In 1828, G. W. F. Hegel published a critical review of Johann George Hamann, a retrospective of the life and works of one of Germany's most enigmatic and challenging thinkers and writers. While Hegel's review had enjoyed a central place in Hamann studies since its appearance, Hegel on Hamann is the first English translation of the important work. Philosophers, theologians, and literary critics welcome Anderson's stunning translation since Hamann is gaining renewed attention, not only as a key figure of German intellectual history, but also as an early forerunner of postmodern thought. Relationships between Enlightenment, Counter Enlightenment, and Idealism come to the fore as Hegel reflects on Hamann's critiques of his contemporaries Immanuel Kant, Moses Mendelssohn, J. G. Herder, and F. H. Jacobi. Hegel on Hamann also includes an introduction to Hegel's review, as well as an essay on the role of friendship in Hamann's life, in Hegel's thought, and in German intellectual culture more broadly. Rounding out the volume are its extensive annotations and bibliography, which facilitate further study of eighteenth- and nineteenth-century philosophy in English and German. This book is essential both for readers of Hegel or Hamann and for those interested in the history of German thought, the philosophy of religion, language and hermeneutics, or friendship as a philosophical category.

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Heidegger's Confessions
The Remains of Saint Augustine in "Being and Time" and Beyond
Ryan Coyne
University of Chicago Press, 2015
Although Martin Heidegger is nearly as notorious as Friedrich Nietzsche for embracing the death of God, the philosopher himself acknowledged that Christianity accompanied him at every stage of his career. In Heidegger's Confessions, Ryan Coyne isolates a crucially important player in this story: Saint Augustine. Uncovering the significance of Saint Augustine in Heidegger’s philosophy, he details the complex and conflicted ways in which Heidegger paradoxically sought to define himself against the Christian tradition while at the same time making use of its resources.
           
Coyne first examines the role of Augustine in Heidegger’s early period and the development of his magnum opus, Being and Time. He then goes on to show that Heidegger owed an abiding debt to Augustine even following his own rise as a secular philosopher, tracing his early encounters with theological texts through to his late thoughts and writings. Bringing a fresh and unexpected perspective to bear on Heidegger’s profoundly influential critique of modern metaphysics, Coyne traces a larger lineage between religious and theological discourse and continental philosophy.   
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Heir to the Crescent Moon
Abdur-Rahman, Sufiya
University of Iowa Press, 2021
From age five, Sufiya Abdur-Rahman, the daughter of two Black Power–era converts to Islam, feels drawn to the faith even as her father, a devoted Muslim, introduces her to and, at the same time, distances her from it. Abdur-Rahman’s father and mother abandoned their Harlem mosque before she was born and divorced when she was twelve. Forced apart from her father—her portal into Islam—she yearns to reconnect with the religion and, through it, reconnect with him.

In Heir to the Crescent Moon, Abdur-Rahman’s longing to comprehend her father’s complicated relationship with Islam leads her first to recount her own history, and then delves into her father’s past. She journeys from the Christian righteousness of Adam Clayton Powell Jr.’s 1950s Harlem, through the Malcolm X–inspired college activism of the late 1960s, to the unfulfilled potential of the early 1970s Black American Muslim movement. Told at times with lighthearted humor or heartbreaking candor, Abdur-Rahman’s story of adolescent Arabic lessons, fasting, and Muslim mosque, funeral, and Eid services speaks to the challenges of bridging generational and cultural divides and what it takes to maintain family amidst personal and societal upheaval. She weaves a vital tale about a family: Black, Muslim, and distinctly American.
 
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Hell and the Mercy of God
Adrian J. Reimers
Catholic University of America Press, 2017
If God is truly merciful and loving, perfect in goodness, how can he consign human beings created in his own image to eternal torment in hell? God’s goodness seems incompatible with inflicting horrible evil upon those who oppose his will and defy his law. If to this paradox we add the metaphysical requirement that God be perfect in goodness, the eternal evil of hell seems to be contradictory to God’s own nature.

