Often called the musical equivalent of the Dead Sea Scrolls, the Trent codices have dramatically broadened our understanding of Renaissance music. Much has been written about this collection of fifteenth-century music manuscripts, most of which were discovered in the Cathedral at Trent, but none of the seven codices--generally called Trent 87 through Trent 93--has ever been published in its entirety. Thus Rebecca Gerber’s edition of Trent 88, which took more than a decade to prepare, will be the first to appear. As such, this volume is a landmark in the publication of early music.
Trent 88 comprises an extensive anthology of 145 compositions tailored to the ceremonial and daily religious services of the period. The international scope of the collection is both impressive and significant: early English, French, German, and Spanish mass cycles appear alongside simple hymns and Magnificats. Music by renowned composers—including Guillaume Du Fay, Johannes Ockeghem, Johannes Cornago, and John Bedingham—is joined here by an even larger repertory of anonymous compositions with great aesthetic and historical value. Edited to accommodate both scholars and performers, and augmented with Gerber’s expert introduction, this volume will significantly deepen existing knowledge of a crucial period in the history of music.
Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises.
De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder.
This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum. These treatises will be of great interest to students of the history of art, museums, and religion.
Sufism, the mystical path of Islam, is a key feature of the complex Islamic culture of South Asia today. Influenced by philosophies and traditions from other Muslim lands and by pre-Islamic rites and practices, Sufism offers a corrective to the image of Islam as monolithic and uniform.
In Sacred Spaces, Pakistani artist and educator Samina Quraeshi provides a locally inflected vision of Islam in South Asia that is enriched by art and by a female perspective on the diversity of Islamic expressions of faith. A unique account of a journey through the author’s childhood homeland in search of the wisdom of the Sufis, the book reveals the deeply spiritual nature of major centers of Sufism in the central and northwestern heartlands of South Asia. Illuminating essays by Ali S. Asani, Carl W. Ernst, and Kamil Khan Mumtaz provide context to the journey, discussing aspects of Sufi music and dance, the role of Sufism in current South Asian culture and politics, and the spiritual geometry of Sufi architecture.
Quraeshi relies on memory, storytelling, and image making to create an imaginative personal history using a rich body of photographs and works of art to reflect the seeking heart of the Sufi way and to demonstrate the diversity of this global religion. Her vision builds on the centuries-old Sufi tradition of mystical messages of love, freedom, and tolerance that continue to offer the promise of building cultural and spiritual bridges between peoples of different faiths.
When Europeans came to the American continent in the fifteenth and sixteenth centuries, they were confronted with what they perceived as sacrificial practices. Representations of Tupinamba cannibals, Aztecs slicing human hearts out, and idolatrous Incas flooded the early modern European imagination. But there was no less horror within European borders; during the early modern period no region was left untouched by the disasters of war.
Sacrifice and Conversion in the Early Modern Atlantic World illuminates a particular aspect of the mutual influences between the European invasions of the American continent and the crisis of Christianity during the Reform and its aftermaths: the conceptualization and representation of sacrifice. Because of its centrality in religious practices and systems, sacrifice becomes a crucial way to understand not only cultural exchange, but also the power struggles between American and European societies in colonial times. How do cultures interpret sacrificial practices other than their own? What is the role of these interpretations in conversion? From the central perspective of sacrifice, these essays examine the encounter between European and American sacrificial conceptions—expressed in texts, music, rituals, and images—and their intellectual, cultural, religious, ideological, and artistic derivations.
Liu Zhi (ca. 1670–1724) was one of the most important scholars of Islam in traditional China. His Tianfang xingli (Nature and Principle in Islam), the Chinese-language text translated here, focuses on the roots or principles of Islam. It was heavily influenced by several classic texts in the Sufi tradition. Liu’s approach, however, is distinguished from that of other Muslim scholars in that he addressed the basic articles of Islamic thought with Neo-Confucian terminology and categories. Besides its innate metaphysical and philosophical value, the text is invaluable for understanding how the masters of Chinese Islam straddled religious and civilizational frontiers and created harmony between two different intellectual worlds.
The introductory chapters explore both the Chinese and the Islamic intellectual traditions behind Liu’s work and locate the arguments of Tianfang xingli within those systems of thought. The copious annotations to the translation explain Liu’s text and draw attention to parallels in Chinese-, Arabic-, and Persian-language works as well as differences.
