A SCHOLARLY BOOK REPOSITORY33 start with I start with I
By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed—and one of the most mysterious. This book, featuring the painted panels made for churches and for prayer at home, provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain’s most important collection of icons, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Robin Cormack, a preeminent expert on the subject, explains how icons were made, framed, and displayed. He investigates their subject matter, showing how scenes can be identified, how the iconography developed over centuries, and what role portraiture plays in their imagery. Icons have not lost their power in much of the world, and Cormack considers their continuing use in our day—whether in a religious setting or as an inspiration to modern-day artists like Matisse.
A uniquely accessible and authoritative introduction to this distinctive art form, Icons defines its subject’s unusual place at the intersection of religion, Russian culture, and art history.
Affording readers immense insight into a spectacular eighteenth-century manuscript, and Thai Buddhist manuscripts and temple culture as a whole, this book will be of great interest to art historians and scholars of Buddhism and Southeast Asia.
The Image Debate is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book has a foreword by Stefano Carboni, Director of the Art Gallery of Western Australia, followed by an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions.
Twelve further articles are divided into three sections: the first deals with pre-modern Islam: Mika Natif looks at tensions between the Hadith prohibition on images and the praxis of image-making under the Umayyad dynasty and argues that the Umayyad rulers used imagery to establish their political and religious authority; Finbarr Barry Flood examines the practice of epigraphic erasure, i.e., the removal of names of rulers and patrons from historical inscriptions from the medieval Islamic world; and Oya Pancaroğlu focuses on the figural conventions of an illustrated manuscript of Varqa and Gulshah, a medieval Persian romance composed in the masnavi (rhyming couplet) form by the 11th-century poet ‘Ayyuqi.
The second section addresses the situation outside Islam: Alicia Walker surveys attitudes toward the production and veneration of religious images in Byzantium from the earliest years of the Christian Roman Empire (early 4th century) to the aftermath of the Iconoclast controversy (late 9th century); Steven Fine explores the history of Jewish engagement with ‘art’ from Roman antiquity through the high middle ages through a detailed exploration of the 3rd-century Dura Europos synagogue and its wall paintings; Michael Shenkar examines evidence for the employment of figural images in the cultic practices of some of the major ancient Iranian cultural and political entities, offering a broad perspective on perceptions of images in ancient Iranian worship; and Robert DeCaroli delves into the question of why no image of the Buddha was made during the first five hundred years of Buddhism.
The third section brings the reader back to Islamic lands with five articles examining aspects of the issue in the modern and contemporary periods: Yousuf Saaed investigates South Asian mass-produced images, especially posters that include illustrations of local Sufi shrines, portraits of saints and Shi‘i iconography; James Bennett explores the visual depiction of Javanese shadow puppets (wayang kulit), including the sage Begawan Abiyasa, whose narratives convey key elements of Sufi mystical philosophy; Allen and Mary Roberts consider images of Cheikh Amadu Bamba, the founding Sufi saint of the Senegalese Mouride order; Rose Issa addresses how the term ‘Islamic’ relates to contemporary art, how artists manage to create work in countries in constant turmoil and to what extent such works reflect their conceptual, aesthetic, and socio-political concerns; and finally Shiva Balaghi traces the use of the figure, along its symbolic shadows and silhouettes, in works by notable Iranian artists living in Iran and in diaspora.
Modern life is steeped in images, image-making, and attempts to control the world through vision. Mastery of images has been advanced by technologies that expand and reshape vision and enable us to create, store, transmit, and display images. The three essays in Image, written by leading philosophers of religion Mark C. Taylor, Mary-Jane Rubenstein, and Thomas A. Carlson, explore the power of the visual at the intersection of the human and the technological. Building on Heidegger’s notion that modern humanity aims to master the world by picturing or representing the real, they investigate the contemporary culture of the image in its philosophical, religious, economic, political, imperial, and military dimensions, challenging the abstraction, anonymity, and dangerous disconnection of contemporary images.
Taylor traces a history of capitalism, focusing on its lack of humility, particularly in the face of mortality, and he considers art as a possible way to reconnect us to the earth. Through a genealogy of iconic views from space, Rubenstein exposes the delusions of conquest associated with extraterrestrial travel. Starting with the pressing issues of surveillance capitalism and facial recognition technology, Carlson extends Heidegger’s analysis through a meditation on the telematic elimination of the individual brought about by totalizing technologies. Together, these essays call for a consideration of how we can act responsibly toward the past in a way that preserves the earth for future generations. Attending to the fragility of material things and to our own mortality, they propose new practices of imagination grounded in love and humility.