Catholic philosopher Adrian Reimers takes on these challenges in Hell and the Mercy of God, drawing on relevant sources from Aristotle to Aquinas, from Dante to Tolkien, from Wagner to John Paul II, along with Billie Holliday, The Godfather, and the music of George Gershwin. He presents a philosophical theology, grounded in Scripture, of the nature of goodness and evil, exploring various types of pain, the seven capital sins, the resurrection of the body, the meaning of mammon, the core meaning of idolatry, the psychology of Satan and those who choose his path, and the moral responsibility of the human person.

These reflections illuminate the intelligibility of orthodox Catholic teachings on the goodness of God and the reality of hell. Hell is not an arbitrary imposition set up for human rule-breakers but a continuation of a freely chosen way of life manifest even in this world. Examples from history, art, and contemporary culture lead the author to conclude that anyone who does not believe in the reality of hell is not paying enough attention. And yet, mercy and hope remain triumphant, because, just as Christ off­ers entrance into paradise to the “good thief” Dismas on the cross, God continues to o­ffer repentance and salvation to all who live.
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Hermann Cohen
Writings on Neo-Kantianism and Jewish Philosophy
Edited by Samuel Moyn and Robert Schine
Brandeis University Press, 2021

Hermann Cohen (1842–1918) was among the most accomplished Jewish philosophers of modern times—if not the single most significant. But his work has not yet received the attention it deserves. This newly translated collection of his writings—most of which are appearing in English for the first time—illuminates his achievements for student readers and rectifies lapses in his intellectual reception by prior generations. It presents chapters from Cohen’s Ethics of Pure Will, conflicting interpretations of Cohen by Franz Rosenzweig and Alexander Altmann, and finally the eulogy to Cohen delivered at graveside by Ernst Cassirer. Containing full annotations and selections that concentrate both on the philosophical core of Cohen’s writings and the politics of interpretation of his work at the time of his death and after, Hermann Cohen truly brings to light all of Cohen’s accomplishments.   

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The Hermetic Deleuze
Philosophy and Spiritual Ordeal
Joshua Ramey
Duke University Press, 2012
In his writing, Gilles Deleuze drew on a vast array of source material, from philosophy and psychoanalysis to science and art. Yet scholars have largely neglected one of the intellectual currents underlying his work: Western esotericism, specifically the lineage of hermetic thought that extends from Late Antiquity into the Renaissance through the work of figures such as Iamblichus, Nicholas of Cusa, Pico della Mirandola, and Giordano Bruno. In this book, Joshua Ramey examines the extent to which Deleuze's ethics, metaphysics, and politics were informed by, and can only be fully understood through, this hermetic tradition.

Identifying key hermetic moments in Deleuze's thought, including his theories of art, subjectivity, and immanence, Ramey argues that the philosopher's work represents a kind of contemporary hermeticism, a consistent experiment in unifying thought and affect, percept and concept, and mind and nature in order to engender new relations between knowledge, power, and desire. By uncovering and clarifying the hermetic strand in Deleuze's work, Ramey offers both a new interpretation of Deleuze, particularly his insistence that the development of thought demands a spiritual ordeal, and a framework for retrieving the pre-Kantian paradigm of philosophy as spiritual practice.

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The Hidden Levels of the Mind
Swedenborg's Theory of Consciousness
DOUGLAS TAYLOR
Swedenborg Foundation Publishers, 2011

At the core of Swedenborg’s thought is the understanding that our purpose in this life is to progress spiritually—to learn, to grow, to do good works, and, ultimately, to allow as much of God’s love as possible to enter into us and manifest through us.

Scattered throughout his works are descriptions of our mind and how it relates to both the physical and spiritual worlds. In this book, Taylor pulls these loose threads together and weaves them into a simple, coherent whole, presenting Swedenborg’s teachings as a system that anyone can follow. Taylor describes the external or natural mind as primarily concerned with material things, and the inner mind, in its essence, as love. As we elevate our thoughts toward higher and higher types of love and wisdom, we draw closer to God and begin the process of regeneration, or rebirth as spiritual beings.

This is the first time in many decades that a book has been published on Swedenborg’s philosophy of the mind. Taylor’s straightforward commentary gives readers a rare insight into this crucial aspect of Swedenborg’s theology.