While the modern world has largely dismissed the figure of the saint as a throwback, we remain fascinated by excess, marginality, transgression, and porous subjectivity—categories that define the saint. In this collection, Françoise Meltzer and Jas Elsner bring together top scholars from across the humanities to reconsider our denial of saintliness and examine how modernity returns to the lure of saintly grace, energy, and charisma.
This short work is a collection of four essays by nineteenth-century author and transcendentalist Samson Reed. "A Dissertation: On the Evidence from the Light of Nature of a Future Retribution" is a religious treatise that laid the groundwork for his aesthetic theory; the "Oration on Genius" is a vibrant speech which is probably America's earliest Romantic manifesto; "Observations on the Growth of the Mind" reflects the aesthetic theory embraced by Ralph Waldo Emerson and the New England transcendentalists; and Reed's preface to the 1838 edition of "Observations," which showed his growing disenchantment with the transcendentalist movement he helped to inspire.
Edited by George F. Dole, the collection contains a preface by Sylvia Montgomery Shaw giving the historical context to these writings.
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437–1444. Originally standing some six yards high, double-sided, with a splendid gilt frame over the main altar of the local Franciscan church, it was the Rolls Royce of early Renaissance painting. But its myriad figures and scenes tempted the collectors of the nineteenth and twentieth centuries, and today its disassembled panels can be found in twelve museums throughout Europe and the United States.
To produce this landmark volume, experts in art and general history, painting technique and conservation, woodworking, architecture, and liturgy have joined forces across the boundaries of eight different nations. A model of collaboration, it opens new windows onto the creative process of the artist as he confronted a late-medieval church at a crossroad of cultures, the miracle-working body of a holy man, and a community of Franciscan friars breathing the exhilarating air of reform. To confront such challenges, Sassetta raised the most spiritual school of early Italian art, the Sienese, to a higher level of understanding, grace, and splendor.
We all know the saying, "Love can change the world." When science looks at love, it considers cosmology, sociobiology, evolutionary psychology, neurology, sex and romance, and the role of emotions as each relates to love. It also explores religious, ethical, and philosophical issues, such as virtue, creation ex nihilo, progress, divine action, agape, values, religious practices, pacifism, sexuality, friendship, freedom, and marriage. All affect the ways in which people understand each other and interact with one another. In this book, Oord explores these varied dimensions of love, illuminating the love-science symbiosis for both scholars and general readers.
His definition of love is "to act intentionally, in sympathetic response to others (including God), to promote overall well-being. Love acts are influenced by previous actions and executed in the hope of attaining a high degree of good for all." He begins his study with an exploration of the role love plays in all major world religions: Hinduism, Buddhism, Confucianism, Judaism, Islam, and Christianity. He explains how divine love in action can be viewed as consonant with the big bang theory and the continual creation of the universe.
He looks at pacifism and concludes that nonviolence is not always the most loving thing (sometimes violence must be used to rescue victims or prevent holocausts). He explores the animal kingdom to see how creatures work together with the Creator to make the world a better place. And he analyzes the fundamentals of love, the basic characteristics of existence that must be present for love to be expressed. He concludes with the important argument that progress can best be made when religion and science work together to both understand and promote love.
This book introduces the life and spiritual thought of Emanuel Swedenborg (1688-1772). A Swedish scientist and statesman, he underwent an extraordinary religious experience at age 55 and spent his last twenty-seven years producing thirty volumes that detailed his visionary experiences. Richly illustrated, the book includes a chronology of Swedenborg's life, a bibliography of his works, and an outline of his key theological concepts.
The essays in this volume testify to the far-reaching effects of Emanuel Swedenborg’s works in Western culture. From his early days as an ambitious young scientist in the ferment of the eighteenth-century Enlightenment Europe, through his mid-life entrance into an ongoing experience of the spiritual world, to his last decades as a researcher of things spiritual, Swedenborg built a career that left a unique legacy. His vivid descriptions of the nonphysical realm made a powerful impression on minds as diverse as Goethe, Blake, Emerson, Yeats, and Borges.
This book serves as a self-contained resource on Swedenborg’s life and thought and as a gateway into further exploration of the labyrinthine garden of Swedenborg’s works. It includes a biography, rich in fascinating detail; lively overviews of the content and history of Swedenborg’s writings on spiritual topics; and essays tracing Swedenborg’s impact in various regions of the world.