Stone served in Africa with his wife and successfully learned the Yoruba language. He was an intelligent, self-reflective, and reliable observer, making his works important sources of information on Yoruba society before the intervention of European colonialism. In Africa's Forest and Jungle is a rare account of West African culture, made all the more complete by the additional journal entries, letters, and photographs collected in this edition.
The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.
In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, the consort of Shiva and the divinity who, as her name proclaims, “bestows the bounty of rice.”
A poet well-versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than those of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit.
The second volume recounts the clandestine love affair of Princess Vidya and Prince Sundar, and how Bhavananda, ancestor of the poet’s patron, stopped a rebellion and became a king.
This translation, the first in English, features the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and is now counted one of the treasures of Bengali literature.
The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.
In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, Shiva’s consort and the divinity who, as her name proclaims, “bestows the bounty of rice.”
A poet well versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit. The first volume narrates Annada’s origins, including the building of her city and temple under Shiva’s direction and the spread of her worship, and incorporates praise of the poet’s patron, the Nadia royal family.
This translation, the first into English, accompanies the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and remains a treasure of Bengali literature.
This absorbing and insightful biography illuminates the life of the controversial champion of Social Gospel in early-20th-century America.
Radical religious and political leader Harry F. Ward started life quietly enough in a family of Methodist shopkeepers and butchers in London. But his relentless pursuit of social justice would lead him to the United States and a long career of religious activism. Ward served as professor of Christian ethics at the Union Theological Seminary and chairman of the board of the American Civil Liberties Union for two decades. He also became a leader in labor groups, Protestant activist organizations, and New York intellectual circles.
David Duke builds his comprehensive story of this fiery leader from extensive archival sources, including FBI files and private correspondence, sermons, class notes, and other unpublished material. Duke skillfully charts Ward's rise from an idealistic Methodist minister in a Chicago stockyard parish to a prominent national religious leader and influential political figure. Ultimately, Ward's lifelong attempt to synthesize the beliefs of Jesus and Marx and his role as an admirer of the Soviet Union put him on a collision course with McCarthyism in Cold War America. Viewed by some as a prophet and by others as a heretic, traitor, and communist, Ward became increasingly marginalized as he stubbornly maintained his radical positions. Even in his own circle, he went from being a figure of unquestioned integrity who eloquently spoke his convictions to a tragically short-sighted idealogue whose unwavering pro-Soviet agenda blinded him to the horrors of Stalinist oppression.
Harry Ward's long, colorful career intersected nearly every intellectual current in American culture for more than a half century. This biography will be important for scholars of American religious history, students of liberalism and politics, social Christians, and general readers who enjoy a compelling tour into the private and public lives of notable figures of history.
God deserves obedience simply because he’s God—or does he? Inspired by a passion for biblical as well as constitutional scholarship, in this bold exploration Yale Law Professor Robert A. Burt conceptualizes the political theory of the Hebrew and Christian Bibles. God’s authority as expressed in these accounts is not a given. It is no less inherently problematic and in need of justification than the legitimacy of secular government.
In recounting the rich narratives of key biblical figures—from Adam and Eve to Noah, Cain, Abraham, Moses, Job, and Jesus—In the Whirlwind paints a surprising picture of the ambivalent, mutually dependent relationship between God and his peoples. Taking the Hebrew and Christian Bibles as a unified whole, Burt traces God’s relationship with humanity as it evolves from complete harmony at the outset to continual struggle. In almost every case, God insists on unconditional obedience, while humanity withholds submission and holds God accountable for his promises.
Contemporary political theory aims for perfect justice. The Bible, Burt shows, does not make this assumption. Justice in the biblical account is an imperfect process grounded in human—and divine—limitation. Burt suggests that we consider the lessons of this tension as we try to negotiate the power struggles within secular governments, and also the conflicts roiling our public and private lives.
