logo for Ohio University Press
A Bed Called Home
Life In The Migrant Labour Hostels of Cape Town
Mamphela Ramphele
Ohio University Press, 1993
In the last three years the migrant labor hostels of South Africa, particularly those in the Transvaal, have gained international notoriety as theaters of violence. For many years they were hidden from public view and neglected by the white authorities. Now, it seems, hostel dwellers may have chosen physical violence to draw attention to the structural violence of their appalling conditions of life. Yet we should not lose sight of the fact that the majority of hostel dwellers are peace-loving people who have over the years developed creative strategies to cope with their impoverished and degrading environment.

In this challenging study, Dr. Mamphela Ramphele documents the life of the hostel dwellers of Cape Town, for whom a bed is literally a home for both themselves and their families. Elaborating the concept of space in its many dimensions—not just physical, but political, ideological, social, and economic as well—she emphasizes the constraints exerted on hostel dwellers by the limited spaces they inhabit. At the same time, she argues that within these constraints people have managed to find room for manoeuvre, and in her book explores the emancipatory possibilities of their environment.

The text is illustrated with a number of black-and-white photographs taken by Roger Meintjes in the townships and hostels.
[more]

front cover of Beneath the Surface
Beneath the Surface
A Transnational History of Skin Lighteners
Lynn M. Thomas
Duke University Press, 2020
For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
[more]

front cover of Beyond the Miracle
Beyond the Miracle
Inside the New South Africa
Allister Sparks
University of Chicago Press, 2003
In Beyond the Miracle, a distinguished South African journalist provides a wide-ranging and unflinching account of the first nine years of democratic government in South Africa. Covering both the new regime's proud achievements and its disappointing failures, Allister Sparks looks to South Africa's future, asking whether it can overcome its history and current global trends to create a truly nonracial, multicultural, and multiparty democracy.

Sparks sees South Africa as facing many of the same challenges as the rest of the world, especially a widening gap between rich and poor, exacerbated by the forces of globalization. While the transition government has done much to establish democracy and racial equality in a short time, as well as bring basic services such as clean water to millions who did not have them before, many blacks feel it has not done enough to redress the continuing imbalance of wealth in the country. Many whites, meanwhile, feel disempowered and confused about what role they have to play as a racial minority in a country they used to rule and regard as theirs by divine right. Sparks also covers other burning issues, such as the HIV/AIDS epidemic, high crime rates, the diamond wars, the Congo conflict, and the Zimbabwean land crisis.

Writing vividly and often quite movingly, Sparks draws on his decades of journalistic experience and his recent insider access to key figures in the liberation government to take stock of where South Africa has been, where it's going, and why the rest of the world should not turn away from this country where the First and Third Worlds meet. As Sparks persuasively argues, the success of Mandela's vision of a peaceful "rainbow nation" is crucial not just for the salvation of Africa, but also for the world.

“Sparks, a grandfather of South African journalism, has fired one of the first volleys in the 10-year assessment. . . . It is an even-handed work, almost encyclopedic in its breadth. Sparks traverses all the important political terrain.”—Mail & Guardian 

“It is as good a guide to the new South Africa as any.”—Economist

[more]

front cover of The Black and White Rainbow
The Black and White Rainbow
Reconciliation, Opposition, and Nation-Building in Democratic South Africa
Carolyn E. Holmes
University of Michigan Press, 2020
Nation-building imperatives compel citizens to focus on what makes them similar and what binds them together, forgetting what makes them different. Democratic institution building, on the other hand, requires fostering opposition through conducting multiparty elections and encouraging debate. Leaders of democratic factions, like parties or interest groups, can consolidate their power by emphasizing difference. But when held in tension, these two impulses—toward remembering difference and forgetting it, between focusing on unity and encouraging division—are mutually constitutive of sustainable democracy.