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Hindu Art
T. Richard Blurton
Harvard University Press, 1993
In a survey that stretches back to prehistory, Blurton discusses the religious, cultural, and historical influences that figure in Hindu art. Tracing its evolution, he shows how Hindu art has come to embrace widely varying styles, reflecting differences between regions from Nepal to Afghanistan, from Sri Lanka to Bangladesh.
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The Hindu Temple
An Introduction to Its Meaning and Forms
George Michell
University of Chicago Press, 1988
For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In The Hindu Temple, considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.

Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.
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Hippocratic, Religious, and Secular Medical Ethics
The Points of Conflict
Robert M. Veatch
Georgetown University Press, 2015

Where should physicians get their ethics? Professional codes such as the Hippocratic Oath claim moral authority for those in a particular field, yet according to medical ethicist Robert Veatch, these codes have little or nothing to do with how members of a guild should understand morality or make ethical decisions. While the Hippocratic Oath continues to be cited by a wide array of professional associations, scholars, and medical students, Veatch contends that the pledge is such an offensive code of ethics that it should be summarily excised from the profession. What, then, should serve as a basis for medical morality?

Building on his recent contribution to the prestigious Gifford Lectures, Veatch challenges the presumption that professional groups have the authority to declare codes of ethics for their members. To the contrary, he contends that role-specific duties must be derived from ethical norms having their foundations outside the profession, in religious and secular convictions. Further, these ethical norms must be comprehensible to lay people and patients. Veatch argues that there are some moral norms shared by most human beings that reflect a common morality, and ultimately it is these generally agreed-upon religious and secular ways of knowing—thus far best exemplified by the 2005 Universal Declaration on Bioethics and Human Rights—that should underpin the morality of all patient-professional relations in the field of medicine.

Hippocratic, Religious, and Secular Medical Ethics is the magnum opus of one of the most distinguished medical ethicists of his generation.

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Hiraizumi
Buddhist Art and Regional Politics in Twelfth-Century Japan
Mimi Hall Yiengpruksawan
Harvard University Press, 1998

In the twelfth century, along the borders of the Japanese state in northern Honshu, three generations of local rulers built a capital city at Hiraizumi that became a major military and commercial center. Known as the Hiraizumi Fujiwara, these rulers created a city filled with art, in an attempt to use the power of art and architecture to claim a religious and political mandate.

In the first book-length study of Hiraizumi in English, the author studies the rise of the Hiraizumi Fujiwara and analyzes their remarkable construction program. She traces the strategies by which the Hiraizumi Fujiwara attempted to legitimate their rule and grounds the splendor of Hiraizumi in the desires, political and personal, of the men and women who sponsored and displayed that art.

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His Humble Servant
Sister M. Pascalina Lehnert's Memoirs of Her Years of Service to Eugenio Pacelli, Pope Pius XII
M. Pascalina Lehnert
St. Augustine's Press, 2012

This is a personal and insightful portrait of Pope Pius XII, the memories of Sister M. Pascalina Lehnert, who served as his housekeeper for forty years. Her book, most of it written just a few months after the Pope’s death, shares insights into the person, the life, and the thinking of Pius XII, from his time as Nuncio in Munich until his death. Much of Sister’s motivation in writing this work was to correct the many distortions of fact and interpretation regarding this great pope.

This book was a best seller in the original German, as well as in the Italian and French translations. This is the first edition in English.

These reminiscences were written down at the instructions of Sister’s Superior General, but were not made known to the public until 1982, when it was published in German at the express wishes of Pope John Paul II to publish the work without any changes. So the work remained a lively, flowing account of memories and anecdotes in a simple, spontaneous style. It is a powerful and insightful account of Pius’s daily life, his treatment of those around him, and his concern for the upholding of the traditional teaching of the Church in the face of his awesome burden to lead the Church during World War II.