“This perceptive and accessible edition brings Tulsidas’s version [of the Ramayana], the most widely read across Northern India, to English-speaking audiences, giving readers a fresh glimpse into the tale’s impressive energy.”—Publishers Weekly
Tulsidas’s Rāmcaritmānas, written in the sixteenth century in a literary dialect of classical Hindi, has become the most beloved retelling of the ancient Ramayana story across northern India. The revered masterpiece recounts the epic story of Ram’s exile and his journeys, and it is recited by millions of Hindus today.
The Sea of Separation presents some of the poem’s most renowned episodes—Ram’s battles with demons, the kidnapping of his wife Sita by Ravana, his alliance with a troop of marvelous monkeys, and, finally, the god Hanuman’s heroic journey to the island city of Lanka to find and comfort Sita.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller.
The third book in Naomi Gladish Smith’s acclaimed series about souls in the afterlife follows a new group of seekers on their journey to heaven—or hell.
Kate Douglas, who spent a lifetime on earth teaching young students, in death finds herself at the Academy, a school for new arrivals in the afterlife. Barely accustomed to her new existence, she’s confronted with the soul of her troubled nephew Dan, who took his own life. Dan struggles to find his path in this new world, encountering the innocent Birgit, who in life was an abused girl, and the beautiful Pegeen, who draws him into the dangerous territory bordering hell. But even as Kate teams up with her friend Frank and budding angel Percy to try to help Dan face his inner demons, Kate must deal with her own issues: her helplessness at watching her husband Howard, still on earth and dying of a degenerative disease; her attraction to Frank; and an assignment to guide a particularly difficult new arrival named Janet. Their fates intertwine as each searches within to discover whether they ultimately bound for heaven or hell.
Inspired by Emanuel Swedenborg’s descriptions of the afterlife, Smith paints a vivid picture of the world of spirits, a spiritual realm between heaven and hell where inner truths are revealed and the distance between any two people is no more than a thought.
A New York Times Notable Book of the Year
A Times Literary Supplement Book of the Year
A Globe and Mail Best Book of the Year
A Publishers Weekly Best Book of the Year
A Tablet Best Book of the Year
Winner of a Christianity Today Book Award
“One finds big nuggets of insight, useful to almost anybody with an interest in the progress of human society.”
—The Economist
What does it mean to say that we live in a secular age? Almost everyone would agree that we—in the West, at least—largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean—of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.
Taylor, long one of our most insightful thinkers on such questions, offers a historical perspective. He examines the development in “Western Christendom” of those aspects of modernity which we call secular. What he describes is in fact not a single, continuous transformation, but a series of new departures, in which earlier forms of religious life have been dissolved or destabilized and new ones have been created. As we see here, today’s secular world is characterized not by an absence of religion—although in some societies religious belief and practice have markedly declined—but rather by the continuing multiplication of new options, religious, spiritual, and anti-religious, which individuals and groups seize on in order to make sense of their lives and give shape to their spiritual aspirations.
What this means for the world—including the new forms of collective religious life it encourages, with their tendency to a mass mobilization that breeds violence—is what Charles Taylor grapples with, in a book as timely as it is timeless.
Bringing clarity to a subject clouded by polemic, Secularism, Identity, and Enchantment is a rigorous exploration of how secularism and identity emerged as concepts in different parts of the modern world. At a time when secularist and religious worldviews appear irreconcilable, Akeel Bilgrami strikes out on a path distinctly his own, criticizing secularist proponents and detractors, liberal universalists and multicultural relativists alike.
Those who ground secularism in arguments that aspire to universal reach, Bilgrami argues, fundamentally misunderstand the nature of politics. To those, by contrast, who regard secularism as a mere outgrowth of colonial domination, he offers the possibility of a more conceptually vernacular ground for political secularism. Focusing on the response to Salman Rushdie’s Satanic Verses, Bilgrami asks why Islamic identity has so often been a mobilizing force against liberalism, and he answers the question with diagnostic sympathy, providing a philosophical framework within which the Islamic tradition might overcome the resentments prompted by its colonized past and present.