While the phenomenological tradition has carefully treated both the objective and the lived body, Espen Dahl explores a dimension of the body that does not fall neatly into either category, suggesting that philosophers should take account of the inner density of our organic, material body. By integrating the dimension of “flesh-and-blood” into the phenomenological notion of the body, Dahl argues that it is possible to reach a more adequate notion of human incarnation. The author explores the body in its subjectivity and its resistance, in activity founded on passivity, and in the ambiguous limits of its skin. The phenomenon of pain is given particular attention in this investigation, since pain is, as Dahl argues, what makes the body inescapably manifest in its otherwise hidden dimensions, including its ambiguity and vulnerability. Related to this focus, Dahl also engages with the Christian theological concerns of incarnation, pain, and hope. Phenomenologists have long drawn on this religious inheritance, particularly in what has been dubbed the French “theological turn.” In a similar manner, Incarnation, Pain, Theology: A Phenomenology of the Body draws on these theological sources while firmly holding to its philosophical commitments in methodological approach and analytic aims.
The definitive account of the career and legacy of the most influential Western exponent of violent jihad.
Anwar al-Awlaki was, according to one of his followers, “the main man who translated jihad into English.” By the time he was killed by an American drone strike in 2011, he had become a spiritual leader for thousands of extremists, especially in the United States and Britain, where he aimed to make violent Islamism “as American as apple pie and as British as afternoon tea.” Alexander Meleagrou-Hitchens draws on extensive research among al-Awlaki’s former colleagues, friends, and followers, including interviews with convicted terrorists, to explain how he established his network and why his message resonated with disaffected Muslims in the West.
A native of New Mexico, al-Awlaki rose to prominence in 2001 as the imam of a Virginia mosque attended by three of the 9/11 hijackers. After leaving for Britain in 2002, he began delivering popular lectures and sermons that were increasingly radical and anti-Western. In 2004 he moved to Yemen, where he eventually joined al-Qaeda and oversaw numerous major international terrorist plots. Through live video broadcasts to Western mosques and universities, YouTube, magazines, and other media, he soon became the world’s foremost English-speaking recruiter for violent Islamism. One measure of his success is that he has been linked to about a quarter of Islamists convicted of terrorism-related offenses in the United States since 2007.
Despite the extreme nature of these activities, Meleagrou-Hitchens argues that al-Awlaki’s strategy and tactics are best understood through traditional social-movement theory. With clarity and verve, he shows how violent fundamentalists are born.
Framed in response to Martin Heidegger’s influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture—and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol’s closure nor an icon’s transcendence, but the “indiscrete image” whose love makes possible—by keeping open—both the human and its world.
The first part of Interpretations is an attempt to understand modernity’s break with the past, the repudiation of Scholasticism and the classical tradition. Dougherty does this by referencing the dominant preoccupations of the Middle Ages, of the Renaissance, of the Reformation, of eighteenth-century British empiricism, and of nineteenth-century German philosophy, drawing upon the readings of Remi Brague, Pierre Manent, and others. What unifies these reflections is the role of religion (both in Christianity and Islam) in society and its impact on the culture, as well as looking at what is called “modernity” where this role becomes reduced or absent.
The second part of the volume examines selected addresses by Pope Emeritus Benedict XVI from a philosophical point of view. Benedict, like others through the course of history, has recognized the role of religion in producing cultural unity. These essays are an appreciation primarily of the subtlety of the former pontiff’s thought.
The third part of Interpretations collects essays and addresses on the practice and nature of philosophy that Dean Dougherty has given throughout his career at The Catholic University of America, and reflects the trajectory of his career and the development of his thought.
In ministering to the sick, for instance, Clayton anointed with perfumed oil and rum. He performed baptisms to heal the sick. Church services, held irregularly, were referred to as “going to meeting” and seemed to be elective. He testifies of people speaking in tongues and of others “almost speaking in tongues.” When introduced to plural marriage, he was reluctant but eventually became one of its most enthusiastic proponents, marrying ten women and fathering forty-two children.
Since polygamy was initially secret, Clayton spent much of his time putting out the fires of innuendo and discontent. He caught his first plural wife rendezvousing with her former fiancé; later, when she became pregnant, her mother–his unaware mother-in-law–was so overwrought that she attempted suicide. Joseph Smith reassured him: “Just keep her at home and brook it and if they raise trouble about it and bring you before me I will give you an awful scourging and probably cut you off from the church and then I will set you ahead as good as ever.” Clayton was also the object of Emma Smith’s attentions, allegedly part of a jealous wife’s plan to make a cuckold of her errant husband.
Paralleling his friend Alexis de Tocqueville's visit to America, Gustave de Beaumont traveled through Ireland in the mid-1830s to observe its people and society. In Ireland, he chronicles the history of the Irish and offers up a national portrait on the eve of the Great Famine. Published to acclaim in France, Ireland remained in print there until 1914. The English edition, translated by William Cooke Taylor and published in 1839, was not reprinted.