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A Historian and His World
A Life of Christopher Dawson, 1889-1970
Christina Scott
Catholic University of America Press, 2023
The English historian of culture Christopher Dawson (1889-1970) was an independent scholar and the author of more than twenty books. He served as assistant lecturer in the History of Culture, University College, Exeter (1925), Forwood Lecturer in the Philosophy of Religion, University of Liverpool (1934), Gifford Lecturer at the University of Edinburgh (1947-1949), and as Professor of Catholic Studies at Harvard University (1958-1962). He was elected Fellow of the British Academy in 1943 and edited the Dublin Review during the Second World War. This biography by Christina Scott, Dawson’s daughter, is a sensitive portrait of a complex and fascinating scholar. Unlike other English Christian converts of the twentieth century who excelled in literature, like G. K. Chesterton or C. S. Lewis, Dawson turned to the social sciences. He drew from the new idea of culture as a common way of life emerging from anthropology at the time of the Great War to shape a new approach to history. His study of the intimate relationship between religion and culture throughout world history shaped his trenchant criticisms of his own times. He wrote in 1955 that, “the first step in the transformation of culture is a change in the pattern of culture within the mind, for this is the seed out of which there spring new forms of life which ultimately change the social way of life and thus create a new culture.” Dawson’s engagement with anthropology and the idea of culture marked an important moment of development in the Catholic intellectual tradition. Christina Scott shows that Dawson is best understood as he himself interpreted his historical subjects—in the context of “the spiritual world in which he lived, the ideas that moved him, and the faith that inspired his action.” Dawson was not a historian of ideas for their own sake; he had a passionate belief in their liberating power. A Historian and His World will be of interest to intellectual historians, historians of religion and culture, and students of modern Catholic thought. The Introduction is written by Dawson scholar Joseph T. Stuart and the book is graced by a postscript by Christopher Dawson reflecting upon the meaning of his work.
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The Holy Apostles
A Lost Monument, a Forgotten Project, and the Presentness of the Past
Margaret Mullett
Harvard University Press

Founded by Constantine the Great, rebuilt by Justinian, and redecorated in the ninth, tenth, and twelfth centuries, the Church of the Holy Apostles in Constantinople was the mausoleum of emperors, patriarchs, and saints. It was also a key station in the ceremonies of the city, the site of an important school, a major inspiration for apostolic literature, and briefly the home of the patriarch. Despite its significance, the church no longer exists, replaced by the mosque of Mehmet II after the fall of the city to the Ottomans. Today the church is remembered primarily from two important middle Byzantine ekphraseis, which celebrate its beauty and prominence, as well as from architectural copies and manuscript illustrations.

Scholars have long puzzled over the appearance of the church, as well as its importance to the Byzantines. Anxious to reconstruct the building and its place in the empire, an early collaborative project of Dumbarton Oaks brought together a philologist, an art historian, and an architectural historian in the 1940s and 1950s to reconstruct their own version of the Holy Apostles. Never fully realized, their efforts remained unpublished. The essays in this volume reconsider their project from a variety of vantage points, while illuminating differences of approach seventy years later, to arrive at a twenty-first-century synthesis.

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Homer Rodeheaver and the Rise of the Gospel Music Industry
Kevin Mungons and Douglas Yeo
University of Illinois Press, 2021
From tent revivals to radio and records with a gospel music innovator

Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel.

Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

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Homo Viator
Introduction to the Metaphysic of Hope
Gabriel Marcel
St. Augustine's Press, 2010

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Hosea Stout
Lawman, Legislator, Mormon Defender
Stephen L. Prince
Utah State University Press, 2016
Hosea Stout witnessed and influenced many of the major civil and political events over fifty years of LDS history, but until the publication of his diaries, he was a relatively obscure figure to historians. Hosea Stout: Lawman, Legislator, Mormon Defender is the first-ever biography of this devoted follower who played a significant role in Mormon and Utah history.
 
Stout joined the Mormons in Missouri in 1838 and followed them to Nauvoo, where he rose quickly to become a top leader in the Nauvoo Legion and chief of police, a position he also held at Winter Quarters. He became the first attorney general for the Territory of Utah, was elected to the Utah Territorial Legislature, and served as regent for the University of Deseret (which later became the University of Utah) and as judge advocate of the Nauvoo Legion in Utah. In 1862, Stout was appointed US attorney for the Territory of Utah by President Abraham Lincoln. In 1867, he became city attorney of Salt Lake City, and he was elected to the Utah House of Representatives in 1881.
 
