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Res
Anthropology and Aesthetics, 1: Spring 1981
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 10: Autumn 1985
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 11: Spring 1986
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 12: Autumn 1986
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 13: Spring 1987
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 15: Spring 1988
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 16: Autumn 1988
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 17 & 18: Spring/Autumn 1989
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 2: Autumn 1981
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 29 & 30: Spring/Autumn 1996: The Pre-Columbian
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 31: Spring 1997: The Abject
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 32: Autumn 1997: Tradition, Translation, Treason
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 33: Spring 1998: Pre-Columbian States of Being
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 34: Autumn 1998: Architecture
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 35: Spring 1999: Intercultural China
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 36: Autumn 1999: Factura
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 37: Spring 2000
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 38: Autumn 2000
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 39: Spring 2001: African Works
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 40: Autumn 2001: Desedimenting Time
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 41: Spring 2002
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 42: Autumn 2002: West by Nonwest
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

[more]

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Res
Anthropology and Aesthetics, 43: Spring 2003: Islamic Arts
Francesco Pellizzi
Harvard University Press, 2003

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 44: Autumn 2003
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 45: Spring 2004
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 46: Autumn 2004: Polemical Objects
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 47: Spring 2005
Francesco Pellizzi
Harvard University Press, 2005
The contents of this issue are: Editorial, "Socrates' death," by Remo Guidieri; "Antimasque, Pageant: Restoration and Bethlem at Moorfields," by Christine Stevenson; "Picturing Madness in 1905: Giacomo Balla's La Pazza and the cycle The Living," by Christine Poggi; "Quoting Eros: Visual culture, irony and anachronism in Thomas Mann," by Filippo Fimiani; "Cosmos and warfare on a Classic Maya vase," by Oswaldo Chinchilla; "Women and political power: The inclusion and exclusion of noblewomen in Aztec pictorial histories," by Lori Boornazian Diel; "Ancestors and commemoration in Igbo Odo masquerades," by Benjamin Hufbauer and Bess Reed; "Style and the standardization of forms in certain arts of the Sepik," by Romain Chambrin; "The modality of time-maps: Quilting in the Pacific from another point of view," by Susanne Kuechler; Lectures, Documents and Discussions: "Slit drums on Atchin;" an unpublished manuscript by John Layard, edited and with an introduction by Haidy Geismar; "Style and meaning: Abelam art through Yolngu eyes," The 1998 Anthony Forge Lecture, by Howard Morphy; "Vodou in the age of mechanical reproduction," by Donald Cosentino; and "Heterosomatics: Remarks of an historian of women's bodies," by Barbara Duden.
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Res
Anthropology and Aesthetics, 48: Autumn 2005: Permanent/Impermanent
Francesco Pellizzi
Harvard University Press, 2005
The contents of this issue are: “Between Creation and Destruction,” by Finbarr Barry Flood and Zoë Sara Strother; “People Have Three Eyes: Ephemeral Art and the Archive in Southeastern Nigeria,” by Sarah Adams; “Beyond Monument Lies Empire: Mapping Songhay Space in Tenth- to Sixteenth-Century West Africa,” by Kristina Van Dyke; “Censorship and Iconoclasm—Unsettling Monuments,” by John Peffer; “Recycling Icons and Bodies in Chinese Anti-Buddhist Persecutions,” by Eric Reinders; “Modifications of Ancient Maya Sculpture,” by Bryan R. Just; “Roman Oscilla: An Assessment,” by Rabun Taylor; “Turning Tale into Vision: Time and Image in the Divina Commedia,” by Gervase Rosser; “Building outside Time in Alberti’s De re aedificatoria,” by Marvin Trachtenberg; and “Restoration as Re-creation at the Sainte-Chapelle,” by Meredith Cohen; and the documents and discussions “The Constitution of Pleasure: François-Joseph Belanger and the Chateau de Bagatelle,” by Taha Al-Douri; “Composing Vinteuil: Proust’s Unheard Music,” by Mauro Carbone; “Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War,” by Daniel Bertrand Monk; “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement,’” by Cuauhtémoc Medina; and “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927–1928),” by Davide Stimilli.
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Res
Anthropology and Aesthetics, 49/50: Spring/Autumn 2006
Francesco Pellizzi
Harvard University Press, 2006
Res: Anthropology and Aesthetic is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes textual and iconographic documents important to the history and theory of the arts.
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Res
Anthropology and Aesthetics, 5: Spring 1983
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 51: Spring 2007
Francesco Pellizzi
Harvard University Press, 2007

Res: Anthropology and Aesthetics is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes textual and iconographic documents important to the history and theory of the arts.