Turning to Gandhi’s political and religious thought, Bilgrami ponders whether the increasing appeal of religion in many parts of the world reflects a growing disillusionment not with science but with an outlook of detachment around the rise of modern science and capitalism. He elaborates a notion of enchantment along metaphysical, ethical, and political lines with a view to finding in secular modernity a locus of meaning and value, while addressing squarely the anxiety that all such notions hark back nostalgically to a time that has past.
Correspondence of a Church Father.
Jerome (Eusebius Sophronius Hieronymus), ca. 345–420, of Stridon, Dalmatia, son of Christian parents, at Rome listened to rhetoricians, legal advocates, and philosophers, and in 360 was baptized by Pope Liberius. He traveled widely in Gaul and in Asia Minor; and turned in the years 373–379 to hermetic life in Syria. Ordained presbyter at Antioch in 379 he went to Constantinople, met Gregory of Nazianzus and advanced greatly in scholarship. He was called to Rome in 382 to help Pope Damasus, at whose suggestion he began his revision of the Old Latin translation of the Bible (which came to form the core of the Vulgate version). Meanwhile he taught scripture and Hebrew and monastic living to Roman women. Wrongly suspected of luxurious habits, he left Rome (now under Pope Siricius) in 385, toured Palestine, visited Egypt, and then settled in Bethlehem, presiding over a monastery and (with help) translating the Old Testament from Hebrew. About 394 he met Augustine. He died on 30 September 420.
Jerome’s letters constitute one of the most notable collections in Latin literature. They are an essential source for our knowledge of Christian life in the fourth–fifth centuries; they also provide insight into one of the most striking and complex personalities of the time. Seven of the eighteen letters in this selection deal with a primary interest of Jerome’s: the morals and proper role of women. The most famous letter here fervently extols virginity.
Correspondence of a Church Father.
Aurelius Augustine (AD 354–430), one of the most important figures in the development of western Christianity and philosophy, was the son of a pagan, Patricius of Tagaste, and his Christian wife, Monnica. While studying to become a rhetorician, he plunged into a turmoil of philosophical and psychological doubts, leading him to Manichaeism. In 383 he moved to Rome and then Milan to teach rhetoric. Despite exploring classical philosophical systems, especially skepticism and Neoplatonism, his studies of Paul’s letters with his friend Alypius, and the preaching of Bishop Ambrose, led in 386 to his momentous conversion from mixed beliefs to Christianity. He soon returned to Tagaste and founded a religious community, and in 395 or 396 became bishop of Hippo.
From Augustine’s large output the Loeb Classical Library offers that great autobiography the Confessions (in two volumes); On the City of God (seven volumes), which unfolds God’s action in the progress of the world’s history, and propounds the superiority of Christian beliefs over pagan in adversity; and a selection of Letters which are important for the study of ecclesiastical theologians.
Brayton Polka takes both a textual and theoretical approach to seven plays of Shakespeare: Macbeth, Othello, Twelfth Night, All’s Well That Ends Well, Julius Caesar, Troilus and Cressida, and Hamlet. He calls upon the Bible and the ideas of major European thinkers, above all, Kierkegaard and Spinoza, to argue that the concept of interpretation that underlies both Shakespeare’s plays and our own lives as moderns is the golden rule of the Bible: the command to love your neighbor as yourself. What you will (the alternative title of Twelfth Night ) thus captures the idea that interpretation is the very act by which we constitute our lives. For it is only in willing what others will—in loving relationships—that we enact a concept of interpretation that is adequate to our lives.
Polka argues that it is the aim of Shakespeare, when representing the ancient world in plays like Julius Caesar and Troilus and Cressida, and also in his long narrative poem “The Rape of Lucrece,” to dramatize the fundamental differences between ancient (pagan) values and modern (biblical) values or between what he articulates as contradiction and paradox. The ancients are fatally destroyed by the contradictions of their lives of which they remain ignorant. In contrast, we moderns in the biblical tradition, like those who figure in Shakespeare’s other works, are responsible for addressing and overcoming the contradictions of our lives through living the interpretive paradox of “what you will,” of treating all human beings as our neighbor. Shakespeare’s comedies and tragedies, notwithstanding their dramatically different form, share this interpretive framework of paradox. As the author shows in his book, texts without interpretation are blind and interpretation without texts is empty.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
In the late 1820s a fiery young minister in western Ohio converted nearly 1,000 proselytes to the Reformed Baptist Movement. As these schismatics organized themselves into the new Disciples of Christ church, the Reverend Sidney Rigdon was already aligning himself with another, more radical movement, the Latter-day Saints, where he quickly became the LDS prophet’s principal advisor and spokesman. He served Joseph Smith loyally for the next fourteen years, even through a brief spat over the prophet’s romantic interest in his teenage daughter.