But Stout’s history also had its troubled moments. Known as a violent man and aggressive enforcer, he was often at the center of controversy during his days on the police force and was accused of having a connection with deaths in Nauvoo and Utah. Ultimately, however, none of these allegations ever found traction, and the leaders of the LDS community, especially Brigham Young, saw to it that Stout was promoted to roles of increasing responsibility throughout his life. When he died in 1889, Hosea Stout left a complicated legacy of service to his state, his church, and the members of his faith community.

The University Press of Colorado gratefully acknowledges the generous support of the Charles Redd Center for Western Studies at Brigham Young University toward the publication of this book.
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The Hours of Marie de Medici
A Facsimile
Marie de Medici
Bodleian Library Publishing, 2016
A stunning facsimile copy of an illuminated manuscript owned by the French queen Marie de Medici.

At the turn of the fifteenth century, private devotionals became a specialty of the renowned Ghent–Bruges illuminators. Wealthy patrons who commissioned work from these artists often spared no expense in the presentation of their personal prayer books, or “books of hours,” from detailed decoration to luxurious bindings and embroidery.

This manuscript owes its name to the French queen, Marie de Medici, widow of King Henri IV. The manuscript was painted by an artist known as the David Master, one of the renowned Flemish illuminators of the sixteenth century. Fine architectural interiors, gorgeous landscapes, and detailed city scenes form the subjects of three full-size illuminations and forty-two full-page miniatures. It is one of the finest examples of medieval illumination in a personal prayer book and the most copiously illustrated work of the David Master to survive.

Together with a scholarly introduction that gives an overview of Flemish illumination and examines each of the illustrations in detail, this full-color facsimile limited edition, bound in linen with a leather quarter binding and beautifully presented in a slipcase, faithfully reproduces all 176 leaves of the original manuscript.
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How Sweet the Sound
Music in the Spiritual Lives of Americans
David W. Stowe
Harvard University Press, 2004

Musical expression is at the heart of the American spiritual experience. And nowhere can you gauge the depth of spiritual belief and practice more than through the music that fills America's houses of worship. Most amazing is how sacred music has been shaped by the exchanges of diverse peoples over time. How Sweet the Sound traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.

Pursuing the intimate relationship between music and spirituality in America, Stowe focuses on the central creative moments in the unfolding life of sacred song. He fills his pages with the religious music of Indians, Shakers, Mormons, Moravians, African-Americans, Jews, Buddhists, and others. Juxtaposing music cultures across region, ethnicity, and time, he suggests the range and cross-fertilization of religious beliefs and musical practices that have formed the spiritual customs of the United States, producing a multireligious, multicultural brew.

Stowe traces the evolution of sacred music from hymns to hip-hop, finding Christian psalms deeply accented by the traditions of Judaism, and Native American and Buddhist customs influenced by Protestant Christianity. He shows how the creativity and malleability of sacred music can explain the proliferation of various forms of faith and the high rates of participation they've sustained. Its evolution truly parallels the evolution of American pluralism.

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Human Action in Thomas Aquinas, John Duns Scotus, and William of Ockham
Thomas M. Osborne Jr.
Catholic University of America Press, 2014
This book sets out a thematic presentation of human action, especially as it relates to morality, in the three most significant figures in Medieval Scholastic thought: Thomas Aquinas, John Duns Scotus, and William of Ockham
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Hymns / Inni
Giuseppe Verdi
University of Chicago Press, 2007

This newest volume in The Works of Giuseppe Verdi series comprises his only two surviving secular choral works: Inno popolare, or Hymn of the People, for unaccompanied male chorus, and Inno delle nazioni, or Hymn of the Nations, for tenor solo, chorus, and orchestra.

Verdi wrote the brief Inno popolare in 1848 at the behest of the Italian philosopher and patriot Giuseppe Mazzini, intending that it become an anthem for Italy at a time when the country had just driven away its Austrian overlords. He wrote no more independent patriotic pieces until he was asked in 1861 to represent his country with a patriotic composition at a musical jubilee during London’s International Exhibition of 1862. The resulting piece was Inno delle nazioni, the critical edition of which is based on Verdi’s autograph score, preserved at the British Library.  Other important sources include the composer's musical sketches, recently discovered in the Verdi family villa, and the performing parts Toscanini used for a BBC broadcast in 1943.

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