In a devastating critique of British policy in Ireland, Beaumont questioned why a government with such enlightened institutions tolerated such oppression. He was scathing in his depiction of the ruinous state of Ireland, noting the desperation of the Catholics, the misery of repeated famines, the unfair landlord system, and the faults of the aristocracy. It was not surprising the Irish were seen as loafers, drunks, and brutes when they had been reduced to living like beasts. Yet Beaumont held out hope that British liberal reforms could heal Ireland's wounds.
This rediscovered masterpiece, in a single volume for the first time, reproduces the nineteenth-century Taylor translation and includes an introduction on Beaumont and his world. This volume also presents Beaumont's impassioned preface to the 1863 French edition in which he portrays the appalling effects of the Great Famine.
A classic of nineteenth-century political and social commentary, Beaumont's singular portrait offers the compelling immediacy of an eyewitness to history.
Recognized as one of the earliest Jewish neo-Platonist writers, Isaac ben Solomon Israeli (ca. 855–955) influenced Muslim, Jewish, and Christian scholars through the Middle Ages. A native of Egypt who wrote in Arabic, Israeli explored definitions of such terms as imagination, sense-perception, desire, love, creation, and “coming-to-be” in his writings.
This classic volume contains English translations of Israeli’s philosophical writings, including the Book of Definitions, the Book of Substances, and the Book on Spirit and Soul. Additionally, Isaac Israeli features a biographical sketch of the philosopher and extensive notes and comments on the texts, as well as a survey and appraisal of his philosophy. Restored to print for the first time in decades, Isaac Israeli will be essential reading for students and scholars of medieval philosophy and Jewish studies.
The influential role Tichenor played in shaping both the Baptist denomination and southern culture
Isaac Taylor Tichenor worked as a Confederate chaplain, a mining executive, and as president of the Agricultural and Mechanical College of Alabama (now Auburn University). He also served as corresponding secretary for the Home Mission Board of the Southern Baptist Convention in Atlanta from 1882 until 1899. In these capacities Tichenor developed the New South ideas that were incorporated into every aspect of his work and ultimately influenced many areas of southern life, including business, education, religion, and culture.
In Isaac Taylor Tichenor: The Creation of the Baptist New South, Michael E. Williams Sr. provides a comprehensive analysis of Tichenor’s life, examining the overall impact of his life and work. This volume also documents the methodologies Tichenor used to rally Southern Baptist support around its struggling Home Mission Board, which defined the makeup of the Southern Baptist Convention and defended the territory of the convention.
Tichenor was highly influential in forming a uniquely southern mindset prior to and at the turn of the century. Williams contends that Tichenor’s role in shaping Southern Baptists as they became the largest denomination in the South was crucial in determining their identity both the identities of the region and the SBC.
Rabbi Thorne composed his memoir under extraordinary conditions, confined to a small underground bunker below a Polish peasant’s pigsty. But, It Will Yet Be Heard is remarkable not only for the story of its composition, but also for its moral clarity and complexity. A deeply religious man, Rabbi Thorne bore witness to forced labor camps, human degradation, and the murders of entire communities. And once he emerged from hiding, he grappled not only with survivor’s guilt, but also with the lingering antisemitism and anti-Jewish violence in Poland even after the war ended. Harrowing, moving, and deeply insightful, Rabbi Thorne’s firsthand account offers a rediscovered perspective on the twentieth century’s greatest tragedy.
In 1456 and again in 1458, William Wey (1405/6–76) set out on journeys across a Europe in turmoil from local conflicts and cross-border expansions. Wey, a Devon priest and bursar of Eton College, had been granted special dispensation by Henry VI to undertake pilgrimages, and he was prompted by his friends to write an account of his itinerant adventures. He collected his stories from his travels to the Cathedral of Santiago de Compostela in Spain and later Jerusalem in the fifteen chapters that comprise The Itineraries.
The Itineraries contains practical travel advice for the period on conduct and currency, alongside comparative English, Latin, Greek and Hebrew vocabularies, in addition to a remarkable scrapbook compendium of places, roads, and distances. Originally written in English and Latin, Wey’s fascinating observations of a changing Europe are for for first time available in a modern English edition. The pilgrimage was an idea essential to medieval and early modern Christianity, and Wey’s work adds a new dimension to our understanding of its importance and practice. Wey is at once adventurous and highly observant, and The Itineraries will be of interest to scholars of early modern history and armchair pilgrims alike.
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