Next to Smith, Rigdon was the most influential early Mormon. He imported Reformed Baptist teachings into Latter-day Saint theology, wrote the canonized Lectures on Faith, championed communalism and isolationism, and delivered many of the most significant early sermons, including the famous Salt Sermon and the Ohio temple dedicatory address.
Following Smith’s death, Rigdon parted company with Brigham Young to lead his own group of some 500 secessionists Mormons in Pennsylvania. Rigdon’s following gradually dwindled, as the one-time orator took to wandering the streets, taunting indifferent passersby with God’s word. He was later recruited by another Mormon faction. Although he refused to meet with them, he agreed to be their prophet and send revelations by mail. Before long he had directed them to settle far-off Iowa and Manitoba, among other things. At his death, his followers numbered in the hundreds, and today they number about 10,000, mostly in Pennsylvania.
“Rigdon is a biographer’s dream,” writes Richard Van Wagoner. Intellectually gifted, manic-depressive, an eloquent orator and social innovator but a chronic indigent, Rigdon aspired to altruism but demanded advantage and deference. When he lost prominence, his early attainments were virtually written out of the historical record.
Correcting this void, Van Wagoner has woven the psychology of religious incontinence into the larger fabric of social history. In doing so, he reminds readers of the significance of this nearly-forgotten founding member of the LDS First Presidency. Nearly ten million members in over one hundred churches trace their heritage to Joseph Smith. Many are unaware of the importance of Rigdon’s contributions to their inherited theology.
Hymns and hymnbooks as American historical and cultural icons.
This work is a study of the importance of Protestant hymns in defining America and American religion. It explores the underappreciated influence of hymns in shaping many spheres of personal and corporate life as well as the value of hymns for studying religious life. Distinguishing features of this volume are studies of the most popular hymns (“Amazing Grace,” “O, For a Thousand Tongues to Sing,” “All Hail the Power of Jesus’ Name”), with attention to the ability of such hymns to reveal, as they are altered and adapted, shifts in American popular religion. The book also focuses attention on the role hymns play in changing attitudes about race, class, gender, economic life, politics, and society.
The biography of the "Wizard of Wall Street" who has dedicated his life to advancing the scientific study of spiritual realities has been revised and updated. Sir John Templeton was an inspiring and motivational force both through his personal example and through the foundation that bears his name and is dedicated to his mission.
This volume reviews the life of this man of vision, from his childhood in rural Tennessee, to his education at Yale and Oxford, to his legendary years on Wall Street, the birth of his children, and the development and growth of "humility theology science." Interwoven with the stories and facts are the roots of his faith and the values that he credits for his financial success and are the catalyst for his lifelong mission.
Debates over the legacy of Pope Pius XII and his canonization are so heated they are known as the “Pius wars.” Soldier of Christ moves beyond competing caricatures and considers Pius XII as Eugenio Pacelli, a flawed and gifted man. While offering insight into the pope’s response to Nazism, Robert A. Ventresca argues that it was the Cold War and Pius XII’s manner of engaging with the modern world that defined his pontificate.
Laying the groundwork for the pope’s controversial, contradictory actions from 1939 to 1958, Ventresca begins with the story of Pacelli’s Roman upbringing, his intellectual formation in Rome’s seminaries, and his interwar experience as papal diplomat and Vatican secretary of state. Accused of moral equivocation during the Holocaust, Pius XII later fought the spread of Communism in Western Europe, spoke against the persecution of Catholics in Eastern Europe and Asia, and tackled a range of social and political issues. By appointing the first indigenous cardinals from China and India and expanding missions in Africa while expressing solidarity with independence movements, he internationalized the church’s membership and moved Catholicism beyond the colonial mentality of previous eras.
Drawing from a diversity of international sources, including unexplored documentation from the Vatican, Ventresca reveals a paradoxical figure: a prophetic reformer of limited vision whose leadership both stimulated the emergence of a global Catholicism and sowed doubt and dissension among some of the church’s most faithful servants.