Volume 51 includes articles by Michael W. Meister, Michele Matteini, Ladislav Kesner, Yukio Lippit, Xavier Urcid, Anna Anquissola, Bissera Pentcheva, Friedrich T. Bach, Daniel Sherer, Noga Arikha, Erika Naginski, Haim Finkelstein, Nuit Banai, Laura Ilea, and Remo Guidieri.

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Res
Anthropology and Aesthetics, 52: Fall 2007
Francesco Pellizzi
Harvard University Press, 2007
Res: Anthropology and Aesthetics is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes textual and iconographic documents important to the history and theory of the arts.
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Res
Anthropology and Aesthetics, 53/54: Spring and Autumn 2008
Francesco Pellizzi
Harvard University Press, 2008
This double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Betty’s Turn, Stephen Melville; Richard Serra in Germany, Magdalena Nieslony; Beheadings and massacres, Federico Navarrete; Pliny the Elder and the identity of Roman art, Francesco de Angelis; Between nature and artifice, Francesca Dell’Acqua; Narrative cartographies, Gerald Guest; The artist and the icon, Alexander Nagel; Preliminary thoughts on Piranesi and Vico, Erika Naginski; Portable ruins, Alina Payne; Istanbul: The palimpsest city in search of its archi-text, Nebahat Avcioglu; The iconicity of Islamic calligraphy in Turkey, Irvin Cemil Schick; The Buddha’s house, Kazi Khalid Ashraf; A flash of recognition into how not to be governed, Natasha Eaton; Hasegawa’s fairy tales, Christine Guth; The paradox of the ethnographic-superaltern, Anna Brzyski, and contributions to “Lectures, Documents and Discussions” by Karen Kurczyncki, Mary Dumett, Emmanuel Alloa, Francesco Pellizzi, and Boris Groys.
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Res
Anthropology and Aesthetics, 55/56: Absconding
Francesco Pellizzi
Harvard University Press, 2009
This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.
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Res
Anthropology and Aesthetics, 57/58: Spring/Autumn 2010
Francesco Pellizzi
Harvard University Press, 2010
This double volume of the renowned international journal of anthropology and comparative aesthetics includes “Aesthetics’ non-recyclable ground” by Félix Duque; “Seeing through dead eyes” by Jonathan Hay; “The hidden aesthetic of red in the painted tombs of Oaxaca” by Diana Magaloni; “A consideration of the quatrefoil motif in Preclassic Mesoamerica” by Julia Guernsey; “Hunters, Sufis, soldiers, and minstrels” by Cynthia Becker; “Figures fidjiennes” by Marc Rochette; “A sacred landscape” by Rachel Kousser; “Military architecture as a political tool in the Renaissance” by Francesco Benelli; “The icon as performer and as performative utterance” by Marie Gasper-Hulvat; “Image and site” by Jas’ Elsner; “Untimely objects” by Ara H. Merjian; “Max Ernst in Arizona” by Samantha Kavky; “Form as revolt” by Sebastian Zeidler; “Embodiments and art beliefs” by Filippo Fimiani; “The theft of the goddess Amba Mata” by Deborah Stein; and contributions to “Lectures, Documents and Discussions” by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.
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Res
Anthropology and Aesthetics, 59/60: Spring/Autumn 2011
Francesco Pellizzi
Harvard University Press, 2011
RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
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Res
Anthropology and Aesthetics, 6: Autumn 1983
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 61/62: Spring/Autumn 2012: Sarcophagi
Francesco Pellizzi
Harvard University Press, 2013
Res 61/62, Sarcophagi, is guest edited by Wu Hung and Jas Elsner. It includes “Chinese coffins from the first millennium b.c. and early images of the afterworld” by Alain Thote; “Art and personhood” by Björn Ewald; “Western Han sarcophagi and the transformation of Chinese funerary art” by Zheng Yan; “Reading identity on Roman strigillated sarcophagi” by Janet Huskinson; “‘A Tomb Both Great and Blameless’” by Richard Neer; “Funerary Spatiality” by Lillian Lan-ying Tseng; “‘Nero’s Tomb’ and the crisis of the third century” by Edmund Thomas; “Jouissance of death?” by Eugene Wang; “Reading images without texts on Roman sarcophagi” by Paul Zanker; “Decorative imperatives between concealment and display” by Jas Elsner; “Han sarcophagi” by Wu Hung; “Framing the dead on Roman sarcophagi” by Verity Platt; “Presentation, (re)animation, and the enchantments of technology” by Finbarr Barry Flood; “Death panels” by T. J. Clark; and contributions to Documents and Discussions by Andrew Scherer and Roberta Bonetti. Also included are contributions to Lectures—Color by Alexandre Tokovinine, Cameron L. McNeil, Timothy W. Pugh and Leslie G. Cecil, Leonardo Lopez Lujàn, Douglas K. Charles, and Warren R. DeBoer.