​Based on ethnographic and interview-based fieldwork conducted in 2012–13, The Black and White Rainbow: Reconciliation, Opposition, and Nation-Building in Democratic South Africa explores various themes of nation- and democracy-building, including the emotional and banal content of symbols of the post-apartheid state, the ways that gender and race condition nascent nationalism, the public performance of nationalism and other group-based identities, integration and sharing of space, language diversity, and the role of democratic functioning including party politics and modes of opposition. Each of these thematic chapters aims to explicate a feature of the multifaceted nature of identity-building, and link the South African case to broader literatures on both nationalism and democracy.
[more]

front cover of Black Cultural Life in South Africa
Black Cultural Life in South Africa
Reception, Apartheid, and Ethics
Lily Saint
University of Michigan Press, 2018
Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement.

This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life.

Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
[more]

logo for Ohio University Press
Black Lawyers, White Courts
The Soul of South African Law
Kenneth S. Broun
Ohio University Press, 2000

In the struggle against apartheid, one often overlooked group of crusaders was the coterie of black lawyers who overcame the Byzantine system that the government established oftentimes explicitly to block the paths of its black citizens from achieving justice.

Now, in their own voices, we have the narratives of many of those lawyers as recounted in a series of oral interviews. Black Lawyers, White Courts is their story and the anti-apartheid story that has before now gone untold.

Professor Kenneth Broun conducted interviews with twenty-seven black South African lawyers. They were asked to tell about their lives, including their family backgrounds, education, careers, and their visions for the future. In many instances they also discussed their years in prison or exile, or under house arrest. Most told of both education and careers interrupted because of the ongoing struggle.

The story of the professional achievements of black lawyers in South Africa—indeed their very survival—provides an example of the triumph of individuals and, ultimately, of the law. Black Lawyers, White Courts is about South Africa, and about black professionals in that country, but the lessons its protagonists teach extend far beyond circumstances, geography, or race.

[more]

front cover of Black Soldiers of the Queen
Black Soldiers of the Queen
The Natal Native Contingent in the Anglo-Zulu War
P. S. Thompson
University of Alabama Press, 2006
Africans who fought alongside the British against the Zulu king
 
 
[more]

front cover of A Bold Profession
A Bold Profession
African Nurses in Rural Apartheid South Africa
Leslie Anne Hadfield
University of Wisconsin Press, 2023
In rural South African clinics, Black nurses played critical roles. Charged with administering valuable and life-saving health care measures despite a lack of equipment and personnel, these nurses had to navigate the intersections of traditional African healing practices, changing gender relations, and increasing educational and economic opportunities for South Africa’s Black middle class between the 1960s and 1980s.
 
Leslie Anne Hadfield compellingly demonstrates how these women were able to successfully carve out their own professional space and reshape notions of health and healing in the Eastern Cape. Bringing forth the stories of these nurses in their own voices, A Bold Profession is an homage to their dedication to the well-being of their communities. Hadfield sheds light on the struggles of balancing commitment to career and family lives during an oppressive apartheid. The volume fills an important gap for scholars studying the history of women, nursing, and health care in South Africa, illuminating the humanity of health care workers.
[more]

front cover of Bringing the Empire Home
Bringing the Empire Home
Race, Class, and Gender in Britain and Colonial South Africa
Zine Magubane
University of Chicago Press, 2003
How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa?

Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations.

Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.
[more]

front cover of Bureaucrats of Liberation
Bureaucrats of Liberation
Southern African and American Lawyers and Clients During the Apartheid Era
Myra Ann Houser
Leiden University Press, 2020

Bureaucrats of Liberation narrates the history of the Southern Africa Project of the Lawyers’ Committee for Civil Right under law, a civil rights organization founded in 1963 at the request of President John F. Kennedy. Between 1963 and 1994, the Southern Africa Project connected lawyers from Namibia, South Africa, and the United States. Within the Project’s network, activist lawyers exchanged funding resources, provided logistical support for political trials, and mediated new voting and governmental systems.

The Project’s history provides a lens into twentieth century geopolitics tied to anti-apartheid, decolonization, Cold War, and movements agitating against white supremacy. In doing so, it pays careful attention to the Project’s different eras, beginning with US Executive Branch officials helming the effort and evolving into a space where more activist-oriented attorneys on both sides of the Atlantic drove its mission and politics.

[more]


Send via email Share on Facebook Share on Twitter