Soluble Fish transports readers to a place of discovery, exploring issues of borders, familial and love relationships, and other aspects of being human. Mary Jo Firth Gillett layers her poems in rich metaphor as she searches for meaning in everyday life. Contemplating a range of topics from teaching poetry to watching her father filet a fish, Gillett’s humorous and playful collection celebrates language and life.
A collection of ancient Byzantine hymns featuring women as pivotal characters, now in a new translation.
At a time when Christianity was becoming the dominant religion in the Byzantine Roman Empire, Romanos the Melodist (ca. 485–565) was a composer of songs for festivals and rituals in late antique Constantinople. Most of his songs include dramatic dialogues or monologues woven with imagery from ordinary life, and his name became inseparably tied to the kontakion, a genre of dramatic hymn. Later Byzantine religious poets enthusiastically praised his creative virtuosity and a legend claimed that Romanos’s inspiration came directly from the Virgin Mary herself.
Songs about Women contains eighteen works related to the liturgical calendar that feature important female characters, many portrayed as models for Christian life. They appear as heroines and villains, saints and sinners, often as transgressive and bold. Romanos’s songs offer intriguing perspectives on gender ideals and women’s roles in the early Byzantine world.
This edition presents a new translation of the Byzantine Greek texts into English.
Platonic discourses concerning the soul are incredibly rich and multitiered. Plato's own diverse and disparate arguments and images offer competing accounts of how we are to understand the nature of the soul. Consequently, it should come as no surprise that the accounts of Platonists who engage Plato’s dialogues are often riddled with questions. This volume takes up the theories of well-known philosophers and theologians, including Plato, Plotinus, Proclus, the emperor Julian, and Origen, as well as lesser-known but equally important figures in a collection of essays on topics such as transmigration of the soul, the nature of the Platonist enlightenment experience, soul and gender, pagan ritual practices, Christian and pagan differences about the soul, mental health and illness, and many other topics. Contributors include Crystal Addey, Sara Ahbel-Rappe, Dirk Baltzly, Robert Berchman, Jay Bregman, Luc Brisson, Kevin Corrigan, John Dillon, John F. Finamore, Lloyd P. Gerson, Dorian Gieseler Greenbaum, Elizabeth Hill, Sarah Klitenic Wear, Danielle A. Layne, Ilaria L. E. Ramelli, Gregory Shaw, Svetla Slaveva-Griffine, Suzanne Stern-Gillet, Harold Tarrant, Van Tu, and John D. Turner.
The Spiritual Journey of Charles Fillmore sheds new light on the life and work of an essential spiritual pioneer. In this landmark new biography, author Neal Vahle uses thorough new research, interviews with those who knew Fillmore, and his intimate familiarity with Fillmore's writings to introduce readers to the intriguing cofounder of the Unity movement. Beyond standard biography, Vahle's comprehensive treatment also extensively details Fillmore's era's philosophical and spiritual landscape. It gives readers an excellent overview of the metaphysical movement's evolution through time.
Built by the decree of Constantine, rebuilt by some of the most distinguished architects in Renaissance Italy, emulated by Hitler’s architect in his vision for Germania, immortalized on film by Fellini, and fictionalized by a modern American bestseller, St. Peter’s is the most easily recognizable church in the world. This book is a cultural history of one of the most significant structures in the West. It bears the imprint of Bramante, Raphael, Michelangelo, Bernini, and Canova. For Grand Tourists of the eighteenth century, St. Peter’s exemplified the sublime. It continues to fascinate visitors today and appears globally as a familiar symbol of the papacy and of the Catholic Church itself.
The church was first built in the fourth century on what is thought to be the tomb of Peter—the rock upon which Christ decreed his church shall be built. After twelve hundred years, the church was largely demolished and rebuilt in the sixteenth century when it came to acquire its present-day form. St. Peter’s awes the visitor by its gigantic proportions, creating a city within itself. It is the mother church, the womb from which churches around the world have taken inspiration. This book covers the social, political, and architectural history of the church from the fourth century to the present. From the threshold, to the subterranean Roman necropolis, to the dizzying heights of the dome, this book provides rare perspectives and contexts for understanding the shape and significance of the most illustrious church in the world.
The Star of Redemption is essential reading for anyone interested in understanding religion and philosophy in the twentieth century. Fusing philosophy and theology, the book assigns both Judaism and Christianity distinct but equally important roles in the spiritual structure of the world. Franz Rosenzweig finds in both biblical religions approaches to a comprehension of reality.