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Res
Anthropology and Aesthetics, 63/64: Spring/Autumn 2013: Wet/Dry
Francesco Pellizzi
Harvard University Press, 2013
RES 63/64, Wet/Dry, includes "Source and trace" by Christopher S. Wood; "Climatic variability and pictorial oscillation" by Whitney Davis; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Drawing blood" by Anne Dunlop; "Guercino's 'wet' drawing" by Nicola Suthor; "Volcano equals head equals kiln equals phallus: Connecting Gauguin's metaphors of the creative act" by Dario Gamboni; "On sources: Mythical and historical thinking in fin-de-siècle Vienna" by Mario Wimmer; "A Neolithic childhood: Children's drawings as prehistoric sources" by Barbara Wittmann; "The form of the indistinct: Picasso and the rise of generic creativity" by Gabriele Guercio; "Source and trace in Walter Benjamin's thought: About a polarity" by Chiara Cappelletto; "Modern architecture and prehistory: Retracing The Eternal Present" by Spyros Papapetros; and "The readymade metabolized: Fluxus in life" by David Joselit. Contributors to Lectures, Documents, and Discussions include Remo Guidieri; Félix Duque; Marvin Trachtenberg; Frank Fehrenbach; Alexander Nemerov; Robert Smithson and Alexander Nagel; Francesco Pellizzi; Jörg Trempler; Aurélie Verdier; Anna Begicheva and Natasha Kurchanova; and D. Graham Burnett, Jac Mullen, and Sal Randolph.
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Res
Anthropology and Aesthetics, 65/66: 2014/2015
Francesco Pellizzi
Harvard University Press, 2015
This 35th anniversary issue includes Francesco Pellizzi, “Editorial: RES at 35”; Remo Bodei, “A constellation of words”; Stephen Houston, Barbara Fash, and David Stuart, “Masterful hands”; Mary Weismantel, “Encounters with dragons”; Guilhem Olivier, “Why give birth to enemies?”; Élodie Dupey García, “The materiality of color in the body ornamentation of Aztec gods”; Cristina Cruz González, “Crucifixion piety in New Mexico”; Duncan Caldwell, “A new ordering of Adena tablets based on a deeper reading of the McKensie Tablet”; Z. S. Strother, “A terrifying mimesis”; Wyatt MacGaffey, “Franchising minkisi in Loango”; Lisa Homann, “Alluring obscurity”; Clemente Marconi, “Pausanias and the figural decoration of Greek sacred architecture”; Bissera V. Pentcheva, “The aesthetics of landscape and icon at Sinai”; Paroma Chatterjee, “The gifts of the Gorgon”; Achim Timmermann, “Vain labor(?)”; Karen Overbey, “Seeing through stone”; Juan José Lahuerta, “The crucifixions of Velázquez and Zurbarán”; Noam Andrews, “The space of knowledge”; Katrin Seyler, “Heritage and artisanal empathy in the Republic of Tools”; Ines G. Županov, “The pulpit trap”; Edward Vazquez, “Antimatter”; Bret Rothstein, “Visual difficulty as a cultural system”; and contributions by Alessandra Russo, Éric Michaud, Maria H. Loh, and Ara H. Merjian; and the essay “Adieux aux armes,” by Remo Guidieri.
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Res
Anthropology and Aesthetics, 7 & 8: Spring/Autumn 1984
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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Res
Anthropology and Aesthetics, 9: Spring 1985
Francesco Pellizzi
Harvard University Press

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.

Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.

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front cover of Res
Res
Anthropology and Aesthetics, volume 75-76 number 1 (2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 75-76 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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front cover of Res
Res
Anthropology and Aesthetics, volume 77-78 number 1 (2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 77-78 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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