The major themes and motifs of The Star—the birth, life, death, and the immortality of the soul; Eastern philosophies and Jewish mysticism; the relationship between God, world and humanity over time; and revelation as the real biblical miracle of faith and path to redemption—resonate meaningfully.
During the Middle Ages, philosophers and theologians argued over the extramental reality of universal forms or essences. In the early modern period, the relation between subjectivity and objectivity, the individual self and knowledge of the outside world, was a rich subject of debate. Today, there is considerable argument about the relation between spontaneity and determinism within the evolutionary process, whether a principle of spontaneous self-organization as well as natural selection is at work in the aggregation of molecules into cells and the development of primitive forms of life into complex organisms. In Subjectivity, Objectivity and Intersubjectivity, Joseph A. Bracken proposes that what is ultimately at stake here is the age-old problem of the relationship between the One and the Many, universality and particularity on different levels of existence and activity within nature.
A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day.
The poetry of Bullhe Shah (d. 1758) is considered one of the glories of premodern Panjabi literature. Born in Uch, Panjab, in present-day Pakistan, Bullhe Shah drew profoundly upon Sufi mysticism in his writings. His lyrics, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been held in affection by Hindus, Muslims, and Sikhs, and they continue to win audiences today across national boundaries and in the global Panjabi diaspora. Indeed, many young people in South Asia are already acquainted—albeit unknowingly at times—with the iconic eighteenth-century Panjabi poet’s words through popular musical genres of the twenty-first century.
The striking new translation in English is presented alongside the Panjabi text, in the Gurmukhi script, re-edited on the basis of the best modern Pakistani and Indian editions. Bullhe Shah’s Sufi Lyrics thus offers at once the most complete and most approachable version of this great poet’s works yet available.
A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day.
Bullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.
From an eminent scholar, a spirited introduction to one of the great polymaths in the history of Europe.
Blaise Pascal (1623–1662) is best known in the English-speaking world for his contributions to mathematics and physics, with both a triangle and a law in fluid mechanics named after him. Meanwhile, the classic film My Night at Maud’s popularized Pascal’s wager, an invitation to faith that has inspired generations of theologians. Despite the immensity of his reputation, few read him outside French schools. In A Summer with Pascal, celebrated literary critic Antoine Compagnon opens our minds to a figure somehow both towering and ignored.
Compagnon provides a bird’s-eye view of Pascal’s life and significance, making this volume an ideal introduction. Still, scholars and neophytes alike will profit greatly from his masterful readings of the Pensées—a cornerstone of Western philosophy—and the Provincial Letters, in which Pascal advanced wry theological critiques of his contemporaries. The concise, taut chapters build upon one another, easing into writings often thought to be forbidding and dour. With Compagnon as our guide, these works are not just accessible but enchanting.
A Summer with Pascal brings the early modern thinker to life in the present. In an age of profound existential doubt and assaults on truth and reason, in which religion and science are so often crudely opposed, Pascal’s sophisticated commitment to both challenges us to meet the world with true intellectual vigor.
“John Stratton Hawley miraculously manages to braid the charged erotic and divine qualities of Krishna, the many-named god, while introducing us—with subtle occasional rhyme—to a vividly particularized world of prayers and crocodile earrings, spiritual longing and love-struck bees.”
—Forrest Gander, winner of the Pulitzer Prize for Poetry
An award-winning translation of Hindi verses composed by one of India’s treasured poets.
The blind poet Surdas has been regarded as the epitome of artistry in Hindi verse from the end of the sixteenth century, when he lived, to the present day. His fame rests upon his remarkable refashioning of the widely known narrative of the Hindu deity Krishna and his lover Radha into lyrics that are at once elegant and approachable. Surdas’s popularity led to the proliferation, through an energetic oral tradition, of poems ascribed to him, known collectively as the Sūrsāgar.
This award-winning translation reconstructs the early tradition of Surdas’s verse—the poems that were known to the singers of Surdas’s own time as his. Here Surdas stands out with a clarity never before achieved.
Surdas has been regarded as the epitome of artistry in Old Hindi religious poetry from the end of the sixteenth century, when he lived, to the present day. His fame rests upon his remarkable refashioning of the widely known narrative of the cowherd deity Krishna and his lover Radha into lyrics that are at once elegant and approachable. Surdas’s popularity led to the proliferation, through an energetic oral tradition, of poems ascribed to him, known as the Sūrsāgar.
Sur’s Ocean: Poems from the Early Tradition presents a dramatically new edition in Devanagari script and a lyrical English translation. This remarkable volume reconstructs the early tradition of Surdas’s verse—the 433 poems that were known to the singers of Surdas’s own time as his. Here Surdas stands out with a clarity never before achieved.
The Murty Classical Library of India makes available original texts and modern English translations of the masterpieces of literature and thought from across the whole spectrum of Indic languages over the past two millennia in the most authoritative and accessible formats on offer anywhere.
German philosopher Immanuel Kant had a complicated view of the writings of Swedish theologian Emanuel Swedenborg. Although Kant wrote a book that was harshly satiric of Swedenborg's ideas (Traume eines Geistersehers, or Dreams of a Spirit-Seer in English), later in life he appeared to reverse this opinion. Florschutz discusses this tension in Kant's thought in this short monograph.
In this meticulous study, Wouter Hanegraaff examines the structure, themes, and development of Emanuel Swedenborg's massive work Secrets of Heaven (Arcana Coelestia), published between 1749 and 1756. Written as a work of biblical exegesis (of Genesis and Exodus), Swedenborg also interpolated material on his visionary experiences, which have long fascinated readers.
In the second part of the study, Dr. Hanegraaff examines the contemporary reception of the multi-volume work, particularly the critical reactions of Immanuel Kant and Friedrich Christoph Oetinger. He finds that Swedenborg's biblical exegesis, so important in his divine calling, was largely ignored in favor of the mystical experiences.
Swedish scientist and theologian Emanuel Swedenborg wrote volumes upon volumes based on the understanding he gained through visits to the spiritual world and from conversations with its inhabitants. For new readers of Swedenborg, knowing where to start and what to read can present an insurmountable task. This volume is a good starting point and provides samples of some of his most powerful writings, now available in new, contemporary translations.
What happens to our souls after we die? What is the afterlife like? What is the nature of God? Of evil? What can we do during our lives to help guide us to heaven? What kinds of answers can we find in the Bible? Selections from some of Swedenborg’s most popular works—Heaven and Hell, Divine Love and Wisdom, Divine Providence, Secrets of Heaven, and True Christianity—answer these questions and more.
Ideal for those new to Swedenborg’s theology, A Swedenborg Sampler offers tastes from a rich smorgasbord of spiritual insight.
José Antonio Antón-Pacheco exercises his expertise in philosophy in this meditation on the ideas of Emanuel Swedenborg.
In this book he tackles subjects as diverse as the nature of unity and the way that the Divine manifests in the world; the nature of human beings as they relate to the higher realms, and specifically Swedenborg’s concept of the Grand Man or Universal Human; the mystical nature of Swedenborg’s interpretation of the Bible; and the nature of time and space in the spiritual world. Alongside his exploration of Swedenborg’s thought are examinations of Swedenborg’s influence on a variety of different thinkers and authors, from Jorge Luis Borges to Ibn ’Arabi.
This book was originally published in Spanish as El profeta del norte: Un libro sobre Swedenborg. Perfect for scholars and serious students of Swedenborg’s thought, Antón Pacheco’s powerful writing casts a new light on the Swedish prophet.
The Synagogue at Sardis, discovered by the Harvard-Cornell expedition in 1962, is the largest synagogue known in the ancient world. Its great size, its location within a bath-gymnasium complex, its elaborate and expensive interior decorations, and the high status of many of the donors caused significant revision of previous assumptions about Judaism in the Roman Empire.
This long-awaited volume discusses in detail the history of the building, its decoration, and the place of the Jewish community in the larger society. Copiously illustrated with plans and photos, the book also includes catalogs of the decorative elements, coins, and other objects associated with this monumental religious space.
This is the 2016 paperback printing of the 2008 edition of the popular text, translation, and commentary by S. A. Farmer. (The 2008 edition was a revised edition of the 1998 original publication).
Published by ACMRS (Arizona Center for Medieval and Renaissance Studies) in Tempe, Arizona as part of the MRTS (Medieval and Renaissance Texts and Studies) Series, this book -- previously available only in hardcover and otherwise out-of-print since 2014 -- is now available in its entirety in paperback format.
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